Periodic Report (Convention)

A. General information

Name of State Party

Finland

Date of Ratification

2013-02-21

Question A.1

Executive summary

Please provide an executive summary of the report that will allow general readers to understand the overall status of legislative, regulatory and other measures taken at the national level to implement the Convention. This should follow the organizational structure of the form.

Finland ratified the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage in 2013. The Finnish Heritage Agency is responsible for the national implementation in Finland under the Ministry of Education and Culture. An Advisory board of ICH is appointed by the Ministry every four years.

Multistakeholder networks, Circles of living heritage, have been established in most of domains to support the implementation and to share good practises among each other. Living heritage! Plan for National Implementation (2015) defines the general guidelines for the implementation and it is supplemented with an Action Plan every four years. In 2016 the Wiki-inventory for Living Heritage was opened to make visible the ICH of various communities. To date there are 213 entries from more than 250 communities. From the Wiki it is possible to apply to the National Inventory, which has 64 elements to date.

Finland has a wide variety of actors in safeguarding at national, regional and local levels. Thousands of NGOs and other civil society actors contribute to the safeguarding of ICH. Transmission and documentation is also carried out by a vast network of educational institutions, museums, archives and other institutions. Most of these institutions and organisations receive public funding from governmental, regional or municipal authorities, either in the form of operating grants and/or individual project grants.

Finland does not have special legislation for ICH. However, there is a wide range legal and administrative instruments and policies that relate to ICH and its safeguarding, the right to language and culture, participation, and access to culture. However, in recent years the notion of ICH has become visible in new legislation on museums and the work with culture in municipalities. In the work with living heritage, there are strong synergies with the 2030 Agenda. In order to better fulfil the
SDGs, closer cooperation with other public bodies, ministries and agencies is needed.

In Finland the awareness and media attention towards ICH has been steadily rising since the ratification of the Convention. Inventorying and inscriptions have been important in this process. International cooperation in the field is active. The work on ICH touches upon many other international organs and Conventions. In the future, it is important to highlight these connections and to find more synergies.

However, the field of ICH is vast and there is still work to be done. In Finland many of the stakeholders of ICH don’t necessarily regard themselves as actors of ICH, and thus their safeguarding actions are not always implemented the best way possible in the spirit of the Convention 2003. Awareness raising and capacity building efforts should be emphasized in the future to overcome this challenge especially in the field of formal and non-formal education and transmission of ICH. The NGOs and the civil society will have a big role in the awareness raising and capacity building efforts for their capacities acting as mediators between the state and the communities. It is essential for all the actors to include better the viewpoint of cultural diversity in all of its forms. In Finland this means particularly the indigenous Sámi people.

This report gathers the experience of Finland in the implementation of the Convention both by the national coordinating body Finnish Heritage Agency as well as safeguarding ICH in general by the state and the civil society. The report is based on research work and wide consultation process among communities, NGOs, various institutions and public bodies. The report has provided a lot of new insights and will also serve as planning tool for the safeguarding of ICH in Finland for the following six years.

Question A.2

Contact information of the focal point for the periodic report

If you need to update the information related to the focal point, please write to the Secretariat (ich-reports@unesco.org) indicating the information to be updated, and the Secretariat will make necessary changes.

Title (Ms/Mr, etc)

Mr

Family name

Vainonen

Given name

Hannu

Institution/position

Senior Ministerial Adviser Ministry of Education and Culture International Relations

Address

P.O. Box 29 FI-00023 Government

Telephone number

+358 295 3 30323

E-mail address

hannu.vainonen@gov.fi

Other relevant information

Ms Leena Marsio
Senior Advisor
Finnish Heritage Agency
P.O. Box 913
FI-00101 Helsinki
+359 295 33 6017

leena.marsio@museovirasto.fi

Question A.3

Institutions and organizations involved in the preparation of the periodic report

  • Governmental institutions

    The Ministry of Education and Culture has founded an advisory group on ICH for the term 2018–2022. The group acts to support the implementation of the Convention and as experts in questions relating to intangible cultural heritage. The group has participated in the planning of the reporting process and replied also to the surveys and participated in some of the workshops.

    The members of the advisory group are from the following organisations:University of Turku, Åbo Akademi University, Finnish Literature Society, Institute for the Languages of Finland, Finnish Heritage Agency, The National Library, The Society of Swedish Literature in Finland, The association of Cultural Heritage Education in Finland, Ålands museum, Arts Promotion Centre Finland, The Finnish Folk Music Institute, Runosong-Academy, Finnish Crafts Organization Taito, Finnish Forest Museum and Ministry of Education and Culture.

    The Government of Åland produced material for the periodic report. The survey for communities was circulated in Åland. Workshops were also organized with the Sámi Parliament and the Roma Advisory Board.

    Furthermore, the following governmental organisations replied to the surveys and/or took part in workshops:
    Ministry of Education and Culture, Ministry of the Environment, Ministry of Agriculture and Forestry, National Agency for Education, Metsähallitus (Finnish Forest Administration), Natural Resources Institute Finland, Finnish Environment Institute

 

  • National commission for UNESCO

    The national commission for UNESCO has provided information to the report regarding International Conventions. The commission has also discussed about the report in its meeting.

 

  • Research institutions

    The Center for Cultural Policy Research Cupore has been a partner to the FHA in the periodic reporting with an input of three months of work. Cupore staff was responsible for drafting indicators 2-4 and 11-14.

 

  • Centres of expertise

    The following centres of expertise have participated in the surveys and/or workshops:

    Suomalaisen Kirjallisuuden Seura (The Finnish Literature Society )
    Kansanmusiikki-instituutti (Finnish Folk Music Institute)
    Kansanmusiikin ja Kansantanssin Edistämiskeskus (Promotion Centre for Finnish Folk Music and Folk Dance)
    Kotimaisten Kielten Keskus (Institute for the Languages of Finland)
    KulturÖsterbotten
    Saamelaisarkisto (Sámi Archives)
    Saamelaisneuvosto (Saami Council)
    Taiteen edistämiskeskus (Art Promotion Center)
    Svenska litteratursällskapet i Finland (Society of Swedish Literature in Finland)
    Nordens Institut på Åland (The Nordic Institute on Åland)

 

  • Universities

    Staff members from the following universities have participated in the surveys and/or workshops:
    Aalto University
    Arcada University of Applied Sciences
    Centria University of Applied Sciences
    Metropolia University of Applied Sciences
    University of Helsinki
    University of Eastern Finland
    University of Jyväskylä
    University of Tampere
    University of Turku
    Åbo Akademi

 

  • Museums

    The following museums have participated in the workshops organised by the FHA:
    Designmuseo, Helinä Rautavaaran museo, Käsityömuseo, Savonlinnan museo, Lusto - Suomen Metsämuseo, Teatterimuseo.

    The following museums have provided information to the survey related to the periodic reporting:
    Espoon kaupunginmuseo, Föreningen Brage i Vasa – museisektionen, Helsingin taidemuseo, Hämeenkyrön kunta museopalvelut, Helsingin kaupunginmuseo, Huittisten museo, Joensuun museot, K.H.Renlundin museo,
    Kainuun Museo, Karhulan Ilmailukerhon Lentomuseo, Kaskö hembygdsmuseum, Keski-Suomen museo,
    Kovjoki hembygds- och museiförening r.f / Nykarleby Jernväg - Kovjoki Museigård, Kuopion kulttuurihistoriallinen museo, Lahden museot, Lapin maakuntamuseo, Museo- ja tiedekeskus Luuppi, National Museum of Finland, Palsan Mylly- ja sahamuseo, Pirkanmaan maakuntamuseo, Saarijärven museo, Salon kaupungin museopalvelut, Savonlinnan museo, Stiftelsen Ålands Jakt-och Fiskemuseum, Stundars museum, Suomen käsityön museo, Tuusulan museo, Vantaan kaupunginmuseo, Vesilahden museoyhdistys ry

 

  • NGOs

    The following NGOS have participated in the workshops organised by the FHA:
    Art-Master ry, Globe Art Point, HIAA, Hippos, Joulupukkisäätiö, Kalevalainen kansanparannussäätiö, Kalevalaisten Naisten liitto, Kansanlääkintäseura ry, Kansaparannus säätiö, Kansaparannus säätiö, Käpylä seura, Karjalainen nuorisoliitto, Käsi- ja taideteollisuusliitto ry, Kotiseutuliitto, Kotiseutuyhdistys Kömin Kilta ry, Kulttuuria Kaikille, Kuurojen Liitto ry, Kulttuurituotanto, Luonto ja ympäristö koulujen liitto, Luontoliitto ry, Maa- ja kotitalousnaisten liitto, PACUNET, Paliskuntain yhdistys, ProSiika ry, Romano Missio ry, Runolaulu-Akatemia, SÁMI DUODJI RY, Seurasaarisäätiö, Sirkuksen tiedotuskeskus, Sirkuksen tiedotuskeskus ry, SKIP ry, Suomen etnomusikologinen seura ry, Suomen Hippos, Suomen Käsityön Ystävät ry, Suomen Kotiseutuliitto, Suomen luonto- ja ympäristökoulujen liitto, Suomen luonto- ja ympäristökoulujen liitto ry, Suomen Nuorisosirkusliitto, Suomen partiolaiset, Suomen Romaniyhdistys ry, Suomen Unima ry, Suomi-arabia ystävyysseura, Käsi- ja taideteollisuusliitto Taito ry, Tekstiilikulttuuriseura, Tyyne-kerttu virkki-säätiö, Urbanapa.

    The following NGOS have provided information to the survey related to the periodic reporting:
    Svenska Österbottens Ungdomsförbund, Finlands svenska spelmansförbund r.f., Härmä Seura, Heinolan Kalevalaiset Naiset ry, Helsingin Seudun Erilaiset Oppijat ry, Hirvensalmi-seura ry, Joulupukkisäätiö sr, Kalevalaisten Naisten Liitto, Kalevalainen Kansanparannus-säätiö, Kansanlääkintäseura ry, Kaukametsäläiset ry, Kökars Marthaförening, Kömin Kilta ry, Kotiseutuyhdistys Rovaniemen Totto ry, Kulttuuriperintökasvatuksen seura, Kulttuuriperintökasvatuksen seura, Kuurojen Liitto ry, Läntinen tanssin aluekeskus ry, Lappfjärds Marthaförening, Naantalin Purjehdusseura ry, Österbottens barnkulturnätverk Bark / Österbottens förbund,
    Pentti Roiton Säätiö, Petäjäveden vanhan kirkon säätiö, Pitsikeskus Emelia ry, Pohjois-Karjalan Martat ry, Pro Karhusaari ry, ProSiika ry, Runolaulu-Akatemia, Sámi Duodji ry, Seurasaarisäätiö, Sivistysliitto ja Opintokeskus Kansalaisfoorumi, Suomen Etnomusikologinen Seura, Suomen Kirkkomusiikkiliitto ry, Suomen Kotiseutuliitto, Suomen Nuorisosirkusliitto, Suomen Romaniyhdistys ry, Suomen tanssioppilaitosten liitto ry, Suomen UNIMA ry, Sydösterbottens marthadistrikt, Taito Pohjois-Pohjanmaa ry, Taito Varsinais-Suomi, Taito Ylä-Savo ry, Teuva-Seura ry, Teuvan Kalevalaiset, Tommi-puukon Perinneyhdistys ry, Turun Kansantanssin Ystävät ry, Vantaa-Seura, Ympäristökasvatusjärjestö FEE Suomi ry.

 

  • Municipalities

    A survey for municipalities was made on the relevant indicators and sent to all 309 municipalities in Finland. Altogether 74 municipalities replied to the survey.

    Korsnäs, Alavieska, Alavus, Askola, Enontekiö, Eurajoki, Evijärvi, Hailuoto, Hanko, Heinola, Inari, Isojoki, Joensuu, Joutsa, Kalajoki, Kangasala, Kangasniemi, Kankaanpää, Kannus, Kauniainen, Keminmaa, Kempele, Kihniö, Konnevesi, Korsholm, Kouvola, Kruunupyy, Kurikka, Laihia, Lapinlahti, Lempäälä, Leppävirta, Liminka, Maarianhamina, Mynämäki, Nivala, Nykarleby, Orimattila, Oripää, Orivesi, Oulainen, Paimio, Pälkäne, Parkano, Pello, Petäjävesi, Pietarsaari, Pirkkala, Pornainen, Pöytyä, Punkalaidun, Raahe, Raseborg, Rautalampi, Rautavaara, Säkylä, Salla, Salo, Savonlinna, Sievi, Siikalatva, Siilinjärvi, Suonenjoki, Taivalkoski, Tammela, Toholampi, Valkeakoski, Vesilahti, Vieremä, Virrat, Ylivieska.

 

  • Local governments

    The following regional councils replied to the survey:
    Etelä-Savon maakuntaliitto (South Savo Regional Council)
    Pohjanmaan liitto (Regional Council of Ostrobothnia)

 

  • Private sector entities

    The following private sector entities replied to the survey:
    Helsingin Suomalainen Klubi (The Helsinki Finnish Club)
    Hintsa Performance
    Lumimuutos Osuuskunta (Snowchange Cooperative)

 

  • Others (if yes, specify)

    The following educational institutions have provided information to the survey

    Ammattiopisto Livia (Vocational college)
    Ammattiopisto Tavastia (Vocational college)
    Espoon Tanssiopisto (Espoo Dance Institute)
    Keski-Pohjanmaan konservatorio (Central Ostrobothnia Conservatory)
    Kulttuuri- ja oppimiskeskus Virta (Culture and Learning Center Virta)
    Malax-Korsnäs medborgarinstitut (Malax-Korsnäs Citizens' Institute)
    Medborgarinstitutet i Mariehamn (The Citizens' Institute in Mariehamn)
    Musiikkiopisto Arkipelag (Music college)
    Opintokeskus Kansalaisfoorumi (Adult Education Institution - Citizens’ Forum)
    Pieksämäen Seutuopisto (Pieksämäki Regional College)
    Saamelaisalueen Koulutuskeskus (Sámi Educational Centre)
    Sydkustens landskapsförbud/Åboland
    Tiedotuskeskus (Dance Info Finland)
    Vantaan kuvataidekoulu (Vantaa Art School)
    Vihdin kuvataidekoulu (Vihti Art School)
    Ylivieskan seudun kansalaisopisto (Ylivieska Region Citizens' College)

    In addition one parish participated in the survey: Ilomantsin ortodoksinen kappeliseurakunta

Please provide any comments in the box below

The Finnish Heritage Agency has organized several surveys related to the periodic reporting. Separate surveys have been sent to communities and NGOs; researchers; educational institutions and municipalities. The surveys were replied by 206 respondents. Furthermore, both accredited organisations (Finnish Folkmusic Institute and Crafts Organization Taito) produced own reports from their field.

In addition, altogether nine online workshops were organised and in total 188 people/organisations participated. Workshops were organised by the FHA for the advisory board of ICH; for ICH communities and NGOs and also for researchers.

Many workshops were organised in partnership with other organisations. A workshop on Roma ICH was organised in cooperation the National Advisory Board on Romani Affair and Finnish Roma Association. Furthermore, a workshop on Sámi ICH was organised in cooperation with the Sámi Parliament in Finland. A workshop on ICH and cultural diversity was organised with the NGO Culture for All Service.

Four workshops related to the Cultural Heritage Strategy of Finland were organised with the Circles of Living Heritage as an input to the report on sustainable development and future planning of the ICH field.

Question A.4

Accredited Non-Governmental Organizations

For information, please find below the list of accredited NGOs located in your country, if any. You can find detailed information on each NGO, by clicking on the question mark symbol.

Name of the NGO

Year of accreditation

Finnish Folk Music Institute (NGO-90407)

2018

Finnish Crafts Organization Taito (NGO-90436)

2020

Please provide in the box below observation(s), if any, on the above-mentioned information.

There are two organizations accredited to the Convention in Finland, the Finnish Folk Music Institute (since 2018) and Finnish Crafts Organization Taito (since 2020). Both operate in their respective fields nationwide.

The Finnish Folk Music Institute (Kansanmusiikki-Instituutti) was founded in 1974. Its main tasks are the research, recording, archiving, information, concert and publishing activities, educational and museum activities, and cultural policy influencing of folk music and dance. The institute operates e.g. in the Circle of living heritage in its field and in co-operation with various communities, as well as in international co-operation forums in the Nordic-Baltic ICH Network, on the ICH NGO Forum and its working groups, e.g. chairing the Working Group on Regional Imbalances. The Finnish Folk Music Institute’s capacity building program for ICH aims at e.g. the involvement of NGOs in the safeguarding of ICH the documentation, innovation and dissemination of good safeguarding practices, the development of research and cooperation between communities and research and education organizations, and the expansion of international networks.

The Finnish Crafts Organization Taito (Käsi- ja taideteollisuusliitto Taito ry) was founded in 1913. The activities of the organization Taito focus on the development of the crafts industry, in which the central role is played by the 16 regional associations. The training and counselling activities of the organization and the crafts schools for basic art education are active protection work of the living handicraft tradition. Crafts are linked to cultural, social and economic policies, which the association is influencing by conducting surveys and statements, liaising with decision-makers and networking with other actors in the field. The organization is active in international and domestic communities, such as with Nordic accredited expert organizations in the field of handicrafts, the living heritage craft circle, the ICH NGO Forum, the Nordic-Baltic ICH Network and the Ministry of Education and Culture’s intangible cultural heritage advisory group. The Finnish Crafts Organization Taito produces exhibitions and seminars related to the intangible cultural heritage and publishes Taito magazine, which has been telling stories about Finnish handicrafts for more than a hundred years.

Question A.5

Participation to the international mechanisms of the 2003 Convention

Question A.5.1

Elements inscribed on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding

For information, please find below the list of elements inscribed on the List of Intangibe Cultural Heritage in Need of Urgent Safeguarding, if any. You can find detailed information on each element, by clicking on the question mark symbol (Periodic reporting on these elements is done under a separate set of guidelines using form ICH-11).

none

Please provide in the box below observation(s), if any, on the above-mentioned information.

Question A.5.2

Elements inscribed on the Representative List of Intangible Cultural Heritage of Humanity

For information, please find below the list of elements inscribed on the Representative List of Intangible Cultural Heritage of Humanity, if any. You can find detailed information on each element, by clicking on the question mark symbol (the report on these elements will be made in section C of this form).

Name of the element

Year of inscription

Sauna culture in Finland (01596)

2020

Please provide in the box below observation(s), if any, on the above-mentioned information.

Question A.5.3

Programmes selected for the Register of Good Safeguarding Practices

For information, please find below the list of programmes selected for the Register of Good Safeguarding Practices, if any. You can find detailed information on each element, by clicking on the question mark symbol.

none

Please provide in the box below observation(s), if any, on the above-mentioned information.

Question A.5.4

Projects financed through International Assistance (Intangible Cultural Heritage Fund)

For information, please find below the list of projects financed through the ICH Fund in your country, if any. You can find detailed information on each project, by clicking on the question mark symbol.

none

Please provide in the box below observation(s), if any, on the above-mentioned information.

Question A.6

Inventories

Please provide information on the inventory or inventories of the intangible cultural heritage present in your State’s territory, as referred to in Articles 11 and 12 of the Convention and paragraph 153 of the Operational Directives. The 'Add' tab allows you to add as many inventories as you wish to include. If no inventory has been established yet in your country, leave this section blank.

1

a. Name of inventory

Elävän perinnön wikiluettelo / Wiki-inventory for Living Heritage

b. Hyperlink to the inventory (if any)

https://wiki.aineetonkulttuuriperinto.fi/

c. Responsible body

Finnish Heritage Agency

d. Date of establishment

28th February 2016

e. Updated since ratification or during the reporting period (provide further details in section 7.3

)

Yes

Date of latest update

10-12-2021

f. Method and frequency for updating

The inventories under the Convention are updated every three years based on the date when they are originally submitted to the Wiki. The updating is done by the communities behind the entries. The Agency follows up the updating, reminds the communities if needed, asks for further questions and provides technical assistance when necessary. The updates are usually about recent development, project, campaigns or courses related to the element so contributing namely to the viability. The texts can be updated, new photos, videos or other links can be updated.

g. Number of elements included

213

h. Applicable domains

Festivities and practices
Music and dance
Performing arts
Oral traditions
Crafts
Food traditions
Games and playing
Nature and the universe
Good practices

i. Ordering principles

The inventory is ordered by the above mentioned domains. It is also possible to see the elements by region/municipality. In addition there are articles by children with the label “Our Heritage”.

j. Criteria for inclusion

- Elements of ICH in the domains mentioned, linking them or from outside them.
- Examples of ICH, at the heart of which are practising and passing on from one person to another.
- ICH in accordance with human rights and Finnish legislation, which supports sustainable development and respect between communities.
- Traditions in Finland which are transferred from one generation to the next or which surpass generational boundaries.
Who can make proposals?
- Associations
- Various communities (e.g. practitioners, hobby groups, actors within a certain geographical or thematic area, organisations in the field)
- Groups of individuals
Consideration should be also given to:
- Submissions to the wiki should be made by the communities and organisation that practice and are familiar with the heritage.
- Show consideration for the diversity, variation and nuances of traditions. It is possible to make several submissions for the wiki for the same element from different perspectives.
- Highlight living and changing cultural heritage, and show consideration for the different variants of the same heritage.
- Show consideration for previously under-represented groups and insufficiently documented cultural traditions.
- Avoid stereotypical assumptions.
- Give visibility to good practices (e.g. projects and their various parts).

k. Does the inventory record the viability of each element?

Yes

Please provide further details, if appropriate:

The contributors are asked to provide information about e.g. the communities that actively practise the tradition nowadays; how it is practised today; how does the transmission of the tradition take place and how does the future for the element looks like. Images and links to videos, social media, websites and other sources on information.

l. Does the updating of the inventory reflect the current viability of elements included? (provide further details in section 7.3

)

Yes

Please provide further details, if appropriate

When updating, the communities are asked to describe changes of the element since the inscription was last modified and also to update list of communities behind if there are new interested actors to support the inscription. Special attention is paid to the future of the tradition: how does the future look like; how is the tradition developing; what kind of good practices for transmission are there.

m. Does the inventory identify threats to the ICH elements included?

Yes

If yes, what are the main threats you have identified?

The elements inventories face many kinds of threats. There is lack of capacities at a local level for ICH safeguarding and management. Furthermore, disinterest of younger generations in learning techniques and knowledge related to ICH as well as participating in its continued transmission has been reported related to many elements. There is still lack of integration of ICH safeguarding in local development programs and projects. There is also over-commercialization, unregulated tourism and folklorization of ICH elements reported, particularly related to the Sámi ICH. In addition, there is need for more community-based research.

n. Is this a specialized inventory or an inventory of specific scope? (provide further details in section 7.2

)

No

Name of the associated element, domain, ethnic group, geographical region, etc.

o. Is access to the inventory facilitated while respecting customary practices governing access to specific aspects of ICH? (provide further details in section 7.4

)

Yes

p. Do communities, groups and NGOs participate inclusively in the inventorying process? (provide further details in section 8.1

)

Yes

q. Does the inventory respect the diversity of ICH and its practitioners, including the practices and expressions of all sectors of society and all regions? (provide further details in section 8.2

)

Yes

r. Does the inventory include the practices and expressions of all genders? (provide further details in section 8.2

)

Yes

Question A.7

Synergies with other international frameworks

States Parties are invited to share examples of concrete activities developed within other international frameworks which contributed to the safeguarding of ICH:

1

Programme/Convention /Organization

1972 Convention Concerning the Protection of the World Cultural and Natural Heritage

Activity/project

In September 2020, the National Museum of Finland returned Pueblo Tribes’ ancestral remains for reburial in Mesa Verde, Colorado, USA. The ancestor’s return home was agreed in excellent cooperation between the Museum and the four repatriating tribes – the Hopi tribe, pueblo of Acoma, pueblo of Zia and pueblo of Zuni – and with support and commitment of both countries’ governments and administration. In the spirit of the 1970 and 2003 UNESCO Conventions, UNIDROIT 1995 Convention, and the UN Declaration on the Rights of Indigenous Peoples, the repatriation of the ancestral remains to the Tribes was regarded the only ethically correct decision and procedure.

Contributions to the safeguarding of intangible cultural heritage

Finland has ratified in 1999 the UNESCO Convention on the Prohibition and Prevention of the Unauthorized Import, Export and Transfer of Ownership of Cultural Property. The treaty states that the exchange of cultural property will increase the knowledge of the civilization of mankind and enrich the cultural life of all peoples and awaken mutual respect and esteem between nations. Cultural heritage is one of the fundamental elements of civilization and national cultures, the real value of which can only be understood in a context where its origin, history and traditional environment are known as much as possible. Therefore, the signatory states have an obligation to protect the cultural property on their territory from theft and unauthorized export.

 

2

Programme/Convention /Organization

Other international frameworks

Activity/project

The European Landscape Convention by the Council of Europe

Contributions to the safeguarding of intangible cultural heritage

The European Landscape Convention entered into force in Finland in 2006. Under the Nature Conservation Act, special landscape management areas can be established. They are used to preserve, among other things, the natural or cultural landscape and the historical features of the areas. Landscape management areas are established in close cooperation with local actors, such as village associations and municipalities. Five national landscape conservation areas have been established by the decision of the Ministry of the Environment and two provincial landscape conservation areas by the decision of the regional environmental centers.

Regional Councils may propose the creation of landscape protection areas. Such projects are often started at grassroots level, and the plans shaped by the opinions presented by the citizenry and the organizations of the area. In landscape management, joint planning of activities is essential: preparations are made, for example, with the village association. A management and use plan will be drawn up for the Conservation Area together with local actors. Regional Councils may propose the creation of landscape protection areas. Such projects are often started at grassroots level, and the plans shaped by the opinions presented by the citizenry and the organizations of the area. To support the acts, a landscape Inventory guidance booklet has been produced.

One goal of The European Landscape Convention is to remind citizens that landscapes are an integral part of human well-being and the attractiveness of living environment. The International landscape Day celebrates various ways the meanings of landscapes. Open photo competition, guided landscape walks and photography campaign on social media have been organized in order to encourage people to recognize the value of familiar everyday landscape and its impact on daily lives. The Landscape Day brings together several NGOs and state administration to collaboration.

The Landscape Convention is of great relevance for the indigenous people as it underlines cultural and symbolic significance of the living environments. The use of landscape is crucial for following the traditional way of living. The Convention encourages informal cross-border discussions and exchange of information between experts and officials working on landscape issues.

The Landscape Award of the Council of Europe is intended to raise civil society’s awareness of the value of landscapes, of their role and of changes to them. For example, in 2020, the Winner in Finland was a management project for coastal meadows in the Gulf of Bothnia. It is a joined effort, which has resulted in the landscape and nature of the coastal meadows have been managed through long-term and extensive cooperation.

As part of the Convention, the Helmi (Pearl) Program is a key tool in halting the impoverishment of Finland's nature. The program includes 40 measures to accelerate the restoration, management and protection of different habitats. The activities of the program help hundreds of endangered species as well as a large part of the endangered habitats in our country. The main goal of the Helmi program is to look at habitats and the restoration and management measures they need as a whole and as a multi-stakeholder collaboration. Rehabilitation and management measures will be centralized to make them as effective as possible for biodiversity. The program manages, restores and restores various habitats, such as bird waters and wetlands, traditional biotopes, groves, roasting areas, small waters and coastal nature. Associations can apply for support from the Ministry of the Environment through the program for the protection of the living environment.

 

3

Programme/Convention /Organization

Other international frameworks

Activity/project

Creative Europe Program by the European Union

Contributions to the safeguarding of intangible cultural heritage

Creative Europe is the only EU programme that specifically targets cultural, creative and audiovisual sectors and operators from all over Europe. Funding is provided for projects and activities with a European dimension. Culture strand of the program funds culture sector initiatives, such as those promoting cross-border cooperation, platforms, networking, and literary translation. The Creative Europe Program is a major funder of international cooperation in the cultural field. Some of the Finnish projects funded by Creative Europe are related to intangible cultural heritage.

Creative Europe has given funds for Heritage Hubs, led by The Association of Cultural Heritage Education in Finland (Suomen kulttuuriperintökasvatuksen seura ry.) Heritage Hubs brought together 10-16-year-old children and young people from Finland, Serbia and Spain to share examples of their cultural heritage via digital platforms and to experience, interpret and practice the cultural heritage of others in face-to-face interaction at home and abroad. The pupils familiarised themselves with their own heritage and produced videos and other digital presentations of what they regard as important cultural heritage thus creating new interpretations of ICH.

There are also several other Creative Europe funded projects dealing with intangible cultural heritage where Finnish organisations have participated in. For example, in” FACE to FAITH”, a collaboration of 7 countries and organisations led by German Sommerblut Kulturfestival, Finnish ANTI-festival explores and discusses the meaning of faith in our societies through theatre projects and conferences. In project “Refresh+,” coordinated by the Association of Historic Towns of Slovenia, Finnish Tuas participates in bringing together young artists who create new artworks inspired by intangible cultural heritage in Slovenia and Romania.

In ”Womarts,” led by Auditorio de Galicia, WIFT Finland takes part in highlighting the contribution of women to the European cultural heritage and diversity. Rosala Viking Centre participated in “Follow the Vikings” project that brough together a network of partners from across Europe to broaden and develop the audience to Viking heritage and its sites. And in Sounds of Changes, led by Flygvapenmuseum from Sweden, The Finnish Labour Museum Werstas participated in documenting the changes in our audiovisual landscape by recording 800 sounds and soundscape. As the examples show, Creative Europe funding has been used for bringing together intangible cultural heritage from European countries, also Finland, and creating joint European creations and solutions based on it.

 

4

Programme/Convention /Organization

Other international frameworks

Activity/project

European Heritage Label of the European Union

Contributions to the safeguarding of intangible cultural heritage

Finland joined the European Heritage Label in 2018. The Finnish Heritage Agency is responsible for the national coordination of the label. The first application opportunity for Finnish cultural heritage sites was in the spring of 2021. Since 2018, several seminars and webinars have been organized related to EHL, which have also been actively communicated to the ICH field. Intangible cultural heritage actors were also active in the first call of applications.

The Images from Finland – photo campaign related to the first application round of EHL was also effectively promoted among living heritage actors. The campaign resulted in more than 4,000 images on social media, many of which were related to intangible cultural heritage.

 

5

Programme/Convention /Organization

Convention on Wetlands (RAMSAR)

Activity/project

Contributions to the safeguarding of intangible cultural heritage

 

6

Programme/Convention /Organization

Other international frameworks

Activity/project

Leader Program by the European Union

Contributions to the safeguarding of intangible cultural heritage

Since its launch in 1991, the Leader programme has helped rural communities across the European Union to actively engage and to direct the local development of their area, through community-led local development. Finland has been part of the Leader programme since 1996.

The Leader network extends throughout Finland, with a total of 55 Leader groups across the country. Public funding for Leader activities in the period 2014-2022 totals EUR 383 million. Though most of the funding comes from the EU, also the state and municipalities provide funding for Leader-projects. During these years, the Leader groups had funded almost 7,000 projects. Tens of projects related to ICH have been funded related to local heritage, storytelling, performing arts, crafts and food. In 2022 three Leader groups in Southern Savo will publish a funding call targeted specifically to ICH projects.

 

7

Programme/Convention /Organization

1972 Convention Concerning the Protection of the World Cultural and Natural Heritage

Activity/project

Finland ratified the Convention Concerning the Protection of the World Cultural and Natural Heritage in 1987. At present the World Heritage List contains six Finnish World Heritage Sites and one Natural Heritage Site. I

Contributions to the safeguarding of intangible cultural heritage

ICH in the Finnish World Heritage sites is related for example on the craft skills. The stone walls in the Fortress of Suomenlinna or the wooden buildings in Old Rauma can only be preserved if the knowledge on the necessary craft skills are passed on in the community. By protecting these sites, also the knowledge is safeguarded. In Kvarken Archipelago, there is many kinds of knowhow related to the nature and its preservation among the community living in the area. In the Verla Groundwood and Board Mill there is a lot of stories and oral heritage related to the use of and life on the Mill.

World Heritage Sites are common living heritage that everyone can access. Sites are developed in interaction with regional actors and local communities, associations and citizens. When well cared for, the sites will be preserved for future generations and bring joy, benefit and added value to their environment.
Finland's world heritage activities are guided by the Operational Guidelines for the Implementation of the Agreement, the so-called “Our Common Heritage. The Global Strategy and the National World Heritage Strategy 2015–2025” completed under the guidance of the Ministry of Education and Culture and its implementation plan. The heritage sites are encouraged to provide opportunities for local citizens, property owners, entrepreneurs, associations and other stakeholders to act for the good of world heritage as well as to support voluntary activities and to build networks. Shared goals for quality (cf. aforementioned visitor services) and visibility will be agreed upon together with the entrepreneurs operating in the world heritage sites.

 

8

Programme/Convention /Organization

Convention on Biological Diversity

Activity/project

Finland was one of the first countries to sign the Convention on Biological Diversity (CBD), the most important agreement protecting biodiversity. Finland ratified the Convention in 1994.

Contributions to the safeguarding of intangible cultural heritage

A process to prepare a new National Biodiversity Strategy and an action plan to 2030 related to this is currently underway. In addition to national objectives, the strategy takes into account the objectives of the UN Convention on Biological Diversity and the new EU Biodiversity Strategy. This process should be completed in the early part of 2022. The previous strategy (2013-2020) stressed the need to mainstream issued related to the natural environment to all sectors of society, involvement of new actors to work for the benefit of nature, decision-making based on solid scientific knowledge and, as part of the international community, Finland’s responsibility for natural environments on the global scale. The strategy also outlined ways to link the traditional knowledge of the Sámi people to the protection of biodiversity.

Under Article 8(j) of the Convention on Biological Diversity, Finland has undertaken to respect, preserve and maintain the knowledge, innovations and practices of indigenous peoples and local communities relevant for the conservation of biological diversity and to promote their wider application with the approval of knowledge holders and to encourage equitable sharing of benefits arising out of the use of biological diversity. The Akwé: Kon guidelines aim to improve environmental decision-making in the home regions of indigenous populations. In Finland, the Akwé: Kon guidelines are intended to be used in the Sámi homeland to assess the cultural, environmental and social impacts of projects and plans that may affect Sámi culture, livelihoods and cultural heritage. The Akwé: Kon method has been used in Finland for example in Forest Boards (Metsähallitus) national park management plans.

 

9

Programme/Convention /Organization

Food and Agriculture Organization of the United Nations (FAO)

Activity/project

Finland has been a member of FAO ever since the organisation was established in 1945. In Finland, FAO matters fall under the responsibility of the Ministry of Agriculture and Forestry of Finland (Maa- ja metsätalousministeriö), which also pays Finland’s annual statutory membership fee (approximately €2 million). Development funding provided by the Finnish Ministry of Foreign Affairs is channelled through FAO. As a rule, Finland participates in FAO’s Governing Bodies through its reference groups, such as the Nordic countries, the EU and the regional group for Europe. Helsinki University Library is the repository of FAO publications in Finland.

Contributions to the safeguarding of intangible cultural heritage

The Sámi Parliament, in co-operation with the FAO, carried out a project “Reindeer herding food system of the Inari Sámi people in Nellim, Finland” that aimed at profiling traditional indigenous food systems in co-operation with indigenous peoples. The project was implemented in 2018 and funded by the Ministry of Agriculture and Forestry of Finland. The aim was to highlight the uniqueness of indigenous food systems and the commonalities around the world and the challenges they face, the likes of climate change. The profiling of the Sámi food system covered the whole Arctic region in the FAO project. The project was implemented in collaboration with indigenous people at the community level, respecting the principle of free, informed prior consent of indigenous people.

The project was implemented from an inclusive perspective through discussions with indigenous communities. The community here was the village of Nellim in Inari Sámi. The topics of discussion were e.g. food traditions, exchange and trade culture, seasons, diets and challenges for preserving and strengthening the traditional food system. Both men and women, from young people to the oldest in the community, took part in the discussions. The final report of the project was included in the recent FAO publication “Indigenous Peoples’ food systems - Insights on Sustainability and resilience from the front line of climate change”.

 

10

Programme/Convention /Organization

Man and the Biosphere programme (MAB)

Activity/project

Biosphere sites are model areas for sustainable development that combine the protection of the biodiversity of habitats, sustainable use of natural resources and environmental research. In Finland there are two biosphere sites, one in North Karelia (Pohjois-Karjalan biosfäärialue) established in 1992 and the Archipelago Sea biosphere (Saaristomeren biosfäärialue) site established in 1994.

Contributions to the safeguarding of intangible cultural heritage

In the North Karelia Biosphere Reserve, activities support and highlight local companies and actors that maintain intangible cultural heritage through a partnership network. Examples of this are the Puukari stop and the Laitala Holidays Inn, which maintain Karelian food culture. Good ICH practices are also shared through the partnership network.

In the Archipelago Sea Biosphere Reserve, traditional boat building and sailing are an important part of the archipelago’s cultural heritage. Children get to experience traditional boat sailing in schools and with a local association. Two local schools have their own study unit “Archipelago knowledge” (Skärgårdskunskap) where children and young people are taught archipelago skills. At the annual winter meeting of the Biosphere Reserve, high school student groups present their work. The theme for 2022 is “Sustainable living in the archipelago” (Hållbart boende i skärgården) and the work concerns traditional construction.

Furthermore, in this area, The Biosphere Academy's pedagogical program focuses on science, environmental and sustainability education for children. There have been several projects in the biosphere reserve related to artisanal food and fish processing, which dealt with traditional recipes and fish processing skills. Actors from the area have participated in the process to inscribe Nordic clinker boat tradition to UNESCO RL.

 

11

Programme/Convention /Organization

World Intellectual Property Organization (WIPO)

Activity/project

Contributions to the safeguarding of intangible cultural heritage

The Ministry of Education and Culture in Finland has since 2012 started forging co-operation within the Finnish government in relation to protection of indigenous traditional knowledge (TK). This is important because from indigenous perspective there is a need for holistic protection which cannot be achieved unless it is dealt in a broader context. This way the combined efforts in protecting TK comes clearer and synergies from existing instruments can be used. The work is led by DG of Culture and Arts department in Finland. Secretary General is from the Copyright unit, ensuring that IP is also considered as one key area. Intellectual Property is only one of the ways, although important, to cover issues related to protection of indigenous traditional knowledge. The network on Traditional Knowledge and Cultural Expressions (Perinnetietoverkosto) has some 40 members representing the Sámi Parliament, Finnish government (e.g. Ministries of Economy, Justice, Foreign Affairs, Environment) and public institutions (IP Office, National Heritage, National Broadcasting company etc.) and is open for anyone interested, including from the private sector. Normally, its activity includes meetings once a year.

The forum has been used for information distribution in relation to activities on national and international levels. The latest activity was collecting information on ways indigenous TK related aspects are handled in the Nordic countries in order to improve Nordic co-operation in the protection of TK&IP as the Sámi live on the areas of three Nordic countries and Russia. The Finnish Initiative under the Presidency of the Nordic Council of Ministers promotes information exchange and experiences on how TK and IP can be addressed, first and foremost to enable a space for the Sámi to express their needs, their studies and experiences of the current situation in relation to ICH and IP and work planned to deepen their internal understanding as well as needs for funding and support from IP offices etc. to co-operate on regional level to ensure these issues are addressed in similar ways.

 

12

Programme/Convention /Organization

Other international frameworks

Activity/project

Council of Europe Framework Convention on the Value of Cultural Heritage for Society (Faro Convention)

Contributions to the safeguarding of intangible cultural heritage

Finland ratified the Faro Framework Convention in 2017. The Convention emphasizes the tangible and intangible cultural heritage as a common and valuable resource. In Finland the preparation of the ratification of the FARO Convention took place at the same time in Finnish Heritage Agency as the planning for the implementation of the 2003 Convention. Therefore, there has been close synergies and the implementation model of the 2003 Convention is made strongly in the spirit of the Faro Convention.

During 2021-2022, a proposal for Finland's first-ever cultural heritage strategy will be prepared. The aim is to produce a Government resolution for a cultural heritage strategy effective until 2030, with cultural heritage being seen as a source for sustainable solutions in all areas of society in the future. The participatory approach of the Faro Convention is used in the making of the strategy: wide-ranged workshops on cultural heritage strategy have been organized during the strategy work process during in 2021. The FHA has had four different workshops for the Circles of Living Heritage related to the strategy.

 

13

Programme/Convention /Organization

Other international frameworks

Activity/project

European Heritage Days (EHD)

Contributions to the safeguarding of intangible cultural heritage

The European Heritage Days (EHD) are celebrated in Finland every year through a couple of hundred organised walks, exhibitions, village and neighbourhood celebrations and much more. The EHDs welcome everyone interested to contribute to the programme. Events are organised by museums, libraries, schools, youth and hobby clubs and different associations. Approximately a third of the events are organised by local heritage associations and similar communities and many of them feature ICH.
In Finland the EHDs are celebrated in the second week of September, but events can be organised throughout the year. In addition, the International Landscape Day on 20 October is celebrated as part of the European Heritage Days. The EHDs are an essential part of the cooperation and the dialogue between the state administration and the regional and local communities. The EHDs can deepen people's appreciation of their cultural heritage and local environment and inspire them to contribute actively. The EHDs are important for creating a positive atmosphere, bringing forth topical issues, organising opportunities for participation as well as enhancing community spirit and democracy.

 

14

Programme/Convention /Organization

Other international frameworks

Activity/project

Cultural Routes of the Council of Europe (CoE)

Contributions to the safeguarding of intangible cultural heritage

Cultural Routes of the Council of Europe (CoE) programme connects European countries via cooperation within the fields of cultural heritage, culture, and tourism. Finland joined the Enlarged Partial Agreement (EPA) on Cultural Routes in 2018. In Finland, the Programme has been promoted within the field of sustainable cultural tourism in particular. At the end of 2021, six certified Cultural Routes of the CoE crossed Finland. Year 2021 also marked the certification of the first cultural route led by a network based in Finland, when the “Alvar Aalto Route – 20th Century Architecture and Design” was awarded certification. Other route initiatives in Finland include St. Olav Waterway, which is a part of Norwegian-led Saint Olav Ways and the Singing Heritage Route, which is currently being developed and aims at CoE certification. The initiatives showcase the variety of cultural heritage and. St. Olav Ways and Singing Heritage Route are thematically strongly based on ICH and embrace the heritage elements though their activities.

The Ministry of Education and Culture, Finland is responsible for the EPA on Cultural Routes in Finland. The Ministry has supported the development of cultural routes via project grants. Cultural routes relying on the theme of pilgrimage, for example, are also being developed. Exchange of good practices between different route initiatives has been encouraged through meetings of national cultural routes operators organised in cooperation with the Ministry of Education and Culture, Finnish Heritage Agency and Visit Finland.

ICH and its potential in developing sustainable cultural tourism has also been addressed through cooperation between the Finnish Heritage Agency and Visit Finland. A webinar on the theme was organised in November 2020. A guide on the responsible use of ICH in tourism is currently being prepared. A workshop on the theme was organised in May 2021 as part of the guide’s development to involve relevant stakeholders within the fields of ICH and tourism in the process.

Finland is in the process of preparing a roadmap for the national development of cultural tourism. The roadmap will provide further guidance on the implementation of the Cultural Routes programme. Also the ICH viewpoint will be included.


B. Reporting against core indicators

The Section B of the form will allow you to report on your safeguarding activities and priorities according to the Overall Results Framework approved in 2018 by the General Assembly of States Parties to the 2003 Convention. Distributed in eight thematic areas, 26 core indicators have been established. To each of the indicators correspond assessment factors.

Each tab under Section B corresponds to one of the 26 indicators. The answers provided for each assessment factor determine the extent to which the indicator is satisfied. It constitutes your baseline and it is represented by a scale. You are invited to define a target for the next reporting exercise in six-year time and to explain how you intend to achieve this target, referring to the specific aspects and assessment factor(s) that the State may wish to address.


1. Extent to which competent bodies and institutions and consultative mechanisms support the continued practice and transmission of ICH

Guidance note corresponding to indicator 1 of the Overall Results Framework: English|French|Spanish

Question 1.1

Have one or more competent bodies for ICH safeguarding been designated or established?

Yes

1

Name of the body

Finnish Heritage Agency

Brief description of the safeguarding functions of the body

Finland ratified the Convention in 2013. The Finnish Heritage Agency (later FHA) is responsible for the implementation of the Convention at national level since 2014. The national implementation includes national coordination, the national inventorying of ICH and, in cooperation with the Ministry of Education and Culture, international cooperation. FHA is responsible for communication related to the Convention at national level.

Since 2014 a full-time national coordinator has been working for the Convention. In addition, every year two university-level interns have been working to support the work, 6-8 months in total in a year. In addition, other staff in the FHA have participated in the implementation work.

The Finnish Heritage Agency publishes a plan for the national implementation of the Convention, commissioned by the Ministry of Education and Culture. The first edition was published in 2015, and a related action plan for the years 2016–2018 was published as well. The latest action plan covers the years 2019–2022. UNESCOs overall results framework was used in preparing the action plan for the later period.

Website

https://www.aineetonkulttuuriperinto.fi/en/

Contact details

Address

Po Box 913 FI-00101 Helsinki Finland

Telephone number

+358 29533 6017

E-mail address

leena.marsio@museovirasto.fi

 

2

Name of the body

Advisory group on intangible cultural heritage

Brief description of the safeguarding functions of the body

The Ministry of Education and Culture appoints the Advisory group on intangible cultural heritage. The present group is for the 2018–2022 term and has 17 members. The former group had a term 2014-2018 with 13 members. The group acts to support the implementation of the Convention and as experts in questions relating to intangible cultural heritage. It meets 2–3 times per year. The group is tasked with developing methods for recognising the diversity of the different forms of ICH and documenting them, promoting good practices in safeguarding and assessing the role of ICH and its safeguarding in the society.

Website

https://www.aineetonkulttuuriperinto.fi/en/sopimus-suomessa/asiantuntijaryhm%C3%A4t

Contact details

Address

Ministry of Education and Culture P.O. Box 29 FI - 00023 Government FINLAND

Telephone number

https://www.aineetonkulttuuriperinto.fi/en/sopimus-suomessa/asiantuntijaryhmä

E-mail address

mirva.mattila@gov.fi

Question 1.2

Do competent bodies for safeguarding specific ICH elements exist in your country? (whether or not inscribed on one of the Lists of the 2003 Convention)

Yes

1

Name of the body

The Finnish Local Heritage Federation

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Finnish Local Heritage Federation (Suomen Kotiseutuliitto) is the central organizing body for local heritage work in Finland. The federation has over 730 membership organizations representing over 150 000 individuals. Its purpose is to promote recognition of the diversity of Finnish culture and regional cultures in Finland, as well as to develop and support local heritage projects and serve members as the central lobbying body of local heritage work. The Federation is also engaged in social and regional planning and preserving Finnish cultural environments and the appreciation of Finnish nature. Their work aims at promoting the interests of their members and to give advice on questions of local heritage work, locality, and cultural heritage.

Website

https://kotiseutuliitto.fi/in-english/

Contact details

Address

Kalevankatu 13 A 00100 Helsinki FINLAND

Telephone number

+358 9 612 6320

E-mail address

toimisto@kotiseutuliitto.fi

 

2

Name of the body

Outdoor Association of Finland

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Outdoor Association of Finland (Suomen Latu) is an organization focused on exercise and advocating for the interests of outdoor enthusiasts, with more than 90,000 members in 184 associations. The Association promotes outdoor activities and an active lifestyle for all ages. The goal of the organization is for everyone to find a meaningful way outdoors and enjoy nature. Organizing outdoor events for everyone is one way to guide movement in nature. The Outdoor Association cherishes everyman's rights and obligations, and it is important to guide outdoor enthusiasts to environmentally responsible practices in their operations.

Website

https://www.suomenlatu.fi/en

Contact details

Address

Paavo Nurmen tie 1, 00250 Helsinki Finland

Telephone number

E-mail address

anne.rautiainen@suomenlatu.fi

 

3

Name of the body

Finnish Olympic Committee

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Sports clubs play an important role in civil society in transmitting sport related heritage outdoors and indoors. 1.8 million people take part in the activities of sports clubs in various roles. 60% of 7-15 year olds participate in sports clubs and 500,000 people volunteer in them. Sports club activities under the Finnish Olympic Committee (Olympiakomitean seuratoiminta) provide clubs with support and training for activities and tools for development. The Star Club (Tähtiseura) program is a joint quality program of the Olympic Committee, federations and regional organizations that provides clubs with online services and support for self-assessment. The program includes 800 clubs. The Olympic Committee maintains the Suomisport service, which is a joint digital service of the sports and sports community to support the day-to-day operations of the clubs. Regional sports organizations, sports federations and the Olympic Committee organize training for club activities all over Finland.

Website

https://www.olympiakomitea.fi/seuratoiminta/

Contact details

Address

Valimotie 10, 00380 Helsinki Finland

Telephone number

E-mail address

jaana.tulla@olympiakomitea.fi

 

4

Name of the body

Finnish Swedish organisations

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

In addition, there are a lot of parallels to the organizations depicted that operate in Swedish language. These are for example:
Finlands svenska hembygdsförbund – umbrella association for agents with an interest in local heritage, including intangible cultural heritage
Finlands svenska spelmansförbund - umbrella association for performers of traditional music
Finlands svenska folkdansring - umbrella association for performers of traditional dance
Finlands svenska ungdomsförbund - umbrella association for youth associations, a strong agent in the field of amateur theatere
Finlands svenska marthaförbund - umbrella association for women’s association, extensive knowledge on traditional food, handicraft and everyday sustainability
Finlands svenska 4H - umbrella association for children’s and youth clubs, actively engaged in traditional foods and crafts
Samfundet Folkhälsan – national actor within health and wellbeing, arranges extensive Lucia-celebrations as well as promotes the nature relationship and massive amount of courses in swimming
Österbottens hantverk /Åbolands hantverk /Nylands hantverk – regional association for handicraft
Svenska litteratursällskapet – extensive archive collections on intangible cultural heritage as well as current day publications within this area
KulturÖsterbotten – regional actor with projects concerning safeguarding of intangible heritage as well as oral traditions
Sydkustens landskapsförbund – regional actor with projects concerning safeguarding of intangible heritage as well as oral traditions

Website

Contact details

Address

Telephone number

E-mail address

 

5

Name of the body

Kalevala Women’s Association

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Kalevala Women’s Association (Kalevalaiset Naiset), founded in 1935, is a cultural organization in search of new aspects in tradition. Kalevala Women’s Association operates in Finland and Sweden. Kalevala refers to the Finnish national epic, a 19th century work compiled from folk poetry. The aim of the association is to translate tales of Kalevala to our time. The organization consists of 52 associations across Finland and Sweden and has 3,000 members. The objective is to collectively make cultural heritage and mythical past alive today and beyond. The association organizes cultural events, like Kalevala Day festivals and trips to cultural heritage destinations as well as visits museums and art galleries. One important activity is to provide practical support for Finnish national dress and Iron Age Finnish Costumes. Kalevala Women’s Association has their own jewelry brand, Kalevala Koru, items of which celebrate the history of decoration. They also support and take part in research projects dealing with their areas of interest. At the moment, they are involved in an archeology based project “ From discovery to jewelry”.

Website

https://www.kalevalaistennaistenliitto.fi/in-english/

Contact details

Address

Neljäs linja 24, 00530 Helsinki Finland

Telephone number

E-mail address

sirpa.huttunen@kalevalaistennaistenliitto.fi

 

6

Name of the body

The Martha Organization

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Martha Organization (Martat) is a Finnish home economics organization, founded in 1899 to promote well-being and quality of life in the home. It carries out cultural and civic education and does advocacy work in Finland. Home economics is the main activity of the Marthas. The organization deals with food and nutrition, home gardening and environmental protection as well as household economics and consumer issues

In addition to this, the Marthas take part in a variety of campaigns together with other organizations and authorities. Adult education is an important field of activities and is implemented in study groups. The themes vary from human relations, women and development, gardening and environment to cooking and healthy eating. At the moment, the number of members of the organization is 43 000. The members are organized into 1100 local clubs headed by elected leaders. The organization is divided into districts, and each district association has an executive director, employed home economics specialists and an elected board. A magazine called Martat has been published since 1902, and material on home economics is produced continuously also online. The organization has received a State subsidy since 1907 for the expenses incurred by home economics.

Website

https://www.martat.fi/in-english/

Contact details

Address

Lapinlahdenkatu 3 A 00120 Helsinki Finland

Telephone number

+358 50 511 8002

E-mail address

martat@martat.fi

 

7

Name of the body

Rural Women’s Advisory Organization

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Rural Women’s Advisory Organization (Maa- ja kotitalousnaiset) is a nationwide expert organization and an extensive women’s network in the rural areas. The aim of the organization is to promote lively and active rural communities. For that purpose, they offer expert services, consulting, planning, advice and training and employ 70 professionals in various fields of expertise. The main fields of activities are on food and nutrition, landscape management and entrepreneurship. The core expertise of the organization lies in advising enterprises in the fields of catering services, rural tourism and food processing. The organization consists of over 900 associations at municipal and village level, where they offer a wide range of activities including training courses, excursions and club meetings for tens of thousands of members. The number of participants makes them one of the largest women’s organizations in Finland.

Website

https://www.maajakotitalousnaiset.fi/english

Contact details

Address

Vanha talvitie 2 A 15, 00580 Helsinki

Telephone number

E-mail address

tiedotus@maajakotitalousnaiset.fi

 

8

Name of the body

Theatre Info Finland TINFO

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Theatre Info Finland TINFO (Teatterin tiedotuskeskus) is an expert in the performing arts, which produces theatre statistics, conducts reports, and processes and analyses data. TINFO offers mentoring, in order to help theatre professionals to increase their international mobility and find partners. TINFO’s activities increase awareness of Finnish plays and performing arts. TINFO provides online a building block of the performing arts ecosystem.

Website

https://www.tinfo.fi/en

Contact details

Address

Arkadiankatu 12 A 5 FIN - 00100 Helsinki finland

Telephone number

E-mail address

tinfo@tinfo.fi

 

9

Name of the body

Dance Info Finland

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Dance Info Finland (Tanssin tiedotuskeskus) is an expert of Finnish dance art. It promotes the development of Finnish dance art and improves its status and operating conditions in the society. Domestic and international projects form a major part of Dance Info Finland’s activities. They provide multiple working possibilities for Finnish dance professionals, develop the operating conditions of Finnish dance field and also open up the world of dance for larger audiences. Dance Info Finland has 12 member organizations who represent the variety of the Finnish dance field, dance art and culture. Dance Info collects an information bank on dance education, festivals and events, residencies, venues, regional dance centers, and professional organisations and unions in Finland. They also maintain Tanka database which contains information about Finnish dance productions, companies, artists and articles on dance. It has been updated regularly since year 2000 and contains thousands of entries.

Website

https://www.danceinfo.fi/en/

Contact details

Address

Tallberginkatu 1 C 93, 2nd floor, Door nr 212 00180 Helsinki Finland

Telephone number

E-mail address

tanssi@danceinfo.fi

 

10

Name of the body

CircusInfo Finland

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Circus Information Center, CircusInfo Finland (Sirkuksen tiedotuskeskus), collects and disseminates information on Finnish circus art and promotes the circus' artistic development and social status in Finland. Founded in 2006, it receives annual funding from the Ministry of Education and Culture. Currently, CircusInfo has 21 member organisations. The organisation creates and maintains the international contacts of the Finnish circus and promotes the international mobility of the Finnish circus. CircusInfo communicates about the Finnish circus both domestically and internationally, in addition to which they maintain the Finnish circus Sirkka database and the circus handbook library, collect information about the Finnish circus and promote the storage of circus materials in memory organizations. Every year, CircusInfo compiles statistics on the Finnish circus to support cultural policy influence and decision-making. They seek to influence decision-makers to develop the circus’s social status. CircusInfo serves circus professionals by providing information and advice regarding conditions, and informing about current scholarship, residency, performance, and job searches. They also organize workshops that provide professionals with tools to develop their own operations. When it comes to living heritage of the circus, they have been active in bringing circus communities together in projects and also actively urged other European circus actors to take part in living heritage projects.

Website

https://sirkusinfo.fi/en/

Contact details

Address

Käenkuja 8 C 34 a FI-00500 Helsinki

Telephone number

E-mail address

info@sirkusinfo.fi

 

11

Name of the body

The Finnish Youth Association

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Finnish Youth Association (Nuorisoseurojen liitto) offers cultural hobbies, such as dance, theatre, circus, music, and sports, for all ages. The Finnish Youth Association club was founded already in 1881, and in 1897 the national association was formed. Currently, about 700 Finnish Youth Association clubs operate locally, all over Finland. The national organization along with its 15 regional offices organize events and courses, produce materials for use, and support the local clubs with their needs. Culture, community and learning form the basis of club activities. The aim is to generate genuine participation and let everyone's creativity show. Activities are designed and implemented according to the wishes of the participants.

Website

https://nuorisoseurat.fi/join-us/

Contact details

Address

Vernissakatu 8 A 01300 Vantaa Finland

Telephone number

E-mail address

info@nuorisoseurat.fi

 

12

Name of the body

The Promotion Centre for Finnish Folk Music and Folk Dance

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Promotion Centre for Finnish Folk Music and Folk Dance (Kansanmusiikin ja kansantanssin edistämiskeskus KEK) aims is to promote and support folk music and folk dance as well as instrument building, costume traditions and other practices linked to these, including both enthusiasts and professionals in Finland. Their activities embrace majority culture as well as minorities and their respective traditions. The Promotion Centre arranges the Ethnogala- event for the whole field, coordinates a yearly common theme, which is for 2021 “Treading northern trails”. In 2018 the theme year was “Living heritage in folk music and folk dance” and it was implemented by 19 member organizations. The centre awards prizes like the Wäinö Award or Folk Music Record of the Year. The Promotion Centre is active in the whole country and is also the representative of CIOFF in Finland. The centre maintains the website Kamukanta.fi, which contains current information and profile pages on actors ot the field. The website also administrates a list of publications as well as video content.

Website

https://kansanmusiikkikansantanssi.fi/english/

Contact details

Address

Telephone number

+358 40 7384736

E-mail address

toiminnanjohtaja@kansanmusiikkikansantanssi.fi

 

13

Name of the body

The Finnish Folk Music Association

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Finnish Folk Music Association (Kansanmusiikkiliitto) is an organization of folk music enthusiasts, professionals and enthusiasts that has been operating in Finland since 1968. Currently, regional activities are run by 22 member associations all over Finland. The association organizes events and workshops and promotes the folk music industry through various projects, collaborating with the entire field of folk music. In addition, the association maintains international contacts through, among others, the Nordic Folk Council, the NORDLEK Council and the Center for the Promotion of Folk Music and Folk Dance. The main event of the Finnish Folk Music Association is Samuel's Polonaise, which is held annually in March in different parts of Finland. The association is also involved in organizing the JuuriJuhla - RotFest festival in Espoo. Since 2009, the association has organized eight yearly nationwide folk music tours. The Finnish Folk Music Association publishes the only Finnish folk music magazine together with the Folk Music Institute. The Association manages also the widest sales service of Finnish folk music recordings and literature.

Website

https://kansanmusiikkiliitto.fi/

Contact details

Address

Hämeentie 34 D 00530 Helsinki Finland

Telephone number

E-mail address

toimisto@kansanmusiikkiliitto.fi

Question 1.3

Do any consultative bodies or coordination mechanisms encourage and support broad and inclusive involvement of communities, groups and individuals in ICH safeguarding and management?

Yes

Explain briefly how such bodies or mechanisms involve/encourage communities, groups and individuals in ICH safeguarding and management.

Circles of living heritage support the work of the FHA in implementing the UNESCO Convention on a voluntary basis. The circles are multidisciplinary networks of actors, through which it is possible to interact with communities, NGOs, museums and other organisations in the field of living heritage. Four circles have been established related to domains of ICH: one in crafts, nature, folk dance and folk music as well as oral tradition. There are over 100 NGOs, museums, institutes and other organisations represented in these circles.

The FHA has called these networks together, was coordinating them in early stages, but now each circle has an organisation (NGO or a museum) responsible for its coordination. A wide variety of organisations and community members representing each field participate in the circles, and they are open to new actors.
The operating model of the circles is a tool that can be used for different aspects of intangible cultural heritage, in large or small communities. The circles make it possible for communities and practitioners of traditions to participate actively in implementing the UNESCO Convention. The FHA participates in the costs of the circles’ activities. A leaflet ABC of the Circles of Living Heritage has been published to communities in Finland and abroad to use this working method.
In addition to these four circles, two other ones have been born as part of the nomination processes to UNESCO. The Sauna circle was established in 2018. The Circle of clinkerboat traditions has been active since 2019.

All of these circles have been fully functional even in the times of the pandemic. It is even easier for individuals and communities from different parts of the country to participate in online meetings, webinars and workshops.

Question 1.4

Are institutions, organizations and/or initiatives for documenting ICH fostered and supported by the State?

Yes

Describe briefly how the State supports such institutions, organizations and/or initiatives for documenting ICH.

Measures related to the documentation of ICH are implemented in Finland in universities, museums, archives, educational institutions, NGOs and also by individual practitioners. Almost all of these institutions and organizations receive public funding, be it from the state, regional or municipal authorities, either in the form of operating grants and / or individual project grants. In memory organisations, documentation is made by professionals and experts, but community involvement is becoming more into the practise.

The practice in Finland has been documentation as a record of past day practices. There is still much to do to turn documentation to support continued practise and transmission of ICH. There are some good examples however. For example, materials in folk music archives are actively being used by musicians to create new performances. Also dialect archives are being used by NGOs.

Many Universities in Finland works with documenting and researching ICH. These are Aalto University, University of Helsinki, University of Eastern Finland,
University of Jyväskylä, University of Tampere, University of Turku and Åbo Akademi University.

The Finnish Literature Society (SKS) and the Swedish Literary Society in Finland (Svenska litteratursällskapet i Finland, SLS) stores, preserves, studies and promotes Finnish and Finnish-Swedish culture in many ways. The archives supports academic and other research and organises collection campaigns in the field of ICH. One project to mention is the project by Sámi craft Association (Sámi Duodji) in collaboration with the National Museum of Finland, where community members got familiarized with craft items in the collections and created new crafts based on them.

Are the documentation materials produced utilized to support the continued practice and transmission of ICH?

Yes

Describe briefly how the documentation materials are utilized for these purposes.

See more in 9.1.

Question 1.5

Which of the following institutions contribute towards ICH safeguarding and management?

1.5

  • Cultural centres

    In Finland there are 300 municipalities and many major provincial centers have their own cultural centre or house. There are 28 cultural houses around the country that have a performance hall and often other spaces to rehearse music, practise crafts and different communities to have their meetings. Some of these centres have a library attached which also offers spaces for e.g. discuss poetry, do community crafts or make your own music. Some centres also have a local museum attached. These cultural centres funded by municipalities offer thus arenas all over the country to contribute to safeguarding.

    In addition there are more cultural centres specialised in ICH, below are some examples.
    The Sámi Cultural Centre Sajos (Saamelaiskeskus Sajos, Sámekulturguovddáš Sajos) is located in Inari, Northern Finland. Sajos is the centre of Sámi culture and administration. The Sámi Parliament’s main office and parliament hall are located in the Centre as well as other Sámi organizations. The purpose of the centre is to create better possibilities for the Sámi in Finland to preserve and develop their own language, culture and business activities as well as to manage and develop their cultural self-government and to support the development of their general living conditions. The Sámi Archives is also located in Sajos, as part of the National Archive of Finland.

    The Folk Arts Centre at Kaustinen (Kaustisen Kansantaiteenkeskus) hosts the premises of Finnish Folk Music Institute and Finnish Folk Art Museum and the offices of Pro Kaustinen Association that organises the Kaustinen Folk Music Festival. The concert hall of the building is one of the main venues of the festival and the venue of Kaustinen Youth Association dance groups' regular performances as well as occasional other folk music and folkdance related events. The lobby and smaller rooms are weekly used as rehearsal spaces of Näppärit and other Kaustinen fiddle playing groups.

    Juminkeko (Juminkeko-säätiön kulttuurikeskus) is a centre for the safeguarding of Kalevala traditions and culture, related to the national epic and the oral and musical heritage related with it. The foundation behind the centre organises cultural exchange between Finland and the Republic of Karelia, Russia. The centre organises exhibitions and events, musical and folklore tours, has numerous publications, and is also active in various projects to safeguard Karelian and Finnish traditions. Juminkeko hosts also an extensive folkloristic archive. The archive consists of photos and audios collected especially in Kainuu and in the Karelia of the White Sea but also in Olonets Karelia, Ingria and among the Veps. The archive is open to the public and the researchers and available in digital format.

    The Global Music Centre (Maailmanmusiikin keskus) works to collect, record and distribute information about musical cultures from around the world. The Centre aims to increase understanding among listeners, researchers and music-makers of the individual and collective values in music, and of the importance of music as a means of communicating and strengthening identity. Thus the Centre aims to promote understanding between people across cultural boundaries, through music. Equality and respect for others are basic values in the work of the Centre.

    The Caisa Cultural Center (Kulttuurikeskus Caisa) is part of Helsinki's culture and leisure industry. It was founded in 1996 to promote the development of Helsinki into a diverse city through art and culture. Caisa hosts performances, events and exhibitions, as well as art education. The contents of Caisa's art education take into account the diversity of cultures and identities, as well as multilingualism.

 

  • Centres of expertise

    Language centers, archives and museums play an important role for many kinds of ICH. Their work on documentation, research and sharing information about ICH is important for the culture bearers and the community itself, but also for the society at large.

    The Institute for the Languages of Finland (Kotimaisten kielten keskus, Kotus) is devoted to the study and language planning of Finnish and Swedish. It also coordinates the activities of the Saami, Romani, and Sign Language Boards. The archives of the Institute are constantly used by various communities. An example of resent activities is the One Hundred Finnish Linguistic Biographies project, which collects the linguistic biographies of people living in Finland through interviews and studies material using the methods of linguistics, ethnology, folklore and social policy. In addition to the interviews, some of the subjects were photographed, and a traveling exhibition was built from the images. In addition to scientific publications, in addition to the exhibition, discussion events were organized all over Finland.

 

  • Research institutions

    Some research institutions in Finland have special emphasis on ICH-related research that also on its part is contributing to safeguarding.

    The Center for Cultural Policy Research Cupore produces and disseminates research and information on arts and cultural policy and acts as a forum for discussion and debate on cultural policy issues both in Finland and internationally. Cupore’s main research fields include arts and artists’ policy, creative and cultural industries & production of cultures and cultural rights and participation. Cupore produces in co-operation with the Arts Promotion Centre Finland (Taike) The Arts and Culture Barometer. The purpose of the Barometer is to annually monitor and highlight the views of actors in the field of the arts regarding current issues and phenomena. The 2020 barometer examined artistic work from a regional perspective. As an artist in Finland is a research project on the situation and societal status of professional artists working in Finland. Other current projects include research on music education and inclusive media education. During 2015-2021 Cupore participated in a project called ArtsEqual, which was a collective, multidisciplinary research project that investigated the implementation of equality in the existing art services, art education and hobbies, as well as how equality and inclusion could be promoted through the arts as well as in the field of arts itself. Cupore has also collaborated with the Finnish Heritage Agency and for example conducted background research to support the planning of the national implementation of the ICH Convention after ratification in 2013.

    The Giellagas Institute for Saami Studies (Giellagas Instituutti) at University of Oulu has a nation-wide responsibility to organize, introduce and provide Saami language and cultural studies and research at the academic level. The Giellagas Institute houses two major academic subjects, Saami Linguistics and Saami Culture. In Saami linguistics the major teaching language is Saami while the studies of Saami Culture require skills in Finnish, in addition to Saami and English.
    The Saami Culture Archive, placed within the Giellagas Institute, is developing research infrastructure. The collections of Saami Culture Archive form a significant “bank of resources” for academic research in Saami language, cultural and sociological studies as well as teaching and Saami cultural work. The collection of the Saami Culture Archive consists of notable amount of sound, video and photograph material as well as digitalised documents of the Saami traditional culture and various Saami cultural activities.

    The Ruralia Institute (Ruralia Instituutti) examines sustainable development and the changing relationship between global and local issues from the perspective of rural areas. The institute serves as an expert partner and utilises the competence of the University of Helsinki in applying research information. The 50 experts engage in wide-ranging international, national and regional cooperation in the university consortiums of Mikkeli and Seinäjoki. Part of its work in local development contributes also to ICH safeguarding. The Ruralia Institute and the Kaustinen Folk Music Institute have studied the folk music tradition in a project highlighting folk music as living heritage in collaboration with the actors of the Kaustinen Fiddler Association. The project collected data related to Kaustinen's musical tradition over hundred years old. The Institute coordinates an EU-funded project dealing with food culture and tourism, where the regional specificity of Saimaa area is utilized in value adding to food as an expression of sense of place. The Roots for Juniors (JUJU) project examines the roots of children and young people in rural areas and develops models for organizing local heritage education that supports children's and young people's experiences of inclusion. The project is funded by the Ministry of Agriculture and Forestry.

 

  • Museums

    In Finland there are 153 professionally managed museums that in 2019 had 7.6 million museum visits. 71.6 % of the museums’ costs were met through public funding. 1,004 new exhibitions were opened in museums. In addition to these, there are approximately one thousand local voluntary museums. The awareness of these museums in terms of the Convention is rising steadily through cooperation with the FHA, Finnish Museum Association (Museoliitto) and the museums themselves through campaigns, webinars, trainings and tools that are developed. In documenting present day heritage, the communities are becoming more and more the centre of the work done. Awareness about safeguarding is also rising and being turned into concrete action, such as exhibitions and workshops. A recent example is the repatriation of 2200 items from the National Museum of Finland of its Sámi collection to the Sámi Museum Siida. It is celebrated with the exhibition “Homecoming” (Mäccmõš, maccâm, máhccan- kotiinpaluu) with a special emphasis on present day Sámi crafts.

    The Museum act from 2019 states that the work of Finnish museums relates both to tangible and intangible heritage. The act stipulates the work of museums with national (17 in total) and regional (22 in total) responsibilities.

    The museums with regional responsibilities cover many municipalities in their own area. The governmental proposal stipulates that the museum is responsible for developing and promoting the preservation and digital accessibility of cultural heritage in its area of responsibility. The task would cover the storage and promotion of access to tangible, intangible and digital cultural heritage. With regard to the tangible and intangible cultural heritage, preservation shall be promoted in particular through regional collection policy cooperation.

    Museums with national responsibility are experts in their respective fields in Finland. There are 17 national responsibility museums in our country, whose mission is to carry out national museum activities in its field of specialization; to develop and promote cultural heritage work and co-operation between museums in their field of specialization; to act as a national expert in cultural heritage in their field; maintain and promote international contacts in its field; promote the preservation and digital accessibility of the cultural heritage of their specialty. Of these museums the following contribute specifically to ICH safeguarding: Design Museum, Craft Museum of Finland (Suomen Käsityönmuseo), Forest Museum Lusto (Suomen Metsämuseo Lusto), Finnish Glass Museum (Suomen Lasimuseo), Forum Marinum, Theatre Museum (Teatterimuseo), Sports Museum, Aviation Museum (Suomen Ilmailumuseo), The Finnish Railway Museum (Suomen Rautatiemuseo) and the Sámi Museum Siida.

    The Sámi Museum Siida is a national museum responsible for Sámi culture, and a regional museum responsible for tasks concerning cultural environments in the Sámi Area. The museum collects tangible and intangible heritage of the Finnish Sámi in their collections and display it in exhibitions and publications. The main purpose is to support the identity and the cultural self-esteem of the Sámi. The museum also runs the Skolt Sámi Heritage House in Sevettijärvi, Inari, and activities also take place elsewhere in the form of exhibitions and events.

    TAKO (ammatillisten museoiden tallennus- ja kokoelmayhteistyöverkosto) is an acquisitions, documentation and collection collaboration network for professionally managed Finnish museums, which is supported by the Finnish Heritage Agency and the National Museum of Finland. The TAKO network develops and maintains the national division of labour in acquisitions and documentation. The jointly recognised and shared acquisitions and documentation responsibilities of the museums participating in the network enable the versatile utilisation and mobility of collections while also emphasising the accessibility and importance of collections. The network’s systematic development work supports the community-based utilisation of museum collections as a social resource. The network promotes diverse collection collaboration and participates in topical discussions. TAKO provides museums with tools to open up and develop their collections collaboratively. For example, Finnish everyday life and Finnish happiness is being documented through TAKO's Everyday pool (pool 3) together with a number of Finnish museums.

    The Finnish Museums Association (Museoliitto) is the central organisation for museums. Its tasks include looking after museums´ interests and advancing museums´ activities. The Finnish Museums Association incorporates all professionally run museums in the country: 213 member societies that manage a total of 418 museums. The Association has been a partner to the FHA during the years in communicating about the Convention and work around it. Their email-list for 2000 museum professionals has been a convenient way to reach out on news and events around the Convention. It has also been a way to activate these professionals. One fruit of this cooperation is a set of inspiration cards on ICH: they present 40 examples of ICH work in museums in a form of a card-set, free to be printed by anyone. These cards are now being used in many museums around the country.

    In addition, the Association has provided FHA space in many of its events to raise awareness. In 2020, a webinar on Living heritage in Nordic Museums was organised jointly. It gathered 260 participants from 12 countries. In 2021 two half-day webinars was organised to Finnish museum professionals around the theme of ICH. These events provided a platform for professionals to learn more about ICH and incorporate the view of the Convention into their work.

 

  • Archives

    In Finland there is a vast number of public and private archives that contribute to the safeguarding of ICH in many ways. The National Library of Finland (Suomen Kansalliskirjasto) maintains the Finna service that brings together millions of items of cultural and scientific material in Finland. The service has been in use since 2013. Hundreds of Finnish organizations such as Archives, Libraries and Museums bring their unique content to Finna. At present, Finna has more than 400 organizations involved, many of which also have their own organization-specific website. The objective is to make finding and using information and learning new Lessons as easy and secure as possible. Finna contains literature, journals, images, art, maps and films. During 2020, the Finna.fi outlook was visited 2,9 million times.

    The task of Finland's National Archives is to ensure that documents belonging to the national cultural heritage are preserved and to promote their use for research. Research and development in the sector are also part of its remit. The Archives has nine different branches all around Finland.

    The National Archives of Finland receives documents that have been released by public officials and acquires and preserves other datasets that are significant for society and research. As a rule, municipalities, cities and federations of municipalities store their own documents in their own central archives. Lutheran congregations and Orthodox parishes have stored their archives in the National Archives of Finland. The National Archives of Finland is also home to many archives of private individuals, families, organisations, associations and businesses.

    The Sámi Archive in Inari is part of the National Archives (Kansallisarkisto). The mission of the Sámi Archive is to support and promote interdisciplinary Sámi research, strengthen Sámi culture and increase awareness of it. In addition, the archive's task is to ensure the preservation of documents concerning the Sámi. An example to mention is the “Digital Access to Sámi Heritage Archives” project that develops a user-friendly search portal for searching Sámi cultural heritage information from different European digital archives. This enables easier study of archived information independently from its location. The project is conducted as a collaboration between several partners in Finland, Norway and Sweden. The University of Lapland (Lapin yliopisto) is also responsible for the ethical guidelines related to the usage of cultural heritage materials.


    Furthermore, many other archives collect and store private archival materials. These archives receive and also actively acquire materials that fall under their area of responsibility, in accordance with the division of work that the archives have collectively agreed upon.

    The Finnish Literature Society (SKS, founded 1831) stores, preserves, studies and promotes by publishing Finnish culture in its different units: Archive conveys information about oral and written Finnish cultures, Library works as a special library in the fields of cultural studies, multidisciplinary research community comprises a wide range of specialists from folklorists, linguists and literary scholars to historians and researchers in comparative religion and ethnomusicology, and Publishing House publishes yearly around 60 new titles in the fields of folklore, ethnology, history, art, literary criticism and Finnish language research.

    The archive of the Finnish Literature Society (Suomalaisen Kirjallisuuden Seuran arkisto, SKS) acquires, preserves and makes available source materials from Finnish literature and cultural history as well as materials related to tradition and oral history. Manuscript collections contain a total of around 600 metres of folklore and oral history in paper format, tens of thousands of hours of memory data as sound recordings, and more than a thousand hours of videos, which is in many ways are connected to ICH: the collections feature more than four million fairytales, stories, dictums, songs, beliefs or other texts about traditions. In addition to Helsinki archives, in Joensuu the SKS has a wide collection of tradition and contemporary culture (formerly the Folk Poetry Archive).

    The archive supports academic and other research and organizes collection campaigns in the field of ICH. For example, within the archive collaborates FOHN – Finnish Oral History Network, which provides a forum for oral history, memory studies, and life storying scholars in Finland. In the Cultural Heritage Materials and New Finnishness project, SKS is implementing two online services open to all Finns and Finns abroad that increase their understanding of Finnish culture. The project utilizes experiential and inclusive archival pedagogy. The online services highlight the diversity and interactivity of cultures and take into account learners who are not so familiar with Finnish culture. The Collection campaigns are organized collaboratively with the tradition communities of ICH. Collections are often launched based on a collection initiative made by a community, research project or an individual, for example. The archive’s collection features stories told by ordinary people about such subjects as midsummer festivities, interrail journeys, LGBT+ youth life, landscape experiences and indoor air problems.
    The archives of the Society of Swedish Literature in Finland (Svenska litteratursällskapet i Finland SLS) collects and preserves analogue and digital material on the culture, traditions, folk music, language and history of the Swedish-speaking population in Finland. SLS receives donated materials that focus on Finnish-Swedish culture and cultural heritage and also documents the subject with the help of acquisitions, surveys and field work. The Archives provides material for research and general purposes. The archive catalogue and an increasing part of the material are available in electronic form on the national search portal Finna (sls.finna.fi). SLS Archives acquires source material through donations but documents also contemporary traditions and society through collecting and fieldwork in the field of ICH. The Archives organizes every year several collections based on initiatives from communities, researchers and individuals.

    SLS Archives have four collections: historical and literary history collection, tradition and language collection, tradition and local history collection in Ostrobothnia and folk music and dance collection. The Finland-Swedish folk music institute is part of the SLS archive. It is an information center for historical and contemporary folk music and dance tradition in Swedish-speaking Finland. The eldest tradition collections in SLS Archives was collected 2021 to the National Memory of the World Register (Maailman Muisti). The material consists of the ethnographical, folkloristic and linguistic cultural heritage of the Swedish-speaking population in Finland.

    The Finnish-Swedish Folk Music Institute (FMI), under the SLS, is an information and documentation center for the Swedish folk music and dance tradition in Finland which serves musicians, researchers, students, associations, mass media and others who are interested in folk music and dance. The institute takes advantage of, stores and publishes both historical folk music material and material concerning today's musicians.The collection consists of recordings, films, photographs, handwritten and printed music collections, handwritten songbooks, notes, posters and newspaper clippings.
    The Swedish Central Archive of Finland (Svenska centralarkivet, SCA) maintains a private archive of activities related to Finnish-Swedish society and culture.

    The National Audiovisual Institute (Kansallinen audiovisuaalinen instituutti KAVI) is a government agency under the Ministry of Education and Culture. KAVI's statutory tasks include the preservation of films and television and radio programs, the promotion of audiovisual culture, the control of the provision and classification of visual programs, and the promotion of media education. Preserving the domestic film heritage for future generations is one of the key tasks of the institute, which is supported by legislation. KAVI's film collections comprise about 1,300 feature-length domestic films, and the number is accumulating at the annual rate of about 25 new films. The task of the National Audiovisual Institute is to promote audiovisual culture in Finland. In practice, promotion means film screenings, film education, library and information services, and exhibition and publishing activities.

    The People’s Archives (Kansan arkisto, KansA) stores and makes available historical documents from Finland’s left-wing labour movement, civic organisations and private individuals. The Archive of the Centre Party and Rural Areas (Keskustan ja maaseudun arkisto, KMA) is responsible for the permanent storage of archival material from the Centre Party’s history and the organisations and private individuals close to the party, and the archive also promotes the research-oriented use of these materials. The Labour Archives (Työväen Arkisto, TA) is Finland’s oldest popular movement archive. The Archives of the Organizations of the National Coalition Party (Porvarillisen Työn Arkisto, PTA) is responsible for the preservation of documents that were created by bourgeois organisations and pertain to conservative social activities and provides them for research-oriented use. All of these contain material related to e.g social events and music related to these communities.

    The Cultural Sciences Archive Cultura at Åbo Akademi University in Turku is a research archive aimed at students, researchers, personnel and the general public. The archive contains the ethnological collection, the folkloristic collection and the Swedish-Finnish textile archive and the archive works in close contact with Nordic Ethnology and Nordic Folkloristics. Collections of the Archives of the History, Culture and Arts Studies at University of Turku (Turun yliopisto). The collections offer research material on various subjects concerning culture phenomena such as village folk culture, custom culture, cultural environment and cultural heritage as well as activities of museums. The audio recordings collection of Sami folklore is the most extensive audio collection on the subject in the world, for instance. The collections may be used for research, university teaching and museum work, and as the case may be, discretionarily for other purposes.
    The Folklife Archives at the University of Tampere include over 20,000 hours of sound recordings, about 200,000 photographs, records, musical instruments and manuscripts. The archives of the Faculty are one of the largest folklife archives in Finland.

    The Finnish Social Science Data Archive (Tietoarkisto, FSD), located also at the University of Tampere, provides a single point of access to a wide range of digital research data for learning, teaching and research purposes. The themes related to ICH vary from cultural life, identity and minorities to agriculture and fishing.
    There are archives aimed at specific domains, such as archives of traditional and popular music. In Finland, there are six official music archives: The Institute of Swedish folkmusik in Finland at SLS Archives (Finlands svenska folkmusikinstituts arkiv), the Music Library and Sound Recording Archives of the National Library (Kansalliskirjaston Musiikkikirjasto ja äänitearkisto), the Archives of the Kaustinen Folk Music Institute (Kansanmusiikki-instituutin arkisto), the Archives of the Sibelius’ Museum (Sibelius-museon arkisto), Music Archives of Finland (Suomen Musiikkiarkisto) and Finnish Institute of recorded sound (Suomen Äänitearkisto ry).

    The Folk Music Institute's (Kansanmusiikki-Instituutti) archive is the largest in the country specialising in folk music and dance. The archive's photos and videos give a comprehensive image of the phenomena and characters of Finnish music tradition throughout multiple decades.

    The Sports Archive of Finland (Suomen Urheiluarkisto) is responsible for the preservation and organisation of historically significant documents related to Finnish sports history and for making them available for wider use.

    Archives specialiced on crafts are held by the Finnish Craft Museum (Suomen Käsityön museo) with subcollection of the national and folk costumes. Brages national costume agency (Brages dräktbyrå) takes care of archiving the costumes of the Swedish-speaking areas in Finland. Most of these actively document current expressions of traditional culture. There are also traditional archives at many of the universities in Finland. They operate in close collaboration with the academic fields and some of the highlight also living heritage.

 

  • Libraries

    The key objective of library policy in Finland is to promote the population's cultural rights and access to information and culture. The Finnish system of municipal libraries is of high quality by international standards. Library services are among the most frequently used municipal services. Libraries are used not only for obtaining information and borrowing materials, but also for recreational activities, studying and work. Furthermore, a range of different events are arranged at libraries.

    The Finnish network of libraries consists of public i.e. municipal libraries, research libraries (university libraries and libraries of universities of applied sciences), special libraries, and libraries located at schools and other educational institutions. The National Library of Finland is a cultural heritage organisation that is pivotal for securing the availability of research resources. They secure, transmit and produce open access information platforms in Finland and related to Finland. The cooperation of the library network on digital platforms is central to the transmission of research information and the availability of materials to researchers. Most municipal libraries collect publications and other materials on local history and culture. These collections often contain interesting material on local traditions and ICH.

    Municipal libraries and research libraries are open for everyone. There are a total of 720 main and branch libraries in Finland. Up to 70 per cent of Finns live within three kilometres from a library, and 93 per cent of Finns have at most 10 kilometres to the nearest library. Mobile libraries - a total of 135 of them - complete the municipal library services.

    The National Library of Finland (Suomen Kansalliskirjasto) is a cultural heritage organisation that is open to all and provides nationwide services to citizens, scientific communities and other societal operators. It secures the availability of cultural heritage published in Finland or relating to Finland as well as transmit and produce information content for research, studies, citizens and the society. The National Library develops services in cooperation with libraries, archives, museums and other operators.

    Celia is a national library and government organization for accessible literature and publishing in Finland, working toward equality in reading and learning. Celia produces and distributes literature in accessible formats, such as talking books and braille books, together with public libraries and publishers. In addition to fiction and non-fiction, Celia also produces and distributes textbooks in accessible formats to all educational levels. Celias books are meant for anyone with a print disability.

    Multilingual Library is situated In Helsinki. The collection has books for children, young people and adults in more than 80 languages. In addition to books, the collection has music recordings, movies, magazines, audiobooks and e-books. Multilingual Library sends library materials to all parts of Finland.

    As an example, Helsinki Central Library Oodi (Keskustakirjasto Oodi) is one of the 37 offices of the Helsinki City Library. It has been designed in conjunction with the townspeople to best meet the wishes and needs of library users. The library is an open, non-commercial meeting place for public citizens in a central location in Helsinki. Oodi has places for both quiet work and groups, and you can book a meeting room free of charge for activities such as an organization or association. Oodi has various activities, such as music studios, a recording studio and a photo and video studio. Open to all City Workshop is a community-based MakerSpace with a wide range of tools available, including 3D printers, sewing machines, seamers, laser cutters and punching tools.

 

  • Others

    In Finland there is a long history of founding NGOs in order to support groups with common interests. Civil society actors are easily organized by setting up an association that suits their purpose. Organizations may have employees, but the typical membership and active actors are voluntary. In addition, NGOs are in the public interest, i.e. they do not seek financial gain. The money received or collected by the organization is used for its general good activities.

    Much of the work on the intangible cultural heritage takes place with the support of NGOs. Statistics on ICH organizational actors and voluntary work are not available in Finland, but in Finnish society, organizational work has a strong tradition, also in cultural heritage work.

    The government has regulated relatively few civil society activities in Finland. Organizations may receive government support in the form of general grants, but for the most part, the acquisition of funds is the work of the organization itself and in its own decision-making power. Although government guidance has increased in recent years, autonomy is still a hallmark of Finnish civil society. Well-known and well-established organizations often have strong relationships with decision-makers and effective channels for influencing decisions.

    There were 106,000 associations in the register of the National Board of Patents and Registration in 2020. In addition, there are about 30,000 unregistered associations. Most of the associations in the register of associations, about 18,600, are cultural associations. The second largest number is sports associations, 14,200. Other large groups of associations are professional and trade associations (10,800), leisure associations (10,000), and social and health associations (6,500). There are about 4,500 political associations.

    In 2020, 1.4 million Finns were involved in volunteering. This means that one in three Finns volunteers. Volunteering is done an average of 18 hours a month, for a total of almost 170,000 person-years of volunteering today. Help and support work are the most popular forms of volunteering. The largest fields of volunteering are physical activity and sports, in which 350,000 Finns work, voluntary work with children and young people (343,000) and voluntary work with seniors and the elderly (344,000).

    64% of those involved in volunteering work regularly. Half of the volunteer work is organized by an organization or community. Contrary to expectations, civic activism has not diminished, but has changed shape. Although long-term, regular volunteering is still a typical form of volunteering, people are increasingly becoming active in freely organized, often non-formal, groups. Groups are created around a specific issue or grievance, and their duration may be short. In addition, local, regional, and global movements are emerging on social media that can quickly mobilize tens of thousands, even millions, of people.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The state Party will continue to support the work of many kinds of competent bodies in safeguarding ICH and specific ICH elements. Broad and inclusive involvement of communities, groups and individuals in ICH safeguarding and management will be emphasized. Furthermore, institutions, organizations and initiatives for documenting ICH will be fostered.


2. Extent to which programmes support the strengthening of human capacities to promote safeguarding and management of ICH

Guidance note corresponding to indicator 2 of the Overall Results Framework: English|French|Spanish

Question 2.1

Do tertiary education institutions offer curricula and degrees in ICH safeguarding and management, on an inclusive basis?

Yes

Describe briefly, using examples and focusing on the course content relevant to ICH safeguarding and management.

In 2019, the Centria University of Applied Sciences (Centria-ammattikorkeakoulu) in the city of Kokkola in Central Ostrobothnia offered a course (5 course credits) in intangible cultural heritage which has been developed in cooperation with the Folk Music Institute (Kansanmusiikki-instituutti). The course focused on the main concepts of ICH, the Convention, the process of safeguarding and national and international inventorying. The Kaustinen fiddle playing was used as one of the practical examples of the subject of ICH. The course was aimed for operators and students the fields of culture, education, music, and the social service, and museum and cultural heritage sectors. Second course similar was offered in autumn 2021.

Also, a course in Entrepreneurship and Intangible Cultural Heritage has been offered at Centria. The course was directed to heritage experts planning entrepreneurship, event producers, cultural entrepreneurs, tourism industry students, students in the field of cultural heritage and those working in the field who want to understand new models and perceptions of cultural heritage work through entrepreneurship. In both courses there were 50 participants.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

Both courses are open for all. As they are online courses, anyone from any part of the country can participate.

Question 2.2

Do governmental institutions, centres and other bodies provide training in ICH safeguarding and management on an inclusive basis?

Yes

Describe briefly, using examples and focusing on the nature of the training offered and the body providing it.

The Finnish Heritage Agency has organised several seminars and workshops in the various domains and themes of ICH during the implementation process to disseminate information and knowledge on the Convention and to strengthen capacities in safeguarding methodologies.

The seminar Living heritage of Finnish-Swedish people in 2016 launched the mapping of the traditions of the Swedish-speaking minority in Finland. In the seminar we will discuss about the Convention and the process of safeguarding intangible cultural heritage.

The Finnish Heritage Agency organised a seminar on Sámi living heritage in cooperation with Sámi archives, The Sámi Museum Siida, The Sámi Education Institute, the Sámi Parliament, and the Arts Promotion Centre Finland in 2018. Presentations were made by representatives of the Sámi cultural organisations. The theme of the seminar was Sámi living heritage and traditions that could be included in the wiki-inventory of living heritage and the role of the ICH Convention in safeguarding Sámi traditions.

The Finnish Heritage Agency organized in 2018 a UNESCO Capacity Building workshop in Helsinki. Forty representatives of local communities, minorities, non-governmental organizations, and government offices took part in the four-day workshop. The workshop aimed to equip participants with the knowledge and skills needed for the development of effective safeguarding plans for living heritage.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

All of the events - seminars, webinars and workshops - are organised in co-operation with actors from different fields and in co-operation with heritage communities. The participation is free for all. They are widely an openly advertised for many kind of target groups through FHA and organising partners’ networks.

Question 2.3

Do community-based or NGO-based initiatives provide training in ICH safeguarding and management, on an inclusive basis?

Yes

Describe briefly, using examples and focusing on the training offered and the organization providing it.

See also indicators 4.1. and 4.3. In general, training offered by community-based or NGO-based initiatives are in the form of workshops, seminars, webinars, or other short-term projects, often in co-operation with other actors and stakeholders.

For example, the Folk Music Institute organises educational events both together with different partners and on their own, publish educational material and participate in joint educational projects. The Institute has organised for example organised and online training for libraries in cooperation with the Finnish Heritage Agency. The education introduced the concepts and phenomena of intangible cultural heritage, presented living heritage from a community perspective, and considered the role of libraries in nurturing the living heritage and supporting traditional communities. Both experts and practitioners from different fields were presenting in the training, and group work was used as a method for considering new ways and possibilities for nurturing intangible cultural heritage in libraries. In 2019, the Folk Music Institute organized the Kaustinen Intangible Cultural Heritage Seminar called The impact of UNESCO nominations on community-based safeguarding of intangible cultural heritage – experiences and practices. The seminar aimed to elaborate the role and impact of UNESCO’s lists of intangible cultural heritage in safeguarding ICH, effects nominations have brought to practitioners in different Baltic and Nordic countries, ways to promote safeguarding practises and NGOs’ role in the safeguarding process.

The Finnish Local Heritage Federation (Suomen Kotiseutuliitto) that organises training for and courses on local heritage and regional work. In the Federation’s project Communities are living! (Yhteisöt elävät! in Finnish) living heritage workshops were organised, where participants learned to recognise intangible cultural heritage and learn ways of integrating it into activities of communities. In the project materials were produced to help members of the federation to organise community workshop on living heritage and to contribute to the wiki-inventory of living heritage.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will strive to build a stronger dialogue with educational institutions in order to strengthen and develop more curricula and degrees in ICH safeguarding and management, on an inclusive basis. This will be done by promoting more awareness among educational institutions on the 2003 Convention and the ICH Policy of Finland. Additionally, the State Party will look to strengthen capacity building to be more inclusive.


3. Extent to which training is operated by or addressed to communities, groups and individuals, as well as to those working in the fields of culture and heritage

Guidance note corresponding to indicator 3 of the Overall Results Framework: English|French|Spanish

Question 3.1

Do training programmes provide capacity building in ICH addressed to communities, groups and individuals?

Yes

Describe briefly, using examples and referring to capacities built/strengthened, the training provider and the participants (incl. age and sex).

The processes towards entries into Wiki-inventory for Living Heritage, nomination processes towards the National Inventory of Living Heritage and the nomination processes towards the Representative List of UNESCO have built knowledge of the Convention and safeguarding of ICH in communities and groups that participated in the processes. These have been organised by the FHA, the Circles of living heritage, various NGOs and other organisations.

One of the central aims of the Circles of living heritage is to strengthen education and training of living heritage. In addition to co-operation with education providers, the circles disseminate information on the implementation of the Convention and encourage the inventorying of living heritage among those working in the field.
The Centria University of Applied Sciences course on intangible cultural heritage (see indicator 2.1.) was designed in co-operation with the Folk Music Institute.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

The seminars and webinars organised by the FHA are open to all and promoted widely among respective communities. The videos of the events are available online on the Elävä perintö Youtube.

The Centria course on ICH has been organised as virtual training. The course can be completed according to the students own schedule and the course requires no previous qualifications on the subject. In addition to students, the course is intended for anyone interested in developing their own skills.

Are any of these training programmes operated by communities themselves?

Yes

Provide examples of such trainings, describing the involvement of communities in operating these programmes

Both Folk Music institute and Finnish Federation for Local Heritage Associations have planned and managed independently capacity building programs.

Question 3.2

Do training programmes provide capacity building in ICH addressed on an inclusive basis to those working in the fields of culture and heritage?

Yes

Describe briefly, using examples and referring to capacities built/strengthened, the training provider and the participants (incl. age and sex).

The museum field in Finland has taken an active role in the implementation of the Convention. The museums are regularly informed about the Convention and topical issues relating to the Convention. Several presentations and workshops have been held with museum professionals.

The Finnish Heritage Agency has organised training in the field of ICH to heritage professionals as part of the implementation of the Convention. In November 2021, the FHA organised, in co-operation with Finnish Museums Association, a two-day online seminar to museum professionals on ICH and museum work. The first online seminar dealed with intangible cultural heritage as a concept and, through examples, explores how living heritage can be part of a museum’s strategy. The theme of the second online seminar was the recording of living heritage and how museums can collaborate with heritage communities.

Finnish Heritage Agency has organised in cooperation with Visit Finland and the Finnish National Commission for UNESCO a webinar and a workshop on living cultural heritage and tourism in 2020 and 2021. The events have explored issues such as the potential of living heritage in tourism and the sustainability and commercialism of tourism in relation to intangible cultural heritage. The videos of the webinars are available at the Elävä perintö Youtube. In spring 2021 a publication “Yhteinen polku - Opas elävän perinnön vastuulliseen matkailulliseen tuotteistamiseen” (Common path - A guide to responsible tourism and of living heritage) will be published online by Visit Finland in cooperation with the FHA.

Three Finnish universities offer studies in museology (see also indicator 6.1.), which also touches upon issues relating to intangible cultural heritage. The qualifications in museology are required in many positions in professional museums.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

The training organised by the FHA is aimed at and open to all interested professionals in the field and is free of charge. The webinar-format of the training makes it possible to participate regardless of geographical location. The videos of the webinars are available on Youtube.
Qualifications in Museology can be obtained either as a degree student or via Open University. The Open university studies are open to all interested persons, but they collect fees from students, i.e., are not free of charge.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will further support training programmes in ICH addressed to communities, groups and individuals to build capacities. Moreover, it will work to promote the leadership of the communities in the implementation of capacity-building initiatives.


4. Extent to which both formal and non-formal education strengthen the transmission of ICH and promote respect for ICH

Guidance note corresponding to indicator 4 of the Overall Results Framework: English|French|Spanish


In your country, is ICH transmitted through or used as a medium of teaching and learning in the following?

·  formal education

·  non-formal education

Question 4.1

Are practitioners and bearers involved in designing and developing ICH education programmes and/or are actively presenting and transmitting their heritage?

Yes

Explain briefly how practitioners and bearers are involved in these activities.

Practitioners and bearers participate in the design and development of ICH education programmes and transmitting their heritage takes place most of all through different NGOs. They organise training and education in cooperation with heritage communities and function as representatives of communities and transmitters in between different actors.

For example, the Finnish Folk Music Institute participates in the planning and practice of folk music education in all levels from early childhood education to basic education and upper secondary school, post-secondary and academic education as well as adult education and recreational activity. The Institute organises educational events both together with different schools and on their own, publish educational material and participate in joint educational projects. For more information on the educational activities of the Institute, see indicator 4.3. The Institute also participated in planning two study modules in intangible cultural heritage and ICH related entrepreneurship which were piloted as online courses in 2019 and 2020 at the Centria University of Applied Sciences, with the aim of later developing a larger study module on the subject. (see indicator 2.1).

Cultural education plans are drawn in municipalities in wide cooperation with local arts, culture, and heritage actors and practioners (see indicator 5.3. for more information on the plan) and makes it possible for practioners to participate in the development of the plan. The cultural education plan together with local curricula (see indicator 4.2) are the tools with which to raise local culture and heritage as well as the culture and heritage of diverse groups into education and thus makes it possible to involve local practioners and bearers in transmitting their heritage at schools. However, cooperation between schools and heritage communities is not yet generally common in Finland and is very much depending on the motivations and knowledge of individual teachers.

In traditional fishing culture in the Torne River’s rapids the use of handheld dipnets (called lippo in Finnish) is a traditional whitefish and salmon fishing method for fishing in the rapids. Most of the training and transmission of skills and tradition is done by the fishers themselves, who belong to the body of joint owners and have the rights to fish in the rapids. Tradition-related knowledge continues to be transferred intergenerationally and by participating. The transmission takes place naturally under the guidance of more experienced fishers. Culture becomes known through stories and in the context of community work and events. Fishers have organized courses e.g., on making lippos. The first course on lippo-making organized by an adult education centre in Finland began in the spring of 2020 in co-operation with the ProSiika Association. Transmission on tradition is also done with the help of different development projects. The aim of project called Get Acquainted with Cultural Heritage (Kulttuuriperintö tutuksi kläpeille in Finnish) is to introduce one of Tornio Valley’s children and young people to the cultural heritage of their own area and to raise awareness of local cultural sites of Tornio Valley residents and in the cultural education of young people. The project will pilot a three-site cultural visit program for schools, which can be replicated in the future. The project aims to share information on cultural heritage protection and UNESCO lists, and to clarify the difference between a World Heritage site and Intangible Cultural Heritage.

In addition, especially liberal adult education, e.g., adult education centres are important employers for many small entrepreneurs, craftspeople, and artists. Through their education and professional and often as a committed practioner themselves, also teachers in vocational institutions and post-secondary education and subject teachers in basic and secondary education, teachers in liberal adult education etc. are part of the community of actors and heritage bearers and transmitters.
The operating principle of Citizen’s Forum (Opintokeskus Kansalaisfoorumi), a national adult education institution, is to cooperate with different NGO actors and practioners, so that education and training activities that are offered arise directly from the needs of the field. Professionals and practioners are also recruited as trainers and educators. In its own trainings the Citizens' Forum's cooperates in many ways with networks in various fields of art. The starting point for study group activities is peer learning and responding to the community's own learning needs: the community itself implements its own learning process with our support.
In the education of cultural minorities, such as the Sámi and the Roma in Finland, the role of languages, culture and cultural heritage is one the most critical issues for the future. This involves securing enough competent and representative teachers and educators in all levels of education and training. Teachers teaching in the Sámi languages or teachers of Sámi language are educated in the University of Oulu Giellagas Institute (see indicator 4.4.). The Education and Learning Materials Committee of the Sámi Parliament and the Education and Learning Materials Office co-operate with the municipalities of the Sámi Homeland, other education providers, the Nordic sister bodies and the state education administration to produce. The Sámi Parliament represents the voice of the Sámi in education policy. In the Sámi homeland, Sámi early childhood education and care plans are used, and the locally drawn curricula make it possible to incorporate issues relevant to the Sámi languages, culture, and heritage (see indicator 5.3.). The Romani languages and Roma culture can be studied at the University of Helsinki to educate competent teachers and developers of Romani educational materials, but more are needed.

The challenge of the transmission of Sámi intangible cultural heritage in formal education is that its implementation has not been planned taking into account the entire study path of the Finnish education system, which extends from early childhood education to higher education. The planning also does not take into account the differences in education depending on whether the Sámi-language or Finnish-language education is provided to the Sámi and how children living outside the Sámi homeland are taken into account in the teaching of both the Sámi-language and the Sámi cultural heritage.

The transmission of the Sámi ICH through formal education depends on whether the child is in Sámi or Finnish-speaking education. Also in the Sámi homeland, a large proportion of Sámi children are taught in Finnish, which means that they can be left completely without teaching content related to the Sámi cultural heritage. If the child is in Sámi-language education, the Sámi intangible heritage is somewhat reflected in the learning materials, but especially through the teacher's own activities and expertise. Often Sámi-speaking teachers have had to draw up their own teaching materials themselves. Thus, Sámi language learning materials do not exist comprehensively, especially in all three Sámi languages spoken in Finland, and on the other hand, existing learning materials are often outdated. The development of Sámi electronic learning environments has also not met the needs.

In 2020, the Ministry of Education and Culture has appointed a Sámi Language and Sámi Language Teaching Development Group to examine the state of Sámi education and training in Sámi early childhood education and care, Sámi cultural and language nesting, Sámi education and training as a whole, and to assess the amount and quality of Sámi knowledge of basic education learning materials in accordance with the current curriculum.

A Sámi language distance learning project led by the municipality of Utsjoki and coordinated by the Sámi Parliament started its activities in 2018, and has also enabled Sámi languages to be used outside the Sámi homeland and at different levels of education. The Sámi Music Academy, which started its operations in Utsjoki in 2016, trains Sámi music makers and creates new pedagogical ways of teaching Sámi music in schools and kindergartens. In 2021, the Sámi Music Academy has been running a project called Juoiggasts, which is funded by the Northernmost Lapland Leader-project. The project develops children's and young people's hobbies in music. The main focus is on Sámi traditional music.

Question 4.2

Are modes and methods of transmitting ICH that are recognized by communities, groups and individuals, included or strengthened in formal and non-formal educational programmes?

Yes

Explain briefly, using examples, how such modes and methods of transmission are included and/or strengthened.

The Finnish education and training ecosystem from the viewpoint of ICH is diverse and wide and includes a wide range of actors both formal and informal, those that operate locally and others with national networks, with diverse resources. There is a large and established infrastructure for education, research, cultural memory organisations, cultural institutions, and non-governmental organisations, which supports the preservation and transfer of intangible cultural heritage that play an important part in the transmission of ICH through teaching and learning. Historically, art and cultural education and teaching have played a key role in not only schools but also recreational and NGO activities.

Formal education supports living cultural heritage and its transferring in diverse ways. The Finnish formal education system, from early childhood education to higher education, is comprehensive and open to everyone. In pre-primary and primary education and secondary education, the development of cultural heritage skills is part of the curriculum and the basics of vocational undergraduate degrees; however not always explicitly. Finnish basic education and vocational has a significant role as the teacher and conveyor of several art, craft and technical subjects and traditions. Schools offer opportunities for the maintenance of skills related to intangible cultural heritage. Additionally, vocational education is significant in terms of long-term transfer of skill and the maintenance of professional identity. However, there is no clear idea of the extent to which ICH is addressed at various levels of the education system. Local curricula of education providers and schoolwork plans give education providers free hands in steering education, which means the emphasis varies in different schools and municipalities. Ultimately the teacher's own activity, knowledge, skills, and interest affects the content of the lessons.

In Finland, a broad and highly organised field operates outside the formal education system. Liberal arts education (adult education centres, study centres, summer universities), children's cultural centers, summer universities, open universities, open polytechnics, organizations, federations, associations, companies, art institutions, museums, youth work and independent artists organize a wide range of courses and other activities relevant to ICH. Art and cultural heritage education can also be part of workforce training, integration training, social sector activities, youth work and parish activities. Educators, heritage professionals and art teachers working in various levels of education, both formal and informal, are educated in adult education centre study lines, vocational institutes, universities of applied sciences, and universities.

Several central organisations and thousands of culture and leisure associations operating in Finland are important actors in the transferring of living cultural heritage by organizing recreational activities and related course activities on their own or in cooperation with other actors, where traditions are transmitted. In training, education and recreation, the transmission of tradition is directly in the syllabus or content itself (e.g., folk music or dance, circus). In addition, participating in education, training, and recreation the transfer of traditions has a wider impact by strengthen the sense of community. Through learning and recreational activities, it is possible to locate oneself as part of and in relation to tradition.

For example to the Sámi, Sámi associations are key players in the transmission of living cultural heritage. The activities of the associations are close to the people and are related to everyday cultural activities. The associations are meeting places for Sámi people of different ages are possible and they create a culturally sensitive and safe operating environment.

Most often, ICH is transmitted by both formal and non-formal education. The role of formal education is nowadays strong and can be crucial in safeguarding heritage and traditions. Education strengthens the protection and transmission of tradition by increasing knowledge and skills, but rarely in a community-led way.
For example, education and training related to folk music and dance is organized by e.g., adult education centres, youth clubs and fiddlers' associations, to some extent music colleges and conservatories, two universities of applied sciences and at the Sibelius Academy. At SibA, folk music education has its own degree programme. While folk dance does not have its own degree programme, folk dance is included in the folk music curriculum as compulsory and optional courses for all musicians. In early childhood education and in basic education, education and training is limited, and depends on the school and teachers.

Another example is the tikkuröijy tradition from Hailuoto island in Northern Finland. The local heritage society, Hailuoto-seura, has held a tikkuröijy club in the old rectory of Hailuoto since 2014. The club has an average of 20 to 30 participants, some beginner tikkuröijy knitters, some experienced makers. The members of the tikkuröijy club exchange knitting tips as well as experiences and stories regarding the sweaters. The information about the history of the tikkuröijy sweater is passed on from generation to generation through the club and in homes as oral history. The club instructors gather, and record information related to the sweater tradition. Tikkuröijy tradition has also been present in basic arts education in crafts. However, during the pandemic knitting has become highly popular and also new methods of transmitting the heritage has been established. Online courses are being organised and in the Tikkuröijypiiri Facebook there are over 2400 members.

Most of the education and training in circus happens in a non-formal context in and by circus schools, groups, associations etc. The extended syllabus for basic arts education is available in six circus schools across Finland. Formal vocational circus education in available in one vocational school and one University of Applied Sciences (see indicator 6.1.). The Finnish Youth Circus Association (Suomen Nuorisosirkusliitto) organises training to educators in circus pedagogy and circus as art.
The runosong tradition has been passed, and continues to be passed, to future generations as a living song tradition through homes, but also increasingly through education and publicly performed music. Nowadays, cultural institutions, universities, associations, and organisations in the field of language and culture also take part in maintaining the runosong tradition. The Runosong Academy (Runolaulu-Akatemia) organises courses and training in cooperation with different actors e.g., basic education and uppers secondary schools and music schools, but the training is temporary.

The field of puppet theatre has limited possibilities for formal education in the field. Professionals in the field teach, train, and pass on their knowledge and skills as mentors. In the SAMIedu vocational institute (Ammattiopisto Samiedu) it is possible to obtain a vocational degree in puppet theatre. Puppet theatre teaching and courses are organized, for example, in the Turku University of Applied Sciences Arts Academy of Arts, and courses led by professionals for example in adult education centres and the University of the Arts Helsinki's Theatre Academy. In Finland, puppet theatre teaching and courses are organized, for example, in addition to the Turku University of Applied Sciences Academy of Arts, for courses led by professionals at, for example, adult education centres and the University of the Arts Helsinki's Theatre Academy. Vocational college at SAMIedu can complete a vocational degree in puppet theatre. Numerous seminars, lectures, workshops, and other events are held in Finland every year to discuss. Festivals are part of conveying puppetry to the public.

Many courses central to Roma living heritage have been offered, mostly in language, crafts and music of the Roma. These courses, and especially the courses in crafts, have been very popular. The majority of the courses have been offered as part of projects and are thus often not part of a formal education or permanent activities of institutions, which is a challenge for continuity of the training.

Formal education

One of the basic principles of Finnish education is that all people must have equal access to high-quality education and training. The same educational opportunities should be available to all citizens irrespective of their ethnic origin, age, wealth or where they live
The Finnish education system consists of:
• early childhood education and care
• pre-primary education
• basic education
• general upper secondary education
• vocational education and training/vocational upper secondary level
• higher education
• adult education

Compulsory education applies to all 6–18-year-olds. It includes pre-primary, basic and upper secondary education. After 9 years of basic education there is the general upper secondary or vocational upper secondary education and training level. General upper secondary education leads to matriculation examination and vocational education and training to vocational qualification. The Finnish higher education system comprises universities and universities of applied sciences. Universities engage both in education and research and have the right to award doctorates. Universities of applied sciences are multi-field institutions of professional higher education. Universities of applied sciences engage in applied research and development.

The purpose of basic education is to support pupils' growth into humanity and into ethically responsible membership of society and to provide them with knowledge and skills needed in life. Furthermore, the aim of pre-primary education, as part of early childhood education, is to improve children's capacity for learning. Education shall promote civilisation and equality in society and pupils' prerequisites for participating in education and otherwise developing themselves during their lives. The aim of education shall further be to secure adequate equity in education throughout the country.

The purpose of general upper secondary education is to help students grow into decent, well-rounded, and educated human beings and active members of society and to provide them with the knowledge, skills and capabilities required for engaging in working life and recreational activities as well as to further their versatile personal development. The purpose of the education is also to provide students with the capabilities for lifelong learning and continuous personal development.
Finnish national core curriculum provides a common direction and basis for school education and instruction in primary and secondary education. Education providers, municipalities, and private education providers, draw up a local curricula and annual plans based on the national core curriculum.

The national core curriculum for basic education was extensively reformed in 2014 and the introduction took place in stages from 2016 until 2019 for different grades (see also indicator 12.2). The new core curriculum places an emphasis on transversal competences in instruction. A changing society demands increasingly transversal skills and competences. Therefore, it is important that each subject promotes transversal competences. These include cultural competence, interaction, and self-expression.
Cultural heritage, cultural competence, cultural sustainability, cultural diversity, and support for cultural identity are included in a wide range of common principles in the national core curriculum for basic education, such as the value base of basic education, the function, general objectives, and objectives of broad-based competence. Wide-ranging competence is developed as part of teaching according to the annual grade-specific objectives of each subject.
One of the wide-ranging objectives of the core curriculum covering all subject areas is called Cultural competence, interaction and expression which emphasizes that in basic education, students are directed towards identifying and appreciating the cultural significance of the environment and building their own cultural identity and positive environmental relationship. Students learn to know and appreciate their living environment and its cultural heritage, as well as their own social, cultural, religious, viewing, and linguistic roots. Students are directed to see cultural diversity as a positive resource.

The national core curriculum chapter on specific questions relating to language and culture mentions that teaching draws on the knowledge of pupils, their guardians and their community about nature, lifestyles, history, languages, and cultures in their own linguistic and cultural area
Each school year every school must have at least one clearly defined theme, project or course that combines the content of different subjects and deals with the selected theme from the perspective of several subjects. These are called multidisciplinary learning modules. Schools plan and implement the multidisciplinary learning modules and the topics and duration may vary based on local needs and interests. Pupils participate in planning the modules.
The guidelines for developing school culture are specified in the national core curriculum. The goal is to build a school culture that promotes learning, interaction, participation, well-being, and a sustainable way of living. The principles that guide the development of the school culture emphasise the school as a learning community. In addition, an aim to ensure the well-being and safety of every pupil.

Schools must provide opportunities for experimentation, exploration, active learning, physical activity, and play. Cultural diversity and language awareness are also key principles that guide the development of the school culture. The use of various languages in the school's daily life is seen as natural, and languages are appreciated. According to the curriculum, the school’s community values and explores Finland’s cultural heritage and national languages, as well as its own cultural, linguistic, religious diversity. It highlights the importance of Sámi culture and different minorities in Finland. It develops understanding and respect between individuals and groups. The school community recognizes the right to one's own language and culture as a fundamental right.

The core curriculum describes seven transversal competence areas. These epitomise the aims of education and reflect the competences needed in all spheres of life. The transversal competences relevant from the point of view of intangible heritage include cultural competence, interaction and expression and participation, involvement and building a sustainable future. One of the aims of the core curriculum is a school that functions as a learning community and is aware of different languages and sees culture as a richness. One of the practical main changes in the renewal of the core curriculum for basic education was that the number of lessons in arts and crafts were increased during the nine-year basic education.

New curricula will be introduced at Finnish general upper secondary schools in August 2021. They will be based on the National core curriculum for general upper secondary schools published by the Finnish National Agency for Education in November 2019. Key changes include that all study units at general upper secondary school aim for developing transversal competences.

Vocational education and training (VET) in Finland are part of the upper secondary education even though it is also directed to adults and for example further and specialist vocational qualifications enable people to develop their skills at various stages of their career. The purpose of vocational education and training is to increase and maintain the vocational skills of the population, develop commerce and industry, and respond to its competence needs. Vocational qualifications include upper secondary qualifications (basic level), further qualifications and specialist qualifications. The role of vocational education is thus significant in terms of long-term transfer of practical skills and the maintenance of professional identity, also in the field relevant to ICH such as arts and humanities and more indirectly in several technical fields. The fields humanities and the arts, which is visual expression, library, theatre, dance, circus, and music as well as in the crafts and design sector.

Vocational training is also possible to obtain by studying at the workplace, either based on apprenticeship or on training agreement. Learning at work can be used to acquire competence in all vocational qualifications as well as other training advancing or supplementing vocational skills. Studying at the workplace can cover an entire degree, a module, or a smaller part of the studies. In apprenticeship, most of the competence will be acquired at the workplace through practical work tasks and will be reinforced in other learning environments if needed.

The Sámi Education Institute (Saamelaisalueen koulutuskeskus) is a vocational college with a vital role in developing the needs of its people and the Arctic region. It is the only indigenous people's institute of post-secondary trade school education in Finland, with three campuses in the homeland of the Sámi. It is also the only vocational school in Finland where Sámi is one of the teaching languages. The institution organizes education classes, workshops, and degree programs for young adults and mature students. The core curriculum supports the livelihoods of the Sámi with emphasis on the development of the Sámi languages and Sámi cultures, to promote nature-based occupations and employment. For more information on the Institute and its tuition, see indicator 5.1. and 6.1.

Non-formal education

Liberal adult education

Liberal adult education is the main organiser of voluntary studies open to the public at large. Liberal adult education institutions offer studies that improve civic skills, social studies, general education studies and studies for hobby-based or interest-based information and skills acquisition. The goal of liberal adult education is to promote people's versatile development and wellbeing as well as the realisation of democracy, pluralism, sustainable development, multiculturalism, and internationalism.

The purpose of liberal adult education is to promote people's versatile development and provide education and training that supports the cohesion of society, equality and active citizenship based on the principle of lifelong learning. An essential aspect of liberal adult education is that everyone has the right to apply to take part in it. The education does not provide a degree or qualification, and its content is not governed by legislation.
Studies have found that participants benefit from liberal adult education in many ways. It imparts skills needed in work and studies, improves well-being, promotes agency, and supports an active role as a municipal resident. Liberal adult education creates common good, for example by imparting general knowledge and ability, maintaining heritage activities, offering cultural experiences, providing education in internationality and multiculturalism, promoting integration, and providing another opportunity to complement education.

Educational institutions that provide liberal adult education include adult education centres, folk high schools, learning centres, sports training centres (sports institutes) and summer universities. Education providers make all decisions on the objectives and content of the studies. Liberal adult education providers comprise local authorities, joint municipal authorities, associations, foundations, and limited liability companies. Liberal adult education includes both activities based on various sets of values and those that are neutral. The affiliated organisations can represent various world views or religious beliefs, or act based on local or regional civic needs.

Adult education centres are educational institutions chiefly maintained by local authorities. Some are privately owned. Tuition is available in all municipalities and activities are usually decentralised to various parts of the municipalities. Adult education centres are tasked with responding to local and regional civic needs and enabling self-motivated learning and the development of civic skills. They provide a large part of basic education in the arts. Tuition is offered in a wide variety of subjects, including languages, IT, arts and crafts, music, sports, cooking and wellbeing. The centres also often organise talks and lectures on a range of cultural topics as well as current social and political issues. Many adult education centres also provide Finnish as a foreign language tuition for immigrants. The choice of courses on offer varies between centres and each centre is responsible for designing their own curriculum to ensure that it best reflects the demand of people in their own local area.

Adult education centres are available to everyone, regardless of their age or educational background. Adult education centres have become an integral part of Finnish culture. Every year, more than one in ten Finns, a total of over 600,000 people, attend an adult education centre. Course fees remain highly reasonable as they are subsidised by central government and local authorities. There are a total of 177 adult education centres in Finland, operating across the country. Courses are often provided at a number of venues across the local authority area, including schools during after-school hours. It is common for larger towns and cities to have two or more centres. Centrally to ICH, most teaching in centres is offered in crafts (20 % of all tuition) and music 20%.

Learning centres are maintained by private civic organisations. Half of the organisations that back learning centres are affiliated with political parties or labour unions, and the rest are independent non-governmental organisations. Learning centres provide education independently or in cooperation with their member organisations. The range of studies offered is determined based on the ideologies of the centre's collaborating affiliations. Their objective is lifelong vocational further education, language studies and short-term, non-formal education, for example. They also provide university-level courses in arts and culture, seminars, and events as well as university activities for mature students. Their activities are focused on open higher education as well as on responding to the region's other learning and civic needs, also considering people who already have a degree in higher education.
Finland has national and regional sports training centres (sports institutes) that provide vocational upper secondary and vocational further education and training as well as non-formal education for youths and adults. They function as training centres for athletes and some institutes also provide vocational education in the field of sports and physical exercise.

Basic education in the arts

Basic education in the arts is provided primarily for children and young people on an extracurricular basis. Basic arts education is provided at music institutes and schools, art schools, dance institutes and schools, handicrafts schools and other educational institutions. Basic education in the different fields of art progresses in a purposeful manner from one level to the next and provides students with the skills to express themselves as well as the ability to apply for vocational training and education or higher education in this field.

The task of basic art education is to build a sustainable future through art. The teaching is based on a pluralistic and renewing view cultural heritage. Teaching strengthens the student's skills in self-expression, and interpretation. The studies support the development of students' creative thinking and inclusion. Basic art education strengthens the building of students' identities and the development of cultural literacy. Recognised traditions can also be part of basic arts education tuition, for example the Tikkuröijy tradition in the field of crafts.

The tuition complies with the curricula approved by the education provider, which must be based on the national core curriculum determined by the Finnish National Agency for Education. The curricula outline the objectives and key content of education, and they can include syllabuses of various scopes. The syllabuses for basic education in the arts consist of a general syllabus and an extended syllabus. The core curriculum for the extended and general syllabus has been confirmed for architecture, visual arts, crafts, media arts, music, literary art, circus art, dance, and theatre. Basic arts education if offered in 250 municipalities (approx. 80% of municipalities). Approximately 120 000 pupils participate in basic arts education yearly.

Local authorities make decisions on the provision of basic education in the arts. The state participates in the funding of it by granting municipalities central
government transfers for basic education in the arts based on the municipality's population and an imputed unit price per resident. The Ministry of Education and Culture can grant a municipality the right to central government transfers also based on the number of hours of instruction and an imputed unit price per hour of instruction. Additionally, the Ministry of Education and Culture as well as the Finnish National Agency for Education award grants each year to cover operating costs related to the provision of basic arts education and for the development of activities.

Other examples include a master and apprentice-model, which has been used in transmission of the winter seine fishing and education young fishers in lake Puruvesi. The model has been supported by Eastern Finland kalatalousyhtymä (fishing cooperative). In the model, pairs of masters and apprentices were selected for a year-long project. During the year, the apprentice participated in the practical work with the master fisherman for a total of six months. The periods of practical work were divided in such a way that the apprentice can participate in all fishing methods according to the annual cycle. The aim of the model was to provide interested young people with the opportunity to receive practical training and to try out professional fishing in a way that adapts fishing to current requirements and methods.

Question 4.3

Do communities, groups, NGOs or heritage institutions offer educational programmes and/or extra-curricular activities concerning ICH and strengthening its transmission, and do they receive any support?

Yes

Explain briefly, with examples, how these programmes strengthen ICH transmission and who provides them.

In educational programmes and extra-curricular and recreational activities, heritage and traditions are transmitted practical in learning practical, artistic or craft skills, doing and experiencing, and in the environments of learning and doing.

As was mentioned before in indicator 4.1. and 4.2., especially the field of non-formal education is wide and diverse. This is the case also in relation to the support they receive or have in their activities. Some work locally with volunteers, others have well-established resources and nationwide networks. The organization of activities is often supported by municipal and state grants, e.g., funding for youth work, culture and sport, and funding for basic arts education. Volunteering can play a particularly significant role locally. Revenue from running the activities is also obtained from the organization of performances, product sales etc. In addition, training, education, and transmission is supported by and in different development projects, for example in the Tornio Valley region, where projects have bene supported by LEADER.

In Eastern Finland, Kesälahti fishing port and Lumimuutos cooperative have actively promoted the preservation and awareness of professional fishing and culture locally, nationally, and internationally. In 2015, a LEADER project was launched locally, which aims to promote winter fishing and professional fishing in Puruvesi. As part of this project, we have taken children to winter seine fishing.

The Citizens’ Forum (see also indicator 4.1.) offers associations help in planning their training activities and provides also financial support to cover expenses. The educational coordinators at Citizens’ Forum also provide pedagogical support and tips for planning training.

In Finland there are thirty-three children’s cultural centres. Children’s cultural centres provide cultural services for children, young people, families with children, schools, and kindergartens. In their regions, the centres work in close cooperation with various municipal sectors, e.g., early education, schools, and NGOs. Accessibility is the central principle and goal guiding the centres. The centres bring accessible art education into the daily lives of as many children and adolescents as possible and increase their well-being by means of art and culture. Several cultural centres for children have had a decisive influence in the creation and implementation of the cultural education plans (see indicator 5.3.) in their respective regions. The cultural education plan is put into action in collaboration between schools and actors in the culture and art sectors. The education and culture sectors pledge to comply with the common plan together with art institutions, such as libraries, museums, and theatres. This cooperation guarantees the children and youth in the municipality or region equal access to local culture in a multifaceted way.

Mánnu is the Sámi Children’s cultural centre. The content areas of Mánnu's activities include Sámi stories, songs, yoik, games, excursions, traditional food, and visual arts. At the beginning of the year, the detailed plans for the centre are created and all three Sámi language groups are considered in the planning. Wishes or suggestions on content can be submitted directly to the centre. Mánnu's activities are funded by the Ministry of Education and Culture, the Sámi Parliament, and the municipalities of the Sámi region.

The Ministry of Education and Culture grants subsidies to children's cultural centres and national children's arts and cultural events. The purpose of the grant for children's cultural centres is to promote the equal participation of children in art and culture throughout the country, to support the activities of children's cultural centres and their networking. The grant is awarded to children's cultural centres, where arts and cultural professionals provide children's cultural services primarily to children, and to the coordination of the children's cultural network.

The Folk Music Institute organises educational events both together with different schools and on their own. Every other year the Institute arranges a learning period in Kaustinen for the students of all Finnish learning institutions focusing on folk music and dance. The Institute also participates in organizing and developing the folk music based Näppäri courses for children and youth with Kaustisen Näppärit ry and other operators. The Institute oversees coordinating the Näppäri short courses. The Institute also develops tradition based cultural activities for children and youth locally with e.g., our Näppäri school and with the Children's Cultural Centre Lykky.
Finnish Crafts Organization Taito (see indicator 1.2.) offers an extensive service network of craft centres for crafts skills in Finland. Annually, its courses in the craft centres are attended by 27.000 people. At Crafts Centres, people have also an opportunity to meet other people who share their interests. In addition to courses the organisation organises training In Taito Crafts Schools across Finland that provide education in crafts in line with the Basic Education in the Arts curriculum for 4–16-year-old children and teenagers, as well as adults.

The Martha Organization (Marttaliitto) offers training and courses in subjects related to food and nutrition, home gardening and environmental protection and household economics and consumer issues. Before Covid-19 pandemic in 2019 the Martha Organization organized 31 000 events and the events were participated 1 079 000 times. Even during the pandemic in 2020, the Organization had 17 000 events and they were participated 293 800 times.

In the Åland Islands, the Government of Åland is financially supporting NGOs offering educational programs in ICH. Examples of actors, elements and sums financed in year 2021 are: (1) Föräldraföreningen Bild- och Formskolan r.f; visual arts; 60.000 €, (2) Alandia Strings r.f; folk music; 32.000 €, (3) Teater Alandica r.f; performing arts; 30.000 €, and (4) Kodarklubben r.f; computer programming; 11.000.

The organising of the leisure activities following the Finnish model of hobbies (see indicator 5.1. and 11.2.) will be arranged in cooperation with associations and other operators in the municipalities. During the pilot season, the operating model will be planned, built, and evaluated in cooperation with the operators providing the activities. The goal is to create new cooperation models between schools and activity providers. Partners are being sought from among clubs, associations, companies, and other actors that organise cultural or other leisure activities for children and young people. The school premises are given to clubs for children and adolescents free of charge, which opens new opportunities for clubs, art and cultural activities and increases cooperation which supports education. The Ministry of Education and Culture grants subsidies to municipalities through Regional State Administrative Agencies.

Provide additional details here of the nature of any support (financial, technical, in-kind or other) they receive.

Question 4.4

Do teacher training programmes and programmes for training providers of non-formal education include methods for integrating ICH and its safeguarding into education?

Yes

Provide additional details here of these training programmes, in particular the methods taught and the target audience.

There are several organisations and initiatives in Finland to support teacher and trainers in integrating ICH themes into education in basic education and non-formal training.

The National Board of Education produces support material that provides information on materials for teaching in Sámi, Roma, sign language and other languages.
The Association of Cultural Heritage Education (Kulttuuriperintökasvatuksen seura) in Finland is a national non-governmental expert organization. The mission of the association is to serve as an expert, influencer, promoter, developer, and communicator of cultural heritage education and education of culturally sustainable development. The target of the Association is to strengthen the cultural competence of especially children and youth – information, skills, and experiences regarding diverse cultural heritage – and to support identity building, involvement in culture and society, and the fulfilment of cultural rights.

The Association provides educators and other professionals with information, material, expertise, ideas for activities, operating models, and new networks. The association co-operates with actors of education, culture, environment, and youth sectors. The partners of the association include the Ministry of Education and Culture, the Ministry of the Environment, the Finnish National Agency for Education, and the Finnish Heritage Agency as well as different organizations and associations, schools and educational establishments, museums, archives, World Heritage Sites, and many professionals and experts in different fields.
Learn about Intangible Heritage –(opi.aineetonkulttuuriperinto.fi) is a website developed in co-operation with The Finnish Heritage Agency and the Finnish Society for Cultural Heritage Education as part of the implementation of the ICH convention. The website has educational materials for schools to use, which offers a wide range of opportunities to address the theme among people of different ages. The idea is to activate children and young people to reflect on their own living heritage and to share it in the form of videos and pictures. The website is bilingual (Finnish-Swedish). https://opi.aineetonkulttuuriperinto.fi/fi/

Learn about World Heritage! -website (Opi maailmanperinnöstä! in Finnish) offers materials to support world heritage education and basic education. The site is intended as a material bank for teachers or for learning about world heritage, sustainable development, and intangible cultural heritage. The material has been produced in co-operation with the Finnish Association of World Heritage Sites and the Finnish Society for Cultural Heritage Education as part of the Material in Support of World Heritage Education project funded by the Finnish Heritage Agency in 2020-2021. https://www.maailmanperinto.fi/materiaali/

The Finnish Association of Nature and Environment Schools (Suomen luonto- ja ympäristökoulujen liitto) organizes and develops a network (LYKE) that offers environmental education services for schools and kindergartens on local level. It also promotes nature and environmental education in Finland. LYKE-network consists of centres governed by municipalities, governmental organizations, enterprises, and associations. As part of the activities of the Association, trainings are also organized for teachers and educators on, for example, outdoor learning, environmental education and sustainable development themes, and schools and kindergartens are supported in their work on sustainable development. The association gives support to the network members, deliver good practices, and help in co-operation with municipalities and schools. Webpage Mappa.fi includes teaching materials to be used in environmental education in basic education and in relation to the national core curriculum.

The National Board of Education has published on their website support material for teachers called Cultural heritage education in Ethics and Religion, which discusses how the teaching of ethics and religion strengthens cultural competence and the appreciation of cultural heritage and helps children and young people to build their cultural identity. The themes of the material are: What is cultural heritage?, Intangible cultural heritage, Difficult cultural heritage, World Heritage, What is cultural identity?, What is culturally sustainable education? The material also contains links to teaching materials and international agreements produced by third-sector operators. The support material also encourages schools and educational institutions to participate in the cultural heritage process, including proposing intangible cultural heritage themes to the ICH wiki-inventory. The Lists of Intangible Cultural Heritage provide a wealth of information and material on religious traditions, cultures, and lifestyles in Finland and around the world, and can be used in a wide range of subjects.

In the education of subject teachers, e.g., crafts teachers, the transmission and safeguarding of related ICH is implicitly built in the studies, teaching, and learning methods and environments. ICH themes are also present in general teacher education curricula in Finnish universities, usually as part of courses on cultural heritage in general, or world heritage, for example. An example is the University of Jyväskylä Department of Teacher Education that offered in spring 2021 a course to future teachers on world heritage, including intangible cultural heritage, as an integrative cross-curricular theme. In the course, the Finnish ICH Wiki-inventory was utilized.
In Finland, in cities with universities that offer teacher education there are so called Normal schools (Normaalikoulu) where future teachers practise. These schools are part of the UNESCO Associated Projects Network. UNESCO school activities are visible in schools at curriculum level, everyday activities, and practical schoolwork, as well as in practical teacher training.

In teacher education, the University of Oulu offers a degree programme in Intercultural Teacher Education focusing on social justice, ethics, educational diversity and in supporting equality. In the University of Helsinki, it is possible to study Romani and Roma culture at university level enables the future supply of qualified Romani language teachers. The subject is available to degree students as well as at the Open university. The Giellagas Institute and the Faculty of Education of the University of Oulu organise separate studies (Ketterä korkeakoulu) for those aiming to work as teacher using the Sámi languages as the teaching language or to teach the Sámi languages. Studies are offered in languages, Sámi literature and pedagogy. In the degree, the student can choose either Inari Sámi, Skolt Sámi, or Northern Sámi studies.

An example from continuing education, Metropolia University of Applied Sciences has offered a course called ”Cultural heritage to teachers,” which is aimed at teachers in basic education, uppers secondary education or liberal adult education. The course has focussed on knowledge and skills on various traditional materials and the history of their use from the point of view of conservation of furniture, textiles, objects and interiors of cultural historical value, paper materials and painting.

Sykli Environmental School of Finland (Suomen ympäristöopisto Sykli) offers adults preparatory training, short training courses, consultation, and other expert services. Sykli offers courses and qualification in environmental education for all level teachers and others working in organizations that educate children and youth, for example a course Out of the box – environmental education and outdoor learning in Finland. Course themes include environmental education and outdoor education, creativity in teaching and interdisciplinary and phenomena-based environmental outdoor education methods of teaching.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will target to work towards supporting more diverse educational programs for the transmission of ICH. Furthermore, it will look to strengthen to include methods of integrating ICH in education teacher training programs and programs for training providers of non-formal education.


5. Extent to which ICH and its safeguarding are integrated into primary and secondary education, included in the content of relevant disciplines, and used to strengthen teaching and learning about and with ICH and respect for one’s own and others’ ICH

Guidance note corresponding to indicator 5 of the Overall Results Framework: English|French|Spanish

Question 5.1

How is ICH included in the content of relevant disciplines? (you may check several)

  • As a stand-alone subject

    Intangible cultural heritage as such is not a stand-alone subject in primary or general upper secondary education but is implicit overall in the national core curriculum for basic education and more explicit in some subjects such as languages and different fields of culture, such as music and crafts, and in the teaching of the subjects of Ethics and Religion. For information on studies in religion and ethics, see indicator 5.2.

    In the general upper secondary school, students can complete a specific diploma (Lukiodiplomi in Finnish) in the subjects of home economics, visual arts, crafts, physical education, media, music, dance, and theatre. The upper secondary school diplomas offer students the opportunity to demonstrate his/her unique skills and hobbies in different subject and subject groups. The diplomas offer the students the opportunity to assess their competence and strengths during upper secondary school studies from the perspective of postgraduate studies. The diplomas complement the competence demonstrated by the high school graduation certificate and the matriculation examination certificate. In Tampere Normaalikoulu (a teacher training school of the University of Tampere) general upper secondary education, it is possible to study in a circus study line, where teaching is conducted in cooperation with Sorin Circus.

    Upper secondary schools can also be given the task of a special development school, in which case they can offer students the opportunity to emphasize for example art and physical education in their studies. In these upper secondary schools, the students can choose twenty-four credits for studies in a specific area, which will replace sixteen credits of the upper secondary curriculum. There are a total of five upper secondary schools with special assignments where you can study the handicrafts, and in addition to these five there are a few upper secondary schools that also offer craft studies. In addition to crafts, there are schools that specialise for example in music and dance, visual arts, and design, performing arts and natural sciences.

    In Finnish schools that are part of the UNESCO Associated Projects Network (see indicator 4.4.) UNESCO school activities are visible in schools at curriculum level, everyday activities, and practical schoolwork.

    In vocational studies in the humanities, arts and craft and design sector it is possible to obtain qualifications crafts (in all its forms), visual arts, library studies, theatre, dance, circus and music, environmental studies, carpentry. Vocational education is central in the transmission of practical artistic and technical skills and related knowledge and capacities from the viewpoint of ICH. It also offers eligibility to further training and education.

    For example, in the field of crafts, undergraduate degrees are offered in forty-three institutions in the crafts and design sector (artisan), textiles and fashion, wood industry, boat building and in the technical field. Vocational College Livia (Ammattiopisto Livia) under the Turku Vocational College Foundation is the only institute in Finland to offer state-funded training leading to a vocational degree in wooden boat building in Parainen. In Eurajoki and Loviisa, liberal adult education in wooden boat construction is offered in adult education centres. Adult education centres across Finland offer various related courses.

    The Sámi Education Institute (SAKK) (see also indicators 4.2. and 6.1.) offers several vocational qualification study programs, for example in Sámi handcrafts (in soft handicrafts: fabric, leather and fur or hard handicrafts: precious metals, gemstones, reindeer antler and bone, wood, jewellery production), reindeer husbandry and tourism and nature guide and chef studies. In all study programs local needs and livelihoods are at the core and for example chef students prepare foods using locally sourced natural ingredients such as reindeer, fish, berries, and mushrooms. In the Sámi handicraft program, in addition to learning practical skills to manufacture traditional Sámi handicrafts, the importance of cultural and traditional knowledge for the students themselves and their environment is emphasized. In the reindeer husbandry program emphasis is placed on hands-on learning combining traditional knowledge, Sámi culture, and principles of applied science. In Sámi handicrafts and reindeer husbandry, it is possible to obtain also further vocational qualifications and specialist vocational qualifications (see indicator 6.1).

    In addition to vocational qualifications, the Institute offers one-year education programs in Inari Sámi language and culture, Northern Sámi language and culture and Skolt Sámi language and culture. These study programs are intended for anyone interested in Sámi languages and cultures. The education curriculum is designed to be suitable for those who need Inari, Northern or Skolt Sámi language and culture skills and for those planning to apply to a postgraduate course that requires knowledge of Sámi languages and culture.

 

  • As a means of explaining or demonstrating other subjects

    Examples from different artistic and practical subjects in the national core curriculum for basic education:
    The aim of tuition in home economics is to develop the knowledge, skills, attitudes, and functional capacities necessary for managing home life and a sustainable lifestyle that promotes well-being. The tuition promotes manual skills and creativity, knowledge of home traditions as well as the ability to make choices and act sustainably in everyday life in your home. The curriculum includes for example a course in Food expertise and food culture. The tuition content supports the development of food preparation and baking skills and includes also planning and implementing meals at different dining situations. The perspectives of nutrition recommendations, food safety, food chain, food knowledge, economy, ethics, and reliable information related to food are central. Educational content includes food and customs as part of identity and home festivities.

    According to the curricula in visual arts in basic education, strengthening pupils’ knowledge of cultural heritage supports the transmission and renewal of traditions. In visual arts education, cultural heritage can be approached globally, nationally, locally or from the perspective of the pupil's cultural background. Tuition considers the traditions of diverse groups that have lived and live in Finland. The aim of cultural heritage education is to learn to understand and produce tangible and intangible cultural heritage. Cultural heritage is nurtured and shaped by interpreting cultural values and practices. Visual art explores cultural significances by studying products of visual culture and related practices. Cultural heritage education provides the pupil with tools to build a cultural identity.
    The objectives of visual arts education are approached by studying one's own image cultures, environmental image cultures and worlds of art. The content areas are complementary, and tuition also examines the links between them. The starting points for the selection of content are works, products and phenomena of art and other visual culture that are relevant to the pupils. Students are encouraged to participate in the selection of tuition content, working methods and tools. Local opportunities are used to select content.

    An example of central content in visual arts education: Own image cultures. In grades 1-2 the contents of tuition are images and image cultures made by pupils. Students are encouraged to familiarise themselves with each other's image cultures. Pupils’ own image cultures are used as a starting point for visual work. The tuition discusses the importance of one's own image cultures in pupils' everyday lives and in the surrounding environment. In grades 3-6 the tuition discusses the importance of pupil’s own image cultures in participation in different communities, environments, and contexts. In grades 7-9 the tuition discusses the importance of pupils’ own image cultures for influencing one's own living environment and society.

    In Finland, crafts has been a subject of compulsory education throughout its history, since the mid-19th century. Currently, the aim of crafts tuition in basic education is to guide pupils towards the full handicraft process. Handicraft is a multi-material subject that implements activities based on craft expression, design, and technology. This includes independent or communal craft design and making and the evaluation of the handicraft process. Knowledge of the surrounding material world creates a basis for sustainable lifestyle and development. This also includes the pupils' own circle of life, local cultural heritage, and the cultural diversity of the community. Key tuition content includes for example:
    Content area 2: Design. Getting acquainted with the social, cultural, and technological development of living, moving, and dressing, and utilizing locality and traditions of diverse cultures in planning, design, and implementation.
    Content area 3: Experimentation. Practicing diverse ways to modify, combine and process materials and to use a variety of traditional and new materials and manufacturing techniques creatively and boldly. Applying programming to plans and in manufacturing products.
    Content area 8: Awareness and participation. The different meanings of crafts and products from the perspective of the individual, society and the environment are studied. Crafts are considered as a promoter of well-being and sustainable development in everyday life. Practicing participation, influencing, and communicating with crafts.

    The ten different craft traditions listed in the Finnish national inventory of living heritage are also part of crafts tuition. Pupils both familiarize themselves with the traditions and to some extent also work on with the traditions and techniques themselves.

    The aim of physical education is to support the pupils’ physical, social, and mental functioning and a positive attitude towards their own body. In physical education, positive experiences related to individual exercise classes and supporting an active lifestyle are important. Lessons emphasize physicality, physical activity, and doing things together. Physical activity promotes equality, equality, and community, and supports cultural diversity.

    The task of teaching music is to create the conditions for diverse musical activities and active cultural inclusion. Tuition guides pupils to interpret the many meanings of music in diverse cultures and in the activities of individuals and communities.

    In the core curriculum of basic education and general upper secondary school education the aim of Finnish language and literature tuition is to develop the pupils' language, interaction and text skills and direct pupils to take an interest in language, literature, and other forms of culture. In the upper secondary school
    curriculum familiarisation with cultural heritage and its different forms is also mentioned. The curriculum lists various cultural contents, such as literary art, drama, theatre and media and communication culture, where the role of cultural heritage is also central. Different learning environments and cooperation with diverse cultural institutions can also be linked to cultural heritage teaching, as tuition uses libraries, theatres, museums, and archives, for example. The native language and literature of different languages and cultures emphasise different genres of tradition.

    The aim of the Finnish/Swedish language and literature syllabus of grades 1-2 is to guide the pupil to appreciate their own language and culture, as well as cultural diversity, to familiarise the pupils with different forms of children's culture and to inspire pupils to use them, and to encourage the production of their own culture together with others. The tuition discusses, for example, expressions, and plays with language through rhymes, poems, and puns. In addition, festive traditions and folklore are explored, as are children's culture and customs in the immediate surroundings.

    The aim of the Finnish/Swedish language and literature syllabus of grades 3-6 is to support the pupil in building a linguistic and cultural identity and to guide them to value diverse cultures and languages, to create opportunities for pupils to familiarise themselves with media and cultural offerings and to produce their own culture. The tuition deals with folklore and heritage familiar to the pupils and their successors in modern culture. At the same time, media and cultural offering aimed at children and young people, such as libraries, films, theatres and museums, are utilised.

    The objectives of the Finnish/Swedish language and literature syllabus in tuition in grades 7–9 of the mention (Objective 16) the reflection on the importance of culture in one's own life and the acquisition of cultural experiences. The syllabus deals with the concepts and manifestations of culture, such as folklore.

    In the Sámi language and literature syllabus in basic education, the tradition of narrative, Sámi lyrics (liv?e, leu'dd, luohti), community customs, traditions, art, the Sámi way of life and history are central. The Romani language and literature syllabus in basic education emphasizes that the strong narrative traditions, music traditions and craft traditions of Roma culture are used in teaching. In the sing language and literature syllabus in basic education, language, literature and narrative traditions, traditions, customs, art, and history are central. The tuition deepens and diversifies the relationship between pupils and the sign language narrative and cultural traditions and the language community.

    The National Board of Education produces support material that provides information on materials for teaching in Sámi, Roma, sign language and other languages.

    The task of teaching history of in basic education is to develop pupils' historical awareness and knowledge of cultures, with an emphasis on the value of intellectual, intangible, and material heritage. The aim is to support the building of pupils' identity and to promote their growth into active members of society who understand diversity. The aim is to awaken pupils' interest in the past and in understanding human activity. The study of history in the lower grades begins by studying the past of pupil's family or local community, using local and local history and cultural heritage. The teaching focusses on the impact of cultures on individuals and societies, from prehistory to the present day, both through Finland and through general history. In grades 7–9 the importance of culture in building identity in the age of autonomy and in the early days of independent Finland is learned, starting with the legacy of Swedish rule.

    History is a subject that strengthens knowledge of cultures and cultural heritage, and deepens individual, national, European, and global identity. The teaching of the history of upper secondary school examines development that has led to the present, the relationship between man and the environment, and the interaction between culture, power, and the economy. The students practice historical empathy, i.e., putting oneself in the shoes of a person of the past. Education emphasises the importance of human rights, equality, and equity, as well as democracy and international cooperation. Studies in history support the student's growth into a responsible member of society who understands diversity and is oriented towards internationality. The history subject emphasises everyone's right to their own cultural roots.

    The goal of teaching history in the general upper secondary school is that the student knows the wide scope of history and understands the different manifestations of cultures and their diversity. In addition, the aim is for the student to understand the interdependence of economic, social, cultural, ideological and phenomena before and today. The students must be able to assess the links between Finnish civilisation and Western culture and to be able to separate the characteristics, images and ideals associated with Finnish identity and culture at various times, and their impact on modern-day Finland. The aim is also that the student can combine historical development lines with the history of their own region and to know Finnish, Sámi and the cultural heritage and everyday history of other minority groups. The teaching of history is based on the interaction between communities and individuals, everyday history and people's way of life, culture, and livelihoods at various stages of history.

 

  • Others

    In connection with basic education, library activities, club activities and other activities closely related to teaching can be arranged to pupils. The organiser of the teaching decides on the organisation and scope of the activities. Where possible, school meals, recess activities, parties, excursions, study visits and school camps, as well as school trips are also organised in such a way as to support the objectives set for pupils' learning, development, and well-being.

    The task of school meals is to support students' healthy growth and development, ability to study and food expertise. The pupils get a full free meal every school day. The organisation of school meals considers the health aspects and the social and cultural importance of food. Dining moments have an important recreational function and promote a sustainable lifestyle, cultural competence, and the teaching of manners.

    In addition to the curriculum, art and culture clubs at schools give children and adolescents an opportunity to familiarise themselves with art and culture. Supervised art and culture activities are arranged at schools as part of the Finnish model (see indicator 11.2) to children and adolescents in basic education grades 1-9. This is a model designed to improve the overall wellbeing of children and young people by encouraging them to engage in creative pastimes after school, on or near the school premises. The idea is to boost the children and adolescents’ creative skills, cultural competence and learning conditions.

Question 5.2

Do school students learn to respect and reflect on the ICH of their own community or group through educational programmes and curricula?

Yes

Explain briefly, with examples, how school students learn this.

Local curricula complement and emphasise the objectives defined in the curriculum criteria, the policies guiding the activities, key content, and other aspects of the organisation of teaching from a local perspective. The cultural education plan is written and implemented locally in cooperation with education and culture sector operators, and it is based on the cultural supply and local heritage of the municipality in question. For more information, see indicator 5.3.

The national core curriculum presents guidelines according to which local curricula are planned. Section 9.1 of the core curriculum states that the possibility for the Sámi to adopt the Sámi cultural heritage is taken into account. The curriculum states: “In Sámi education, a special goal is to support students' growth in their language, culture and community and to enable them to adopt the Sámi cultural heritage. The aim is to increase students' ability to work in a Sámi-speaking environment, to learn the Sámi language and the Sámi language. ” See also indicator 4.1. and 5.3.

There has been some recent use of support measures in schools, especially for Roma children. These have included the teaching of one's own language and culture, the use of school attendance assistants from the Roma population, and the strengthening of co-operation between home and school. The purpose of these specific support measures is to strengthen the identity of Roma children, to bring knowledge about Roma culture to the school and to bring home school practices. Studying Romani at school is possible in principle, but in practice teaching has been so far available in only a few schools. There is also a clear shortage of language teachers and the lack of teaching materials in Romani language and on Roma culture, which is especially needed for children.

In the Åland Islands, in accordance with the curriculum for compulsory education on Åland, the school must give the pupil insights into what it means to be part of an island autonomy as an individual. The education on Åland should give the student an insight into the cultural traditions on Åland and the living heritage that an autonomous landscape constitutes. The student must gain knowledge and understanding of what Åland's self-government and demilitarization means. The proposal for a curriculum for childcare, contains similar contents. In the subject of social studies, the pupil must, in accordance with the compulsory school curriculum, gain basic knowledge of Åland's sutonomy and demilitarization from grade 5.Within the framework of social studies, in upper secondary school a module is included that deals with Åland's autonomy, history, culture, linguistic status, and demilitarization. The teaching must also focus on the governance of today, future strategies and needs for further development.

Do school students learn to respect and reflect on the ICH of others through educational programmes and curricula?

Yes

Explain briefly, with examples, how school students learn this.

In the teaching of ethics in basic education and general upper secondary education, pupils and students are encouraged to familiarise them with different customs, cultural heritage, and cultural phenomena. Teaching also explores the core features of culture, such as lifestyle, language, technology, and beliefs. The teaching of religion in basic education and general upper secondary school explores, for example, the yearly cycle of religion and related customs and festive traditions.
The subject of ethics in basic education emphasizes the process and change of cultural heritage: people constantly remake their culture actively and creatively. Pupils are encouraged to explore different lifestyles, especially in relation to their own cultural background. Teaching provides gradually the capacity to develop a broader understanding that is based on the student's own cultural heritage and its critical examination.

In grades 1 to 2 of basic education, the goal of the curriculum subject of ethics is that the student learns to appreciate their own immediate surroundings. In grades 3–6, the focus is on understanding the cultural heritage of Finland, Europe and the world, the diverse phenomena of culture and different identities. In the classes the pupils learn about the world's cultural heritage and its significance and relating one's own view of life to diverse cultures and views is practised. Grades 7–9 of basic education the UNESCO heritage programmes (world cultural and natural heritage), understanding the manifestation of culture in the media and art, and the themes of a sustainable future are emphasized. (NCC for basic education 2014.)

In upper secondary school, cultural heritage education plays a key role in the subject of ethics. The contents of the subject emphasise encounters and dialogue between diverse cultures and beliefs. The aim of the studies is for students to familiarise themselves with historical and contemporary worldviews, cultures, and cultural heritage sites. The aim is for the student to open his or her worldview, to learn to understand the value of cultural diversity and to learn to act ethically and respectfully within his or her own cultures and within other cultures and communities. The teaching of upper secondary school Ethics focuses on reflecting on the future of humanity and developments of the world, such as the media environment, technological development, and climate change. The teaching of ethics strengthens the student's global and cultural expertise. (NCC for general upper secondary education 2019.)

In the subject of Religion, the themes of cultural heritage education are strongly present in the objectives of the subject, according to which the student understands the relationship between religion and culture and develops his/her multiliteracy skills related to religions and beliefs. Students are encouraged to think ethically and to understand their responsibilities not only for themselves, but also for their community, environment, and nature. In teaching of Religion, religions and beliefs are considered as part of culture, cultural heritage, and society, as well as part of the lives of individuals and communities. In grades 1-6 the students become acquainted with the sacred places and buildings of religions, which are accessible cultural heritage in the vicinity of all Finns. In grades 7-9, teaching is particularly focused on interaction between religion and culture (NCC for basic education 2014).

In the upper secondary school, the themes of cultural heritage education are linked to deepening the student's global and cultural expertise in the subject of religion. The aim is to examine the interaction between religions, cultures, and societies and to strengthen understanding of Finnish, European and global cultural heritage, and their diversity. According to the curriculum, religious education provides a safe space where students can process relationships between the individual, the community and Finnish society. In the subject of Religion, students learn to see religion as part of culture, cultural heritage, and society, as well as part of the life of the individual and the community. The perspectives offered by cultural heritage education contribute to building social peace and a sustainable future. At the same time, the student become prepared to operate in culturally and religiously diverse work communities. (NCC for general upper secondar school 2019)

Other examples: The current basics of the basic education curriculum (renewed in 2014) outline more strongly than before the importance of Sámi culture in Finland. To support the knowledge of Sámi culture, a mobile game called ”Diving into Sámi culture” was published by the Youth Council of the Sámi Parliament together with the Youth Academy in 2020. The game helps pupils to learn about Sámi culture and it deals with e.g., the history of the Sámi people, modern Sámi life and persons, the Sámi costume, cultural ownership, and traditional livelihoods. The game is aimed at pupils in grades 7-9 and secondary school students. The game encourages young people to act on their own, to create their own opinions on the topic and to discuss them together with other young people. Webpage Oktavuohta.com developed by the Sámi Parliament offers wide range of information about the modern Sámi arts and culture, the three Sámi languages, Sámi history and traditions that can be used freely for educational purposes.

Question 5.3

The diversity of learners’ ICH is reflected through educational curriculum via:

  • Mother tongue education

    For the policy and legal framework in multilingual education in Finland, see indicator 12.2. In Finland efforts are made for supporting language minorities and migrants. Finland has two official languages, Finnish and Swedish. Five per cent of students in basic and upper secondary education attend a school where Swedish is the language of instruction. In addition to Finnish and Swedish, local authorities are required to organise education in the Sámi language in Sámi-speaking areas of Lapland. Care is also taken to ensure educational opportunities for the Roma and other minorities as well as for people who use sign language. Education providers can, for example, apply for additional funding for organising instruction in Roma and Sámi languages as well as for instruction in the migrant pupil’s native language other than the Finnish official or national minority languages. In addition, there are educational institutions where all or at least some instruction is provided in a foreign language, most commonly in English.

    All comprehensive and upper secondary schools within the Sámi Homeland provide education in the Sámi language. Most of the teaching in Sámi takes place in basic education grades 1-6. Sámi can be the language of instruction at school, the subject of native language and literature, and the subject of optional foreign language. In all three Sámi languages, it is possible to take the native language and foreign language exams in the matriculation examination. The Basic Education Act obliges that the education of pupils living in the Sámi homeland and who know Sámi is taught in the Sámi language. The Sámi homeland includes the municipalities of Utsjoki, Inari and Enontekiö, and from the northern part of the municipality of Sodankylä the area of the Lapland faculty. There are three Sámi languages spoken in Finland: Northern Sámi, Inari Sámi, and Skolt Sámi.

    According to the national core curriculum, the special objective of teaching pupils in Inari, Sámi and Northern Sámi is to support pupils to grow into their language, culture, and community and to enable them to adopt Sámi cultural heritage. The aim is to increase pupils' capacity to act in the Sámi language environment, and to learn Sámi languages. Teaching supports pupils in their own cultural identity.

    Today, most Sámi children and young people live elsewhere in Finland than in the Sámi homeland. Outside the Sámi region, there is little teaching of the Sámi language, but the number of pupils is increasing. Some teaching happens virtually, by using the Internet. In the autumn of 2018, the first class outside the home region using Northern Sámi as its language of instruction was launched at Pasila Primary School in Helsinki. Bilingual Sámi-Finnish instruction is given in the pre- and primary education group. At the same time, a three-year distance education project for the Sámi languages (Inari, Skolt, and Northern Sámi) was launched, funded by the Ministry of Education and Culture, and implemented by the municipality of Utsjoki and the Sámi Parliament. In addition to basic Sámi-language education, the municipalities of the Sámi homeland organize Sámi-language language bathing instruction and Sámi foreign language instruction. The Sámi Parliament advances teaching of the Sámi language, culture, and teaching in Sámi. The Ministry of Education and Culture and the National Board of Education support and finance Sámi-language study material work, Sámi cultural and organizational activities, early childhood education, youth work and Sámi language and Sámi-language teaching in many ways.

    The national core curriculum states that the special aim of Roma education is to strengthen the development of pupils' identities and awareness of their own history and culture. The teaching considers the status of Finnish Roma as an ethnic and cultural minority. The teaching strengthens the preservation of the Roma's linguistic and cultural heritage in cooperation with homes. The aim is to provide students with Roma language teaching. Where possible, they will also be offered teaching in Roma language. The teaching considers the age of the pupils and the proficiency of the Roma language and uses the Roma community and the media.

 

  • Multilingual education

    Teaching of one's own native language is organized in about fifty different languages in Finland (in 2019), and arrangements vary in different municipalities. In large cities, where there are more students, there are usually more established arrangements, especially for the larger language groups. For example, in Helsinki and Espoo, teaching is organized currently in over forty different languages. The smaller the municipality and the rarer the language, the more varied the instruction available.

    Together with teaching Finnish/Swedish as a second language, the aim in teaching the pupil's own native language is also to strengthens the pupil's identity and to build a foundation for multiculturalism and functional bilingualism. Cultural knowledge and language identity are a central part of native language tuition. The aim is that the pupil knows the customs and traditions of one's own cultural community and can compare them with the customs of other cultures. The Finnish National Core Curriculum defines the objectives, contents, and assessment of student learning for teaching a student’s own native language. According to the criteria, the specific goal of teaching is to support students' multilingualism and the development of their identity and self-esteem. Multilingual students are encouraged to use their language skills in a variety of lessons and other school activities.

 

  • Inclusion of 'local content'

    Education providers, municipalities and private education providers draw up local curricula and annual plans based on the national core curriculum. The local curricula complement the objectives, core contents and other aspects related to instruction with local emphases. The needs of the pupils and local specificities as well as results from self-evaluation and development work are considered when drawing the local curricula. This makes it possible to include content and activities related to for example Sámi culture and traditions.

    The cultural education plan (kulttuurikasvatussuunnitelma) supports educators in including local content in education. The plan is always based on the municipality or region’s own culture and heritage. It takes into account the region’s libraries, galleries, theatres, orchestras, art centers, museums and archives and other cultural destinations: architecturally significant buildings, essential sculptures and statues, traditional estates, cultural paths, religious buildings, castles, and world heritage sites. In addition, the plan is tied to the region’s cultural events and invites artists, culture and art associations, homestead associations, traditional craftsmen, artist cooperatives, art educators, basic art education, performers, and other travelling groups to take a part in it. The art and cultural supply can be complemented with virtual materials and in cooperation with regional and national operators.

    A cultural education plan is a plan detailing the systematic implementation of culture, art, and cultural heritage education as part of the municipality’s teaching. The plan represents the agreement of one or more municipalities regarding the cultural education of pupils from one grade to another. The plan renders the schools’ cultural education work target oriented. The plan concerns the grades 1–9 and, in some municipalities, also secondary education and early childhood education. The plan guarantees all children and youth the equal possibility to experience and participate in local culture in a diverse manner. The plan is written and implemented locally in cooperation with education and culture sector operators, and it is based on the municipality’s own cultural supply and heritage as well as the spontaneous activities of children and youth.

    Examples of the content of cultural education plans in the craft sector: The city of Jyväskylä's cultural education plan Kompassi includes a guided visit to the Craft Museum of Finland with workshops for all third graders. The contents of the City of Hämeenlinna's plan Cultural Trails include several workshops and assignments that guide the expression of handicrafts in early childhood education.

    Examples of local content: In the Swedish-language Kyrkbacken school in Nauvo, in the Turku archipelago in Western Finland, nature and the outdoors are an essential part of education all year round. The school has access to three small boats that are used extensively during the boating season. In years 8-9, the school also offers the optional subject of archipelago knowledge, which highlights old archipelago traditions and new thinking about industries and tourism for the students.
    Nuorgam school, located in the municipality of Utsjoki in Lapland and in the Sámi homeland is the northernmost school in Finland. Utsjoki is the only municipality in Finland where the Sámi make up the majority of residents. In the school the local culture and way of life are considered in the daily life and teaching of the school. Nature and the year cycle play a key role in the planning of school activities. During the autumns round-ups of reindeer in Nuorgam school children can attend a so-called round-up school in Skalluvaara and thus be able to stay with their families during the reindeer round-up season.

Question 5.4

Do educational programmes teach about the protection of natural and cultural spaces and places of memory whose existence is necessary for expressing ICH?

Yes

Briefly explain, giving examples, how educational programmes teach this

The locally drawn curricula and cultural education plans support schools and educators in including local natural and cultural spaces and places of memory, including architecturally significant buildings, essential sculptures and statues, traditional estates, cultural paths, religious buildings, castles, and world heritage sites. Depending on the school and area, these can be and are of great importance in the curricula for example in the Sámi homeland, as was shown in examples in the previous indicator 5.3.

The national core curriculum for basic education in physical education states that physical education is based on the opportunities offered by different seasons and local conditions. In physical education, the school's facilities, local sports facilities, and nature are utilized in a variety of ways. According to the National curriculum, teaching biology develops students ’environmental awareness and desire to nurture biodiversity. Students will be empowered to influence and participate in the development of their own environment and to keep it healthy and vital. Students are guided to a sustainable lifestyle and an understanding of global responsibility.
In the teaching of ethics in grades 3-6 Content area 4 Nature and a sustainable future includes getting acquainted with different conceptions of time and ways of explaining the world and consider their impact on people's lives. Various conceptions of nature, the future of nature and man, and sustainable development are also studied. In grades 7-9 the content area S3 Human rights and a sustainable future includes getting to know different notions about the relationship between man and nature, e.g., the possibilities of a sustainable future for nature and society, as well as issues related to environmental ethics, such as animal rights, and acting responsibly for a sustainable future. (NCC for basic education 2014)

In the Åland islands the Åland's Nature School (Ålands naturskola) was founded in April 2013 and is a resource for all Åland's primary schools and daycare centers on Åland. The nature school is not a place, but a way of working and learning outside. The outdoor pedagogy is based on active learning, where the students' own experiences, discoveries and sensory impressions are in focus. The school offer nature school days (long and short) with different themes for kindergartens, preschools and schools in all seasons. It also offers academic year activities where the participating groups have 4 nature school days during the academic year. The educational programs are related to the Åland curriculum.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will work to strengthen teaching ICH in school curricula in relevant contexts.


6. Extent to which post-secondary education supports the practice and transmission of ICH as well as study of its social, cultural and other dimensions

Guidance note corresponding to indicator 6 of the Overall Results Framework: English|French|Spanish

Question 6.1

Do post-secondary education institutions offer curricula and degrees that strengthen the practice and transmission of ICH in the following fields?

  • Music

    The Sibelius Academy of the University of the Arts Helsinki provides the highest education in the field of music in Finland. The school has trained thousands of artists, educators, and music experts since 1882. In its current form, the Sibelius Academy has 1,400 students and more than 1,000 teachers and other employees. It is one of the largest music academies in Europe. The basic task of the Sibelius Academy is to reform and nurture music culture. The task is conducted through teaching, research, and artistic activities. Study options in the Sibelius Academy include for example degree programmes in Folk Music, Global Music, Classical Music Performance, Church Music, Composition and Music Theory and Jazz. Furthermore, there are courses in musical instruments design and construction. In addition to the SibA, it is possible to study musicology at university level in Åbo Akademi, University of Helsinki, University of Turku, University of Jyväskylä, University of Eastern Finland, University of Oulu and University of Tampere. A degree programme in music education is offered in the Sibelius-Academy, University of Jyväskylä and University of Oulu. In eight universities of applied sciences is is possible to become the Bachelor of Culture and Arts/ Music Pedagogue.

    In three universities of applied sciences, it is possible to complete a professional specialist education as a community musician. Themes in the programme include cultural well-being, community arts and methods of music therapy. In one of the institutes, Centria University of Applied Sciences, studies are profiled by folk music and participatory methods from community art.

    Sibelius Academy also offers an international and English -language master’s programme in Arts Management, Society and Creative Entrepreneurship. The courses in the program cover for example cultural policy, the relationship between art and society, strategic management, and entrepreneurship in the cultural sector. Through optional curses it is possible to specialise in also cultural heritage issues.

 

  • Arts

    In the field of performing arts, the main educator is the Theatre Academy of the University of the Arts Helsinki. Theatre Academy offers programmes for example in theatre, dance, theatre and dance pedagogy, performance studies and research and comparative dramaturgy. Dance pedagogy is offered also in three Universities of Applied Sciences.

    Professional education in circus arts is provided in two institutions, the Arts Academy at Turku University of Applied Sciences and Salpaus Further Education in Lahti. Annually approximately 15–20 students in total graduate from these two institutions. Salpaus Further Education offers secondary-level circus artist training. In the post-secondary level, the Arts Academy at Turku University of Applied Sciences circus training began in 1994. The university educates both performers and pedagogues. The current four-year programme is an independent part of the performing arts degree programme. The aim of the artistic pedagogical training is to enable graduates to work as circus performers or teachers. The University of the Arts Helsinki does not offer education in circus arts, but some individual circus teachers have completed their pedagogical studies at the Theatre Academy of the University of the Arts Helsinki. Cirko – Centre for New Circus has organized courses in co-operation with the Theatre Academy as a project-funded activity.

    Visual arts
    The Academy of Fine Arts offers degree programmes within four subject areas: sculpture, painting, printmaking as well as time and space arts, which allows the student to specialise in moving image, site and situation-specific art or photography. It is also possible to study arts education and applied visual arts in the University of Lapland. Visual arts are also offered in five universities of applied sciences in bachelor level and in three institutes at master’s level education.

 

  • Crafts

    In the Aalto University Schools of Art and Design it possible to study for example design, arts education, fashion, clothing, and textile design in field of art and design. Courses in fine arts education, fashion, design, and costume design include courses in which the working methods include handicrafts. Also, there are several study courses in visual arts education and design in which the study methods are guided to work methods typical of crafts.

    The University of Lapland Faculty of Art and Design offers degree programmes for example in clothing design; graphic design; interior and textile design; and fashion, textile art and material research. In the University, there is also a master’s programme in The Arctic Art and Design. The programme is funded by the European Social Fund (ESF) and the Centre of Economic Development, Transport, and the Environment. The content is designed to use the potential of service design and applied visual arts in social, community or business contexts. In the University, it is possible to study a minor subject called Community, Art, and Environment. The aim of the studies is to promote expertise in community and environmental arts, with the focus on northern living environments. The studies will also deepen the students’ knowledge of the Arctic conditions and provide with skills to respond to the Arctic change.

    At the university level, teaching in crats is based on scientific or artistic research. The University of Helsinki, Turku, and Eastern Finland, Åbo Akademi and the University of Lapland offer science-based craft studies. At Aalto University and the University of the Arts Helsinki, teaching and research are art-based. It is possible to study to become a crafts teacher in four universities: the University of Helsinki, the University of Eastern Finland and the University of Turku, and Swedish-language education at Åbo Akademi University. In teacher education, the study of crafts and pedagogy go hand in hand, and students receive the qualification of a subject teacher in crafts and the eligibility for postgraduate studies according to their major.

    Currently there are six universities of applied sciences that where it is possible to study crafts and design.
    In addition to secondary level vocational education, the Sámi Education Institute (SAKK) (see also indicator 4.2.) but also further and specialized vocational qualifications and classes, workshops, and degree programs for mature students. After a 3-year vocational qualification it is possible to apply to upper-level speciality programs, including Sámi handicraft Journeyman training. The highest vocational training in Sámi handicrafts is the Sámi Handicraft Master Vocational training program, which ensures that at the end of the program students possess an expert level of proficiency in all facets with Sámi handicrafts (duodji), traditions, materials, and development. The significance of Sámi handicrafts in culture and the value of the natural environment in product manufacture is enforced.

 

  • Technical education/training

    For information on vocational education and training at the secondary level, see indicator 4.2.

 

  • Vocational education/training

    More vocationally and technically oriented education in the post-secondary level relevant to ICH includes the education of architects and landscape architects at university level (e.g., at the Aalto University) and construction architects and civil engineering at universities and universities of applied sciences. These degree programmes offer knowledge and skills for example in architectural history and building traditions, the valuation and care of the built heritage, questions of landscape, town planning etc.

    In the Sámi Education Institute (SAKK) (see also indicator 4.2. and 5.1.) it possible to obtain specialized upper-level vocational qualification in reindeer husbandry. The aims of the program include increasing knowledge and skills to manage standards and regulations issued by authorities and increasing mutual knowledge between reindeer herders and appreciation of the reindeer herding profession.

    Åland University of Applied Sciences offers degree programmes in Swedish in business administration, navigation, hospitality management, engineering (marine, electrical and IT) and health and caring sciences for a total of 600 students. Maritime education on the Åland Islands has a proud tradition and includes extensive courses for active sailors and young people who want to enter a maritime profession. Alandica Shipping Academy coordinates maritime education on Åland Islands. The Academy offers programmes and courses that lead to the awarding of different certificates of competency required to work on board a ship, as well as refresher courses for working seafarers that are required under international regulations.

 

  • Others

    The Finnish higher education system comprises universities and universities of applied sciences. Universities engage both in education and research and have the right to award doctorates. Universities of applied sciences are multi-field institutions of professional higher education. Universities of applied sciences engage in applied research and development. There are thirteen universities in Finland (plus National Defence University) and twenty-two universities of applied sciences, plus Högskolan på Åland in the Åland islands and the Police University College. Both are located geographically across Finland.

    Post-secondary education in fields relevant to ICH are available in both universities and universities of applied sciences in fields, of visual arts, music, different fields of art and design, theatre, dance, and media. These programmes teach future artists, practioners, teachers/educators, researchers, and other experts in the fields.

    In addition to education in different fields of arts and design, from the viewpoint of the practise and transmission of ICH, teacher education and especially the education of subject teachers in all levels of education, from ECEC to higher education in fields of crafts, home economics, music, visual arts, and drama pedagogy, are central. Education in the arts and especially in subject teacher education, is available in several universities in Finland. The main Academies for the Arts are in the capital city of Helsinki under the University of Arts Helsinki (Uniarts Helsinki). The University of the Arts Helsinki provides the highest level of education in music, fine arts, theatre, and dance in Finland. Established in 2013, Uniarts Helsinki consists of the Academy of Fine Arts, Sibelius Academy and Theatre Academy.

    In teacher education, it is possible to study as a sign language class teacher (basic education) at the University of Jyväskylä. In addition, the universities of Jyväskylä and Oulu offer international or mainly or partially English-language teacher education. Åbo Akademi provides teacher education in Swedish. Sami language teachers and teachers of Sámi languages and culture are educated in the Giellagas Institute in and by the University of Oulu (see also indicators 4.4. and 6.2). As was discussed in indicator 4.4., in the Roma community, the most significant step forward in recent years has been the commencement of university-level teaching in Romani and Roma culture which enables the future supply of qualified Romani language teachers. It is possible to complete advanced studies in Romani at the University of Helsinki either as a degree student or via Open University.

Question 6.2

Do post-secondary education institutions offer curricula and degrees for the study of ICH and its social, cultural and other dimensions?

Yes

Describe briefly, giving examples, how these programmes and degrees relate to the study of ICH.

For comprehensive information on research in the fields of ICH, see indicators 9 and 10.
From the viewpoint of the study of ICH and its social, cultural, and other dimensions, education in the fields of arts and humanities are central. The topics are also present in the study of social sciences (e.g., sociology, political science, and history) and pedagogy. Graduates from these studies work not only as artists, practioners, educators and researchers but also other experts, including professionals for example in the heritage sector, libraries, archives, in NGOs, the media and administration relevant to the safeguarding and transmission of ICH.

In the University of Arts Helsinki research is based on the interaction between research, education and art. In the university, it is possible to complete a doctoral degree in fine arts, theatre and dance, or music. In the Doctoral programme for music, students can choose between three specialisation areas: Arts Study Programme, Research Study Programme and Applied Study Programme. In the University of Arts Helsinki’s artisticly oriented doctoral Doctoral programmes artist-researchers produce practice-based knowledge, expertise and understanding that can be used and applied both in the arts and in other fields of society. At the Sibelius Academy, conventional research-oriented doctoral degrees can be studied also in the fields of for example musicology, history of music, music psychology and music education.

In the faculties for arts and humanities these fields include archaeology, folkloristics, ethnology, anthropology, art history, religious studies, literature studies, art education, history, cultural history, cultural studies, musicology, landscape studies, studies related to geographical areas (e.g., Asian studies, Latin American studies) theatre research, aesthetics and film and television studies. Not all subjects are available in all universities and at all levels (bachelor, master, doctoral), and for example theatre research, aesthetics and film and television studies are currently only offered in the University of Helsinki. Seven Finnish universities have humanities faculties and studies are offered around Finland. In the degree level, humanities can be studied in universities of Helsinki, Jyväskylä, Turku, Tampere, and Oulu and at the University of Eastern Finland and the Swedish language University Åbo Akademi. Degree programmes offer the possibility to continue postgraduate studies.

Currently there are several master’s degree programmes, where it is possible to specialise in cultural heritage issues, including those relevant to ICH in Finland. These include for example the University of Eastern Finland degree programme of cultural studies, where it is possible to specialise in heritage studies. University of Helsinki offers a master’s degree programme Cultural Heritage. In the program students can study archaeology, folklore, ethnology, art history or religious studies as their main subject. In addition, the master’s programme offers study modules in museology and cultural heritage research. The University of Turku Degree Programme in Cultural Production and Landscape offers Bachelor of Arts and Master of Arts studies at University’s Pori campus. In the programme research and education is conducted in three disciplines, cultural heritage studies, landscape studies and digital culture. Education is also offered in three minor subjects: Cultural and Experience tourism, Cultural management Studies and Museology. The University of Jyväskylä offers a master’s degree in Cultural Environment research, a multidisciplinary bachelor’s and master’s degrees called Cultures and Communities in a changing world, which is the degree programme for ethnology, anthropology and cultural policy and a multidisciplinary master’s degree in archives management, where the student can major in history, ethnology, museology, art history or literature. Currently in the University of Jyväskylä Department of History and Ethnology there is a research project called People as bearers of intangible industrial heritage (2019–2023). The project is conducted in collaboration with the Museum of Varkaus. A fieldwork course will be organized as a part of the data collection process in spring semester 2021. The course is targeted for the students of the Department of History and Ethnology and the students of Degree Programme in Cultural Production and Landscape Studies in the University of Turku.

It is possible to study museology in the University of Helsinki, the University of Jyväskylä and the University of Turku Pori campus. In University of Helsinki and University of Turku museology is a minor subject. In the University of Jyväskylä Museology is offered both as bachelor’s and master’s degree level studies, which qualifies for postgraduate studies in museology. According to the Museum Act, one of the criteria for approval as a professional museum eligible for central government transfers is that the museum has at least two museum sector experts working in full-time employment, one of whom may be the museum director, and who have both obtained a relevant degree and completed core studies in museology. Studies in museology give students of museum subjects the necessary skills to work in several types of museums, as well as perspectives on the development of museum work. In all three universities mentioned, it is possible to study museology also via the Open University, which makes it possible for operators already in the field of cultural heritage to later obtain qualifications to museum work (see also indicator 3.2).

Some examples of doctoral programmes: In the University of Helsinki there is a doctoral programme in history and cultural heritage coordinated by the Faculty of Arts. The thematic and interdisciplinary analysis of the themes ranges from historical change, memory, and politics of history to the material, intangible, textual, oral, auditive and visual culture as well as to the built environment. History and culture are approached in the programme locally, regionally, and globally. Interdisciplinary humanistic perspectives are combined with the approaches of education, law, and theology. The University of Helsinki Doctoral Programme in Philosophy, Arts and Society gathers doctoral research projects related to philosophy, aesthetics, art history, literature studies, theatre research, musicology, and film and television studies. In the University of Jyväskylä for example there are doctoral programmes of the Department of History and Ethnology and the Department of Music, Arts and Cultural Studies, with research relevant to ICH. In the Aalto University, the Department of Art, Department of Design, Department of Film, Television and Scenography and Department of Media offer doctoral studies for Doctor of Arts degree.

It must be noted however, that many of these programs have been under cuts in the last years due to diminished funding. The number of teaching staff and the number of hours taught have decreased. Some disciplines are in threat to be downsized to study units. In some disciplines, the content has been changed so that intangible skills and craftmanship are less and the theoretical parts emphasized to be more design oriented. Developments in recent years have weakened these sectors.

The Sámi language and culture can be studied in three Finnish universities: Oulu, Helsinki, and Lapland. The Giellagas Institute of the University of Oulu has a particular national task in teaching and researching the Sámi language and culture in higher education. Giellagas has a nation-wide responsibility to organize, introduce and provide Saami language and cultural studies and research at the academic level. The Giellagas Institute houses two major academic subjects, Saami Linguistics and Saami Culture. In Saami linguistics the major teaching language is Saami while the studies of Saami Culture require skills in Finnish, in addition to Saami and English. The Giellagas Institute has a significant role in producing researchers, teachers, and other experts not only for the Sámi society in Finland but also for other Sámi institutions in other Nordic countries. With the close relationships to Saami society, the Giellagas Institute has created active research networks both nationally and on a Nordic level. Sámi is the daily language of internal communication in the Giellagas Institute. The researchers are using and developing Sámi language both as a vehicle of scientific discussion and instruction as well as a methodological tool for research into traditional knowledge.

Finnish students can also apply to the Sámi allaskuvla, the Sámi university, located in Koutokeino (Guovdageaidnu) in Norway, the only university in the Nordic countries where the Sámi language is the main language of teaching, research, and administration.

According to the National Roma Policy, the safeguarding of the continuity and status of teaching in Romani language and Roma culture, which enables the future supply of qualified Romani language teachers, will require measures that increase the number of students, secure research activities and expand studies available under the subject. One of the main actions should be to expand the university study programme in Romani to cover not only basic and intermediate studies but also advanced studies in the subject and paying special attention to language revitalisation issues in contents of the study modules. University-level teaching and research increase interest and appreciation for the Romani language.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The Sate Party will continue to advance in the integration of ICH safeguarding in education programs across the country.


7. Extent to which inventories reflect the diversity of ICH and contribute to safeguarding

Guidance note corresponding to indicator 7 of the Overall Results Framework: English|French|Spanish

Question 7.1.a

To what extent are the inventories identified in section A.6

oriented towards safeguarding of ICH?

Largely

Explain briefly, giving examples, how these inventories are oriented towards safeguarding of ICH. If you have answered ‘Not at all’ or ‘Minimally’, explain what obstacles you face in having them do so.

The Wiki-Inventory for Living Heritage was launched in February 2016. At the time of its opening, it included 20 examples of intangible cultural heritage in Finland. By December 2021, there are 180 submissions from over 250 communities in the platform ranging from small local or area-specific hobby groups or NGO’s to national institutions with tens of thousands of members.

One of the questions on the wiki is about transmission of the element. Here communities describe their efforts in safeguarding ranging from transmission in communities to formal education, from documentation in archives and libraries to community building activities taking place online. The inventory is an effective tool in raising awareness. It attracts thousands of visitors very month from Finland and abroad. only this year from over 100 countries. The texts, photos, videos and links to other information serve their purpose both for awareness-raising, but also on education. The wiki is used as a resource for education materials both by the Agency in its dedicated website for study materials, but also by various communities, training organisations and even the media. In Finland there has not been resources for example to formulate specific safeguarding plans for the elements that would be followed and updated. In this sense there is room for improvement.

The ultimate benefit of the wiki-approach is the enhanced protection and safeguarding of cultural heritage. However, multiple other benefits are evident. The inventory not only raises awareness on cultural heritage, but it also supports local cultural heritage communities in networking and self-expression. By raising awareness of the heritage, the Wiki provides an excellent platform for both cultural heritage communities and academic field for further projects on the subject. Discussions about the Wiki raises wider thoughts on cultural heritage as an asset and its meaning to the society in general.

Question 7.1.b

To what extent do these inventories reflect the diversity of ICH present in your territory?

Largely

Explain briefly, giving examples, how these inventories reflect the diversity of ICH. If you have answered ‘Not at all’ or ‘Minimally’, explain what obstacles you face in so doing.

The submissions from various domains have been received from all over the country. The traditions included can relate to celebrations, food, crafts, music and dance, performing arts, games, nature, or oral traditions. Good practices, projects or methods for the safeguarding of ICH can also be presented. The Wiki-inventory works in three languages (Finnish, Swedish and English) and in additional languages. The platform has become a place of interest and an avenue of expression for many heritage communities and groups.

Finland is a country of 5 million people, two official languages, old and new minorities and diverse subcultures. The aim of the Wiki-inventory for Intangible Cultural Heritage was to create a participatory, low-threshold tool for inventorying and presenting intangible heritage in Finland. The tool makes this entry-level inventory as simple and as participatory as possible, in order to provide the possibility for various groups, associations, and other communities to display, present and make known such intangible heritage that is living, important and meaningful for them.

The Wiki is an inclusive way of presenting diverse intangible cultural heritage and making it visible. Geographically the whole of country is quite well presented. The wiki includes a map with all regions and all municipalities in Finland, which also encourage communities to present their local heritage. In terms of the age of the participants, there is ICH related to both young and senior citizens. For example, hobby horses are a wonderful example of a flourishing form of ICH among Finnish children and summer theatre of a thriving youth movement.

Special attention has been paid to emphasize the diversity of intangible cultural heritage in Finland. Though being a relatively heterogeneous society, Finland has a Swedish-speaking minority (290 000 people), indigenous people Sami (10 000) and the Roma people (10 000). People with foreign nationalities form around 4% of the population (over 200 000 people). Among the first entries on the Wiki were the Romani song tradition, Sami handicrafts, the minuet tradition in Finland’s Swedish-speaking community, and African dance and music in Finland. Later on for example the National Culture Days of the Deaf has been added to the inventory.
More could be done though to make the new minorities visible in the inventory. Efforts have been made along the years, seminar and workshops on ICH have been organized together with NGOs working with immigrant communities for example. It needs time and resources to engage communities more into inventorying work. The inventory is still relatively recent and continue to be a work in progress.

Question 7.2

Do specialized inventories and/or inventories of various scopes also contribute to the safeguarding of ICH and reflect its diversity?

Yes

Based on your response in section A.6 Inventories

, explain how such specialized inventories and/or inventories of various scopes contribute to the safeguarding of ICH and reflect its diversity

In Finland some of the fields of ICH have created inventories. These specialized inventories add to the diversity of the inventories under the Convention by examining closely associated elements of broader ICH. These inventories have also allowed for a more inclusive inventorying process by examining the various aspects of the element and the persons involved with its continued practice. In the present day these especially methods of crowd-sourcing are becoming more usual.

Craft Museum of Finland maintains the largest collections dealing with ICH on crafts field. The collections of the Craft Museum of Finland are documented as a subinventory in the national Finna database. The inventory includes materials related to the phenomena of crafts, photographs, audiovisual material and archival material. The collections contain material from crafts companies and associations, as well as private artisans and enthusiasts. The inventory includes also photographs of the museum’s own exhibitions and events. At the moment, The Finnish Handicraft Museum is building a CraftStories website, which provides information on handicrafts, products and exhibitions. The site is intended to become a gathering place for craft events, authors, publications and current affairs. The first versions of the site will be in test use at the end of 2021.

The National Costume Association Raita ry has an ongoing National Costume Information Coffin (Kansallispukujen Tietokirstu) project, the aim of which is a comprehensive and up-to-date national costume database. The project has progressed to the preliminary study phase, and during 2021 the first parts of the databases are expected to be released for trial use. The design of the database has been carried out using participatory methods so that the database connects those working with national costumes. The project has been supported by the FHA grants for ICH.

Punomo is a website where ideas, instructions, information and learning materials about handicrafts are added. The website was set up 25 years ago for the needs of craft education, but it is open to anyone interested in crafts. Craft teachers have access to more extensive teacher material from the site under license.
At the field of folk music and dance, the website Kamukanta.fi contains current information such as news and an event calendar. Different organisations and persons involved with the field can present themselves with profile pages providing more information about them and contact information. The website also administrates a list of publications in the fields as well as video content, including separate videos to streamed events. The main part of the content is available in Finnish only, but the users have the opportunity to upload information in both Finnish, Swedish and English.

Tanssinriemu.fi (Joy of Dance) is a platform offered by the Finnish Youth Clubs, where the dance programs produced by the Association are distributed to folk dance groups. The menu contains various direct searches for materials to make it easier to find. For each dance and content, a possible dance instruction, sheet music and music, if only available, have also been compiled. The project has been supported by the FHA grants for ICH.
Tanhuvakka.fi is recently opened website for traditional Finnish dances online. For the website, videos from practitioners all over the country are collected in order to compile a video playlist that brings together more than 200 recorded Finnish folk dances. Existing public folk dance videos have been compiled into the database, and new videos of previously unrecorded folk dances are filmed for this purpose.

Sirkka Database collects information online on Finnish circus companies, artists and shows as well as magicians and circus teachers. In addition to an artist or a circus teacher profile, users can also fill in data on shows and companies. The database is linked with the performance calendar and shows and artists section on our site. The service is open for anyone interested in circus, eg. circus professionals, cultural journalists and researchers.

MAPPA.fi is a material bank for outdoor learning, environmental education and sustainable living maintained by the Finnish Association of Nature and Environmental Schools. The materials are mainly intended for teaching, upbringing and youth work. The materials and tools on the site can be compiled into packages suitable for your own use.

Question 7.3

To what extent are existing inventories regularly updated, taking into account the current viability of the elements included therein?

Largely

Based on your response in section (f) and (l) of A.6 Inventories

, explain the method(s) of updating the inventories, giving examples of how those take into account and reflect the current viability of the inventoried elements.

The inventories under the Convention are updated every three years based on the date when they are originally submitted to the Wiki. The updating is done by the communities behind the entries. The Agency follows up the updating, reminds the communities if needed, asks for further questions and provides technical assistance when necessary. The updates are usually about recent development, project, campaigns or courses related to the element so contributing namely to the viability. The texts can be updated, new photos, videos or other links can be updated.

Because of the big number of the elements in the inventory and the scarce human resources, it is not possible to interview communities on the update or make visits to sites in a structured manner.

Question 7.4.a

To what extent is access to ICH inventories facilitated, while respecting customary practices governing access to specific elements of ICH?

Largely

Based on your response in section (o) of A.6 Inventories

, explain briefly, giving examples, how this is accomplished.

The Wiki-inventory for Living Heritage has proved to be an efficient tool in awareness-raising and gaining new audiences for ICH elements. The Wiki-Inventory has attracted wide interest in the public. In 2021 alone there has been around 100 000 individual visitors. 90% of them are new visitors and 20 % of these visits come from outside Finland. Follow-up of visitors of the Wiki is done with Google Analytics. The web use metrics alone show that the Wiki-Inventory of Living Heritage has managed to find a vast interested and international audience, and contributed in a significant way to the visibility of intangible heritage in Finland.
The Wiki has gained a lot of attention in both regional and national media with tens of articles and radio programs all over the country.

Social media is important in widening the accessibility. Dedicated Facebook-page (Elävä Perintö) of the implementation of the Convention in Finland has 1500 followers to date. The pages publish approximately three times per week and reach from 100 up to 1000 viewers per publication. Posts about elements from the Wiki are regularly made. Also the Elävä perintö Youtube Channel brings people to the Wiki. The over 100 videos in the channel has been showed over 80 000 times since the opening of the channel in 2016. Communities taking part of the presenting their traditions are also sharing news on the Wiki. In this way, we have reached new audiences and further raised awareness of safeguarding intangible cultural heritage.

In addition the two websites managed by the Agency under the Convention (aineetonkulttuuriperinto.fi and the educational website opi.aineetonkulttuuriperinto.fi) bring furthermore new audiences to the Wiki. The website dedicated for study material on ICH has brought school kids all over the country to the Wiki.
The information on the Wiki is shared only with the permission of the communities behind. Only information provided with consent for public dissemination is made available on the website. It is also possible to give feedback on the elements via the Wiki or contacting directly the Agency and/or the communities behind.

Question 7.4.b

To what extent are ICH inventories utilized to strengthen safeguarding?

Partially

Explain briefly, giving examples, how the ICH inventories are utilized to strengthen ICH safeguarding. If you have answered 'Not at all' or 'Minimally', please explain what obstacles you face in having them do so.

Inventories are mainly seen as a tool for awareness raising by the communities themselves. In some of the elements however, inventorying has proven to be a start for bigger understanding and launching a process to make more efforts on safeguarding.

Clinic of Living Heritage is a concept developed by FHA in cooperation with the Circle of Folk Dance and Folk Music. Clinics have been organized in various events in the field, e.g. at the Kaustinen Folk Music Festival, Pispala Sottiis in Tampere and Samuel's Polonese in Oulu. In a 1-2 hour clinic the participants learn more about ICH safeguarding and the Convention. Based on the wished of the participants, elements of ICH are selected as basis for discussion that follows the questions in the wiki, with a special emphasis on safeguarding. The idea is to combine the festival setting with the clinics in order to attract new people to learn more about ICH and at the same time understand more about their own heritage. In the future it would be interesting to use the Clinic-model also in virtual settings.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Largely

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will work to improve the mechanisms for updating of the information of its Wiki-inventory, while also expanding and creating new mechanisms for inventory that may allow to generate more processes of inventorying of ICH in Finland. Special attention is given to underrepresented groups of communities and regions in the Wiki.


8. Extent to which the inventorying process is inclusive, respects the diversity of ICH and its practitioners, and supports safeguarding by communities, groups and individuals concerned

Guidance note corresponding to indicator 8 of the Overall Results Framework: English|French|Spanish

Question 8.1

To what extent do communities, groups and relevant NGOs participate inclusively in inventorying, thus informing and strengthening their safeguarding efforts?

Large

Based on your response in section (p) of A.6 Inventories

, explain briefly, giving examples, how this is accomplished.

NGOs, various communities (e.g. practitioners, hobby groups, actors within a certain geographical or thematic area, organisations in the field), institutions or even groups of individuals can make proposals. However, entries from commercial or political organisations cannot be accepted.

The Wiki-Inventory of Living Heritage stands out as an example of open, participatory and community-led way of inventorying. Wiki-format is known by most of the citizens as an open-access way to create knowledge together. This can truly be seen in the figures of the inventory regarding the number of entries (213) and number of communities behind (250).

The process of adding new content is planned in a way that makes the communities themselves responsible for their own texts. The publishing process of a wiki is instantaneous. The Wiki-inventory works in three languages (Finnish, Swedish and English), but additional languages can be used as well – so far North-Sámi and Roma language has been used.

The Finnish Heritage Agency moderates the wiki and reserves the right to request adjustments to submissions, as well as to, if necessary, remove inadequate or inappropriate submissions. Since 2016 FHA has removed three inscriptions because they were outside the scope of ICH.

Question 8.2

To what extent does the inventorying process in your country respect the diversity of ICH and its practitioners, including the practices and expressions of all sectors of society, all genders and all regions?

Largely

Based on your response in section (q) and (r) of A.6 Inventories

, explain briefly what measures are taken to ensure respect for diversity of ICH and its practitioners as well as gender inclusiveness in the inventorying process.

The Wiki-platform has already attracted a big variety of communities all around the country and has enriched the picture of intangible cultural heritage as such. The Wiki contains a map of Finland with all regions and all municipalities. This map is a good tool to follow that all parts of the country participate in the inventorying process. Furthermore, the map is a good way to encourage municipalities and especially the local heritage associations to make their ICH visible in the inventory.
The Wiki contains traditions related to people of all ages. Some relate more to senior citizens (taking candles to the graveyard on Christmas eve), some to youth or young adults (tech student traditions, conferment of master’s degrees) and also to children (bedtime stories, hobby horses). In addition, the Wiki-inventory for Living heritage contains articles made by children and youth. These articles have been given the label “Meidän perintö" (Our Heritage).

Furthermore, ICH related to different genders are visible in the Wiki, eg. Finnish spitz and safeguarding the hunting tradition or Making of Tommi knives, which both have more male practitioners. Some ICH such as Whitsunday festivities in Ritvala village or Rotina tradition related to newborn babies are more in the sphere of women. Also sexual minorities are presented in the Wiki with one element related to the festivities of this minority, leimarit.

In addition to the “usual suspects”, the traditionally heritage-driven communities, links have been created and interest raised also with non-traditional groups or unusual audiences, such as the Finnish Baseball players or Finnish Spitz (dog breed) owners. The platform has managed to become a place of interest and an avenue of expression for many heritage communities and groups.

A primary objective of the inventorying process is to promote respect and appreciation for the diversity of ICH and cultural practitioners in Finland. It is important that the diversity of heritages is visible in the inventory. Among the first entries on the Wiki were the Romani song tradition, Sami handicrafts, the minuet tradition in Finland’s Swedish-speaking community, and African dance and music in Finnish African communities. However, there is much more to be done to make the Wiki even more inclusive in the coming years.

The implementation of a national inventory in such a participatory manner creates multiple benefits both for cultural heritage and for communities. Long term impacts of the Wiki can be significant. In addition to safeguarding heritage and preserving its diversity, the work with safeguarding and promoting intangible cultural heritage creates respect for cultural diversity, increases mutual respect among communities, groups and individuals, and advances sustainable development. The Wiki can also be used as a tool to enhance intercultural dialogue and understanding, and to well-being.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The inventorying of ICH in Finland has been a successful in many ways. All domains, regions and sectors of the society are already presented among the listed elements. In the future the inventory should be even more inclusive to include more ICH of different cultural and ethnic groups.


9. Extent to which research and documentation, including scientific, technical and artistic studies, contribute to safeguarding

Guidance note corresponding to indicator 9 of the Overall Results Framework: English|French|Spanish

Question 9.1

Are there any financial or other forms of support oriented towards safeguarding in one or more of the fields below? (please only include those in conformity with the Ethical Principles):

  • Research, scientific, technical and artistic studies

    Except for the grants by the Finnish Heritage Agency for cooperation and development projects on intangible cultural heritage, there are no financial or other forms of support in Finland dedicated directly to the research and documentation of safeguarding ICH. Meanwhile, the numerous established and different sources offer funding that allow, among other things, ICH safeguarding activities through diverse approaches of research and documentation that would also withstand the Ethical Principles.

    The backbone of research, scientific, technical and artistic studies are universities that receive core funding from the state, For most research activities, however, universities compete for funding from external sources. The most significant funding bodies in Finland are the Academy of Finland, Business Finland (funding for business R&D), and the EU framework programmes. In addition, there are several national and international foundations that share funding to diverse scholarly and artistic projects. The Academy of Finland (Suomen Akatemia) is an expert organisation in science and research that funds high-quality scientific research, provides expertise in science and science policy and strengthens the position of science and research. It is a government agency within the administrative branch of the Finnish Ministry of Education, Science and Culture. Universities are the main beneficiaries of the Academy's research funding based on applications that go through international peer review.

    The Academy of Finland has three Research Councils that grant research funding within their remits: biosciences, health and the environment; culture and society; natural sciences and engineering. In addition to this, the Strategic Research Council (SRC), an independent body established within the Academy of Finland funds high-quality research with great societal relevance and impact. The Academy grants funding through different schemes and programmes for individual researchers, research groups and organizations. In 2021, the Academy funded research with 437 million euros. Of that sum, research in culture and society was allocated ca 30 million euros. On a general note, following the recent major changes in university administration and cuts in public funding, research funds of the Academy of Finland are highly competed for.

    The Association of Finnish Foundations (Säätiöt ja rahastot ry) is an association of Finnish grant distributors and an interest and support organization for foundations. The association has 210 members, all major Finnish grant foundations. The member foundations support Finnish research, art, culture and social goals, maintain museums and preserve significant memorabilia. In 2020, private foundations supported science, art and other non-profit activities with more than 564 million euros. Funding from private foundations is becoming increasingly important in sustaining research and cultural activities as the state funding base is being reorganized.

    The three significant private foundations for research, art and culture are the Finnish Cultural Foundation, the Kone Foundation and the Swedish Cultural Foundation in Finland. Through its central fund and the 17 provincial funds the Finnish Cultural Foundation (Suomen Kulttuurirahasto) awards grants to individuals, working groups and communities working in various fields of research and science, the arts and cultural life. Grants are awarded for scientific and artistic work, as well as for projects and acquisitions, to Finns or individuals and communities living or operating in Finland. Support is also granted to other applicants whose application has a strong connection to Finnish culture. In 2020, the Finnish Cultural Foundation’s awarded funds totalled 38 million euros.
    The Kone Foundation (Koneen Säätiö) supports academic humanities, social sciences, artistic and environmental research, professional artistic work, as well as work combining or based on multidisciplinary science and art. In its funding decisions for science, the Kone Foundation emphasizes both post-doc research and the work of researchers who have advanced their research careers. In the financing of art, the main emphasis is on supporting artistic work. The foundation has a Saari Manor Residence, to which it grants artists periods of residence. In 2020, the foundation awarded grants, prizes and donations totalling more than 42 million euros.

    The Swedish Cultural Foundation in Finland (Svenska Kulturfonden) is owned and governed by the Society of Swedish Literature in Finland (SLS). The foundation works to support and strengthen the culture and education of the Swedish-speaking minority in Finland by distributing annually 38 million euros to individuals, working groups and organisations for educational and cultural purposes and activities. The Society of Swedish Literature in Finland (Svenska litteratursällskapet i Finland), founded in 1885, is a scholarly society dedicated to gathering and disseminating knowledge of Swedish culture in Finland. The society publishes academic literature and non-fiction, maintains archives, libraries and a folk music institute.

    The Finnish Literature Society (Suomalaisen Kirjallisuuden Seura), founded in 1831, distributes grants and awards through its five different funds for the research and advancement of folklore, literature and Finnish language. The centre for export of literature, FILI – Finnish Literature in Exchange, awards grants for the translation of Finnish, Finland-Swedish and Sámi literature. The Finnish Literature Society stores, preserves and studies Finnish culture, publishes scholarly and non-fiction editions in the field of the humanities and shares information about oral and written Finnish cultures and their study.

    Arts Promotion Centre Finland (Taiteen edistämiskeskus Taike) awards annually ca 40 million euros in grants and subsidies for the promotion of the arts and culture. Taike and its 20 arts councils and two separate boards award circa 20 million euros a year in grants to professional artists. Artist grants account for approximately 11 million euros of the total amount. Taike supports for example dance, theatre, circus and music. Some of the funded projects have a focus on artistic research.

    The Finnish Innovation Fund Sitra (Suomen itsenäisyyden juhlarahasto Sitra) supplies funding for projects redefining the idea of a good life. Sitra seeks human-oriented operating models and promote sustainable business, in order to increase sustainable well-being in Finland.

    The numerous research, documentation and artistic projects that are funded through public funds and private foundations are likely to contribute also to the safeguarding of ICH. To which extent the concept of ICH is explicitly or implicitly applied in funding applications, would require more specific research. However, for example, of the overall 1132 projects funded by the Finnish Cultural Foundation in 2021, the concept of ICH was mentioned only once. It is possible that the concept is used by applicants who already are actively involved in respective activities.

    Based on this, explicit research on ICH in Finland would appear to be rather scarce and that related concepts have not yet taken root. The same would apply also to the awareness about the Ethical Principles for Safeguarding ICH. This, however, does not imply that research on themes and topics related to ICH and its safeguarding would lack, nor that there would not be awareness about ethical issues relating to studying and documenting ICH.

 

  • Documentation and archiving

    The publicly funded museums and archives are largely responsible for documenting cultural heritage in Finland. Regarding museums, the state and municipalities cover for approximately 40 % of museums' operating costs. In addition to the statutory state subsidies, the Ministry of Education and Culture grants museums discretionary assistance that are granted in the form of general assistance for operations and in the form of special assistance for projects. Sectoral assistance is granted by both the Ministry of Education and Culture and the Finnish Heritage Agency. The FHA is responsible for development of the museum sector and serves in an administrative capacity on matters related to cultural heritage and cultural environment. The National Museum of Finland operates as part of the Finnish Heritage Agency.

    The task of the National Archives is to ensure the preservation and availability of documents belonging to the national cultural heritage and to promote their research use. Also, the National Archives works as the state aid authority for eleven private central archives allowing them annually state subsidy for their operation (according to the Law on State Subsidies for Private Archives). Administratively, the National Archives reports to the Ministry of Education and Culture. The Sámi Archive in Inari is part of the National Archives. Two projects, the Digital Access to Sámi Heritage Archive and AIDA, are closely related to ICH and presented elsewhere in this report.

    The National Library is a cultural heritage organization open to all, which serves citizens, the scientific community and other actors in society nationwide. The National Library operates in connection with the University of Helsinki and its status and tasks are defined by law and decree. The National Library has a key role in ensuring the availability of cultural heritage published in Finland or published in Finland. It distributes and produces information content on a wide scale for different sectors of society. The National Library maintains the cultural diversity and diversity of society by ensuring the wide availability of published cultural heritage. Its activities are based on networking with cultural heritage organizations, and the networks promote the interoperability of their services. The National Library is working to increase the visibility and awareness of the cultural heritage of different fields. For example, digital cultural heritage and the Finnish relationship with nature are on display in the projects of the National Library.

    In Åland, the most extensive recipients of financial aid in the fields of documentation and archiving are the Åland Maritime museum, Önningebymuseet of fine arts, The Åland Hunting and Fishing Museum and the Åland Islands Emigrant Institute which works on documentation, archiving and research on migration.
    Private entities such as the Finnish Literature Society, the Society for Swedish Literature in Finland, and, for example, the Finnish Folk Music Institute contribute significantly to the documentation of ICH.

    Museum materials related to ICH are for research use. They are transmitted to communities, for example, digitally or physically through customer service or exhibition and software activities for re-interpretation, maintenance of living cultural heritage and other uses. In the Finnish National Museum (Kansallismuseo) for example, materials related to the crafts traditions are widely studied.

    Finland has an extensive network of tradition archives within various genres. See more at 1.5.
    For example, the Academy of Finland is funding a project at the University of the Arts Helsinki, which combines the fields of music education, professionalism and ecopolitics in its research (lead by Heidi Westerlund). This international project investigates music teaching and teacher training in Finland, Australia and South Africa. The aim of the research is to identify new alternative ways of implementing music and the arts in general: ways that are inherently sustainable, socially responsible and future oriented.

    In 2020, Kati Kallio from the Finnish Literature Society (Suomalaisen kirjallisuuden seura) received funding for an Academy researcher on the topic “Regional Cultures of Baltic Finnish Oral Poetry: A Comparative Perspective”. The project creates new perspectives to the wide corpus of Estonian–Karelian–Ingrian–Finnish oral poetry called runo-song, regilaul, and kalevalaic poetry, and new analytical tools for complex linguistic materials, also suitable for other kinds of versatile verbal arts in small or poetic languages.

    The Society of Swedish Literature in Finland (Svenska litteratursällskapet i Finland SLS), founded in 1885, is a scholarly society dedicated to gathering and disseminating knowledge of Swedish culture in Finland. SLS publishes academic literature and non-fiction, maintains archives, libraries and a folk music institute. The society funds research in the humanities and social sciences and funds awards, literary and academic prizes and manages a large number of funds. SLS supports research activities for private individuals and organizations and awards grants and funding for academic research, and for other purposes, including history and documentation. For example, “Medieval ballads in Finland's Finnish-Swedish villages” aimed to publish ballads that have been sung in Swedish in Finland. Another ongoing project is “Historical Recipes”, which is a digital publishing project about Finnish recipes and household books. The material is made searchable and freely available on a website.

    The Strategic Research Council of the Academy of Finland funds the multidisciplinary BioColour consortium (lead by Riikka Räisänen), which studies the scalability of traditionally used natural dyes for industrial production. Sustainable bio- and circular economy calls for alternatives for the one-sided production and consumption culture based on mass markets. The aim of the Bio-based Dyes and Pigments for Colour Palette (BioColour) project is to develop new methods of biocolourant production, characterization and application, which enable the buildup of novel processes leading to a variety of sustainable items. Also, the BioColour project aspires to establish the cultural, social and ethical aspects associated with producing and consuming biocolourants and enhance wider adaption of sustainability in businesses and consumer lifestyles. BioColour project aids generating new high-class sustainable biocolour business and advancing existing business opportunities in Finland.

    The Kone Foundation funds, for example, the Suotrendi research project at the University of Eastern Finland, which studies the changing cultural heritage of bogs in Finland. The research project examines changes in the use of bogs and the cultural relationship with nature. The starting point of the study is the observation of the intensified swamp trend in the 21st century. As a result, cultural and sporting events related to swamps or taking place there, as well as position-taking art, have increased. Leaving the bogs in their natural state and restoring the used bogs are also natural uses in accordance with the protection trend emphasizing protection. It is a phenomenon that signals a significant change in both the cultural relationship with nature and the cultural heritage associated with bogs. Indeed, the study asks what is the prevailing bog trend and how does it affect the construction of new cultural heritage related to bogs? The research materials used are 21st century swamp writings and images, interview and observation materials.

    Sitra, along with the Finnish Heritage Agency (Ratkaisuriihi-funding) has funded for example Dynamo -Dynamic Museum and Heritage Futures Workshop as instruments for ecological reconstruction project, led by Katriina Siivonen at University of Turku. The aim of the project is to develop dynamic museums and heritage futures workshops, concepts that pursue deliberative cultural transformation towards sustainable societies. Heritage futures provides a tool for making sense of skills, knowledge, emotions and empathy, and dynamic museums provide a context for using such a tool. The project highlights ICHs meaning in museum and inventory environments.

Question 9.2

Is research on approaches towards, and the impacts of, safeguarding ICH in general and of specific elements (whether or not inscribed) encouraged and/or supported?

Yes

Describe briefly the research conducted, in particular the impacts studied.

In many cases, research related to ICH is mostly about traditions instead of their safeguarding, let alone the impacts of safeguarding. Moreover, safeguarding is typically seen as practices instead of an active concept that would be applied in planning research designs. Even when applied, the concept of safeguarding tends to be understood as a restrictive instead of protective or encouraging concept and it is therefore seldom picked to research settings. Many studies focus on deconstructing previous safeguarding practices analyzing their nationalist and other underpinning rationales and ideologies. There is, on the one hand, a need for dialogue between researchers and ICH actors to clarify the contents of safeguarding in the context of ICH work and, on the other hand, a need to study more the relation between the related historical practices and the contemporary context of safeguarding ICH.

Despite the need for more research, there are many studies that touch upon the safeguarding of specific ICH elements. Here are some examples:
In her dissertation in folkloristics Johanna Björkholm (2011) analysed ICH as a concept and process in the context of folk music in Finlands Swedish speaking areas and resulted with valuable key points for taking into consideration when assessing intended results of safeguarding intangible cultural heritage.
Eila Stepanova’s dissertation (2014) analysed the speech register and practices of lamentation, a genre of Karelian oral poetry-. Laments can be defined as sung poetry with varying degrees of improvisation that nonetheless follow conventionalized rules of traditional verbal and non-verbal expression, most often performed by women in ritual contexts and potentially also on non-ritual grievous occasions. Currently, a multidisciplinary research project Ownership, Language and Cultural Heritage - Folk Poetry Ideologies in the Regions of Finland, the Republic of Karelia and Estonia, funded by the Kone Foundation and lead by Stepanova, examines Kalevala-meter folk poetry and the Kalevala from the perspective of ownership and ideologies. The project deconstructs the setups of nationality and ownership associated with folk poetry and interprets the reception and use of Kalevala-meter poetry in Finland, the Republic of Karelia and Estonia as part of ideological traditions and as a means of creating national identity. Critical reading of texts makes visible the structures of cultural heritage and the muted voices of nations.
Related to crafts, the cultural heritage of knitting has been subject for a dissertation in ethnology (Anna Rauhala 2019). The dissertion studied the skill of knitting in Finland from the late 19th century to the present day. The cultural analytic focus is turned on how knitting has been considered a self-evident everyday practice but that also can be seen as a changing skill with different meanings for individuals and society in the past and present. The systematic endeavor to safeguard and sustain Finnish craft heritage through specific fields of public administration, education system and organizational network (known today as the Finnish Craft Organization Taito) that were created in the early part of the 20th century have also been analysed (Elisa Kraatari 2016) and documented (Irene Ylönen 2003).
In craft science, there is a growing interest to the use of traditional materials, like flax, hemp and nettle, in order to find sustainable solution for textile and clothing production. For these purposes, the researchers have turned to traditional methods for lasting solutions, like shown in an article “Examining the White Karelian Textile Tradition of the Late Nineteenth Century—Focus on Plant Fibers” (by Jenni Suomela, Riikka Räisänen and Krista Vajanto 2020).

The ICH related to heritage processes was analysed in a doctoral dissertation focusing on shipbuilders’ oral history in the city of Rauma, West Finland (Mikko Aho 2019). The study looked into shipbuilder community’s shared history and how they produced their cultural heritage. As the community cooperated with the museum in its heritage processes, the study also gives an insight into the relationship between the heritage institutions and the communities’ processes. The study shows that the shipbuilders in Rauma are a community that produces and processes its cultural heritage actively as part of their professional self-image.

In relation to nature, a doctoral dissertation studied how Finns describe and explain common practices of outdoor activities in the nature (Mikko Simula 2012.) The study found three cultural representations of outdoor activities, which help to understand the ways the intangible heritage of outdoor activities in the nature are understood as meaningful.

In her dissertation, "Dreams and living heritage: An Ethnological study of dream conceptions and dream telling situations" (Unien elävä perintö: etnologinen tutkimus unikäsityksistä ja unien kertomistilanteista) Silja Heikkilä (2021) considers different dream conceptions, their construction as well as dream conceptions as a phenomenon and her broader research task is related to understanding the concept of living heritage and its processes.
There is also constantly research made related to the Sámi people, their culture and heritage in the University of Lapland. One of the most recent efforts include the dissertation by Outi Laiti (2020), which examines the opportunities that game development events offer for Sámi cultural self-expression. The study combines old ways of knowing to new ways of playing, examining the potential of collaborative game design to empower indigenous Sámi. In Sámi culture, games are one of the essential parts of education, and they are used, among other things, to pass on ICH. The study resulted with the Indigenous Game Design Model, which describes the process of game development and allows indigenous game design to be viewed as an empowering action that can manifest itself through storytelling, contemporary experiences, teachings, language, and sharing and development.

Sigga-Marja Magga’s dissertation (2018) “Sámi handicrafts as the builder of unity. The norms and brands of the duodji” looks into the meanings of duodji, Sámi handicrafts. The study approaches duodji as an institution that regulates, defines, and produces the meanings of the duodji in different ways. The study shows that the continuous negotiations about the meanings of duodji are the core of the existence of the duodji institution. The formal duodji, duodji as social institution and commercial duodji form network for the representations of duodji. Therefore, the meanings attached to duodji, reflect Sámi political and economic phenomena.
There are a few researchers that have looked into ICH from more of a conceptual and reception analytical point of view. Katriina Siivonen has analysed in several peer-reviewed, Finnish and English articles the relationship between culture and cultural heritage and the impact of ICH on social and ecological sustainability including the article “Human-Forest Relationship as a culturally sustainable Heritage Futures” (Metsäsuhde kulttuurisesti kestävänä tulevaisuusperintönä, 2020), the article with Jaana Kouri “Heritage Futures as a base for a sustainable maritime human-nature relationship” (Tulevaisuusperintö ihmisen kestävän merellisen luontosuhteen perustana, 2020) and the article authored with Pauliina Latvala-Harvilahti “Possibilities for participation in sustainable heritage work” (Osallisuuden mahdollisuudet kestävässä kulttuuriperintö- ja kotiseututyössä, 2019).

The Foresters' Foundation funds several research and documentation projects related to living heritage and the forests. For example, the Forest Relations in Social Change project collects data on the changing forest relations of Finns and stores them in the collections of the Finnish Forest Museum Lusto and in the folk poetry archive of the Finnish Literature Society (SKS). An ongoing dissertation by Reetta Karhunkorva in the field of cultural studies at the University of Eastern Finland, touches on the key aspects of the forest relations of Finnish private forest owners and their living heritage related to forest ownership and forests.

Heidi Henriikka Mäkelä’s peer-reviewed article “To maintain traditional knowledge. On ICH and preservation.” (2016) studies how individuals invested in safeguarding living heritage experience and discuss their activities and methods of safeguarding. Mäkelä has published several articles on the conceptual contents of Finland’s ICH inventories, using discourse analytical and critical reading methodology on her data. She has paid attention for example on the expressions of nationalism the inventories reveal. Her latest article on the subject “Digesting the Finnish Nature and Past: Food, Pastness, and the Naturalness of the National in the Wiki-Inventory for Living Heritage” has been approved to Journal of ethnology and folkloristics and will come out in late 2021.
ICH research experts are involved in many working groups and expert positions, in governmental as well as NGO’s processes, in which they can contribute to the social impact of the ICH. Such significant places of influence have been, for example, in the Expert Group for the Policy Program for the Ratification of the Faro Cultural Heritage Convention and the Expert Group for Museum Policy.

Question 9.3

Do ICH practitioners and bearers participate in the management, implementation and dissemination of research findings and scientific, technical and artistic studies, and with their free, prior, sustained and informed consent?

Yes

Describe briefly the nature of practitioners’ and bearers’ participation and how their consent is secured.

Research ethics is essential especially when research methods involve communities and persons as informants or when they otherwise are involved in the research process. The Finnish National Board on Research Integrity TENK, appointed by the Ministry of Education and Culture, promotes the responsible conduct of research, prevents research misconduct, promotes discussion and spreads information on research integrity in Finland. There are well-established means of securing and documenting the consent of the people involved in research in before-hand.

From the point of view of research, the personal interest of both individual researchers and members of traditional communities in the research process and tradition is of great importance. Living cultural heritage has been documented together with communities, for example in a two-stage documenting project of the costume culture of Finnish Roma in 2019–2020 by National Museum of Finland. Co-operation between scholars and practitioners of living heritage promotes research.
Open access publishing often makes research results more accessible to a wider public, and in common, researchers comprehend the importance of accessibility for communities. While open-access publishing is good for disseminating research information, this principle is also a challenge for many scientific societies for which publication revenue has been an important part of revenue. The situation is complicated by the proposal published by the Ministry of Education and Culture in 2021 to cut support for the purchase of low-circulation literature from public libraries. If this materializes, this will significantly reduce the production of cultural publications.

The Government of Åland is financing NGOs working on transmitting and safeguarding oral traditions and expressions, including the Swedish language as a core of the Åland autonomy, performing arts, social practices, rituals and festive events, knowledge and practices concerning nature and the universe as well as traditional craftsmanship.

Materials that have earlier been collected for research purposes have also been returned to the communities of origin. This applies to the Sámi collection and the restoration of the remains and burial objects of the ancestors of the Pueblo Indians who were part of the Mesa Verde collection at the National Museum.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will promote the research and documentation contributing to ICH safeguarding that meet high standards of research ethics and professional documentary procedures. It will continue to support practitioners and bearer communities of ICH to participate and co-operate in different research and documentation processes scientific, technical and artistic studies. This support can include e.g. relevant capacity-building through projects and initiatives with practitioners and bearer communities in co-operation with researchers and artists, research projects and scholar institutions.


10. Extent to which research findings and documentation are accessible and are utilized to strengthen policy-making and improve safeguarding

Guidance note corresponding to indicator 10 of the Overall Results Framework: English|French|Spanish

Question 10.1

Are documentation and research findings made accessible to communities, groups and individuals, while respecting customary practices governing access to specific aspects of ICH?

Some

Provide any additional details here.

Openness and accessibility are widely recognized as guiding principles in research, sharing of information and in documentation in Finland. Access to published information through e.g. libraries, education and archives is in many ways considered a public service. The Ministry for Culture and Education is responsible for education and research, museums, archives and libraries in Finland that are mainly responsible for the sharing of information and documentation of cultural heritage in Finland. These institutions are already widely accessible to communities, groups and individuals, and a lot of effort is put on developing digital services, shared databases and digitizing cultural heritage materials in order to promote these services to all. Better access to information and cultural heritage forms a basis for research, teaching, innovation and product development.

On the other hand, there are existing and some emerging challenges related to accessibility. While open access publishing is promoted among others by the Academy of Finland, Finnish scholarly articles are still typically published in restricted access academic journals and increasingly in English language. Respectively, publishing in e.g. Finnish or Swedish in Finland is less favored which has given rise in worries about the sustainability of these languages as languages of scholarly work. Although proficiency in English is more widely spread among Finland’s population than it was a few decades ago, not all have the abilities to read in English. Especially in topics concerning the ICH, it is of specific importance to have access to documentation and research also in native languages and also to have native language popular science publications available.

The question on respecting customary practices governing access to specific aspects of ICH concern some of the Finnish minorities. Some of the communities may not want the documentation about their culture to be freely available to everyone. For example, the Roma community has clear cultural norms on sharing information about the deceased. For the Sámi people, traditional knowledge of the community is not willingly to be shared among non-community members.

Archives
In Finland there is an established archival structure provided by laws that guides the large number of public and private archives that in different ways contribute to the safeguarding of ICH. They are presented in indicator 1.

For example, the values of the National Archives of Finland are based on internationally recognised human values, as well as the ethical principles of the archival sector and the research community. The key values guiding the operations of the National Archives are: Openness and confidentiality; Impartiality; Independence The Archives has nine branches in different parts of Finland.

An interesting project related to ICH was the The Roma Archives of Finland – Finitiko kaalengo arkiivos. The project partners were the Advisory Board for Roma Affairs (Romaniasiainneuvottelukunta), the Finnish Literature Society (Suomalaisen Kirjallisuuden seuran SKS) and the National Archives of Finland (Kansallisarkisto) for material of the Romani cultural heritage. The project was funded by the Finnish Cultural Foundation. Materials concerning the Roma in Finland are scattered and difficult to find and utilize. The project has stored the memory and tradition of private people as well as existing Roma archives. A major goal of the project was to inform and reach out to the Roma, especially the various communities, about the archives so that the Roma have access to their own history.


Libraries
Finland has an extensive network of public libraries, that is presented in indicator 1.
For the libraries ICH is still a rather new and unknown concept. However, in 2021 one two-day webinar was organised by the Finnish Folk Music Institute (Kansanmusiikki-Instituutti) in cooperation with the Finnish Heritage agency. The webinar concentrated on a theme how public libraries could safeguard ICH. The information from the webinar was shared via Finnish Library Association (Suomen kirjastoseura) and Finnish Music Library Association (Suomen musiikkikirjastoyhdistys). There were 14 participants in the online webinar and the recording will be shared later via Library Channel (Kirjastokaista).

Digital cultural heritage
Digital cultural heritage has been emphasised in the Finnish cultural heritage policies for the last two decades. A current initiative “Digital cultural heritage” of the Ministry of Education and Culture develops the availability of digital cultural heritage material as well as the long-term preservation of material and information resources. The digital cultural heritage initiative increases the collaboration and expertise of archives, libraries and museums.

The goal of the digital cultural heritage initiative is to maintain the services that help improve the availability and digital preservation of information resources. The initiative also promotes collaborative efforts between archives, libraries and museums, enhances their expertise, and improves the interoperability between different information and data systems.

With the help of shared services and solutions, the interoperability between the cultural heritage sector’s information systems and information as part of various ecosystems can be secured, for example, in education, culture, science and public administration. The goal is to increase the societal visibility and usability of contents and services. A digital cultural heritage that is available to all and part of everyday life helps promote social diversity, interaction and participation.
The Our Digital Cultural Heritage website, Digime.fi, serves as the primary information channel for the digital cultural heritage initiative. The website contains the latest information on any current digital cultural heritage news and events and on the collaborative efforts between archives, libraries and museums. The website has been designed to serve as the hub for every interconnected digital cultural heritage service, initiative and project. The goal of the Digime.fi website and the digital cultural heritage initiative is to provide the wider public with access to digital cultural heritage data and the related information resources, services and expertise.
The contents of the website are produced and maintained by a network that is coordinated by the National Library of Finland. The network includes the Ministry of Education and Culture, CSC – IT Center for Science, the National Archives of Finland, the Finnish Heritage Agency, the National Audiovisual Institute (KAVI) and various private archives.

Databases

The National Library of Finland (Suomen Kansalliskirjasto) maintains the Finna service that brings together millions of items of cultural and scientific material in Finland. Finna database is presented already in indicator 1.

The Yle Living Archive (Ylen Elävä Arkisto) is a free internet service of the Finnish Broadcasting Company YLE. The website contains thousands of television and radio programmes in both Finnish and Swedish. There are also programmes about Sami culture and history and program on Roma and other minorities. With the search function it is possible to find programmes on ICH, such as folk music and folk dance, crafts, food traditions and annual celebrations. The film and article material in the Living Archive is used by 200,000 to 400,000 visitors every week.

There are several smaller databases maintained by different archives. Many of them has plans to join Finna.fi in near future. For example, the "Kansan ääni ja kuva" database by Finnish Folkmusic Institute (Kansanmusiikki-Instituutti) has the reference info for the archive's digitised audio recordings, audio publications and books and sheet music as well as all the digital photo material and information about the instrument collections.

National Memory of the World Register (Maailman Muisti) documents the archival heritage in Finland. For example, the Skolt Sámi Archive can be found on the national and also on the UNESCO list. Other national examples are the Shipping company Gustaf Erikson archives 1913-1947 which describe a significant era of Finnish marital history. The oldest ethnographic, folklore and linguistic collections of the Swedish Finnish Literature Society (Svenska Litteratur Sällskap i Finland, SLS) S were selected in 2021 for the National World Memory Register.

Question 10.2

Are the results of research, documentation, and scientific, technical and artistic studies on ICH utilized to strengthen policy-making across different sectors?

Some

Provide any additional details here.

The process of outlining and writing the first national cultural heritage strategy makes of use of research, starting from the background study that supports preparing the strategy. The background study (Pauliina Latvala-Harvilahti, 2021) explicitly discusses, among other things, ICH and its roles in contemporary contexts involving challenges for sustainable development, need for reliable information, cultural diversity and several other issues relating to education, skills, and creativity. Based on research literature, various reports, documents and expert interviews, the study is an example of synthetizing and distributing various research and investigation results and thus utilizing them in policy-making. Different background studies and investigations preceded also other recent policy-making processes including the Museum Policy Programme 2030 (2018), the Cultural Environments Strategy 2014–2020 (2014) and the Children’s Cultural Policy Programme (2014) that was implemented in 2016–2020 as Government key project and that among other things emphasized children’s participation in cultural heritage activities.

There are recognized, however, some thresholds in utilizing research results especially in cross-sectoral policy-making efforts, and some researchers of the cultural heritage field maintain that research information reaches decision-makers only poorly. In the background, there can be recognized certain path-dependencies and tendencies related to research traditions. In the field of cultural heritage, for example, co-operation with different public memory organizations is well established while finding channels of dialogue with e.g. other sectors of public administration is at the moment still in process. Certain path-dependencies and traditions pinnacle in the use of specific concepts that are well-adopted in some fields of research and administration but are less known in other sectors. Also, research communities can view some concepts from a different angle compared to how the concept is seen in administration or policy-making.

Different interests and pressures can affect the flows of information and how research results reach policy-making. On the one hand, decision-makers have limited resources to obtain and access research information, which means that the information is expected in a concise and easily accessible form in order to be part of decision-making. Researchers, on the other hand, may rather address research results to academic peers instead of outlining edited summaries to be utilized in administration and policy-making. Typical hampering factors at both ends include the sense of hurry and distance between different parties. In Finland, often mentioned hampering factors also include the co-called ‘sectoral silos’ in public administration. This issue, however, has been addressed many times through initiatives that aim at increasing co-operation between ministries. Recognizing and acknowledging mentioned issues can help in strengthening dialogue between researchers, administration and policy-making.

As was discussed under question 9, explicit research on ICH safeguarding, safeguarding methods and impacts is currently rather limited, although cultural heritage as a research topic is approached within different disciplines and several Finnish universities hold established chairs in heritage related research and education that are continuously active also in international scholarly networks. However, the concept of ICH at the moment seen more often used at the related administrative and organizational levels instead of academic research. This would encourage to more exchange and dialogue between these parties and more public debate on the topic.

Other good examples of utilizing research results for policy-making include the Kalevala Traditional Treatment Foundation (Kalevalainen kansanparannus -säätiö) that has been able to promote cooperation and dialogue with the authorities. They make government initiatives in order to improve the position of custody practices in health care and to integrate traditional therapies more widely into health care, as evidence of treatment response increases. There are more examples elsewhere from the cultural sector, including, for example, the Circus Information Center (Sirkuksen Tiedotuskeskus) that compiles every year statistics on Finnish circus activities for decision-makers to support and influence cultural policy and decision-making to develop the status of circus activities in society.

Question 10.3

Are the results of research, documentation, and scientific, technical and artistic studies on ICH utilized to improve safeguarding?

Limited

Provide any additional details here.

The utilization of research results in policy-making, as discussed in 10.2, can directly feed to the improving of ICH safeguarding. There is, however, need for more nuanced takes on research-based development of ICH safeguarding.

The tradition of safeguarding ICH is more practical than research based. Overall, there is little research on ICH and it is related to the pursuit of cultural heritage, practitioners and results or products. Some results of the research have been applied to safeguarding measures where the research project is clearly focused on conservation: for example, the national plant genetic resources program and the research program related to the use of natural dyes. In some fields of research, the concepts of protection and safeguarding are considered problematic, protection is perceived as both demanding and limiting. For this reason, the safeguarding perspective is rarely included in the research concept. There is also limited information in the research context on the content of the safeguarding ICH.
Research on the safeguarding on ICH has often, because of research traditions, been an elucidation and study of archiving and its principles. The safeguarding of the ICH has meant the archiving of related material, in which case the choice to be archived is an essential protection measure. The material in the archives is often the basis for the study of cultural heritage sites, but they are used in various ways for other safeguarding activities.

The contents of ICH and scientific research do not necessarily encounter: university research is based on disciplines that are different from those of ICH. Research on the communities and activities of a particular ICH can be done in a number of disciplines, in which case locating the research requires knowledge of the research areas. For example, research on craft traditions is conducted in the disciplines of craft science, ethnology, folkloristics, art history, education, art education, design, sociology and social psychology. Research on the ICH is also present in multidisciplinary projects that may not be easily accessible from outside the scientific community.

The protection measures of organizations are usually based on practical findings, not research results. The organizations collaborate with memory organizations and make conservation work visible in exhibitions and publications. The protection of cultural heritage is studied in a practical way, for example in museum workshops. In principle, the Finnish education system has a dual model: universities conduct scientific research and polytechnics apply it. Polytechnic theses always involve a working life context, so they also contain some examples of policies developed to protect the ICH. For example, in the field of conservation, research is being done that directly targets the protection of the ICH.

Åland Museum is actively working with the UNESCO Convention for Safeguarding ICH and developing the Åland inventory and research and documentation is an inherent part of the work. The research and documentation are utilized for improving safeguarding.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Partially

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party, will work to further promote the use of ICH research and documentation for the development of policies across different sectors. Furthermore, it will work to improve the accessibility of research and documentation to communities, groups and individuals.


11. Extent to which policies as well as legal and administrative measures in the field of culture reflect the diversity of ICH and the importance of its safeguarding and are implemented

Guidance note corresponding to indicator 11 of the Overall Results Framework: English|French|Spanish

Question 11.1

Have cultural policies and/or legal and administrative measures been established (or revised) and implemented that incorporate ICH and its safeguarding and reflect its diversity?

Yes

1

It is a

·  Cultural policy

Name of the policy/measure

Living heritage! Plan for National Implementation / Action Plan for Intangible Cultural Heritage

Established

15-06-2015

Revised

01-01-2019

Is the policy/measure being implemented?

Yes

Brief description

The main strategies and action plans in implementing the ICH Convention in Finland are Living heritage! Plan for National Implementation (2015) that defines the general guidelines for the implementation and Action Plan for Intangible Cultural Heritage for 2019–2022 that supplements the plan. Living heritage! Plan for National Implementation (2015) defines the general guidelines for the implementation of the ICH Convention in Finland. The original plan for implementation describes the central actors and the main elements in the implementation: national coordination, the inventorying of ICH and international cooperation. The plan also describes the measures of the Finnish Heritage Agency for the initiation stage which took place in 2015–2017. The Action Plan 2019–2022 updates the situation and defines the actors involved and describes inventorying and main measures for safeguarding, including international cooperation.

Finland does not have special legislation for safeguarding of intangible cultural heritage. In connection with the ratification of the Convention, it was considered that the current legislation on cultural heritage as well as legislation on language, education and the environment and the rights of minorities, enables the safeguarding of intangible cultural heritage in Finland. However, since ratification of the Convention, intangible heritage has been mentioned alongside tangible cultural heritage e.g. in the reformed Museum Act (2020) and the Municipal Cultural Activities Act (2020). In addition to the implementation plan and action plan of the Convention, there is a wide range of policies and administrative instruments and several legal instruments that integrate elements that are vital to ICH and its safeguarding, the right to language and culture, participation, and access to culture.

 

2

It is a

·  Cultural policy

Name of the policy/measure

National Child Strategy

Established

01-02-2021

Revised

Is the policy/measure being implemented?

Yes

Brief description

Finland has completed its first National Child Strategy in early 2021. The Strategy was prepared through parliamentary cooperation. The goal of the strategy is a society that respects the rights of children. The National Child Strategy is based on the UN Convention on the Rights of the Child. Each new Government is tasked with preparing and implementing a detailed implementation plan for promoting the policy guidelines of the Strategy during its term of office. The strategy and the implementation plan cover all aspects of children’s lives and the corresponding policy areas. The current implementation plan includes also strategic guidelines on children’s free time and hobbies in the same lines as the Finnish Model (see indicator 11.2.). The plan emphasizes that in leisure activities and hobbies the child’s viewpoint must more strongly. The importance of basic art education as part of the education system is recognised and it should be strengthened so that it is accessible for more children across the country. The importance of physical education and cultural education and the role of volunteering and social activities in supporting children's overall well-being and development are also recognised.

 

3

It is a

·  Administrative measure

Name of the policy/measure

Government Programme, Sanna Marin’s Government 2019–2023

Established

10-12-2019

Revised

Is the policy/measure being implemented?

Yes

Brief description

The current Prime Minister Sanna Marin’s (2019) Government Programme called an inclusive and competent Finland sets the agenda for the Finnish government and guides the activities of its different administrative sectors. Finland’s cultural policy’s most important guidelines are laid out in the Government Programme. According to the Programme, a dynamic cultural life has intrinsic value and as such it creates the foundation for a society where education and culture are highly regarded, strengthens democracy, and reinforces the freedom of speech.

The means and measures of cultural policy have been compiled under two objectives in the Programme:
1. Creative industries will provide more jobs, their ratio to GDP will grow and the conditions for workers will improve
2. Cultural services will become more accessible, and the conditions will improve to allow culture to flourish.

The programme directly states that the Government will make sure that intangible cultural heritage is safeguarded. Other aims relevant from the viewpoint of ICH include developing cultural services, drawing up a cultural heritage strategy and updating and developing the strategy for the national languages. The Government also states that it will safeguard the conditions for sustainable recreational fishing, hunting, gathering of natural products and right of access to private land.

 

4

It is a

·  Cultural policy

Name of the policy/measure

Finnish National Policy for the Roma 2018-2022

Established

18-05-2018

Revised

Is the policy/measure being implemented?

Yes

Brief description

The primary objective of Finland’s National Roma Policy for 2018–2022 (ROMPO2) is to support the progress seen in the societal integration of Roma and positive development in Roma linguistic, cultural, and social rights. The policy programme is based on the premise that Finland’s current legislation and comprehensive service system provide a good foundation for the promotion of the equality of the Roma population. The policy covers all aspects of society in relation to the Roma, including social development, education and training and supporting the preservation and development of the Romani language and Roma art and culture (see also indicators 12.2. and 12.3.). The policy programme also seeks to consider matters relating to the preservation of Roma cultural heritage.

The Roma have the right to choose their own culture, to participate in the planning and implementation of cultural policies and services and the right to protect their community’s tangible and intangible cultural heritage. These rights create an obligation for producers of art and cultural services and for decision makers to take the needs of Roma into account when planning, developing, and resourcing their activities. Main measures in the policy in relation to Roma culture and heritage include drawing up a national action programme for the revitalization the Finnish Romani language; drawing up a national programme for the promotion of Roma art and culture; setting up a national expert group to prepare the establishment of a Roma art, culture, museum and multiple services center in Finland; utilizing the existing network of children’s cultural centers and their events to create nationwide coverage for Roma children’s cultural services; and providing Roma families with information about the opportunities for basic education in arts available for children and young people; increasing documentation of local Roma history; supporting regional cultural initiatives; and strengthening the status of Roma and Roma art and culture, and of Roma youth work through international cooperation; drawing up an initiative for the leading national actors in art research for increases in research into Roma art and in the number of Roma art exhibitions; Ensuring the digitalisation, restoration, appropriate archiving, preservation and exhibit of historically significant works, artefacts, documents, biographies, films, audio recordings and other material.

 

5

It is a

·  Cultural policy

Name of the policy/measure

Resolution on the Strategy for the National Languages of Finland

Established

02-12-2021

Revised

Is the policy/measure being implemented?

Brief description

In line with the Programme of Prime Minister Marin’s Government, a revised Strategy for the National Languages of Finland has been drawn up to ensure that everyone has the right to receive services in the national languages and to improve the language climate. The strategy concerns the national languages of Finland, Finnish and Swedish, and is a declaration of the Government’s intent with regard to language policy that will guide policy on the national languages over several government terms. The aim of the strategy is to ensure that Finland continues to have two viable national languages. With regard to the Finnish language, the main objective is to prevent the narrowing of the field of use of the language. With regard to Swedish, the aim is to ensure the functionality and availability of services in Swedish and to strengthen the vitality of the language community.

Guidelines and goals have been set and concrete measures have been established in order to implement the vision of the strategy. The guidelines have been drawn up through an inclusive preparation process involving extensive consultation with experts, interest groups and citizens. The guidelines are: 1) Right to services in one’s own language, 2) Safeguarding the status of the national languages, and 3) Living bilingualism. The strategy also aims to promote the integration of immigrants in both national languages. Responsibility for the implementation of the strategy has been assigned to several operators, while the overall responsibility rests with the Ministry of Justice.

 

6

It is a

·  Legal measure

Name of the policy/measure

The Constitution of Finland (739/1999)

Established

Revised

11-06-1999

Is the policy/measure being implemented?

Yes

Brief description

According to the Constitution of Finland, the freedom of science, the arts and higher education is guaranteed (§16). Everyone has the right to use his or her own language, either Finnish or Swedish, before courts of law and other authorities, and to receive official documents in that language. The public authorities shall provide for the cultural and societal needs of the Finnish-speaking and Swedish-speaking populations of the country on an equal basis. (§17)

In the rationale of the Act, other groups mainly refer to national and ethnic minorities, such as Jews and Tatars. Rather than being limited to traditional minorities in Finland, however, it also covers other groups that can demonstrate a certain degree of permanence and stability.

The Sami, as an indigenous people, as well as the Roma and other groups, have the right to maintain and develop their own language and culture. The Sámi have a cultural autonomy, which the Saami Parliament is responsible for. Provisions on the right of the Sami to use the Sami language before the authorities are laid down by a Sámi Language Act (1086/2003). The Sámi Language Act provides for the right of the Sámi to use their own language in court and other authorities, as well as the obligations of public authorities to promote the linguistic rights of the Sámi. The rights of persons using sign language and of persons in need of interpretation or translation aid owing to disability are guaranteed by a Sign Language Act (359/2015).

The Sign Language Act entered into force on 1 May 2015. There are provisions for the Romani language in specific legislation for different branches of government. The Council of Europe's European Charter for Regional or Minority Languages seeks to strengthen the role of minority languages. The Charter was adopted in Finland as a decree - level act in 1998.

Protecting the environment and the cultural heritage is also laid down as a responsibility of all citizens in the Constitution of Finland: nature and its biodiversity, the environment and the national heritage are the responsibility of everyone. (§20)

 

7

It is a

·  Legal measure

Name of the policy/measure

Act on Cultural Activities in Local Government (166/2019)

Established

08-02-2019

Revised

Is the policy/measure being implemented?

Yes

Brief description

Local authorities do their part in organising cultural activities, and their efforts are governed by law (166/2019). The Act on Cultural Activities in Local Government refers to activities through which local authorities promote the creation, pursuit and accessibility of the culture and arts, use of cultural and art services and cultural education and cultural heritage. The Act was revised in 2019. The aim of the legislative revision was to better support the prerequisites for municipal cultural activities, citizen democracy and cultural basic rights in a changing operational environment.

The objectives of the Act are to: support people’s opportunities for engaging in creative expression and activity, and for producing and experiencing culture and art; promote equal opportunities for all population groups, and further their participation in the culture, arts, and education; strengthen people’s health and wellbeing, as well as their inclusion and community engagement, through cultural and artistic means; create conditions through artistic and cultural means for developing both local and regional vitality and for providing creative activities to support them. The implementation of these objectives is based on democracy, residents’ needs, equality, sustainable development, cultural diversity, and dialogue.

The duties of local authorities laid by the law include promoting the preservation and use of cultural heritage, and activities that foster and develop local identities. The government proposal on the law states that cultural heritage includes both tangible and intangible cultural heritage. The Act gives municipalities good opportunities to profile themselves, utilize local actors and to build cultural activities by involving residents. The Act strengthens the importance and status of culture as a basic service for the municipality. The municipality itself must evaluate its operations and participate in the national assessment of basic services.

When providing cultural activities in local government in a bilingual municipality, the needs of both language Finnish and Swedish speaking groups shall be taken into consideration on equal grounds. In the municipalities located in the Sámi homeland, the needs of the Sámi and Finnish speaking population groups shall be taken into consideration on equal grounds. In providing the activities, the needs of local language groups shall also be taken into consideration.

 

8

It is a

Name of the policy/measure

Act on the Financing of Education and Culture (1705/2009)

Established

01-01-2019

Revised

Is the policy/measure being implemented?

Brief description

The Act defines the rules for calculating and allocating central government transfers (subsidies) to municipal and non-profit local service organisations.

 

9

It is a

·  Legal measure

Name of the policy/measure

Museums Act (314/2019)

Established

15-03-2019

Revised

Is the policy/measure being implemented?

Yes

Brief description

The objective (1 §) of the law is to maintain and strengthen the understanding and inclusion of individuals and communities in culture, history, and the environment; to promote the preservation of cultural and natural heritage and the arts for future generations; promote sense of community, continuity, and cultural diversity; and to promote civilization, prosperity, equality, and democracy. According to the law, the purpose of museums is to preserve and provide access to cultural heritage, tangible, intangible and digital.
In the Government proposal for the Act, museums are seen as responsible for developing and promoting the safeguarding and digital accessibility of cultural heritage in their area of responsibility. According to the proposal, the task covers both tangible, intangible and digital heritage. With regard to both tangible and intangible cultural heritage, safeguarding should be promoted in particular through regional collection policy cooperation.

 

10

It is a

·  Legal measure

Name of the policy/measure

Public Libraries Act

Established

01-01-2016

Revised

Is the policy/measure being implemented?

Yes

Brief description

The objectives of the Act include promoting equal opportunities for everyone to access education and culture as well as active citizenship, democracy, and freedom of expression. The implementation of these objectives is based on sense of community, pluralism, and cultural diversity.

 

11

It is a

·  Legal measure

Name of the policy/measure

Antiquities Act 295/1963

Established

01-01-1963

Revised

29-03-2019

Is the policy/measure being implemented?

Yes

Brief description

Due to the changed operating environment, the Antiquities Act will be reformed in its entirety. The reform will assess and define the objectives of the protection, study and access to information of ancient monuments; clarify definitions and their legal effects related to immovable antiquities, movable antiquities and other archaeological heritage; assess the interfaces with other legislation as a whole and update and regulate more precisely the procedures for implementing the law and the division of labor between the authorities. As part of the reform e.g. a report on the realization of Sámi rights in the protection of ancient monuments has been prepared, which also refers to the intangible cultural heritage. A number of Sámi antiquities have been identified in the Sámi homeland, including sacred sites, reindeer roundup sites, trapping pits, and hut floors. These sites also incorporate an element of intangible cultural heritage, such as oral traditions, traditional knowledge, and values and beliefs. The rights of the Sámi are to be consolidated in the new act.

 

12

It is a

·  Cultural policy

Name of the policy/measure

The Strategy for Cultural Policy of the Ministry of Education and Culture

Established

01-05-2017

Revised

Is the policy/measure being implemented?

Yes

Brief description

The Strategy for Cultural Policy of the Ministry of Education and Culture describes the government duties in cultural policy, evaluates the current state of arts and culture and changes in the field as well as sets strategic targets for the strategy period. The state’s cultural policy is based on the fundamental and cultural rights of individual citizens. The right of everyone to self-development, the freedom of arts, and the right to one’s own language and culture are safeguarded as part of cultural rights. In addition to safeguarding of citizens’ linguistic and cultural rights, the state’s responsibilities include supporting access and participation in arts and culture, and safeguarding the basis and continuity of culture, especially the protection and transfer of cultural heritage and developing the cultural infrastructure, as well as arts and cultural education.
The target areas for cultural policy and related strategic objectives by 2025 are:
1. Creative work and production
2. Inclusion and participation in culture
3. Foundations and continuity of culture
Issues relating to cultural heritage, including intangible cultural heritage, are part of the target group 3, that is the foundations and continuity of culture. According to the strategy, the strengthening, protection and maintaining of both intangible and tangible cultural heritage, as well as the care of cultural environments are important, both in terms of culture and education. In the strategy, cultural heritage is also seen as a social and economic resource which is built and developed because of participation and interaction of people and communities.
According to the strategy, cultural heritage and cultural environments are developed as part of the work to implement cultural environment and World Heritage strategies and international cultural heritage Conventions, including the ICH Convention. The goal of this work is to diversify the means of transferring and using cultural heritage. The expected societal impacts include the growth, preservation, transfer and use of cultural heritage and protecting the multi-layer character of cultural environments and the participation of residents in the protection of cultural heritage, cultural environments and architectural heritage.

 

13

It is a

·  Legal measure

Name of the policy/measure

Land Use and Building Act 132/1999

Established

01-01-1999

Revised

01-01-2003

Is the policy/measure being implemented?

Yes

Brief description

The Land Use and Building Act is currently reformed. The main goals of the reform are a carbon-neutral society, strengthening biodiversity, improving the quality of construction and promoting digitalisation. The reform is being prepared by parliament and the Ministry of the Environment is responsible for the preparation.Renewal of the Act is underway in 2021.

 

14

It is a

Name of the policy/measure

Act on the Finnish Broadcasting Company (1380/1992)

Established

01-01-1992

Revised

28-06-2017

Is the policy/measure being implemented?

Brief description

The Act states that the company’s programming shall support the preservation of Finnish cultural heritage, support tolerance, equal treatment, equality, and cultural diversity, and provide programming for minority and special groups (436/2017).

 

15

It is a

·  Cultural policy

Name of the policy/measure

Museum of Opportunities - The Museum Policy Programme 2030 of the Ministry of Education and Culture

Established

03-05-2018

Revised

Is the policy/measure being implemented?

Yes

Brief description

The museum policy programme outlines the main success factors of the museum sector up to the year 2030. The success factors are examined through six development activities, which are focused on reform of the general objectives of museum operations as well as on outlining policy regarding the development of competences, operating approaches, structures, and funding.
The programme identifies the museum sector values for 2030, all of which have direct relevance also from the point of intangible cultural heritage:
1. Community and interactivity Communities can participate in defining their cultural heritage. Community-oriented operations open museums to everyone. This enables engagement in bold and interactive social activities.
2. Reliability and continuity Museums are strong experts whose view extends from the past far into the future. Museums are a part of their communities’ collective memory, and their operations are based on sustainable and ethical principles.
3. Pluralism and democracy Cultural heritage belong to everyone and is equally available to all. Museums play an important part in supporting and developing a culturally diverse society with many different voices.
4. Courage and open-mindedness Museums are enablers. Museums keep up with the times, are willing to change and help people build a good future. Museums are creative and experimental organisations that take risks and are open to new ideas.

In the museum policy programme, museums are seen as experts, partners, and enablers. Museums provide experiences and information and thus create opportunities for creativity, education, the construction of identities and an understanding of change. Museums have an important part to play in the creation of a culturally, socially, and ecologically sustainable society, and in promoting well-being. The programme identifies museums as a cultural service that covers the whole country. The role of museums in developing the attractiveness and vitality of the regions is essential. According to the programme, the strength of local heritage and specialised museums comes from the support of their surrounding communities and their concrete participation in maintaining the shared cultural heritage and living heritage.
In the programme, collections management and digitalisation were established as development activities in their own right and they include documenting current phenomena and digital and immaterial cultural heritage.

The Museum policy mentions ICH for the first by stating that cultural heritage can be both tangible and intangible. Acording to the programme, the mission and purpose of the museums will be updated to take into account new perspectives such as diversity and inclusion in cultural heritage, cultural sustainability in the context of sustainable development, wellbeing and intangible cultural heritage.

 

16

It is a

·  Cultural policy

Name of the policy/measure

Cultural Heritage Strategy

Established

28-02-2022

Revised

Is the policy/measure being implemented?

Brief description

During 2021–2022, a proposal for Finland's first-ever cultural heritage strategy will be prepared. The aim is to produce a government resolution for a cultural heritage strategy effective until 2030, with cultural heritage, including intangible cultural heritage, being seen as a source for sustainable solutions in all areas of society in the future. The work is based on the policies in the Government Programme (2019).

The starting point of the cultural heritage strategy is the protection, development and utilization of the diverse tangible and intangible cultural heritage as a resource of society. The aim is to mainstream cultural heritage so that the protection and preservation of cultural heritage is seen as a shared responsibility and the potential of cultural heritage is identified and utilized in different areas of society and in building a sustainable future.

A background study was prepared to support the preparation of the strategy. In the study, a special focus is on cultural heritage communities. The study stresses the fact that there is not only one but a variety of different, equally valuable cultural heritages. As part of the preparing for the strategy, several participatory workshops have been organised online, four of them concentrating on ICH.

 

17

It is a

·  Administrative measure

Name of the policy/measure

Strategy of the Ministry of Education and Culture

Established

11-04-2019

Revised

Is the policy/measure being implemented?

Yes

Brief description

The Finnish Ministry of Education and Culture published its strategy until 2030 in 2019. The strategy is the outlook review of the Ministry’s officials. It introduces the areas on which the Ministry, its agencies and branch of government should focus over several government terms. The key message of the strategy is that the Ministry of Culture and Education and its agencies will take responsibility for securing the foundations of culture and education in society. Early childhood education and care, education, science, art, culture, sports, and youth work all play an intrinsic role in creating and fostering education and culture and help revitalise society. The strategy describes three impact objectives and their priorities. The Ministry’s goals are to enable better skills, knowledge, and competence for all, to take creative, inquiry-based, and responsible action that renews society, and to ensure equal opportunities for a meaningful life. To reach the goals, the Ministry seeks to act transparently and responsibly, and strives to build trust.
According to the strategy, the Ministry’s action has impact on equitable educational and cultural rights, and it utilizes a mix of tools for creating, producing, and leveraging arts and culture and to protect Finland’s diverse cultural heritage. The Ministry monitors for example the materialisation of educational equality, access to culture, scope, and diversity of and participation in civil society activities, libraries, and sports, impacts of culture on the economy and well-being, cultural heritage data sets and their use and responsibilities and inclusion in cultural heritage.

 

18

It is a

·  Administrative measure

Name of the policy/measure

Established

Revised

Is the policy/measure being implemented?

Brief description

 

19

It is a

·  Cultural policy

Name of the policy/measure

Cultural Environment Strategy 2014–2020

Established

20-03-2014

Revised

Is the policy/measure being implemented?

Yes

Brief description

In 2014, the Finnish Government issued a resolution concerning the first national Cultural Environment Strategy. The strategy was prepared through widespread cooperation coordinated by the Ministry of the Environment and the Ministry of Education and Culture.

The Cultural Environment Strategy is aimed at deepening people's appreciation of their local environment and inspiring them to actively contribute to making it better. A well-managed and vital cultural environment enhances the well-being of people, and it has an important role in developing business activities and creating an attractive living environment. The strategy stresses that cultural environment also includes intangibles.
The strategy envisions the cultural environment as a source of well-being and vitality, where:
• People value the cultural environment and work actively for it.
• A well-tended cultural environment lives through time, while preserving its unique characteristics.
• The resources of the public administration are directed to guiding its orderly change.
• For the business sector, the diversity of the cultural environment opens opportunities for success.
Together with key operators in the cultural environment sector, a working group led by the Ministry of the Environment prepared an implementation plan for the strategy. The plan includes 54 concrete actions, the majority of which fall under the responsibility of the public administration.

 

20

It is a

·  Administrative measure

Name of the policy/measure

Indicative Guidelines for Arts: Proposal by working group on the key objectives for arts and artist policy

Established

30-10-2018

Revised

Is the policy/measure being implemented?

Yes

Brief description

Art, the fields of art and the operating environment of the arts as well as the starting points for artistic work have changed and will continue to change. However, the social status of art and artists and the support structures for promoting art have not changed in the same proportion. The working group appointed to identify change needs will propose 21 key objectives for the development of arts and artist policy. In the proposals, the group will consider the differences between the fields of art, but also what they have in common.

The cultural impacts of art are related to how art enriches people’s experiences, thoughts, and emotions and how art provides commentary, develops, and renews culture and cultural heritage. Culture also includes other activities related to creativity, which produce, communicate, and record meaning, such as libraries, cultural heritage, and design.
Cultural services can be either services in the field of art, such as theatre and musical performances or art exhibits, or they can be distribution, sales or other services related to artistic activities, such as libraries or museums that record and display cultural heritage. As they are a public service, cultural services are part of the general structure of public services.

 

21

It is a

·  Administrative measure

Name of the policy/measure

Art, Culture and Diverse Finland: Final Report of the Working Group for Cultural Policy, Immigrants and Promotion of Cultural Diversity

Established

20-01-2021

Revised

Is the policy/measure being implemented?

Yes

Brief description

In January 2020, the Ministry of Education and Culture appointed a Working Group for Cultural Policy, Immigrants and Cultural Diversity to prepare proposals for cultural policy guidelines with the aim of developing the administrative branch in the near future. The task of the working group was to prepare proposals for policies and measures by which cultural diversity and immigration are made visible and have an impact in cultural policy in proportion to demographic trends. The working group was also tasked to pay particular attention to using art and culture for strengthening the social inclusion and participation of people with a foreign background and promoting intercultural dialogue with the aim of building interaction and understanding between different population groups.

According to the working group, the increasing diversity of the Finnish population needs to be mainstreamed into the planning and decision-making procedures in arts and cultural policy. The funding of arts needs to be developed strategically, considering the growing societal importance of cultural diversity. Successful mainstreaming means engaging migrants more equitably into arts and cultural life. It is important to see multilingualism and diverse cultural competences as human resources and as an integral part of Finnish cultural life. Multilingualism and knowledge about different cultures play an important role in creative working communities. The report also stresses that cultural actors need to consciously diversify their programmes and foster contents arising from different cultural heritages and aesthetic concepts.

According to the report, as the diverse Finnish cultural heritage has evolved over time in interaction between cultures, a rich artistic and cultural life requires respect for the tangible and intangible cultural heritage and a desire and capacity for renewal, as well as wide-ranging inclusion and participation.
The group made proposals for cross-cutting policy guidelines and several proposals for thematic measures and guidelines for cultural policy and cultural services, of which several stress the importance of and respect for cultural heritage, including intangible cultural heritage and have direct relevance to its recognition:
- Culture belongs to everyone
- Funding for competence development
- Cultural offer in multiple languages
- Global cultural heritage in Finland
- Children and young people’s cultural pastimes

Question 11.2

Have national or sub-national strategies and/or action plans for ICH safeguarding been established (or revised) and implemented?

Yes

Describe briefly the strategies and/or action plans and how they contribute towards safeguarding ICH.

Cultural reconstruction work

In 2021 the Finnish Minister for Culture and Science launched a working group to support cultural reconstruction work, to support the creative industries hard hit by the Covid-19 pandemic and to underline the social and economic importance of arts, culture, and creative industries as part of Finland’s sustainable growth programme and other initiatives. The members of the working group represent the operating field and industries of art and culture in Finland.
Two projects will also be launched with the support of the Ministry to review the outlook for the cultural sector and formulate solutions to its challenges. In support of its strategy, University of the Arts Helsinki is launching an art sector reconstruction programme that will support regeneration of the art sector, RDI activities, provision of lifelong learning, and growth of employment in the sector. The Kulta federation project will focus on promoting the availability and accessibility of culture and art, and on the employment and livelihood of operators in the field. The key question concerns how the structures of art and culture can be reinforced for the industry to develop and flourish. The Kulta federation is organising regional cultural encounters in support of its work.

National World Heritage Strategy 2015–2025

The resolution of the Finnish Government for the National World Heritage Strategy is based on former Prime Minister Katainen’s Government Programme (2011–2014), which stated that ’the Government will prepare a world heritage strategy’. The Cultural Environment Strategy (see indicator 11.1) adopted by the government resolution of 20 March 2014 and the plan for its implementation in 2014–2020 function together as a framework for the National World Heritage Strategy. The aim of the strategy is to outline the implementation of a national world heritage policy and a world heritage agreement so that it accommodates comprehensive examination of cultural and natural heritage and the protectionand conservation of Finnish world heritage sites in a sustainable manner.

Architectural policy programme

A proposal for a new architectural policy programme has been prepared for Finland, which was submitted in January 2021. The work took into account the changes that have an impact on our future, how these could affect the built environment, and how architecture may help improve the quality of our living environment. The working group's proposal for a new architectural policy programme was submitted in January 2021. In addition to the working group meetings, the working group’s work on the proposal included expert lectures and workshops addressing broader themes. In its report, the working group also drew attention to other ongoing reforms affecting the built environment, such as the new Land Use and Building Act, and any reports on similar programmes carried out in other countries.
The working group looked at how architecture could meet social challenges, including: e.g. health and wellbeing; equality, non-discrimination and inclusivity; Demographic changes, regional development and migration; Cultural heritage and cultural tourism.

Cultural Tourism Roadmap

The Ministry of Education and Culture appointed a working group in 2021 to draw up a roadmap for development of national cultural tourism. The development of the roadmap supports the objective of Prime Minister Sanna Marin's Government Programme and the Finnish Tourism Strategy 2019–2028 to strengthen cultural tourism.

In drawing the roadmap direction is given also by the national World Heritage Strategy 2015–2025 and Museum Policy Programme 2030, which highlight opportunities for world heritage sites and museums in the development of tourism. The view to ICH will also be strongly highlighted in the roadmap.

The Finnish model

The Finnish Ministry of Education and Culture has developed a Finnish model for children’s and young people’s leisure activities. The main objective of the Finnish model is to increase the wellbeing of children and young people. The aim is to enable every child and young person to have a leisure activity – arts, crafts, sports etc. - in connection with the school day that they enjoy and one that is free of charge. The Finnish model for leisure activities combines consultation of children and young people on leisure activities, coordination of existing good procedures and practices, and cooperation between schools and actors in leisure activities. The Finnish model for leisure activities website started operating in August 2021. Pupils and students in years one to nine of comprehensive school as well as students in additional education are the target group for the first stage of the Finnish model. The aim is to anchor the Finnish model as a permanent approach in municipalities. In the longer term, the creation of a legal basis and an examination of the system of central government transfers will be considered. In the beginning the project will commence with an annual call for government grants. The Finnish Model was preceded by earlier Finnish Government’s key project on children’s culture, which aimed to increase cooperation between actors in children's culture and basic education in the arts with schools and early childhood education and care, so that children and young people have equal opportunities to engage in art and culture.

Arts promotion centre Finland’s Development programme for cultural diversity and mobility

The objective of this programme is to promote the understanding of diversity in the arts, intercultural dialogue and collaboration between majority and minority cultures and the mobility of artists, as well as to develop international networks with a focus on the Nordic countries and Barents region. The development programme involves regional artists who implement projects related to cultural diversity and mobility throughout Finland in collaboration with actors in these fields. Regional artists offer artists coaching and guidance for working in new operating environments. The project involves two regional artists for Sámi culture, one of which is specializes in urban Sámi culture, and a regional artist for Romani culture, among others. Projects in the development programme include a project promoting minority cultures and the status of artists who belong to minority cultures, especially artists with Romani and Sámi backgrounds. Various activities are organised to make art by artists belonging to minority cultures visible also within mainstream culture, as well as to build networks and strengthen a sense of community. The development programme period is continuous. The focus areas of the programme are reviewed every 3 to 5 years, while actions are reviewed annually. Cooperation partners in the project include the Sámi Parliament and the Advisory Board for Romani Affairs.
Arts Promotion Centre Finland’s cultural development programme for children and young people 2016–2020
The aim of the Arts Promotion Centre Finland programme was to develop children's and young people's culture and to strengthen the position and appreciation of professional artists working with children's and young people's culture and to promote employment; improve access to and accessibility of children's and young people's culture and art by promoting activities, especially in areas where there is no active actor or cultural education plan for children's and young people's culture. The programme was implemented in 2016–2020.

List of nationally valuable landscapes

Nationally valuable landscape areas were inventoried in Finland in 2010–2015. The inventory was complemented based on feedback received in public hearings and in connection with consultation rounds carried out in 2016–2021. The preparation of reports on the landscape areas was tasked to the Ministry of the Environment. The outcome of the inventory (VAMA 2021) was accepted by Government Decision as an inventory within the meaning of the national land use objectives under the Land Use and Building Act on 18 November 2021. VAMA 2021 replaces the previous inventory accepted based on the Government Resolution of 5 January 1995. It also reflects the objectives of the Council of Europe Landscape Convention (2000/2006).

There are currently 186 areas in Finland that have been classified as nationally valuable landscapes. These are our countryside’s most typical cultural landscapes, whose value is based on their diverse, culturally-shaped nature, managed agricultural landscape and traditional building stock. The sites in Northern Lapland are mainly Sámi cultural landscapes that represent landscape types typical to reindeer husbandry and other natural livelihoods. The Government decision emphasizes the importance of the Sámi cultural landscapes. In the Sámi area, the inventory was carried out by the Cultural Environment Unit of the Sámi Museum Siida. When valuing Sámi landscape areas, the importance of intangible cultural heritage in the landscapes has been taken into account. In 2021, the Sámi Museum Siida produced educational material related to the Sámi cultural environment, which also comprehensively takes into account the intangible cultural heritage of the Sámi people.

Are there plans designed for safeguarding specific elements (whether or not inscribed on the Lists of the 2003 Convention)?

Yes

If yes, provide details.

In Finland there are currently eighteen regional councils, which are federations of municipalities. The regional councils have two statutory functions: regional development and regional land use planning. The councils have also other functions determined by the region’s special characteristics. One of these functions is to develop and co-ordinate regional cultural activities, education, and local heritage. The regional councils can steer the development of regional cultural activities in planning and implementing regional strategies. Some of the councils have published separate cultural strategies for the regions. The role and significance given to culture in the work of the councils varies noticeably between different regions in Finland.

In several Finnish regions, culture, and cultural heritage, including intangible cultural heritage, are a part of key regional documents, such as regional strategies or regional travel strategies. These include for example South, Central and Norther Ostrobothnia and South Savo regions. This is most often the case if there is a tradition in the region or a municipality that has been inscribed in the list National Inventory on intangible cultural heritage, as is the case in Central Ostrobothnia, where the Kaustinen fiddle playing and intangible cultural heritage has been bought into the draft of the new regional programme for 2022-2025, or Northern Ostrobothnia with the tradition of knitting tikkuröijy sweaters from Hailuoto island inscribed in the national inventory. Other examples include the South Savo Regional Council strategy and Lake Saimaa travel strategy, according to which the basis of tourism in South Savo is high-quality, responsibly produced and tourism services and events based on the nature and cultural heritage of the area. In Central Ostrobothnia, a project called KAIKKI was implemented with the to make intangible cultural heritage and related know-how a regional strength factor in the region. The project was carried out by Centria University of Applied Sciences and the Finnish Folk Music Institute with the support of the Central Ostrobothnia Association.

Many Finnish municipalities have strategies for culture, and they evaluate the objectives and follow the implementation. For example, Kangasala city strategy strongly emphasizes the importance of cultural heritage. In the local level, the cultural education plan (see indicator 5.3 for detailed discussion on the plan) is one of the main strategic tools for promoting and safeguarding intangible cultural heritage in wide-ranging co-operation locally, as is the work of local museums or other heritage actors, such as NGOs. Intangible heritage can also be part of cultural and natural environment and town planning documents both regionally and locally.

Question 11.3

Is public financial and/or technical support for the safeguarding of ICH elements (whether or not inscribed on the Lists of the 2003 Convention) provided on an equitable basis in relation to the support given to culture and heritage as a whole?

Yes

Describe briefly, giving examples, the nature of the support provided and how equitability is ensured.

As has been mentioned before in the report under several indicators, measures relating to the documentation, safeguarding and practice of intangible cultural heritage are carried out in myriad of different actors, including arts and cultural institutions, libraries, museums, archives, educational institutions, voluntary and non-governmental organizations as well as by individual practitioners. Many of these, and especially the institutional bodies and organizations, receive public funding from the state or municipal authorities.

In Finland, the public financing of arts and culture is divided between the state and municipalities. This mirrors the division of responsibilities between the two levels of administration. The state is financially and administratively responsible for the national art and cultural institutions, direct support for art and artists, higher education in art and culture and for international relations. Municipalities maintain infrastructure for local arts and culture activities, locally and partly regionally operating cultural and arts organizations, basic arts education, and other cultural activities, such as events. The regional level has been of marginal importance in the financing of culture.

The Ministry of Education and Culture is the most important central government provider of funding for arts and culture. Parties that maintain museums, theatres and orchestras in Finland are granted state subsidies with which to cover the institutions’ operating costs. The Government participates in this way in the funding of cultural services and aims to ensure their equal offering and availability. The network of State-subsidised museums, theatres and orchestras covers the entire country.

The Arts Promotion Centre Finland (Taike) is a national funding, expert, and service agency for promoting the arts under the Ministry of Education and Culture. Taike comprises 24 expert bodies, which are the Central Arts Council, 7 national arts councils, 13 regional arts councils and two boards. There are national arts councils for architecture and design, audio-visual art (cinema and media art), performing arts (theatre, dance, circus), literature (including art journalism), music, visual arts, and diversity in the arts. The boards are The Board for Grants and Subsidies to Writers and Translators and the Board for Public Display Grants to Visual Artists. The regional arts councils make decisions regarding the awarding grants and awards for artists, artist groups and organizations within their own area of responsibility. The Central Arts Council appoints the members of the regional arts councils for two-year terms based on the recommendations of regional experts in the fields of the arts and culture.

Taike together with its arts councils and boards awards grants to professional artists and subsidies to communities in the field of the arts. Annually, Taike allocates 40 million euros as grants and subsidies each year. Each year Taike receives 14,000 applications on which it makes decisions. Grant decisions are based on peer reviews within its expert bodies. Altogether, 200 peer reviewers are involved in the decision-making process. In 2019 most of the funding for arts was granted to visual arts, literature, theatre, music and dance.

Some examples of Taike’s support include special subsidies, that are intended to support individual projects of communities in different fields of the arts, such as associations, foundations, co-operatives, and companies. Grants for promoting cultural diversity are intended to strengthen the working conditions of artists with immigrant backgrounds and those who belong to cultural minorities, as well as to promote cultural diversity and intercultural dialogue and to combat racism through art. Subsidies for Promoting Accessibility, Participation and Wellbeing are directed for communities and support the accessibility and wellbeing effects of art and culture and participation and inclusion in art and culture.

The Finnish Heritage Agency (FHA) is the expert body responsible for grants directed to cultural heritage, including safeguarding of intangible heritage. The FHA funds the preservation of valuable cultural heritage sites and supports cultural heritage projects and activities of museums and communities with state grants.
Support mechanisms directly relevant to ICH include grants for cooperation and development projects under the ICH Convention, and grants related to cultural heritage and cultural environment of communities. The aim of the former grant is to promote the implementation of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage, to raise awareness of the Convention and to increase opportunities for community participation in the cultural heritage covered by the Convention. Grants may be applied for cooperation and development projects that contribute to the implementation of the agreement.


The Finnish Heritage Agency places particular emphasis on projects that support the principles of the UNESCO 2003 Convention. The grant is aimed at municipalities, third sector organizations, limited companies or other legal entities, not private practitioners. In the last three years 30 projects have been supported with around 300 000 euros. The aim of the grant for communities is to strengthen the communities’ involvement in cultural heritage. Supported projects may include the preservation, documentation and dissemination of information related to cultural heritage, as well as measures to increase opportunities for community participation and the vitality of cultural heritage. The aim of the grants is to promote socially, ecologically, economically, and culturally sustainable cultural heritage work.

The Finnish Heritage Agency also funds restoring of architectural heritage and buildings and cultural environments, which also supports related technical skills and craft heritage. Grants and support for cultural environments, architectural heritage (including club houses of communities) and related technical skills and craft heritage, and to environmental education are available also from other sources, for example from the Centres for Economic Development, Transport and the Environment and Finnish Local Heritage Federation.

The Finnish Local Heritage Federation (Suomen Kotiseutuliitto) allocates grants for the repair of communal social buildings on behalf of the Ministry for Education and Culture. The aim of the grant is to preserve the culturally and historically valuable heritage of the communal social buildings, to enable them to be repaired in a way that preserves their specific features and to make the necessary alterations to improve usability.

According to recent research by the Centre for Cultural Policy Research, the Finnish Government funding to cultural heritage and archives was approximately EUR 169,9 Million in 2019, when the total funding for culture amounted to EUR 1 328 million. Of the total funding directed to cultural heritage, approximately EUR 25,6 million was directed to the category of other cultural heritage (in relation to a separate category on cultural environments and built heritage), which is more focused on activities more directly relevant to intangible cultural heritage, including for example grants to language recovery programmes and discretionary grants to various heritage activities. The operating expenditure of the Finnish Heritage Agency, (except for the National Museum), is also included in this category. In addition to cultural heritage funding, the funding for music was EUR 173,9 million, Liberal Adult Education EUR 145,5 million and theatre EUR 76 million.

These figures include also funding from other ministries than the Ministry of Education and Culture, for example funding from the Ministry of Environment to Cultural environments and architectural heritage. However, the figures are not perfect and by no means exhaustive and do not include all possible support to ICH elements and safeguarding from other Ministries. For example, the Ministry of Agriculture and Forestry supports the development of rural culture and the preservation of cultural heritage through various channels. The Ministry is in its part responsible for cultural environments. In its strategy, the Ministry recognizes forests as a source of culture and as "cultural ecosystem services".

Municipalities and local governments have a significant role in financing and organizing arts and cultural provisions in Finland. Municipalities have a statutory service arranging responsibility (see Act on Municipal Cultural Activities in indicator 11.1.), which means that municipalities are required to ensure the availability of and the financing for services, including the promotion of general cultural activities. Municipalities have the freedom to decide about the content and execution of their cultural services. They carry out their service arranging responsibilities by providing grants, maintaining, and supporting arts and cultural organizations and making facilities available, and by providing opportunities for cultural and artistic activities. According to the Association of Finnish Municipalities, municipalities fund public libraries annually with over EUR 340 million, theatres, orchestras, and museums with over EUR 300 million annually, and general cultural activities with over EUR 160 million and basic art education of EUR 90 million.

In private sector financing the most important are foundations. Currently there are hundreds of private foundations in Finland that support science, art, and other societal development. The Association of Finnish Foundations is an association for Finnish grant providers. According to the Association, the most common areas of action for the association’s 210 members are culture, recreation, research, and education. They support Finnish art, research, and societal development annually with half a billion euro.

The foundations’ activities cover all parts of Finland, and some have specific regional activities. One of the largest Finnish foundations, The Finnish Cultural Foundation has a central fund and 17 separate regional funds that concentrate on promoting and developing the arts, the sciences, and other fields of endeavour through grants and awards at the regional level. In addition, regional funds also organise their own events and develop and manage their own projects.
An example of an ICH project with foundation funding is the project Finland of Forest Relationships (Metsäsuhteiden Suomi) 2035, coordinated by Finnish Forest Museum Lusto. The project is funded by the Metsämiesten Säätiö Foundation, which supports the forest sector in Finland. The aim of the project is to encourage Finnish people to reflect on their relationship with forests and recognise living heritage associated with forests.

OTHER SUPPORT

In addition to funding the heritage sector, the mission of the Finnish Heritage Agency is to promote co-operation and networking between museums, to provide advice and to provide tools for developing the activities of museums.

The Finnish Heritage Agency issues statements to the Ministry of Education and Culture on issues related to the museum and cultural heritage sector, assesses the state's eligibility for museums, participates in working groups and development projects, develops joint tools with museums, responds to requests for information and publishes data on the heritage sector. The Museum Sector Development unit of the Finnish Heritage Agency is responsible for the general development of the Finnish museum sector, by monitoring and evaluating the activities of museums in accordance with the Museums Act and Decree, though contract management of regional or specialty museum activities, by distributing state grants and by developing statistics on museum activities.

The FHA also published a Cultural Heritage Barometer, latest of which was published in December 2021. The Cultural heritage barometer is a citizens 'survey of Finns' views on cultural heritage and the cultural environment. It contains information on how the concepts of cultural heritage and the environment are understood and known among citizens. The barometer examines knowledge of the concepts of cultural heritage and the cultural environment, as well as issues related to cultural heritage and the cultural environment. The study also addresses the perceived importance and significance of cultural heritage and the public's views on the safeguarding and protection of cultural heritage. The attitudes of citizens towards the safeguarding of cultural heritage, the importance of protecting the various aspects of cultural heritage and citizens opinions on the most important thing to safeguard have been topics in the barometer. According to the latest barometer, attitudes towards cultural heritage are very positive in Finland. 88% of the respondents think that safeguarding of cultural heritage is important.

The Arts Promotion Centre offers nation-wide support to cultural actor especially through their 13 regional arts councils. Taike also offers cooperation and advise to operators on national scale and the expert services support various actors in the promotion of art and culture. Taike helps to build strategies, networks, and operating models and for example participates in the drawing up of the local cultural education plans (see indicators 4–5) with co-operation and advise, together with actors in the field of art and heritage and children’s culture. In addition, Taike supports for example the mapping of funding opportunities and the launch of projects. Taike produce information on the arts and culture sector as well as statistical information on applicants and recipients of Taike grants. In cooperation with the Cultural Policy Research Center Cupore, Taike publishes an annual Art and Culture Barometer. The barometer surveys the views of those working in the field of art on various themes and initiates discussion on current art policy issues (see also indicator 1.5.).

In 2019, there were five ongoing development programs at Taike. Two of these have been presented in indicator 11.2. The target groups of the programmes were professional artists, arts and cultural communities and organizations, provinces, and municipalities. Development activities and projects focused on improving the working conditions of artists and increasing employment opportunities in various industries, as well as strengthening the operating conditions of artists' communities. Taike has 40 regional artists throughout Finland who initiate and carry out national and regional arts promotion projects, which implement the development programmes. In 2019, a total of approximately EUR 2.1 million Taike's development programs and 33,4 person/years for the employment of the regional artists. Currently there are regional artists for example for Sámi culture and urban Sámi culture (in the development programme for cultural diversity and mobility), literature and environmental art. Previously there has been regional artists for example in the fields of theatre, dance, puppet theatre, jewellery art, circus, storytelling, performance art and cultural well-being.

EU-funding combined with national sources should be mentioned in here as well. Since its launch in 1991, theLeader programme has helped rural communities across the European Union to actively engage and to direct the local development of their area, through community-led local development. Finland has been part of the Leader programme since 1996. The Leader network extends throughout Finland, with a total of 55 Leader groups across the country. Public funding for Leader activities in the period 2014-2022 totals EUR 383 million. Though most of the funding comes from the EU, also the state and municipalities provide funding for Leader-projects. During these years, the Leader groups had funded almost 7,000 projects. Tens of projects related to ICH have been funded related to local heritage, storytelling, performin arts, crafts and food. In 2022 three Leader groups in Southern Savo will publish a funding call targeted specifically to ICH projects.

Do these forms of support prioritize ICH in need of urgent safeguarding?

Yes

Please explain how this is done or, if not, why this is the case.

In Finland there are currently no grant schemes for ICH elements in need of urgent safeguarding as such. The Ministry of Education and Culture state budget includes an appropriation for supporting the Sámi culture and the activity of Sámi organizations. The appropriation is distributed by the Cultural Committee of the Sámi Parliament. The subsidies from the appropriation are distributed on application for different sectors of Sámi art and culture, and to Sámi organizations. The grounds for the distribution are stated in the working order of the Sámi Parliament. The subsidies are granted as a cultural appropriation (such as project support, work and travelling subsidies) and as an activity and publishing appropriation for the Sámi organizations. In addition, the committee can grant a special culture prize without application. In 2020 the state subsidy for Sámi cultural and language nesting activities in the Sámi area and beyond was 1.2 million euros.

All three Sámi languages spoken in Finland, Northern Sámi, Skolt, and Inari are endangered. The Northern Romani dialect (Finnish Kalo) spoken in Finland is a severely endangered language and in urgent need of revitalisation. The Ministry of Education and Culture grants subsidies to support the publication of newspapers and online publications in Swedish, Sámi, Karelian, Romani and the sign language, and to support the production and publication of other materials in Sámi and Karelian. The Institute of Languages in Finland (Kotimaisten kielten keskus Kotus) also supports the minority languages in their work by for example coordinating the activities of the Sámi, Romani, and Sign Language Boards.

Question 11.4

Are cultural policies and/or legal and administrative measures that incorporate ICH and its safeguarding informed by the active participation of communities, groups and individuals?

High

Explain briefly, giving examples, how these policies and/or measures are informed by the active participation of communities, groups and individuals.

In Finland, public consultations are part of the democratic process of government where key stakeholders' views, knowledge, and experiences of the matter under preparation are obtained. The Guide to Consultation in Statute Drafting, issued by the Government, defines policies for the consultation of stakeholders and their participation in law drafting process. In addition, the provisions on the openness of the law drafting procedure and consultation laid down in the Constitution, the Act on the Openness of Government Activities, the Administrative Procedure Act, and the Language Act must be complied with in consultation. Consultation is also in use when drafting key policy issues. The Act on the Openness of Government Activities govern for example state administrative authorities and other state agencies and institutions, courts of law and municipal authorities.

Traditional approaches to consultation (such as organised hearings and written statements with established groups) are nowadays often complemented with broader approaches such as workshops, public meetings, and the use of web technologies.

For example, the Strategy for Cultural Policy (see indicator 11.1.) was circulated widely for opinions among stakeholders during the drafting process. Currently in 2021, drafting a proposal for Finland’s first-ever cultural heritage strategy (see indicator 11.1.) is underway, in close interaction with different stakeholders and communities. Wide-ranging workshops have been organized during the strategy work process during 2021. A special discussion compass was developed to support the work and bring ideas together in the workshops. A discussion compass for children and young people ages approximately 10 to 16 years was also created, so that discussions on cultural heritage can be organised for instance as part of lessons or in a leisure activity group.

Children, young people, and adults were invited to participate in preparing the National Child Strategy (see indicator 13.2).
The Sámi Parliament takes actively part in legislative, administrative and policy processes that relate to the Sámi. The Advisory Board on Romani Affairs, operating in the Ministry of Social Affairs and Heath, provides statements on the position of the Roma for other authorities and organisations.

The Ministry of Education and Culture has implemented four questionnaires (since 2016) to Finnish children and young people in comprehensive school grades 1–10. The survey of more than half a million school children is a nationwide survey of students' hobbies. The survey creates a knowledge base to respond to schoolchildren's wishes for hobbies at the national, regional, municipal, and school levels and to monitor the development of hobby opportunities across the country. The school survey is part of the implementation of the Finnish model of leisure activities (see indicator 11.2.). The aim is to offer every child and young person the opportunity for a free hobby during the school day. Hobbies are selected based on a school survey or other consultation with children and young people.
In the field of education of the arts (see indicator 12.2) the work in all levels of music education for the Shared vision of music education 2030 involved nearly 1,500 people during 2019-2020, who represented professionals and students as well as the most important stakeholder groups in music education. The process included three seminars, three webinars and an online survey. The steering group of the project compiled the shared vision based in these meetings and material. A similar process and vision work has started in the field of performing arts and visual arts education in 2021, which will also include wide stakeholder consultations (see indicator 12.2).

Locally communities and individuals can participate by giving statements in drafting or decision-making and making residents’ initiatives. In some municipalities there are regular hearings and events with different NGOs to facilitate dialogue. Local museum and cultural administrators also maintain contacts and cooperation with communities and can act as representatives in decision making.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will enhance legal and administrative measures that are informed by the active participation of communities, groups and individuals. Learning about and with ICH will be further promoted in partnership with actors in the education sector. Education in the fields related to ICH will be supported further.


12. Extent to which policies as well as legal and administrative measures in the field of education reflect the diversity of ICH and the importance of its safeguarding and are implemented

Guidance note corresponding to indicator 12 of the Overall Results Framework: English|French|Spanish

Question 12.1

Have policies and/or legal and administrative measures for education been established (or revised) and implemented to ensure recognition of, respect for and enhancement of intangible cultural heritage?

Yes

1

It is a

·  Legal measure

Name of the policy/measure

The Act on Early Childhood Education and Care

Established

01-01-2018

Revised

Is the policy/measure being implemented?

Yes

Brief description

The main legal framework in the field of education include legislation on early childhood education and care, basic education and upper secondary education, vocational education and training, liberal adult education and basic arts education. In general, the legal framework stresses education’s role in promoting civilisation and equality in society and pupils' prerequisites for participating in education. The aim of legislation on education is also to secure adequate equity in education throughout the country.

The Act on Early Childhood Education and Care defines the aims of ECEC as to carry out versatile pedagogical activities based on the child’s play, physical activity, arts and cultural heritage, and enable positive learning experiences; provide all children with equal opportunities for early childhood education and care, promote parity and gender equality, and help the children develop their capacity to understand and respect the general cultural heritage and each other’s linguistic, cultural, religious and ideological background.

 

2

It is a

·  Legal measure

Name of the policy/measure

Basic Education Act

Established

01-01-1998

Revised

Is the policy/measure being implemented?

Yes

Brief description

The Basic Education Act lays down provisions on comprehensive school education and compulsory education, pre-primary education, voluntary additional comprehensive school education, preparatory education for comprehensive school education, and morning and afternoon activities. The purpose of education referred in the Act is to support pupils' growth into humanity and into ethically responsible membership of society and to provide them with knowledge and skills needed in life. Education shall promote civilisation and equality in society and pupils' prerequisites for participating in education and otherwise developing themselves during their lives.

 

3

It is a

Name of the policy/measure

Act on General Upper Secondary Education

Established

01-01-2017

Revised

Is the policy/measure being implemented?

Yes

Brief description

The Act on General Upper Secondary Education lays down provisions on general upper secondary education and preparatory education for general upper secondary education for immigrants and non-natives. General upper secondary education gives students the competences to pursue tertiary education studies in a university or a university of applied sciences. The purpose of general upper secondary education is to help students grow into decent, well-rounded, and educated human beings and active members of society and to provide them with the knowledge, skills and capabilities required for engaging in working life and recreational activities as well as to further their personal development. The purpose of the education is also to provide students with the capabilities for lifelong learning and continuous personal development. The aim of preparatory education for general upper secondary education for immigrants and non-natives is to provide them with the language skills and other capabilities necessary for entering general upper secondary education.

The objectives of the vocational qualifications and of the vocational education and training (VET) is to increase and maintain vocational competence in the population, to provide opportunities for demonstrating vocational competence irrespective of how it was acquired, to develop working life and businesses and respond to their skills needs, to promote employment, to foster entrepreneurship capabilities and to support the continuous ability to work and maintain functional capacity, and to support lifelong learning and professional growth in the different areas of education.

For information on the legal framework in promoting mother tongue instruction and multilingual education, see indicator 12.3.

 

4

It is a

·  Legal measure

Name of the policy/measure

Liberal Adult Education Act d

Established

21-08-1998

Revised

05-11-2021

Is the policy/measure being implemented?

Yes

Brief description

The Liberal Adult Education Act defines the purpose of liberal adult education (more information on liberal adult education, see indicators 4) as to organize education that supports the integrity of society, equality, and active citizenship based on the principle of lifelong learning. The aim of education organized as liberal adult education is to promote the diverse development and well-being of people, as well as the realization of democracy, pluralism, sustainable development, multiculturalism, and internationality. Liberal adult education emphasizes self-directed learning, community, and inclusion. The Act contains provisions on, for example, the providers and provision of liberal adult education, authorisation to provide education, staff, central government transfers granted for operating costs, and discretionary government transfers.

 

5

It is a

·  Education policy

Name of the policy/measure

National Core Curriculum

Established

01-01-2014

Revised

01-01-2019

Is the policy/measure being implemented?

Yes

Brief description

The national core curriculum for basic education was extensively reformed in 2014 and were introduced in stages from 2016 until 2019 in different grades. The national core curriculum provides a uniform foundation for local curricula, thus enhancing equality in education throughout the country. The curricula of each municipality and school steer instruction and schoolwork in more detail, taking local needs and perspectives into consideration. The education provider is responsible for the preparation and development of the local curriculum. The national core curriculum is mostly comprised of the objectives and contents described for different subjects which are connected to the description of the policies on underlying values, conception of learning and school culture.

The national core curriculum for general upper secondary education was reformed in 2019 and the new curriculum will be introduced in 2021. The key changes in the curriculum include crystallising of common objectives of the subjects as transversal competence areas and emphasizing contacts with the world around the students, and especially internationalisation and cooperation with higher education institutions, the world of work and entrepreneurs.
Local curriculas based on the national curriculum criteria. For general upper secondary level education, At the studies are structured around modules at national level, which provide the building blocks for study units developed at the local level.

The structures, objectives and key contents of education are issued by the National Board of Education in the national core curriculum for different levels of education (including basic education, basic arts education, general upper secondary education and integration training for migrants, and upper secondary school diplomas) and national qualification requirements for vocational education and training.

 

6

It is a

·  Education policy

Name of the policy/measure

Cultural education plan

Established

01-08-2016

Revised

Is the policy/measure being implemented?

Yes

Brief description

The cultural education plan enables local cultural resources and conditions to be considered in local curriculas. Municipalities can draw up a cultural education plan as part of curricula and ECEC plans, or the plan can cover all age groups. Around 114 municipalities have prepared such plans. In 2009 a Sámi early childhood education and care curriculum was developed as part of a project developing Sámi social services to be used in the Sami homeland as part of the local ECEC curriculum. For more information on the contents of the national core curriculum for basic education and upper secondary education, see indicator 5.1. and on the cultural education plan, see indicator 5.3.

 

7

It is a

·  Education policy

Name of the policy/measure

Upper secondary school diplomas

Established

Revised

Is the policy/measure being implemented?

Yes

Brief description

The upper secondary school diplomas offer students the opportunity to demonstrate his/her special skills and hobbies in different subject and subject groups. Diplomas can be performed in home economics, visual arts, crafts, sport, media, music, dance, and theatre. The diplomas offer the students the opportunity to assess their competence and strengths during upper secondary school studies from the perspective of postgraduate studies. The diplomas complement the competence demonstrated by the high school graduation certificate and the matriculation examination certificate.

 

8

It is a

·  Education policy

Name of the policy/measure

Education Policy Report

Established

Revised

Is the policy/measure being implemented?

Yes

Brief description

The main Government policy for education is the Education Policy Report, latest of which was published by the Finnish Government in 2021. In the Report, the Finnish Government defines guidelines for the advancement of education, training, and research to make them match the needs of the country, the people, and the international community, while securing sustainable development.

The Report presents the target state for education, training, and research, which extends to the 2040s. The target state encompasses a strong educational foundation, the well-being and educational equality of learners, a high level of education and competence, the organisation of education and research in a socially, economically and ecologically sustainable manner, capitalisation on cooperation and digitalisation, and the internationalisation of education and research.

To achieve this, the Report proposes measures that span from early childhood education and care all the way to higher education and research-based knowledge, liberal adult education, continuous learning, arts and cultural education, basic education in the arts, and student financial aid. The current situation regarding the statutory Swedish-speaking education, the learning of immigrants and that of persons with disabilities, and education in the Saami language is outlined separately, together with the proposed measures for their enhancement.

The report states that education in arts, culture and cultural heritage that begins already in early childhood education and care promotes the establishment of a personal relationship with art and culture, strengthens creativity, life skills and understanding of life as well as promotes active citizenship and broad knowledge and ability. To support this the Government encourages a wider introduction of cultural education plans in municipalities (see indicator 5.3)

Language minorities will also be considered in anticipating the need for teaching, guidance and other staff and ensuring their availability. A report prepared for the Ministry of Education and Culture found that the challenge in early childhood education and care and teaching in Saami lies in the adequacy of staff trained for this task who have proficiency in the Saami languages. The aim is to improve the availability of Saami-speaking ECEC teaching staff and to develop further the blended study opportunities for teaching and education staff.

According to the report, the needs of arts, culture and cultural heritage education will be addressed in education development measures. The structures of basic art education and cooperation will be developed; availability of basic art education will be improved regionally and in different fields of art, for different population groups and in both national languages; and, if necessary, a reform of the legislation on basic art education will be launched. Artistic, cultural, and physical activity

 

9

It is a

·  Education policy

Name of the policy/measure

The Right to Learn development programme

Established

Revised

Is the policy/measure being implemented?

Yes

Brief description

The Right to Learn development programme of the Ministry of Education and Culture aims to secure an equal start for learning by improving quality and equality in early childhood education and care (ECEC) and comprehensive school education. The objective of the programme is to find ways for more children to participate in ECEC. By enhancing pre-primary and early primary education, it will improve the early learning of basic skills and provide better support for such learning. In the comprehensive school level, The Right to Learn programme aims to identify effective measures to reverse the growth of inequality and to reduce group sizes. The objective is to reduce and prevent learning differences arising from children’s socioeconomic status, immigrant background or gender, to strengthen support for learning and for special needs, and to improve literacy. The Ministry of Education and Culture will implement the programmes between 2020 and 2022. The Right to Learn incorporates legislative and financial changes and promotes practices and methods that strengthen equality. As part of the Right to Learn Programme a Steering Group for the Development of Democracy and Human Rights Education was established by the Ministry of Education and Culture. The task of the steering group is to support the implementation of government programmes on democracy and human rights education in schools and educational institutions, the inclusion of pupils and the capacity-building of teaching staff, and to propose concrete measures.

Question 12.2

Have policies and/or legal and administrative measures for education been established (or revised) and implemented to strengthen transmission and practice of ICH?

Yes

1

It is a

·  Education policy

·  Legal measure

·  Administrative measure

Name of the policy/measure

Basic education for arts curricula

Established

Revised

Is the policy/measure being implemented?

Yes

Brief description

The tuition in the basic education in arts (see indicator 4.2) in Finland complies with the curricula approved by the education provider, which must be based on the national core curriculum determined by the Finnish National Agency for Education. The curricula outline the objectives and key content of education. The syllabuses for basic education in the arts consist of a general syllabus and an extended syllabus. The core curriculum for the extended and general syllabus has been confirmed for visual arts, crafts, media arts, music, literary art, circus art, dance, theatre. There are two curricula in basic art education, general and extended. The hourly state contribution to basic art education is mainly focused on the teaching of the extended curriculum. The renewed curricula provide more flexible opportunities for collaboration between different curricula and different art forms. The legislative basis for basic arts education lies in the Basic Art Education Act (633/1998). The qualifications of the principal and teaching staff are prescribed in the Teaching Qualifications Decree. The Act on Basic Education in Arts (633/1998) lays down provisions on, for example, the providers and provision of basic education in arts and on the curricula, student admission, assessment, staff, central government transfers, and fees in basic education in arts. Decree on Basic Education in Arts contains provisions on the syllabuses, number of teaching hours, re-assessment and rectification of assessment, and the procedure for applying for an authorisation to provide basic education in arts. Basic art education is one of the success stories of the Finnish education system. The number of students has increased since the early 1990s. Approximately 120 000 pupils participate in basic arts education every year. For example, there are now nearly 4,000 students in the Taito Craft Schools. There are 424 institutions that offer tuition, in 1225 locations including branch offices. Tuition is offered in 250 municipalities, which is 80% of all municipalities in Finland.

The core curriculum was renewed in 2017. One of the key development targets for basic art education was to promote the availability and accessibility of teaching as basic art education is organized and provided unevenly across different arts disciplines and syllabuses. According to the above-mentioned Education Policy Report of the Finnish Government (see indicator 12.1) basic art education is part of cultural services, which is why its development serves the needs of both education and cultural policy. The aim is to make cultural services more accessible and to improve the operating conditions of culture. To improve the accessibility of basic art education and cultural and other services, changes in the demographic structure of society should increasingly be addressed. These changes include the presence of migrants and the range of linguistic and cultural minorities in Finland.

 

2

It is a

·  Legal measure

Name of the policy/measure

The Act on Sámi Education Institute

Established

01-05-2010

Revised

Is the policy/measure being implemented?

Yes

Brief description

The Sámi Education Institute (SAKK) is a vocational college and the only indigenous people's institute of post-secondary trade school education in Finland. The Act on Sámi Education Institute lays down the tasks of the educational institution. According to the Act, the purpose of the Institute is to increase the professional skills of the Sámi population, to organise training that supports the livelihoods of the Sámi, to promote employment in the region and to safeguard and develop the Sámi cultures and languages.

Question 12.3

Have policies and/or legal and administrative measures for education been established (or revised) and implemented that promote mother tongue instruction and multilingual education?

Yes

1

It is a

·  Legal measure

Name of the policy/measure

The Basic Education Act

Established

01-01-1998

Revised

Is the policy/measure being implemented?

Yes

Brief description

The Basic Education Act (628/1998) lays down provisions on comprehensive school education and compulsory education, pre-primary education, voluntary additional comprehensive school education, preparatory education for comprehensive school education, and morning and afternoon activities. According to the Act, as mother tongue, the pupil shall be taught Finnish, Swedish or Sámi in keeping with the language of instruction. As mother tongue, the pupil may also be taught the Roma language, sign language or some other language which is the pupil's native language. In addition, part of teaching may be given in a language other than the pupils' native language referred to above, if this does not risk the pupils' ability to follow teaching.

Municipalities must ensure that a child can get early childhood education and care in Finnish or Swedish, or in a Sami language, depending on which of these is the child’s mother tongue. The curriculum shall be adopted separately for education given in the Finnish, Swedish and Saami languages and in other languages, where needed.

A report on the state of Swedish-language education has been prepared in the administrative branch of the Ministry of Education and Culture. The aim is to create a long-term action plan to guarantee equality and to build up the knowledge base for teaching.

 

2

It is a

·  Legal measure

Name of the policy/measure

Government Decree on the National Objectives for Education

Established

01-01-2012

Revised

Is the policy/measure being implemented?

Yes

Brief description

Government Decree on the National Objectives for Education Referred to in the Basic Education Act and on the Distribution of Lesson Hours (422/2012). contains provisions on the general national objectives for comprehensive school education and on the distribution of lesson hours. The decree requires that a school with pupils living in the Sámi homeland must have the Sámi language as an optional subject.

 

3

It is a

·  Legal measure

Name of the policy/measure

Act on General Upper Secondary Education

Established

24-01-2018

Revised

Is the policy/measure being implemented?

Brief description

According to the Act on General Upper Secondary Education, the mother tongue is taught in Finnish or Swedish in accordance with the school's language of instruction or in Saami in accordance with the student's mother tongue. The mother tongue can also be taught in Romani, sign language or some other language which is the student's mother tongue. Further provisions on the teaching/instruction of the mother tongues are issued by government decree. A separate curriculum is adopted for the syllabus for instruction provided in Finnish, Swedish, Saami and, if necessary, in some other language.

 

4

It is a

Name of the policy/measure

Act on the Financing of Education and Culture

Established

01-01-2009

Revised

Is the policy/measure being implemented?

Brief description

According to the Act on the Financing of Education and Culture municipalities of the Sámi Homeland and other education providers operating in the said area are granted an annual state subsidy for the costs of teaching Sámi and the Sámi language in basic education, upper secondary school, and vocational training. The organizer of basic and upper secondary education activities is granted a state subsidy to supplement the mother tongue and Finnish or Swedish as a second language instruction of foreign language pupils and to provide mother tongue instruction for Sámi and Romani pupils.

 

5

It is a

·  Administrative measure

Name of the policy/measure

Action programme to revive the use of Skolt Saami, Inari Saami and Northern Saami

Established

01-01-2014

Revised

Is the policy/measure being implemented?

Brief description

An action programme to revive the use of Skolt Saami, Inari Saami and Northern Saami was adopted by government resolution in 2014. The programme aims to reinforce early childhood education and care and language nest activities in Saami as well as to develop the instruction of the Saami language. Language planning, recording and research as well as the Saami culture are being promoted within the programme. The objective of the programme is to increase the number of Saami speakers, to promote the provision of services in Saami, and to enhance the respect for the use of the Saami languages.

The Sámi Parliament produces and finances Sámi-language learning materials for the needs of pre-primary and primary education, upper secondary schools, vocational and adult education. Finland’s Strategy for Arctic Policy (see indicator 13.2) also emphasizes developing teaching of and in the Sámi languages and supporting Sámi people's opportunities to learn, maintain and develop their languages and culture as a strategic measure.

The Sámi Parliament advances teaching of the Sámi language, culture, and teaching in Sámi. Sámi Parliaments Educational committee and the educational office co-operate with the municipalities in the Sámi region, with other organisers of events, equivalent Nordic bodies, and with the educational administration of the state. The Sámi Parliament represents the voice of the Sámi in educational politics. The position of the Sámi language and culture in teaching is one of the most important questions regarding the future of the Sámi.

 

6

It is a

·  Education policy

Name of the policy/measure

National Core Curriculum

Established

01-01-2014

Revised

Is the policy/measure being implemented?

Yes

Brief description

The Finnish National Core Curriculum (2014, for more information, see indicator 4.2) defines the objectives, contents, and assessment of student learning for teaching a student’s own mother tongue. According to the criteria, the specific goal of teaching is to support students' multilingualism and the development of their identity and self-esteem. Multilingual students are encouraged to use their language skills in a variety of lessons and other school activities. According to the national curriculum for basic education, cultural diversity and language awareness are also key principles that guide the development of the school culture. The use of various languages in the school's daily life is seen as natural, and languages are appreciated.

As was mentioned before, the national core curriculum provides a uniform foundation for local curricula, thus enhancing equality in education throughout the country. The local curricula of each municipality and school or ECEC education provider steer instruction and schoolwork in more detail, taking local needs, and perspectives, including those of e.g., the Sámi homeland into consideration.

 

7

It is a

Name of the policy/measure

Act on the Promotion of Immigrant Integration

Established

01-01-2010

Revised

Is the policy/measure being implemented?

Yes

Brief description

In the Act on the Promotion of Immigrant Integration (1386/2010) integration refers to interactive development of the immigrant and society aimed at providing the immigrant with the knowledge and skills needed in working life and society while supporting their opportunities of preserving their own language and culture. In the chapter of the Act on local level integration, the aim is to support internationalisation, gender equality and non-discrimination at local or regional level and to promote positive interaction between different population groups. The aim is also to promote good ethnic relations and dialogue between cultures and participation of immigrant groups and to support the opportunities of immigrants to preserve their own language and culture. The report Art, Culture and Diverse Finland: Final Report of the Working Group for Cultural Policy, Immigrants and Promotion of Cultural Diversity (see indicator 11.1) includes several proposals on language learning of immigrants in working life in arts and culture.

 

8

It is a

·  Education policy

Name of the policy/measure

National Roma Policy

Established

01-01-2018

Revised

Is the policy/measure being implemented?

Brief description

According to the National Roma Policy (2018–2022) a particular objective concerning Roma children’s ECEC is to strengthen their positive identity development and awareness of their own history and culture and to increase their inclusion in society. This means that ECEC personnel support Roma children’s language development and reinforce the preservation of Roma language and cultural heritage. Education providers and municipal and school-specific curriculum designers must, in accordance with the National Core Curriculum for Basic Education, consider the status of Roma as an ethnic and cultural minority in the activities of their educational institutions and in their teaching. Teaching staff must, in cooperation with homes, strengthen Roma pupils’ identity and awareness of their own history and language and cultural heritage while at the same time promoting their preservation. Producing a variety of learning materials for Romani language teaching and for the various language proficiency levels, considering the need for digital materials, language learning games, audio resources and video materials is also of vital importance.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State party will work towards enhancing administrative measures designed to guarantee transmission and practice of ICH through education, as well as mother tongue instruction and multilingual education.


13. Extent to which policies as well as legal and administrative measures in fields other than culture and education reflect the diversity of ICH and the importance of its safeguarding and are implemented

Guidance note corresponding to indicator 13 of the Overall Results Framework: English|French|Spanish

Question 13.1

Are the Ethical Principles for Safeguarding Intangible Cultural Heritage respected in development plans, policies and programmes?

Yes

Provide additional explanation, indicating the sector involved.

The Ethical Principles of the Convention are not yet widely known in Finland, however other ethical guidelines are widely used. Examples include the Finnish National Board on Research Integrity (TENK), appointed by the Ministry of Education and Culture, that promotes the responsible conduct of research, prevents research misconduct, promotes discussion, and spreads information on research integrity in Finland. The Council for Mass Media (Julkisen sanan neuvosto) is a self-regulating committee established by publishers and journalists in the field of mass communication for the purpose of interpreting good professional practice and defending the freedom of speech and publication.

The Ministry of Education and Culture has commissioned Forum Artis, a national body for Finnish artists’ associations, to produce ethical guidelines for the cultural sector. In drafting the guidelines Forum Artis must take into account possible existing ethical guidelines or similar practices in the various fields of culture and determine which areas of culture the new ethical guidelines would cover. The guidelines are to be formulated through discussion with actors in the sector to make sure the guidelines will be widely accepted by all actors in the sector. The work should be completed by May 2022.

Question 13.2

Have policies or legal and administrative measures for inclusive social development and environmental sustainability been established or revised to give consideration to ICH and its safeguarding?

Yes

In which of the following themes, policies and/or legal administrative measures have been established or revised?

  • Gender equality

    Finland is one of the world's leading countries in fostering equality. Finland was the first country in the world to grant women full political rights. A general prohibition of discrimination was introduced into the new constitution in 2000, and a registered partnership became possible a year later. The paternity month was added to family leave in 2003. The Equality Act was renewed in 2005. The debate has diversified, with themes breaking down gender stereotypes and an analysis of femininity and masculinity. Female and male models and roles have diversified. Gender bipolarism has led to gender diversity. The gender-neutral marriage law entered into force in Finland in 2017. The equality debate has been extended to early childhood education and the school world. All of these measures influence the safeguarding of ICH though it is not explicitly mentioned.

 

  • Knowledge and practices concerning nature and the universe

    Under Article 8(j) of the Convention on Biological Diversity, Finland has undertaken to respect, preserve and maintain the knowledge, innovations and practices of indigenous peoples and local communities relevant for the conservation of biological diversity and to promote their wider application with the approval of knowledge holders and to encourage equitable sharing of benefits arising out of the use of biological diversity. The Akwé: Kon guidelines aim to improve environmental decision-making in the home regions indigenous populations. In Finland, the Akwé: Kon guidelines are intended to be used in the Sámi homeland to assess the cultural, environmental, and social impacts of projects and plans that may affect Sámi culture, livelihoods, and cultural heritage. The Akwé: Kon method has been used in Finland for example in Metsähallitus' national park management plans.

    The Finnish Strategy for Artic Policy (see Climate Change) also emphasizes the importance of the Sámi traditional knowledge

 

  • Climate change

    Finland’s Strategy for Arctic Policy was published in 2021. The policy strategy sets out Finland’s key objectives in the Arctic region. According to the policy, all activities in the Arctic region must be based on ecological carrying capacity, climate protection, principles of sustainable development, and respect for the rights of indigenous peoples. The strategy extends to the year 2030.

    The policy includes measure relating to the Sámi in several different priority areas. As concrete measures to achieve the objectives, a Sámi Climate Council will be established to promote the integration of traditional Sámi knowledge into climate policy decision-making. Arctic food security will be promoted by ensuring the continuation of local livelihoods, especially in reindeer husbandry and other traditional livelihoods. The proposal to draw up a Sámi climate change adaptation programme will be examined and developed in cooperation mechanisms for the use of natural resources and protected areas together with the Sámi. Sámi and Sámi language teaching and language nest activities will be strengthened and international partnerships between indigenous peoples will be strengthened to protect traditional cultural expressions and traditional knowledge.

    Indigenous peoples’ cultural expressions will be valued and, if necessary, protected as intellectual property. Indigenous artists can create unique cultural products and services and offer them using various digital tools. National measures concerning issues related to protecting Sámi intellectual property as well as research will be continued together with the Sámi Parliament.

    Finland has ratified the Convention on Biological Diversity. A process to prepare a new National Biodiversity Strategy and an action plan to 2030 related to this is currently underway. In addition to national objectives, the strategy considers the objectives of the UN Convention on Biological Diversity and the new EU Biodiversity Strategy. This process should be completed in the early part of 2022.

    The previous strategy (2013–2020) stressed the need to mainstream issued related to the natural environment to all sectors of society, involvement of new actors to work for the benefit of nature, decision-making based on solid scientific knowledge and, as part of the international community, Finland’s responsibility for natural environments on the global scale. The strategy also outlined ways to link the traditional knowledge of the Sámi people to the protection of biodiversity.

 

  • Others

    Inclusive social development

    The National Roma Policy for 2018–2022 (ROMPO2) has been mentioned earlier in relation to cultural and educational policies. The main objective of the policy is to support the societal integration of Roma in all aspects of society. The policy programme is based on the premise that Finland’s current legislation and comprehensive service system provide a good foundation for the promotion of the equality of the Roma population. The mainstreamed actions and measures targeted specifically at the Roma population set out in the National Roma Policy will create further capacities for considerable improvements in the human rights and socioeconomic status of Roma. The policy from the point of view of cultural policy, see indicator 11.1.; for educational measures, see indicator 12.3)
    Indigenous peoples have experienced and may still be subjected to racism and discrimination, including by states and authorities in Finland. In its session in October 2021, the Finnish Government appointed the Truth and Reconciliation Commission Concerning the Sámi People. The commission was prepared in close cooperation with representatives of the Finnish state, the Sámi Parliament, and the Skolt Sámi Siida Council. The aim of the commission is to collect Sámi people’s experiences of the actions of the Finnish state and its various authorities and to make this information visible to the public. The purpose of the truth and reconciliation process is to identify and assess historical and current discrimination, including state assimilation policy, and violations of rights; to find out how these injustices affect the Sámi people and their communities today; to propose ways to promote links between the Sámi and the state of Finland and among the Sámi people, and to raise awareness about the Sámi as the indigenous people of Finland.
    A further aim is to ensure that, because of the truth and reconciliation process, the state of Finland will bear responsibility for its actions and, together with the Sámi Parliament, the Skolt Sámi Siida Council and other Sámi operators, will work to strengthen the realisation of the rights of the Sámi people in Finland. Psychosocial support is an integral part of the implementation of the truth and reconciliation process.
    The commission will draw up a report on its work that includes proposals for measures. The report will be submitted to the Government, the Sámi Parliament, and the Skolt Sámi Siida Council by 30 November 2023.

Question 13.3

Have policies and/or legal and administrative measures that respond to situations of natural disaster or armed conflict been established or revised to include the ICH affected and recognize its importance for the resilience of the affected populations?

Yes

Provide any additional details

The main measures adopted in Finnish cultural policies to help arts and culture operators and actors in he field during the Covid-19 pandemic have included information gathering efforts, emergency funding tools and information guidance. The immediate first step in the crisis management was to start the collection of data on the effects of the pandemic. The first main survey regarding the wider sectors of arts, culture, and creative industries was sent out in April 2020 by the Ministry of Education and Culture to gather information on the effects of the pandemic to support the formulation of rapid conclusions and policy responses and to plan longer-term policies and actions. Around 1?600 actors responded to the survey. In May 2020, the Ministry of Education and Culture sent out a survey to Finnish municipalities regarding the local effects of the pandemic on cultural activities. The data collection has continued along with the pandemic. In January 2021, the Ministry launched a third survey on the impacts of the pandemic on the activities of actors in arts and culture. The Ministry of Education and Culture has been the main initiator of the data collection efforts conducted by the state in the field of arts, culture, and heritage. The surveys were conducted by the Ministry’s Department for Art and Cultural Policy and the Finnish Heritage Agency (in collaboration with Finnish Museums Association and the Ministry).

During 2020, the Finnish state launched multiple support initiatives to keep cultural and creative industries afloat and compensate at least some of the losses caused by the pandemic. In comparison to the general arts and culture funding, the amounts channelled through various emergency funding instruments have been significant. The state co-operated with private foundations in some funding initiatives, but mostly the emergency funding was channelled through various government institutions, including the Arts Promotion Centre Finland (Taike). In addition to the state, several third-sector organisations have launched their own crisis support mechanisms and initiatives. The emergency funding and other supporting measures have included emergency aid and discretionary crisis grants, special working grants, provision of work opportunities, diverse aid for artists and freelancers, and lists of good practises. In addition, but less frequently, funding has been provided for artistic proposals or projects and documentation of the COVID-19 crisis.

In 2021 the Finnish Minister for Culture and Science launched a working group to support cultural reconstruction work, to support the fields of arts and culture hard hit by Covid-19 pandemic and to underline the social and economic importance of arts, culture, and creative industries as part of Finland’s sustainable growth programme and other initiatives (see also indicator 11.2.).

Question 13.4

Have policies and/or legal and administrative measures for inclusive economic development been established that consider ICH and its safeguarding?

Yes

In which of the following themes, policies and/or legal administrative measures have been established or revised?

  • Income generation and sustainable livelihoods

    See indicators 13.5. and 14.2. on measures to safeguard and promote the livelihoods of the Sámi.

 

  • Impact of tourism on ICH safeguarding

    For a long time, the Sámi community has brought up the issues of inappropriate uses of Sámi costume and other Sámi symbols in Finland. In 2018 the Sámi Parliament adopted Principles for Responsible and Ethically Sustainable Sámi Tourism. The primary purpose of the ethical guidelines is to terminate tourism exploiting Sámi culture and to eliminate incorrect information about the Sámi distributed through tourism. The second priority is to safeguard the cultural practices and traditions of Sámi population outside the travel industry. The ethical guidelines are primarily meant for tourism actors and operators outside the Sámi community who carry out touristic productization, representation, marketing, and communications of Sámi culture. Furthermore, the guidelines are for visitors arriving in Sámi Homeland. The guidelines were drafted as part of a project on Culturally Responsible Sámi Tourism carried out by the Sámi parliament and funded by the Ministry of Education and Culture. Sámi Parliament in Finland has received financing from the Ministry of Education and Culture to implement Sámi tourism projects almost continuously since February 2017.

    The currently ongoing project is called Responsible Sámi Tourism: Visitor Guidance and Teaching Material for Travel Industry to Safeguard Sámi Culture. The objective of the project is to improve the equity and equality of the Sámi community, and advance Sámi culture’s maintenance, development, and enablement of its inter-generational transmission. The project aims at promoting equality between various ethnic groups by eradicating objectification of the Sámi in tourism, improving equality by strengthening positive portrayal of the Sámi by distributing accurate information, participation by highlighting the opinions of the Sámi, mutual respect by paying attention to different cultural customs and practices, and sustainable development that lies at the heart of Principles for Responsible and Ethically Sustainable Sámi Tourism – guidelines. The project supports responsible conduct aiming at improving and/or ensuring the safeguarding of meaningful life on equal basis also to the part of the Sámi population who is not involved in tourism at pressures of constantly increasing tourism and the loss of the natural habitats and resources.

    The National Strategy for Arctic policy (see indicator 13.2.) states that when developing sustainable and responsible tourism, not only environmental aspects but also social, cultural, and economic perspectives must be addressed extensively.

    Sustainable Travel Finland (STF) is a program and label of Visit Finland, a unit of Business Finland responsible for promoting travel from abroad to Finland. The program and label are designed to promote responsible tourism in Finland and allow international travel trade to easily identify sustainable tourism providers. STF also encourages collaboration between the government, regional tourism bodies and companies, enabling all parties are working together to ensure a responsible and sustainable future for tourism in Finland. The Sustainable Travel Finland program is open to all tourism companies and all regions in Finland, regardless of whether they already have a sustainability policy in place. There is no admission fee to the program. The program provides the participants with a roadmap and a comprehensive toolkit including tailormade training courses, online manuals, and a digital working environment to help them to qualify for the STF label.

Question 13.5

Have favourable financial or fiscal measures or incentives been established or revised to facilitate and/or encourage the practice and transmission of ICH?

Yes

Do they ensure the availability of natural and other resources required for the practice of ICH ?

Yes

If yes, explain how measures or incentives ensure the availability of natural and other resources required for the practice of ICH.

Public and private support for ICH is presented in indicator 11.3. Other forms of financial or fiscal measures relevant to safeguarding and transmission of ICH include VAT reductions. The general VAT rate in Finland is 24 %. A reduced rate of 10 % applies to books, newspapers and periodicals, physical exercise services, film screenings, entrance fees to cultural and entertainment events, royalties for television and public radio activities.

The Skolt Act (253/1995) maintains and promotes the living conditions, livelihoods and culture of the Skolt and the Skolt area. The Act also provides for loan and grant schemes to promote, inter alia, fishing and reindeer husbandry services, and the services of the Skolt area, to improve the living conditions of the Skolt population and maintain the Skolt culture. Funding can be applied from the Centre for Economic Development, Transport, and the Environment in Lapland. The support may be granted for example for the construction, renovation, or extension of a residential or outbuilding. Support may also be granted for the improvement of the living environment and the preservation of the traditional environment.

The purpose of the Act on financing reindeer husbandry and natural sources of livelihood (986/2011) is to improve the structure and operating conditions of reindeer husbandry and other natural industries and to promote the economic activities of those engaged in these industries and the development of the reindeer husbandry and natural economy area as a residential area in accordance with the principles of sustainable development. Measures in accordance with the law must pay special attention to the opportunities of the Sámi as an indigenous people to maintain and develop livelihoods belonging to their cultural form in the Sámi homeland. The act also provides for grant schemes.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will work towards improving the synergies in the development and implementation of policies as well as legal and administrative measures also in fields other than culture and education, so they may better reflect the diversity of ICH and the importance of its safeguarding.


14. Extent to which policies as well as legal and administrative measures respect customary rights, practices and expressions, particularly as regards the practice and transmission of ICH

Guidance note corresponding to indicator 14 of the Overall Results Framework: English|French|Spanish

Question 14.1

Are forms of legal protection, such as intellectual property rights and privacy rights, available to communities, groups and individuals when their ICH is exploited by others for commercial or other purposes?

Yes

Provide any details with regard to (a) intellectual property rights and (b) privacy rights.

A: IP RIGHTS

Finland has an extensive system of copyright-related laws, policies and strategies and public bodies in charge of copyright policy and administration. Finnish copyright legislation has been highly influenced by international treaties and the directives of the European Union. The copyright system protects the individual practitioner’s creative activities. The Finnish Copyright Act (404/1961 and several amends) states that a person who has created a literary or artistic work shall have copyright therein, whether it be a fictional or descriptive representation in writing or speech, a musical or dramatic work, a cinematographic work, a photographic work or other work of fine art, a product of architecture, artistic handicraft, industrial art, or expressed in some other manner.

In 2018 the Ministry of Education and Culture published a report called Need of the Sámi people for intellectual property safeguarding, particularly from the viewpoint of copyright and trademarks– especially with regard to duodji handicrafts and Sámi dresses (author Tuomas Mattila). The study examined to which extent intellectual property systems, in particular copyrights and trademarks are already used or could be used to protect the Sámi traditional culture, and, on the other hand, the extent to which the current system does not recognise the needs and special characteristics that the safeguarding of the cultural heritage of indigenous peoples requires. The study aimed to provide information both to IP specialists on the issue of traditional cultural expressions and to indigenous peoples and local communities on intellectual property matters.

A research project was conducted in the University of Lapland during 2017–2018 called The Sámi Culture and evolving copyright - coordinating individual action and community cultural activities. The project was funded by the Ministry of Education and Culture.
The Sámi copyright issues also dealt with in the National Strategy for Arctic Policy (see indicator 13.2.).

B: PRIVACY RIGHTS

The Sámi Parliament has prepared a procedure for seeking the free, prior, and informed consent of the Sámi from the Sámi Parliament in Finland for research projects dealing with Sámi cultural heritage and traditional knowledge and other activities that have or may have an impact on this heritage and knowledge. The procedure is based on the principle of FPIC (free, prior, and informed consent) and the Akwé: Kon Guidelines (see Secretariat of the Convention on Biological Diversity 2004, CBD Guidelines).

The objective of the procedure is to guarantee that the indigenous rights of the Sámi are realized in research dealing with Sámi cultural heritage and traditional knowledge and other measures that have or may have an impact on this heritage and knowledge; the procedure is also aimed at promoting the preservation of the cultural heritage and the traditional knowledge of the Sámi and safeguarding the self-determination of the Sámi over this heritage and knowledge.
The procedure will be applied to research projects dealing with Sámi cultural heritage and traditional knowledge and measures that have or may have an impact on the cultural heritage and the traditional knowledge of the Sámi.

Question 14.2

Do policies and/or legal and administrative measures recognize the importance of protecting the customary rights of communities and groups to land, sea and forest ecosystems necessary for the practice and transmission of ICH?

Yes

Explain briefly, giving examples, how policies and/or legal and administrative measures recognize this.

Public access rights, or so-called everyman's rights (jokamiehenoikeudet), refer to the right of everyone in Finland to enjoy outdoor pursuits regardless of who owns or occupies an area. You do not need the landowner's permission, and there is no charge. The rights give everyone the freedom to roam the countryside, forage, fish with a line and rod, and to use natural areas. The related obligations mean that you must not damage the environment or disturb others while exercising public access rights. Finland does not have direct legislation on everyman’s rights but there are approximately 30 different pieces of legislation that in various ways either grant rights to act in nature, restrict people’s rights, or prohibit certain actions completely. Everyman’s rights are widely known of, valued, and used. They apply to everyone who resides in Finland, regardless of their nationality. Everyman’s rights are included in the Finnish National Inventory of Living Heritage (since 2017).
The Sámi Parliament (Sámediggi) is the self-government body of the Sámi, legislated (the Act on the Sámi Parliament (974/1995) in 1996. Its main purpose is to plan and implement the cultural self-government guaranteed to the Sámi as an indigenous people. The Sámi Parliament is the supreme political body of the Sámi in Finland. It is an independent legal entity of public law which, due to its self-governmental nature, is not a state authority or part of the public administration. The Sámi Parliament functions under the administrative sector of the Ministry of Justice. The Sámi Parliament represents the Sámi in national and international connections, and it attends to the issues concerning Sámi language, culture, and their position as an indigenous people. The Sámi Parliament can make initiatives, proposals, and statements to the authorities.

The Act on the Sámi Parliament and other legislation provide linguistic and cultural autonomy to the Sámi (legislation one education, see indicators 12.2 and 12.3).
The main legislation concerning the rights to nature ecosystems and customary rights of the Sámi include the renewal of the Antiquities Act and the report commissioned by the Ministry of Education and Culture on the rights of the Sámi to the Working and Monitoring Group for the Reform of the Antiquities Act in 2021 (see indicator 11.1.), the Nature Conservation Act (1096/1996), the Wilderness Act (62/1991), the Mining Act (621/2011), the Water Act (587/2011), the Skolt Act (253/1995) and the Reindeer Husbandry Act (848/1990).

According to the Nature Conservation Act (16 §) conditions for the maintenance and development of the Sámi culture shall be secured in national parks and strict nature reserves located in the Sámi homeland. When an area is being established, the specific objectives of its safeguarding and, if the area to be established is a national park, the interests of visitors to the area shall be considered in an appropriate manner

The Wilderness Act section 1 states that wilderness areas are established to preserve the wilderness nature of the areas, to safeguard the Sámi culture and natural industries, and to develop the diverse use of nature and its conditions.

According to the Mining Act (621/2011) the activities referred in the Act must be adapted in the Sami Homeland, to secure the rights of the Sami as an indigenous people. The Act stipulates on the procedures on granting exploration, mining or gold panning permits in the Sámi Homeland and requires the permit authorities to investigate, in co-operation with the Sámi the effects of the activities on the rights of the Sámi to maintain and develop their language and culture.
The Water Act states that a water resources management project located in the Sámi homeland or that has impacts on this shall be implemented in a manner that does not undermine to no more than a minor extent the possibilities of the Sámi to exercise their right as an indigenous people to maintain and develop their culture and practise their traditional livelihoods.

Metsähallitus has a statutory obligation (Act on Metsähallitus) to safeguard the prerequisites for Sámi culture in the Sámi Homeland and to preserve cultural heritage in many national parks. The authority responsible for taking care of cultural heritage in conservation areas is Parks & Wildlife Finland.
The Skolt Act maintains and promotes the living conditions, livelihoods and culture of the Skolt and the Skolt area. The Act also contains provisions on the village councils, which maintain the old village administration of the Skolts and form an official way of representing the group towards the Finnish state. See also indicator 13.5.
Reindeer husbandry is regulated in Finland by the Reindeer Husbandry Act. It defines, inter alia, the area specifically intended for reindeer husbandry and the right to practice reindeer husbandry in that area.

In 2021 the Sámi Parliament published a guide to the interpretation and application of legal norms concerning the Sámi in matters related to the environment and land use. The guide serves as a legal manual in the work and mutual co-operation of the Sámi Parliament as well as state and municipal authorities and other key actors. Its purpose is to provide up-to-date information and thus to promote the effective realization of Sámi rights, e.g., in the development of legislation, law enforcement and the work of courts and other law enforcement officials.

Finland has ratified the Convention on Biological Diversity, which includes requirements to protect the traditional knowledge of indigenous and traditional local populations (article 8j, see indicator 13.2). Finland has not yet ratified the ILO-169 Treaty.

Question 14.3

Do policies and/or legal and administrative measures recognize expressions, practices and representations of intangible cultural heritage that contribute to peaceful conflict prevention and resolution?

No

Explain briefly, giving examples, how policies and/or legal and administrative measures recognize these.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Largely

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will continue to strengthen mechanisms of legal protection, such as intellectual property rights and privacy rights, available to communities, groups and individuals when their ICH is exploited by others for commercial or other purposes, mechanisms for recognition of the importance of protecting the customary rights of communities and groups to ecosystems necessary for the practice and transmission of ICH.


15. Extent to which the importance of ICH and its safeguarding in society is recognized, both by the communities, groups and individuals concerned and by the society at large

Guidance note corresponding to indicator 15 of the Overall Results Framework: English|French|Spanish

Question 15.1

Do communities, groups and individuals use their ICH for well-being, including in the context of sustainable development programmes?

Yes

Describe briefly, giving examples, how they do so.

Based on the survey related to the report, communities generally see ICH as a positive force in maintaining well-being. Many communities see that traditions strengthen coherence, prosperity and resilience, which in turn support socially and culturally sustainable development. Cultural heritage provides communities and individuals with building blocks of identity that are of great importance important to the well-being and mental health of people and communities.
Following research findings and practical experiences with various groups the impacts that culture has on well-being has been a central topic in recent societal debate and national initiatives to enhance the use of arts and culture for well-being has emerged. Taikusydän, the Arts & Health Coordination Centre in Finland, is a multisectoral coordination centre and national network for activities and research that focus on arts and culture and their connection with wellbeing. The objective of Taikusydän is to make arts and culture a permanent part of wellbeing services in Finland. In addition to this, the Culture for All service (Kulttuuria kaikille) and the the Arts Promotion Centre Finland (Taiteen edistämiskeskus Taike) have produced several reports and surveys on cultural well-being and promoted the extensive findings.

Research and studies on the effects that culture has on well-being underline that well-being can be understood in a wide variety of ways, and therefore the recommendations for measures to promote well-being are also diverse. Various indicators have been developed for measuring and verifying well-being, ranging from the determination of wealth and health to subjective holistic assessment. Despite the conceptual ambiguity, it is clear that increasing well-being and, perhaps above all, proactive work to prevent exclusion is at the forefront of exploring the welfare effects of ICH.

Proactive cultural work means predictive and corrective action that emphasizes early intervention, as is pointed out by the Arts Promotion Centre. It involves active measures by public officials responsible for cultural wellbeing to combat deprivation scenarios. Preventive forms of cultural activities generate social and human capital, which plays a role in the empowerment of children and young persons and in the prevention of exclusion. There are tools, like a cultural prescription, given by a physician like the Finnish “Active Adult” (Liikkuva aikuinen) model. A doctor can prescribe culture to his or her patient in a situation where the possible causes of the disorder may be related to a lack of social inclusion or complex health challenges and the patient’s wellbeing can be enhanced by cultural methods. Another joined effort for cultural activities is the “100 Minutes of Art” (100 minuuttia taidetta) operating model which was developed to help social and healthcare actors realize the cultural rights of their customers. There have been good experiences with implementing the model, for example as part of cultural work for the elderly.
The wide range of themes and elements that the notion of ICH covers allows to study its relation to well-being starting from the practices concerning nature. A specific topic in this regard in Finland would be the so-called everyman’s rights, or the public access to natural environments. One does not need landowner’s need to walk or to pick berries mushrooms in forests. This right also involves the obligation that one must not damage the environment or disturb others while exercising the public access rights. The large areas of forests and fells and Finland’s sparse population (except for the urban areas mostly in Southern and South-West Finland) provide excellent opportunities to enjoy nature and practice many kinds of ICH related to it.

The well-being effects of recreational use of nature have been studied already since the 1980s. The findings show that spending time and being physically active in nature promote well-being and health as they help recovering from the effects of stress and forget our everyday worries. Clinical research has indicated that the effects of being outdoors are manifested in lower blood pressure and stabilized heart rate. The specific line of research in Finland is experiences of restoration when spending time in favorite spots in nature. There are reported experiences of restoration that are stronger in natural environments than in built-up environments. Quite new line of interest is measuring the health effects of nature with economical indicators. For example, visitors to national parks estimate on average the health and well-being effects they experience in the national park to be worth 208 euros.

The most popular outdoor hobby is walking, which is practiced by 70% of Finns during the year. The next most popular are outdoor activities (68%), swimming in natural waters (68%), cycling (55%), boating (49%), cross-country skiing (41%), and hiking (27%).

The effects of nature on well-being are also studied in relation to the societal significance of recreational use of nature, multiple use of forests, and the development of nature-based business operations. The role of forests for well-being and recreational activities and the need to transfer those activities from generation to generation are also noted in the National Forest Strategy 2025 by the Ministry of Agriculture and Forestry in Finland. Based on the strategy, projects on developing nature-related services that focus on health and well-being are currently in progress.

Research relating to well-being in nature takes place also in the University of Tampere (Tampereen yliopisto) and the Natural Resource Institute (Luonnonvarakeskus Luke). The EnviWell Group of researchers at the University of Tampere focuses on nature-related effects of well-being and health and produces continually data of nature’s relevance for human health. Also, research findings are needed to convince habitat decision-makers of the importance of a diverse environment for people.

An essential part of the well-being effects of nature in Finland is food that can be picked from forests and the surrounding area. The annual crop of forest berries is estimated at over 500 million kilos and edible mushrooms is estimated at 1,000 million kilos. Finns are eager in berry picking (58%), mushroom picking (40%) and fishing (44%). In addition, 5% of the population hunts.

The Arctic Flavours Association (Arktiset aromit ry) is a nation-wide association for Non-Wood Forest Products specialising in wild berries, mushrooms, herbs and special forest products. The aims of the Association are to promote the gathering, processing and use of natural products as well as to improve their quality. Their vision is to make natural products and the foods made from them a recognised part of a healthy diet in Finland and abroad.
Finnish Mycological Society (Suomen sieniseura) is a national association whose purpose is to carry out comprehensive research into Finnish mushrooms and mushroom harvesting, to promote and disseminate mushroom hobbies and mushroom knowledge, and to increase the mushroom economy, such as the collection, cultivation, trade and use of mushrooms.

The Utility Plant Association (Hyötykasviyhdistys) promotes organic hobby farming and the diverse use of plants. The horta hunting is a rapidly growing movement which promotes picking and preserving wild greens in daily surroundings. In Finland, the environment is favorable for outdoor activities like picking mushrooms and greens as woods and parks are mostly open for all and clean. For example, in the Facebook group Hortoilu.fi there are over 31 000 followers.

Green Care Finland ry, established in 2010, works to coordinate, develop and promote the use of nature and animal assisted methods in combination with wellbeing and health services. In Finland, two distinct domains are distinguished, Green Care and Green Empowerment. The clients of Green Care (Luontohoiva) typically include vulnerable groups such as the elderly, immigrants, mentally and/or physically disabled. These services are given within the prevailing legislation of health care and social services. The services of Green Empowerment (Luontovoima) include activities supporting the overall mental and physical wellbeing of all people. The activities can be considered as preventive measures: they are typically conducted by organizations concerned with wellbeing or nature tourism.

In 2014, was launched Forest Mind- method (Metsämieli) which connects nature-based wellbeing and mind skills. Forest Mind is a program of mental skills exercises, designed to utilize and intensify the natural healing effects of forests. Forest Mind utilizes natural settings or natural imagery for promoting self-awareness, relaxation, stress relief, refreshment, and invigoration. At the moment, there are nearly 500 qualified Forest Mind- instructors in Finland.
Research on the effects of nature on well-being also focuses on the potential of new technologies in providing the effects of nature that are already known. The Academy of Finland has granted more than ten million euros to the UNITE project, coordinated by the University of Eastern Finland, which studies and develops game-like forms of interaction between nature, man and machines. One of the goals of the project is, for example, to develop concrete indicators of how virtual nature supports recovery. To this end, an experimental space will be built, in which, in addition to visuality and sound, natural scents and warmth will be introduced. Social and ecological variables, such as the impact of virtual nature experience on empathy and perceived natural connection, are also measured as a new dimension.

One area of ICH related to know-how on nature is the traditional treatments of the body. Such traditional manual and nutritional therapies include manual massage and limb repair, cupping (kuppaus) and healthy nutrition, the use of wild vegetables, herbs and medicinal plants, as well as sauna bathing. The health effects of regular sauna bathing are an on-going topic of cardiological research in Finland, as it has been is associated with reduced cardiovascular mortality. Saunaseura (The Finnish Sauna Society) focuses on safeguarding the living heritage of Finnish sauna culture. The Society has a committee related to sauna research.
Traditional Finnish Healing and Natural Medicine Association (Kalevalainen kansanparannus-säätiö) along with Traditional Healing Society (Kansanlääkintäseura ry) promotes the culture of Finnish traditional massage, increases the knowledge of traditional care, folk healing and natural medicine in Finland and develops related activities. The association collects information on the Finnish folk healing tradition and trains traditional care professionals.

When it comes to crafts, the well-being effects of craft-making are increasingly recognizing by hobbyist crafters, but also by researchers. The possibilities of crafts in maintaining and producing well-being have lately been a rising subject in the field of craft studies. Experiences reported by hobbyists include recreation and relaxation, which are related, for example, to the possibility of immersing oneself in self-chosen craft as a counterbalance to the challenges of everyday life. Even thinking about crafts alone can be relaxing in a stressful situation. Recent research has shown that settling and calming down is not only a feeling, but the heart rate slows down and blood pressure drops when crafting.

A more unexpected research result is that craft hobby improves on adopting new, for example, auditory learning becomes more efficient with crafting at the same time. The well-being effects of crafts are specifically related to the process of making and are realized by people for whom crafts have been selected as a pleasurable form of making. For example, Finnish craft researchers took part in Handmade Wellbeing -project, which aim was to enhance and expand professional competences of arts and crafts practitioners to facilitate craft activities in elderly care contexts. The results of the collaboration are gathered in the Handmade Wellbeing Handbook.

In Åland, the 2016 founded bärkraft.ax acts as a platform for all forms of organisations on Åland that are working towards a common goal of a viable and sustainable region. The backbone of the network is the Development and Sustainability Agenda for Åland, agreed upon by Ålands regional parliament and government. The forming of the network is deeply rooted in the Åland society, and therefore enjoys high levels of confidence and trust by citizens as well as businesses. This confidence is what enables the transformation of society towards a sustainable future. As research shows that culture promotes health and contributes to a good care environment for both patients and staff also the Åland Government promotes culture in healthcare by financing actors that arrange cultural activities within the health sector in Åland.

Question 15.2

Do communities, groups and individuals use their ICH for dialogue promoting mutual respect, conflict resolution and peace-building?

Yes

Describe briefly, giving examples, how they use their ICH for one or more of these purposes.

Based on the survey related to the report, ICH communities in Finland see the appreciation of their own cultural heritage as the basis for valuing others. If people speak different languages, traditions are seen as a common language between practitioners of different traditions. Taking part in cultural activities creates insight into set of values in society and individual life. Cultural traditions show in practice that in human communities, there is more in common than distinguishing factors between people.

There are several organizations that work specifically on the issue of cultural diversity and promoting mutual respect, here are presented a few examples how the work is organized through NGO’s. To start with, The Culture for All service operates nationwide in the field of art and culture since 2003. Its mission is to provide information and support to cultural actors on issues of accessibility, diversity and equality. The service collaborates not only with arts and cultural organizations but also with various audience groups, artists and other cultural actors. The Culture for All service is supported by the Ministry of Education and Culture. The Association for Equal Culture is responsible for the activities. The Culture for All service coordinates several projects to promote cultural equality. For example, in 2021, a Diversity Agent Course and Diversity Clinic project were launched, focusing on matters related to racial issues and racism. The project provides art and cultural institutions across Finland with tools for anti-racist work and consideration of diversity.

The Culture and Religion Forum FOKUS (Kulttuuri- ja uskontofoorumi FOKUS ry) is a national NGO founded in 1947, which promotes the interaction between cultures, views and religions through science, art and education. The goal of their activities is to build a socially and culturally sustainable future and to promote social well-being and social peace. The materials created by the NGO support dialogue in many ways. The website Dialogikasvatus.fi contains material and current information to support culture-, view- and language-conscious education. The Festive Calendar (Juhlakalenteri) introduces the festive traditions of different cultures. Furthermore, the Dive into the Sámi culture - digital game deals with the Sámi languages, livelihoods, Sámi costumes and cultural ownership. Songbook Variety of songs! has been put together for anyone to learn about the diverse singing traditions in Finland. The songbook is aimed at basic education and early childhood education to support the child's cultural and viewing dialogue education through music.

Another example is the Finnish Local Heritage Federation's project “Everyone has the right to local heritage” (Kaikilla on oikeus kotiseutuun 2019-2020) that encouraged encounters and dialogue in local heritage work in Espoo city. The project promoted encounters between immigrants and actors from Espoo's district associations, volunteers in the local area, in the spirit of working together. During the project, models were created for the principle of co-design for resident-based integration. The results of the project were collected to a guide for culturally diverse local heritage work.

Åland's mulicultural Society aims at providing information on the different cultures that are represented on Åland, and support activities where different cultures work together uniting all who are interested in activities arranged by the NGO and support new immigrants to integrate into Åland’s society; learning about the world through meeting people from different countries.

Question 15.3

Do development interventions recognize the importance of ICH in society?

Yes

If so, how do development interventions recognize the importance of ICH?

  • As a source of identity and continuity

    The active implementation of the Convention has brough to the foreground the importance of ICH in society as a source of identity and continuity. Along the years, numerous seminars, webinars and workshops have been organised in different parts of the country. Regional seminars have gathered together ICH actors from all domains in that particular area to discuss their heritage from different viewpoints, to share good examples and also to inventory living heritage. Thematic seminars have also been organized in all domains gathering hundreds of people. These events have also raised interest in local and regional media.

    Many efforts have been made to raise awareness about the importance of different minority cultures. In recent years, several events have been organised related to the Sámi people, the Roma people, migrant communities and also the Finnish-Swedish speaking community. All these events have been organised together with the respective communities, the institutions and NGOs related to them. The purpose of these events has been awareness raising, but also to identify various measures dealing with the safeguarding and continuation of ICH and issues that the actors in the field see as obstacles to the continuation of their ICH.
    The work with the Sámi community has taken place both in national and pan-Nordic level. Attention has been given to discuss safeguarding traditional knowledge and using intellectual property protection to protect the economic and strategic interests of the Sámi community.

    On the other hand, according to the survey connected to the reporting, many municipalities have found it difficult to maintain cultural work with minorities in a tightening economy. Participatory budgeting based on municipal initiatives, for one, has been seen helpful in taking account of small communities needs as well. However, it has also been noted that participatory budgeting often reaches communities already active and may not serve in allocating resources to those who are otherwise vulnerable.

 

  • As a source of knowledge and skills

    One way to support ICH in society as a source of knowledge and skills in Finland, are the Grants for cooperation and development projects under the ICH Convention by the FHA. The purpose of the grant is to promote the implementation of the Convention, to raise awareness about it and to increase the opportunities for community participation in the cultural heritage covered by the Convention. Grants may be applied for cooperation and development projects that promote the implementation of the Convention. In the past three years altogether 30 projects have been supported with 300 000 euros. Many of these projects are related to transmitting skills in the various domains of ICH.

    Here are some examples:
    In the project by the Finnish Wooden Boat Builders (Suomen Puuveneveistäjät) a new model of a clinker-boat has been modelled. Based on old boat drawings, boat designers were asked to submit proposals on a new model. A jury chose the best example of which a new boat is being built. The boat type will be easily customizable and designed with sustainable development in mind. The type model will be available to boatbuilders and schools alike.

    The Finnish Youth Association (Suomen Nuorisoseurat) worked in 2019-2020 on the project ’Whole Finland dances Sottiisi’ where pair dance workshops were organised in different parts of the country. One concept created was the ambassador of pair dancing. Also, online teaching materials were created.
    In the project by the Finnish Crafts Organization Taito ‘To expertise together’ (Yhdessä asiantuntijaksi), opportunities for communities and practitioners of crafts are offered. In addition, the local Craft Associations promote crafts typical for their region, for which they have named themselves as godparents, and present the crafts on their website. The project trains the staff of the Finnish Craft Organisation, both advisers and teachers of basic arts education on the implementation of the Convention for the Protection of the Intangible Cultural Heritage. The nationwide network of the Craft Organization includes 16 local Craft Associations with 14 Taito handicraft schools.

    Following a government program (2008–2011) on promoting Finnish food and appreciation of ingredients, the Local Food program started in 2013 and updated 2021 securing continuity to the program until 2025. Run by the Ministry of Agriculture and Forestry, the goal of the program is to increase local food production and its demand. In the program, local food refers in particular to food that is based on local food stuff and raw materials and that is marketed and consumed near to its origin. In this way, the program promotes local economies, employment and local food cultures. Although the goals and guidelines of the program have been made at the national level, it is implemented in Finland’s different regions according to their own needs and starting points, with respect to and utilizing the food culture of each region.

    A good example of achievements based on the program is the first the “European Region of Gastronomy” recognition that the City of Kuopio and Northern Savonia (Pohjois-Savo) received for 2020-21. In addition to culture, the recognition develops regional gastronomy and food events, agriculture, education and entrepreneurship. The recognition is a step towards the nationally and internationally known food region of Northern Savonia and an attractive destination for food tourism.

    In Northern Karelia (Pohjois-Karjala), an eastern province bordering Russia, the companies belonging to the Karelia à la Carte network respect and utilize their own cultural heritage and adhere to common values in all their activities: locality, karelianism, distinctiveness, hospitality and nature.

    Finland Eats and Drinks (Suomi syö ja juo) was a communication project carried out by the Hotel and Restaurant Museum (Hotelli- ja ravintolamuseo) in 2018-20 and co-funded by the Ministry of Agriculture and Forestry of Finland that shared through blogs and a picture bank true stories and facts about Finnish food culture through the years. With this communication material, the public was introduced to Finnish food and beverage traditions and helped to understand the backgrounds of today's food phenomena.

 

  • As a resource to enable sustainable development

    Sustainable development is becoming all the more substantial theme among all kinds of ICH actors in Finland. The booster for this has been the growing discussion about sustainability in the society and in media. The importance of sustainability thinking has been self-evident especially in fields of ICH that are closely related to nature, for example, in many of the Sámi traditions. Especially the ecological dimension has come more and more to the foreground. The other dimensions of sustainability are also gathering more attention.

    Sustainable development has also been in focus in the implementation of the Convention during the last years. In 2018 a tool, the Wheel Chart of Sustainability, was developed in Finland to help cultural organisations analyse and develop their own activities in accordance with the principles of sustainable development. The Wheel Chart divides the four different dimensions of sustainable development (ecological, economic, social and cultural) into eight different subject areas with three questions each. The Wheel Chart team was created by experts from various organisations: the Finnish Heritage Agency, the Arts Promotion Centre Finland, the Futures Research Centre / University of Turku, the Association for Cultural Heritage Education, the Finnish Folk Music Institute, and Humap Ltd.
    The Wheel chart has now been translated into 18 different languages and it has been spread around the world. During the 2019-2121, the Wheel website has been visited from over 150 countries. The printed Wheel Chart was given to participants from over 120 countries at the 9th IGC meeting in Bogota. In addition, the tool was given to hundred museum professionals from all over Europe in the same year in the ICOM meeting in Latvia. Workshops in both Finnish and English has been arranged about the Wheel Chart.

    Furthermore, the two-year project LIVIND – “Creative and living cultural heritage as a resource for the Northern Dimension region” that started in September 2021 strengthens the role of intangible cultural heritage in local communities as a source of sustainable development, well-being, and livelihoods. The project includes ten countries from Northern Europe: the Nordic and Baltic countries, Poland and Russia. A project this comprehensive in the field of living heritage is the first of its kind in Northern Europe. With the total budget of 254 00 euros, the project is mainly funded by the Ministry for Foreign Affairs of Finland, with a grant from the funds for the strengthening of cooperation in the Baltic Sea, Barents Sea and the Arctic regions. Other funders are the FHA and the Northern Dimension Partnership on Culture NDPC.

    The LIVIND project focuses on finding practical ways in which living cultural heritage supports sustainable development as well as on recognising and creating good practices to use living heritage to benefit local services, such as education, travel and tourism. The project is based on the many years of extensive international cooperation for intangible cultural heritage, the UNESCO 2003 and 2005 Conventions. Further cornerstones of the project include the Faro Convention underlining the value of heritage for society and the UN Agenda 2030 for sustainable development.

    The project makes use of diverse web-based tools that support fluent exchange and increased co-development work. Webinars, virtual workshops and platforms will be used to collect and share ideas between the diverse actors including public bodies and NGOs from the different countries and areas. The project also involves research activities resulting with analyses and policy briefs that support the further development on living heritage. These materials, along with the good practices and experiences from the pilots implemented during the project will be available on a virtual resource bank, a key result of the project.

    The issues of sustainable development are central to the work of the Association of Cultural Heritage Education in Finland (Suomen Kulttuuriperintökasvatuksen seura). The association has published a book that considers what culturally sustainable development means from the educational perspective. The book explores themes such as cultural identity, cultural rights, cultural change and cultural heritage as part of sustainable development. In addition, the association has launched History Clubs whose activities are based on the idea of cultural sustainability. Anchored to the educational point of view, History Clubs refer to education that puts at the centre the importance of local culture, cultural diversity and intercultural dialogue, the preservation of cultural heritage and intergenerational diversity. The aim of the clubs is to strengthen skills and expertise of the young people in the definition, interpretation and production of cultural heritage. The clubs support everyone's right to their own culture and the realization of cultural rights.

    The Finnish Association for Basic Art Education (Taiteen perusopetusliitto, TPO) has compiled an educational material, which opens the role of art education as a builder of a sustainable future. The material is based on a project that brought together concrete examples of perspectives and practices of sustainability that are emphasized in the teaching of different art forms. In the context of basic art education, sustainable development is seen especially as the values of future activities. Circus, dance, music, theatre and word art can support the building of community through practice and performance. Furthermore, these arts can make use of narration and dialogue in the critical examination of society. In visual arts, crafts and architecture, the materials used and their life cycle need to be considered.

    Special concerns regarding sustainability have been related to tourism taking place in the Sámi Homeland. The Sámi Parliament in Finland adopted Principles for Responsible and Ethically Sustainable Sámi Tourism in 2018. The primary purpose of the ethical guidelines is to terminate tourism exploiting Sámi culture and to eliminate incorrect information distributed about the Sámi through tourism. The second priority is to safeguard the cultural practices and traditions of Sámi population outside the travel industry. These ethical guidelines are primarily meant for tourism actors and operators outside the Sámi community who carry out touristic productisation, representation, marketing and communications of Sámi culture. Furthermore, the guidelines are for visitors arriving to the Sámi Homeland.

    An integral part of the discussion round sustainable tourism in the Sámi Homeland concerns salmon fishing on the Teno River. Teno (Tana (NO), Deatnu (Northern Sámi) is the border river between Finland and Norway and the largest and most profitable natural salmon river in Northern Europe. Fishing on the Teno River is an integral part of the lifestyle of the Sámi population in the area, and restrictions on fishing endanger their right to maintain the life they have preserved hundreds of years. The Parliamentary Constitution Committee has pointed out the right of the Sámi to participate in negotiations concerning their area of residence. The salmon fishing was banned completely 2021, due to collapse of the stock, but the Sámi at the Teno River do not see the ban on fishing as the right way of reviving. The Teno dispute is an example of the many complicate dilemmas the Sámi people face when trying to stand up for their rights.
    The Finnish Museum field has been active in terms of sustainability since 2010, when the first policy paper “Museums and Sustainable Development” of the Museum Association of Finland was published. Since then, the work has been developing and touching more and more the daily work of Finnish museums. During the latest project ‘Sanoista ekotekoihin’ (From words to ecological actions) museum professionals have adopted sustainability thinking to their organizations through eco-experiments. The experiments varied from creating a framework for efficient recycling to calculating the carbon footprint of an entire organization or developing an action plan for sustainable development. In addition to preserving cultural heritage, museum professionals see it as their duty to do things for the future.

    Sustainable Travel Finland (STF) is a program and label of Visit Finland, a unit of Business Finland responsible for promoting travel from abroad to Finland. The program and label are designed to promote responsible tourism in Finland and allow international travel trade to easily identify sustainable tourism providers. STF also encourages collaboration between the government, regional tourism bodies and companies, enabling all parties are working together to ensure a responsible and sustainable future for tourism in Finland. The Sustainable Travel Finland program is open to all tourism companies and all regions in Finland, regardless of whether they already have a sustainability policy in place. There is no admission fee to the program. The program provides the participants with a roadmap and a comprehensive toolkit including tailormade training courses, online manuals, and a digital working environment to help them to qualify for the STF label.

    Since 2020, the companies have been able to apply for the label of sustainability. One of the firsts to receive it, were for example Elämys Ämmi - The Natural Goodness, located in southern Finland. They offer accommodation, homemade food from local ingredients, experiences in the Finnish nature and life at the local farms and enjoying the unique nature of the surrounding forests. Tourists can take part in the life of the farm by milking cows and taking care of pet chickens.
    Visit Åland is Åland's official tourist and membership organization with 250 members. Ålanders care about their nature and at the moment a lot of work is being done to make the destination even more sustainable and attractive. There are many companies in the tourism industry that have already been certified for their environmental excellence. In 2013 the Ålanders started to work on the requirements of the leading international sustainability certification Green Key. At the moment more than 20 facilities have achieved the certification. In Åland, good fisheries management is seen as a basic prerequisite for great sport fishing experiences. Ålanders want viable and prosperous fish stocks and therefore many projects are underway to promote the fish's natural reproduction, at the same time as large quantities of fish fry are planted out every year. To protect individuals that are important for the stocks and to counteract overfishing, there are rules for how many fish you can catch and how big those fish should be.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

In the next reporting period, the State Party will continue to support the broad recognition of ICH among communities, groups and individuals and the society at large. Specific emphasis will be made on reaching groups who are not yet represented in the ICH discussions at the national level. The State Party will promote greater recognition of the importance of ICH in development interventions in Finland on intersectoral policies and administrative measures that guarantee ICH involvement.


16. Extent to which the importance of safeguarding ICH is recognized through inclusive plans and programmes that foster self-respect and mutual respect.

Guidance note corresponding to indicator 16 of the Overall Results Framework: English|French|Spanish

Question 16.1

Are ICH safeguarding plans and programmes inclusive of all sectors and strata of society, including:

  • Indigenous peoples

    The Sámi Parliament in Finland has been active in implementing the Convention through the years. For the first term, the ICH advisory board has a member appointed by the Sámi parliament (2014-2018). Since then, the cooperation has taken the form of many events: In 2016 a seminar “Min Árbi - living heritage of the Sámi people” was organised in cooperation with the Sámi Parliament, Sámi Archives, Sámi Museum Siida, Sámi Area Education Center and Art Promotion Center. In 2020 a webinar “Intellectual property law and protection of Sámi traditional knowledge” was organized together with the Ministry of Education and Culture, the Sámi Parliament in Finland and the Finnish Copyright Society. In 2021 a webinar was organised on Intellectual property protection and the safeguarding of Nordic indigenous traditional knowledge together with the Sámi Parliaments of Finland and Norway. The webinar was a side event to the high-level Conference on Protection of Nordic Indigenous traditional knowledge and Intellectual Property organised as part of the Finnish Presidency of the Nordic Council of Ministers in 2021.

    In maintaining the intangible cultural heritage of the Sámi, special attention must be paid to the fact that the intangible in Sámi culture is closely linked to the tangible cultural heritage. “Ealli biras - Living Environment, Sámi Cultural Environment Program” (edited by Päivi Magga and Eija Ojanlatva 2014) dealt extensively with the Sámi's relationship with the environment and the intertwining of intangible and tangible cultural heritage in the Sámi holistic way of life. The Government has approved in 2021 sites in Upper Lapland that represent the Sámi areas as a nationally valuable landscape area. When valuing Sámi landscape areas, the share of intangible cultural heritage in the landscape has been taken into account in cooperation with the Sami community.

    The educational material on the Sámi cultural environment (2021) produced by the Sámi Museum Siida also takes full account of the Sámi intangible cultural heritage. The Siida also has projects that emphasize community orientation. Community orientation has been emphasized in the renovation of the museum's premises and contents. The Siida also addresses important issues related to the restoration of cultural heritage.

    The study of the SÁRA project on the good life and welfare services of the Sámi in the city (2019) highlighted the importance of Sámi associations as organizers and promotors of activities related to Sámi culture outside the Sámi homeland. Outside the homeland region, Sámi associations are a route for maintaining and renewing culture, while cultural heritage is not transferred within families.

    To maintain the intangible cultural heritage of the Sámi people, the association Sámi árvvut rs (Sámi Values Association, Saamelaiset arvot ry) has been established. For example, the association has awarded the Sámi Traditional Knowledge Award to strengthen the status of Sámi traditional knowledge and to honor the work done by holders of traditional knowledge, Sámi artists, in transferring skills and knowledge to members of the Sámi community.

    There is an ongoing series of discussions focusing on intellectual property law and the protection of Sámi traditional knowledge. In the seminars and webinars the questions around the practical challenges facing culture bearers in safeguarding their traditional knowledge and using intellectual property protection to protect their economic and strategic interests are discussed. The aim is to enlarge understanding on how intellectual property strategies support the safeguarding of indigenous traditional knowledge.

    Sámi Duodji ry is an association of Finnish Sámi artisans, founded in Inari in 1975. It is an association of Sámi artisans that organizes exhibitions and sales activities and gives counseling. With the project ‘Jutaava Duodjibussi’ the association organized a mobile craft counseling service. The duodjibus (lit. the craft bus) took Sámi handicraft courses and workshops directly to remote villages in the Sámi homeland. The central basis of the association is the importance of the duodji as a supporter of Sámi culture and identity. Maintaining the craft tradition and developing new products is essential for keeping Sámi culture alive.
    Sami Duodji currently has an ongoing project for developing the Sámi creative handicraft industry to clarify and renew the industry's operating methods in ways that would also support culturally sustainable Sámi cultural tourism. The project arises from the need to develop a clear and responsible, culturally sensitive business model that supports Sámi values but that at the same time recognizes the economic preconditions and serves the growth potential of the Sámi creative industry.

    The so-called language nests activity has been going on for several years in the Sámi-speaking area. The language nests support Sámi families by offering children Sámi-language early education based on Sámi culture. The aim of the language nests activity is to support passing on to children Sámi language and culture and in this way to help families in safeguarding their intangible cultural heritage. There are currently a total of 12 Sámi cultural and language nest groups, of which two are Skolt Sámi, three Inari Sámi and seven Northern Sámi. Following years of project-based funding of the nests, the Ministry of Education and Culture grants funding annually to secure the cultural and language activities of the Sámi people. The actors providing the language nests apply for funding from the coordinating Sámi Parliament. The Sámi Parliament has a temporary language nest instructor, whose tasks include managing grants, pedagogical support for language nest workers, advising parents and general supervision and development of activities. Currently, there is more demand for language nest activities than can be offered. The challenge is the limited availability of funding and of trained workers with proficient language skills.

 

  • Groups with different ethnic identities

    Compared to many other European countries, Finland has only quite recently begun to pay systematic attention to the rights and opportunities of immigrants and cultural minorities to be active actors in the fields of culture. In the report “Art, Culture and Diverse Finland: Final Report of the Working Group for Cultural Policy, Immigrants and Promotion of Cultural Diversity” (2021), the Ministry of Education and Culture emphasizes the increasing diversity of the Finnish population's needs to be mainstreamed into the planning and decision-making procedures in arts and cultural policy. The funding of arts needs to be developed strategically so that it takes into account the growing societal importance of cultural diversity. Successful mainstreaming means engaging migrants more equitably into arts and cultural life.

    It is important to see multilingualism and diverse cultural competences as human resources and as an integral part of Finnish cultural life. Multilingualism and knowledge about different cultures play an important role in creative working communities, and we need a new understanding of this role.
    Arts and cultural organisations must be able to identify discriminatory structures and recruitment practices and recognise their varying degrees of existence in their own activities. Expertise related to cultural diversity, equity and equality should be developed in these organisations. Cultural actors need to consciously diversify their programmes and foster contents arising from different cultural heritages and aesthetic concepts.

    In the Strategy for Cultural Policy 2025, the Ministry of Education and Culture identifies a change in the operating environment following demographic changes that are making Finland increasingly diverse. As a concrete measure in the next few years, the strategy document notes that the Government will prepare guidelines on how to take better encompass diversity in cultural policy, including immigrant participation in cultural life and promotion of integration through arts and culture.

    The Arts Promotion Center (Taiteen edistämiskeskus Taike) has a development program for cultural diversity and mobility. The objective of the program is to promote the understanding of diversity in the arts, support intercultural dialogue and collaboration between majority and minority cultures and the mobility of artists, as well as to develop international networks with a focus on the Nordic countries and Barents region. The program employs provincial artists who implement projects related to cultural diversity and mobility in various parts of Finland in co-operation with actors in the field. There are currently three provincial artists of cultural diversity, two of whom work on issues of Sámi culture and one on international art productions. The provincial artists work with various minorities: one of the former provincial artists was a member of the Roma community. For example, Taike has organized a joint cultural forum for Sámi and Roma artists Gula mu - Hunnela maan (Listen to me, 2020).

    Intercultural dialogue is also emphasized in music education. In Sibelius Academy, the Global Music Department embraces pluralistic, fluid approaches to sound, music, culture and identity, creating an educational environment where musicians are supported to develop their own unique voices, exchange and merge practices, and create new music through intercultural collaboration. The Bachelor and Master’s Degree programmes provide pathways for students from diverse musical and cultural backgrounds to develop creative, flexible, musical, pedagogical and research skills, intertwined with an in-depth understanding and hands on experience of working in intercultural and transcultural environments. Musicians may apply on any main instrument, voice or composition, including traditional instruments from around the world. Applicants with a background in other art forms may also be considered for the programme, provided they have a sufficient level of musical skills.

 

  • Migrants, immigrants and refugees

    The Cultural Center Caisa (Kulttuurikeskus Caisa) is part of Helsinki City services, founded in 1996 to promote the development of Helsinki into a diverse city through art and culture. Caisa hosts performances, events and exhibitions, as well as art and education. The contents of Caisa's art education take into account the diversity of cultures and identities, as well as multilingualism. In 2017, the FHA organized a full-day seminar with Caisa on the theme ‘Migrants and living heritage’.

    INTERKULT is an NGO cultural association whose purpose is to promote interculturalism through art and culture. Utilizing different art forms, their aim is to enable people from different backgrounds to meet equally. The basic activities of the association are art workshops, which are carried out at e.g. schools, kindergartens, playgrounds, libraries, reception centres and art, youth and residential houses. Interkult organises annually The NOMADS festival which is an intercultural interdisciplinary festival that celebrates cultural diversity by presenting bold and assertive performances and works. In 2017, the FHA participated with INTERKULT and the YLE youth channel YleX a tour across Finland to eight towns to have workshops and discuss ICH from various perspectives.
    The association of four Helsinki based free theatergroups, the Universum runs the Story Sharing Universum Project that aims to help people from different national and cultural backgrounds to meet each other by sharing stories from their lives. The project was started in 2014 and consists of storytelling workshops for asylum seekers in reception centers, and of Story Sharing Cafés arranged all around Finland. Story Sharing Café is an easily accessible event where immigrants, asylum seekers and Finns can meet and share stories together. Attendees may freely share their everyday stories and memories in small groups led by Story Sharing group. There are usually some special storytelling guests, live music and an open story-sharing mic as well. Story Sharing Cafés are multilingual, stories can be told at least in English, Swedish, Finnish, Arabic, French, Russian, Lithuanian, Urdu, Spanish, Pashto, Farsi and Dari.

    The World Village Festival (Maailma kylässä Festivaali) is an annual interdisciplinary cultural festival that has been organised in Helsinki since 1995. It features more than 400 organizations as exhibitors. The festival is a trade fair for organizations, a food festival and a discussion arena for current topics. The main organizer of the event is Fingo, which is the umbrella organization of about 300 Finnish NGOs. The festival program includes music, dance, theater, literature, talk shows, exhibitions and food from around the world. The festival is mainly run by volunteers and it is free of charge for the visitor. The event has been attended by 75,000 to 100,000 visitors annually. The festival is one of the Finland Festivals events and in 2014 it was chosen as the festival of the year.

    Etnofestival Faces is Finland's largest multicultural festival, which has been held since 1988 in Raseborg, Southern Finland. The organization behind the festival is NGO Etnokult, whose main goal is to promote co-operation between different ethnic groups in Finland and other countries. The main focus of the festival is on music, but the program includes other cultural activities such as dance, theater, films, poetry and exhibitions. The concept of the Faces Festival has also been exported to other countries, with daughter festivals being held in Petrozavodsk, Bosnia and Herzegovina and Sierra Leone.

    The Asylum Museum project, coordinated by Helinä Rautavaara Museum in Espoo, was implemented in collaboration with 15 museums, and it produced various exhibitions, guided tours, sports, arts and crafts workshops, parties and other events across Finland. The aim of the project was to develop and inculcate in museums activities that are aimed at the integration of asylum seekers and immigrants, the improvement of their functional capacity, and that support active citizenship and well-being. In 2016-2018, a total of more than 10,000 asylum seekers and immigrants participated in the project activities. The Museum as an Asylum project received funding from the Ministry of Education and Culture.

    Cultural Centre Ninho works to develop a more multicultural and plurilingual children’s culture in Finland. Based in Helsinki, the NGO Ninho offers spaces for learning, togetherness, and dialogue, supporting all families in Finland who are willing to learn about and experience different cultures. They aim at supporting bilingual families and immigrants with taking actively part in the Finnish society. Ninho produces and organizes multicultural events, performances and experiences in which arts, culture and science offer children and their families possibilities to practice diversity and multilingualism. For example, Ninho organizes heritage language reading nests for families, supporting bilingual parenting. In 2021, they have explored dance and movement as a method of expression for people with disabilities or minimal verbal language abilities. Ninho’s main event is the annual Kolibrí Festival, a multidisciplinary and multicultural art festival for children and their families in Espoo, Vantaa and Helsinki.

    An interesting project to mention is by the Turku Christian College (Turun kristillinen opisto) that was supported by the FHA grant. In the project a new approach was developed and piloted to improve the well-being and learning skills of immigrants, in which stories, people’s life experiences and oral tradition played a key role. In the project a group of adult immigrants worked on storytelling for a 40-hour course. The method consisted of story circles, searching for and presenting one’s own stories.

 

  • People of different ages

    Children and young people have an important role to play in safeguarding ICH and bringing traditions to life, as their generations implement and renew traditions now and in the future. It is important, therefore, that children and young people realize their own involvement in the intangible cultural heritage that manifests and lives as part of their lives - in everyday life and celebration.

    One way to emphasize this has been the dedicated website OPI aineetonkulttuuriperinto.fi (Learn living heritage) created by the FHA in cooperation with the Association of Cultural Heritage Education in Finland in 2017. The materials of the website are used in tens of schools all over Finland, and workshops have been organised in many parts of the country to promote these materials. One outcome of this website has been the articles by children and young people made to the ICH Wiki-inventory. These articles are marked with the Our Heritage -logo and they number 16 at present.

    Children's culture is one of the priority areas of the Ministry of Education and Culture. Children's culture refers to artistic, cultural and cultural heritage education for children and young people, the provision of art and cultural heritage, and the art and culture produced by children and young people themselves. The Ministry supports children's cultural activities that are of high artistic and cultural content, child- and youth-oriented, carried out by professionals, reaching all children and young people, respecting cultural diversity and promoting the creativity of children and young people. Currently, the ministry supports a nationwide hobby class model that promotes opportunities for children and young people to engage in arts and cultural activities during the school day. Hobbies are also organized in kindergartens.

    The aim of the Ministry is to make art and culture a permanent part of the lives of children and young people through the work of children's cultural centers, organizers of basic art education, art institutions, museums, theaters, orchestras, libraries, traditional associations and other arts and cultural actors. The Ministry supports the activities of 26 regional children's cultural centers, the Finnish Association of Children's Cultural Centers and the Finnish Association for Basic Art Education.

    The Arts Promotion Centre (Taike) had a multi-year program for the development of children's culture, in which county artists implemented projects related to children's and youth culture in collaboration with various actors. The development program promoted children's culture extensively, for example through architectural, circus and word art projects.

    In municipalities, cultural education plan is a way of organizing and consolidating the cultural work of children and young people. The plan is drawn up and implemented in collaboration with schools and cultural and artistic actors. It is based on municipalities own cultural offer and heritage, as well as the voluntary activities of children and young people. A cultural education plan works best when it is integrated into a municipality-specific curriculum, in which case the municipality is obliged to implement and resource it. With the cultural education plan, it is possible to strengthen the locality in the implementation of the curriculum and to highlight the phenomena and objects of cultural heritage that would not otherwise be taken into account in the curriculum. Municipalities have good experiences of the effects of the cultural education plan on the cultural life of the municipality: the plan has activated cultural actors to present and offer their services more widely than before. In 2019, about 1/3 of Finnish municipalities had made a cultural education plan.

    Municipal cultural youth work is based on the Youth Act, which requires municipals to offer young people opportunities for hobbies and leisure activities. Municipal youth work starts from young people's own interests, and activities are planned and implemented as much as possible together with young people. In cultural youth work, the worldview and community are built through culture, art and media. The activities of cultural youth work are linked by the Young Culture (Nuori kulttuuri) network, which organizes regional and national cultural activities and organizes youth work networks. The goal of the Young Culture Network is to enable as many children and young people as possible to have experiences of success by participating in cultural activities. Every two years, the network organizes a Young Culture Festival, where young people can stand out with their own art. The Young Culture Roots program supports experiments and pilots of cultural work through resourcing and production sparring assistance. The Ministry of Education and Culture funds the Young Culture activities, and the Finnish Youth Clubs are responsible for the activities.

    The Association of Finnish Children’s Cultural Centers has 33 members. The members, centres for children’s culture cooperate nationally by ambulating exhibitions and art workshops, by exchanging performances and methods and by engaging in joint productions. Within their regions, the centres work in close cooperation with various municipal sectors, e.g. early education, schools and NGOs. Accessibility is the central principle and goal guiding the operation of the Association of Finnish Children’s Cultural Centers and its member centres. The centres bring accessible art education into the daily lives of as many children and adolescents as possible and increase their well-being by means of art and culture.

    The Craft Museum of Finland (Suomen Käsityönmuseo) has produced extensive materials as a tool for cultural heritage education. The Kukako -website has been developed to help and teach cultural heritage education in primary schools. Its purpose is to lead children to actively explore and act on cultural heritage. The ICH and sustainable development perspective have been strongly taken into account in the data.

    The project by the Finnish Local Heritage Association, ‘The Masters and the Mentees’ (Mestarit ja kisällit) brings together people of different ages to transfer intangible cultural heritage between generations. The project challenges the conventional idea of elderly masters teaching young learners and supports instead the idea of reciprocal expertise. Acting together, people of different ages can in turns be the ones who share of their knowledge and skills and in turns those who learn e.g. about local cultural heritage and heritage skills. Still, the older people in the project figure as trusted adults who share of their time and local knowledge. First active for the period of 2018-2020, the project was granted continuation with funding from the Ministry of Education and Culture. The aim is now to establish the action model as a permanent activity and part of local heritage work.

 

  • People of different genders

    All people in Finland should have equal opportunities to contribute to and participate in the community, irrespective of gender, ethnicity, sexual orientation or functional ability. Lesbian, gay, lesbian, bi-sexual, trans, intersex and queer (LGBTIQ) people have the right to live openly. The authorities are working to prevent discrimination.

    The cultural heritage of sexual and gender minorities, referred to here as rainbow people, has for long time been hidden and secreted by criminal law, medicalization, and attitudes. The criminalization of homosexual acts was not removed from the Finnish Penal Code until 1971, and homosexuality was removed from the disease classification in 1981. The 1971 amendment to the law also set higher age limits for homosexual acts and provided for the so-called ban on incitement, criminalizing incitement to lawful homosexual acts. These were removed from the Criminal Code in 1999. Fetishism and transvestism were not removed from the disease classification until 2011.

    The history and (living) cultural heritage of rainbow people has therefore been surrounded by a silence that lasted well into the 21st century. In 2014, for the first time, the final report of the Working Group on Accessibility of Art and Culture (2009-2014) set up by the Ministry of Education and Culture included various proposals for measures to preserve the cultural heritage of rainbow people. Representatives of the rainbow people were not included in the working group, and they were only consulted at the end of the working group's term.

    Prior to the 21st century, the living cultural heritage of rainbow people was protected and nurtured mainly through the community's own associations and voluntary actors. The challenge has been, and continues to be, that most of the communities’ energy goes to human rights work, defending their own rights, advocacy, school visits, and maintaining a variety of support services. Associations do nurture a living cultural heritage by providing activities and organizing various events, but they often lack resources and expertise to preserve and consciously protect it. Rainbow people also has associations related to living cultural heritage, such as amateur theatre groups, various festivals, and events related to word art. In addition, the bar and night club culture has flourished over the decades with a very lively drag queen, drag king and stand up culture. Repeated appetite events around the country and other festivals serve as a kind of stage for the rainbow cultural heritage.

    The cultural heritage and history of sexual and gender minorities have been archived through various collections. The first memory collection Homosexuality was carried out at Finnish Literature Society (Suomalaisen Kirjallisuuden Seura SKS) as early as 1993, but most of the rainbow minority memories were collected during the 2000s, often as part of a research project. The Labour Archives (Työväenarkisto) is the main archive of many rainbow associations, and the Archive has also been actively collecting rainbow-shaped memory data. In addition to the SKS and the Labour Archives, Finnish Swedish Literature Society (Svenska litteratursällskapet i Finland SLS) has carried out a memory collection. The Finnish Labour Museum Werstas (Työvänmuseo Werstas) is a nationally responsible museum of working life and social history designated by the Ministry of Education and Culture. One of the museum's responsibilities is to record material from sexual and gender minorities. The museum has been collecting and storing LHBTIQ materials and cultural heritage since 2002, and the museum's (and Finland's) first rainbow cultural history museum exhibition was in 2005.

    In recent years, museums and other memory organizations have also supported communities by organizing various commemorative events, discussions, seminars and guided tours related to the rainbow cultural heritage. Because the knowledge base of cultural heritage professionals related to rainbow cultural heritage is still quite thin, they have often had to resort to external experienced experts, and thus often involved communities at least to some extent. Many scholars have also been active in preserving cultural heritage and raising awareness, such as individual journalists and writers.

    In recent years, the Culture for All service (Kulttuuria kaikille -palvelu KKP) has actively sought to support the Finnish arts and culture field in nurturing the rainbow cultural heritage and raising awareness. Culture for All service conducted the first survey on rainforest cultural heritage in 2007: “New Time, Old Challenges. Sexual and gender minorities as consumers of cultural events” by Niclas Sandström and in 2014 a broader survey on the need for a rainbow population: "Quite a lot more queer!" - The wishes and experiences of sexual and gender minorities about the arts and culture offer by Emmi Lahtinen and Rita Paqvalén.

    During 2016-2018, the KKP, together with Seta (Ihmisoikeudet kaikille - LGBTI rights in Finland – SETA ry), implemented the project “Finland 100 - In the Colors of the Rainbow”, the aim of which is to collect and increase awareness of the cultural heritage of rainbow people and to implement various art projects. The project also carried out a memory collection “Minority in minority” (Minoritet i minoriteten). The project's archival collaboration is opened in the report “Minns du? Vårt queera kulturarv”, edited by Rita Paqvalén in 2018. At the end of the project, the project partners decided to launch Rainbow History Month to raise awareness.

    Rainbow History Month has been celebrated in Finland since 2018,. Since 2020, Rainbow History Month has been coordinated by the Friends of Rainbow History Association (Sateenkaarihistorian ystävät ry). The association was founded in 2020 and aims to promote knowledge of the history of gender and sexual diversity, as well as research, recording, and presentation of rainbow history and queer history. In 2021, the association launched a project in which young people's awareness was raised through school visits and the Rainbow Arc Life data package implemented in co-operation with the Labour Museum Werstas and the Finnish labour Archives.

 

  • Persons with disabilities

    A common problem in the inclusion of people with disabilities has been that often people with disabilities have not been involved in discussing their inclusion or the ways to implement inclusion. The prevailing norms of normality in society have typically regulated the starting points of inclusion and, above all, the attitude of people with disabilities to themselves. The UN Convention on the Rights of Persons with Disabilities aims at the full realization of civil liberties and has contributed to the understanding of disability. Although the citizenship of people with disabilities is now more constructive, still the citizenship of able-bodied citizens who fit the norm is better than that of those citizens with a wide range of disabilities.

    Finland has enacted the Equality Act (Laki yhdenvertaisuudesta), the purpose of which is to promote equality and prevent discrimination, as well as to enhance the legal protection of those who have been discriminated. The law obliges public authorities, employers and educational institutions to draw up an equality plan, and to discuss its promotion and effectiveness with staff.. The Equality Act itself has increased inclusion and created a clear treatment for discrimination cases: the Equality and Non-discrimination Commission (Tasa-arvo- ja yhdenvertaisuus valtuuskunta) and the Non-dicrimination Ombudsman (Yhdenvertaisuusvaltutettu) investigate and resolve problem situations related to the implementation of equality.

    In recent decades, organizations of people with disabilities have become mostly run by people with disabilities, and are therefore more able to share experiences and information, for example in the form of peer support, while doing advocacy work. A key aspect of cultural activities needs to be that the that they are not cultural activities for people with disabilities, but cultural activities by the disabled persons themselves. Over the decades, there is a tradition of making a culture of disability and art that grows on top of what has been done in the past. Social media is an important tool for creating and sharing traditions. In virtual forums, a person with a disability can often operate on fairly the same terms as others. It is active both in groups and as individuals and comes into contact with others without access charges, transport services, an assistant or finding out whether facilities are accessible, induction loops, safe space principles, etc. The EU has an accessibility directive and generally technically accessible platforms promote equality. dignity on social media.

    Although the role of people with disabilities in society is clearer than before, the voice of people with disabilities in society is still very low. Most often, experts in various fields and policy makers speak for people with disabilities. It is still rare for people with disabilities to be able to decide for themselves what and how they share about their lives. In 2014, the Life of People with Disabilities in Finland project and the Finnish Literature Society (Suomalaisen kirjallisuuden seura) organized a biography collection with the disabled people's own voice in the focus. In 2011, the Labour Museum Werstas (Työväenmuseo Werstas) hosted an exhibition on the history of Finnish disability, “Absolutely AbNormal”, the contents and themes of which were chosen jointly by disabled people's communities and the museum staff. These are examples of cultural projects where people with disabilities’ own experiences are the starting point and disability is not seen from the outside.

    NGO Kynnys ry, a human rights organization founded in 1973 by people with disabilities, has been actively cooperating with publishing companies. The collaboration has resulted with a number of collaborative works on history or other disability-related works written by people with disabilities, such as “On the Dawn of Life” and “My Room Became a World” and “Woe to the Disabled”. “Crippled Panthers” (Rammat pantterit) is a so-called strike group of Threshold Association’s civic action group for people with severe physical disabilities, which is intended for social impact that requires a quick response. Crippled panthers are an integral part of the Threshold Association’s active operating culture.

    One of the oldest events organized by an organization for the disabled to maintain their own culture is the National Culture Days of the Deaf organized by the Finnish Association of the Deaf (Kuurojen Liitto). The event has been organized since 1956, which means thatthe event has maintained the culture of Sign Language user community for over sixty years. The events are held in cooperation with local associations of the deaf. A large number of art enthusiasts who use Sign Language perform and compete at the Culture Days. The performing arts featured are stage performance, visual arts, crafts, photography and digital art. The event also has important social significance as it provides an opportunity for Sign Language users to network with each other and to discuss their language, identity and culture. It is estimated that the Culture Days are attended by roughly a third of the Finnish Sign Language community.

    The visually impaired also create their own tradition, for example in the study of music, for which a braille version of sheet music has been developed. There are craft skills for the visually impaired relocated and renewed within the community, and this work was promoted in the Career at Work -project (2016-2018). The project updated the visually impaired community's perception of the value of craft professions and brought the idea of the value of all professions more strongly to the community education debate. The project also included a master's thesis in handicrafts entitled “Examination of the learning of bodily skills as part of the process of participation of the visually impaired in the community: twisted brass and horsehair, braided paper rope and rattan” (Annukka Mäntynen 2019). One outcome of the research was that sharing and acting in the community is an interactive activity where one can also learn to act more ethically towards others and the environment.

    “The silent history of disability. Identity, Inclusion, Society ” is a project funded by the Kone Foundation in 2017–2019. It is based on the idea of accessibility of history; that history belongs to everyone. The aim of the project was to launch a collaboration between researchers in the history of disability and the history of mental illness and the field, to create new ways to disseminate research results, raise historical awareness and societal debate on disability and mental illness, and explore personal meanings and experiences. In the project, the inclusion of actors with disabilities was organized systematically.

 

  • Members of vulnerable groups

    The National Museum of Finland (Kansallismuseo) opened in 2019 The Prison (Vankila), Finland’s largest prison museum, in the previous Hämeenlinna county prison, originally completed in 1871 and used as a prison until 1993. In the reform from a prison to a museum, many people who have experienced the prison from various perspectives, either as prisons or staff members, participated in the planning of the contents of the exhibitions together with the National Museum.

Question 16.2

Do safeguarding plans and programmes for ICH in general and/or for specific elements of ICH (whether or not inscribed on the Lists of the 2003 Convention) foster self-respect within and mutual respect between communities, groups and individuals?

Yes

Explain briefly how they foster self-respect within and mutual respect between communities, groups and individuals, providing examples.

In the National implementation plan and the Action plan for 2019-2022 the role ICH in the advancement of intercultural dialogue is highlighted. New communities, including minorities, are encouraged to use the inventories to make their own living heritage visible and to work with safeguarding. The aim is to increase the proportion of good practices in particular. The programmes and events foster self-respect within and mutual respect between communities, groups and individuals. In the webinars, workshops and inventorying processes community ICH and its impact on fostering self-respect is highlighted. Inventorying itself instills pride as well as reduces barriers among communities. One way to foster respect between communities are the project of the FHA related to the Convention. For example, projects related to festivities of different minority cultures and to Roma ICH have been supported.

One part of this work is the cooperation with and between Sámi communities among the Nordic countries. The Sami Parliamentary Council, a co-operation body for the Sami parliaments on the Finnish, Swedish and Norwegian sides of the border aim to formulate a common policy for the management of Sami cultural heritage and traditional knowledge. The Saami Council is also involved in this work. This collaboration will strengthen the professional management of the Sámi cultural heritage. This work has a connection to the UN Decade for indigenous language 2022-32.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will continue to promote the importance of safeguarding ICH recognition through inclusive plans and programs that foster self-respect and mutual respect. This will be done by further emphasizing inclusive environment for communities, individuals, and groups to contribute to and participate in safeguarding plans and programs. Special attention will be paid to cultural diversity and ethnic minorities.


17. Extent to which communities, groups and individuals participate widely in raising awareness about the importance of ICH and its safeguarding

Guidance note corresponding to indicator 17 of the Overall Results Framework: English|French|Spanish

Question 17.1

Do awareness-raising actions reflect the widest possible and inclusive participation of the concerned communities, groups and individuals?

Yes

Describe briefly, giving examples, how participation is ensured. If it is not, please explain why.

In the work of the FHA wide and inclusive participation is the aim of all initiatives. To this effect, efforts are made to ensure geographic, cultural and gender representation. Awareness-raising activities are carried out by the FHA v and by communities, groups and individuals. Since 2014 numerous seminars and webinars concerning ICH have been organised. Thematic seminars have been held in all domains. All of the events are organized in close cooperation with communities, NGOs, museums, researchers and other organisations active in each field.
Many events have been organised with different cultural groups: two with the the Swedish-speaking population in Finland, three events with the Sami People and two events with the Roma people. One seminar and two workshops have been organised on the theme of cultural heritage with immigrant communities, NGOs and institutions related to them.

The pre-pandemic, outreach activities mainly involved physical meetings, seminars and visits to schools to carry-out lectures, presentations and distribute ICH resources. This was done across a range of cultural and geographic areas. Since the social restrictions connected to COVID-19, activities have shifted to virtual platforms, social media and websites.

Many kinds of awareness-raising activities have been supported with the FHA grants related to the Convention. For example, the Living Communities project (Yhteisöt elävät!) by the Finnish Local Heritage Federation (Suomen Kotiseutuliitto) 2010-2021 supported the capacity of local communities to address the intangible cultural heritage of their area. The aim was to make the living heritage better identified and understood and more strongly integrated into the activities of the communities. The project carried out several workshops on-site and online focusing on the identification and safeguarding of ICH. Interesting presentations and examples were also heard in the workshops. In addition, the participants created safeguarding plans related to ICH in their own community. Project materials, tools and videos are available online.

Question 17.2

Do awareness-raising activities concerning specific elements of intangible cultural heritage secure free, prior, sustained and informed consent of the concerned communities, groups and individuals?

Yes

Describe briefly, giving examples, how their consent is secured.

As mentioned above, awareness-raising activities base on the principle of promoting wide and inclusive and at the same time voluntary participation. Awareness-raising activities are often arranged in cooperation with different NGOs and associations that are several in the cultural and cultural heritage field. This voluntary sector is vital part of Finland’s cultural life and essential companion to public cultural and cultural heritage institutions. For example, several active NGOs spread knowledge about the Convention and about ICH safeguarding through their own networks. The FHA works in close cooperation with these NGOs and other actors, and consent is secured through direct, open and collegial discussions. The Circles of Living Heritage, presented elsewhere in the report, are crucial in this work.

Question 17.3

Are there mechanisms in place that duly protect the rights of communities, groups and individuals, and their moral and material interests during awareness raising activities about their ICH?

Yes

Explain briefly, giving examples, how these mechanisms protect the rights of communities, groups and individuals and their moral and material interests during awareness raising activities.

The Constitution of Finland support the rights of the communities, groups and individuals, and their moral and material interests in raising awareness about their ICH. The Sami, as an indigenous people, as well as the Roma and other groups, have the right to maintain and develop their own language and culture. The Sámi have a cultural autonomy, which the Saami Parliament is responsible for. Provisions on the right of the Sami to use the Sami language before the authorities are laid down by a Sámi Language Act (1086/2003). More information in 11.1.

In Finland, a special emphasis needs to be paid to the rights of the Sámi people and their moral and material interests during awareness raising activities about their ICH. This is an ongoing process that goes hand in hand with Norway and Sweden. An important step on this was the UNESCO Capacity Building Course on Sámi ICH organised in Norway on the year 2019. The course had also participants from the Finnish Sámi community and organisations.
The Sámi Parliament of Finland and the Ministry of Education are important partners in this work. So far, three joint events have been organized to raise awareness on these topics, especially related to the IP right and the protection of traditional knowledge.

The work related to rights and Sami culture is followed up by the Finnish Presidency of the Nordic Council of Ministers in 2021. In this connection, Finland organized a high-level conference on the protection of the Nordic countries Indigenous peoples' traditional knowledge and intellectual property rights in November 2021. The goal of the conference and the work is to strengthen regional, cross-border cooperation and increase the expertise of the Nordic countries on issues of intellectual property rights and traditional knowledge. In connection with this event, work is being done to discuss protection and continuation of intangible cultural heritage and IP rights in order to elevate knowledge on a broader basis. Several Sami actors have stated that the knowledge project on rights related to Sami intangible cultural heritage should continue on a pan-Sami level, in the same way as the general work with Sami intangible cultural heritage is followed up to a pan-Sami level.

Question 17.4

Are there mechanisms in place that facilitate the active engagement of youth in awareness-raising activities?

Yes

Describe briefly, giving examples, what mechanisms exist to facilitate their active engagement. If ‘no’, please explain why not.

The Youth Act of Finland/Nuorisolaki (1285/2016) emphasises social integration and the participation of young persons. One of the primary purposes of this Act is “to promote the social inclusion of young persons and provide them with opportunities for exerting an influence and improve their skills and capabilities to function in society”.

In the work with the Convention in Finland, awareness raising related to youth has mainly been made through the website OPI.aineetonkulttuuriperintö designed together with the Finnish Association for Cultural Heritage Education in Finland (Suomen Kulttuuriperintökasvatuksen Seura). In addition, workshops have been organised in several schools in different parts of the world to students on the secondary schools.

Some of the project grants by FHA have concentrated on this theme. In the Live Living Heritage (Live elävä perintö) project, the Finnish Association for Cultural Heritage Education promoted dissemination and documentation of the ICH by youth from diverse backgrounds. In the project several videos were made from the manuscprit to the final videos published on Youtube by teenage students from X schools. In addition, the project strengthened teachers’ understanding of living heritage by offering them ready-made teaching? materials and lesson packages for the processing of living heritage material. In addition, teachers were encouraged to produce articles and videos on living heritage with their classes.
Awareness raising among youth takes place in various contexts in ICH related education. See more at indicators relating to education.

Are youth engaged in collecting and disseminating information about the intangible cultural heritage of their communities or groups?

Yes

Describe briefly how young people are engaged, giving examples.

See previous indicators about the “Our Heritage” articles on the Wiki-inventory of Living Heritage and the YleX tour.

Question 17.5

Do communities, groups and individuals use information and communication technologies or any other form of media, in particular new media, for raising awareness of the importance of ICH and its safeguarding?

Yes

Explain briefly, giving examples, which ICTs and media are used for awareness raising and how they are used.

Communication technologies are widely used among all kinds of ICH communities in Finland. NGOs have their own websites, Facebook and Instagram pages, which reach out to hundreds or thousands of practitioners and fans all over the country and beyond. To name a few, in folk music and folk dance, the Kamukanta.fi website is a platform for events, artists and current affairs in the field. In crafts, the Punomo.fi website presents hundreds of instructions to various crafts updated by community members all around the country.

Social media is used effectively to spread news, make campaigns and to reach out to new target groups. Even for small local traditions, such as the Tikkuröijy-sweater, the 2500 followers of the dedicated Facebook-page make a huge impact for the visibility and transmission of the tradition. In the self-made bowed lyre FB there are one thousand member from all over the world. Related to horta gathering, there is the hortoilu.fi FB group that gathers together 31 000 practitioners sharing their recipes and advice to each other.

Furthermore, application for mobile phones have been developed. Martat NGO for home economics recently launched its app to more conveniently share recipes and all kinds advice related to homes, gardening and crafts. The Traditional Games app by Perinneleikit NGO has been used by schools all over Finland.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will continue to foster wide participation of communities and practitioners and bearers in awareness raising initiatives. Particularly, the State Party will generate more opportunities for youth groups to participate in awareness-raising projects.


18. Extent to which media are involved in raising awareness about the importance of ICH and its safeguarding and in promoting understanding and mutual respect

Guidance note corresponding to indicator 18 of the Overall Results Framework: English|French|Spanish

Question 18.1

Does media coverage:

  • Raise awareness of the importance of ICH and its safeguarding?

    In Finland the attention towards ICH has been steadily rising since 2013, the ratification of the Convention. Whereas the concept of intangible heritage was non-existent in the Finnish media prior to 2013, it now gathers hundreds of hits in the media annually. However, it must be noted that different domains of ICH have been visible in the media during the last decades in many, many ways.

    Regarding the implementation of the Convention by the FHA, the inventorying work has been an effective way to get the attention of the media. In 2017 when the first elements of the National Inventory of Living Heritage were selected, a big media campaign resulted in more than 40 hits in the media in national, regional and local media both in Finnish and Swedish reaching to over one million people. The National Broadcasting company YLE made a video of the selection and also a 10 minute interview with the FHA coordinator in the morning show reaching hundreds of thousands of people. The success of the campaign was hard work: media were targeted by FHA with several tailored press releases highlighting local examples from the inventory in the respective area and also, connecting journalists with local practitioners.

    The communities behind the elements in the National Inventory are offered a communication package by the FHA once they are inscribed. This includes the Living Heritage Logo, basis for press releases, ABC for making a communications plan and also good examples of media campaigns among the elements. This tool has proved to be effective in encouraging communication by the communities.

    In addition, national selection of UNESCO candidates for the lists has been in the interest of the media. In 2018 YLE had a media campaign “Mennään metsään” (Let’s go to the Forest) to highlight one of the elements in the national inventory, everyman’s rights and its safeguarding. The campaign was running since 25th August to 7th of September 2018. Massive media campaign on radio and TV promoting the campaign was supported by several programs and a website. The concrete way citizens could participate was to mark on the website how many times to they go to the forest = use their everyman’s right during the campaign. On Sunday evening (primetime) they had a two hour show from the forest illustrating different ways to use these rights with researchers, activists, artists and also the NGO telling their side of the story. The high point was to publish the figures of their counting – they had collected over 770 000 visit to the forests in two weeks’ time. Hundreds of thousands of people had thus gone to the website. However, the campaign was not properly planned with respective communities and caused also tension around UNESCO nominations and confusion with the World heritage list.

    In 2020, YLE wanted to show its support for the nomination of Sauna culture in Finland to the RL. Campaign called “Sauna Day” (Saunapivä) took place in June-July 2020. The campaign included dozens of different programmes on TV, platform Yle Areena, websites and various social media channels. On Sauna Day 27.7, more than 1,000 saunas and more than 200,000 steam baths were recorded in the Steam Meter by citizens. The live broadcasts of Sauna Day gathered more than 700,000 spectators. According to social media, the Internet and radio, the campaign had a reach of well over a million people on 27 July.

    The inscription of Sauna culture in Finland on the RL in 2020 brought a lot of visibility to intangible cultural heritage. In Finland, there were 86 media hits. 1-2 millions of people were reached in Finland, especially through national newspapers, their online publications and TV news. From the rest of the world, e.g. the Guardian, the Washington Post, die Zeit, die Frankfürter Allgemeine and Japan’s NRK announced the inscription of Saunaculture in their headlines. Videos related to Sauna culture spread on social media, receiving tens of thousands of views.

    Regarding the visibility of ICH in its forms in the media, there are some recent examples that should be mentioned.

    For example, YLE has series that focus on ICH safeguarding called Strömsö. It is a leisure program produced by the Swedish-speaking Yle, which deals with e.g. cooking, gardening, crafts and woodwork. It has been one of the most popular TV shows for years, with about 350,000 weekly viewers.

    “The people of the Wilderness” (Eränkävijät) is a nature program that monitors the hunting and fishing of Finnish wildlife enthusiasts. The program introduces different natural sites and the life stages of the main characters as wilderness person. It is equally presenting men and women within the field.

    “Hidden in Forests” (Metsien kätkemä) program series presents legendary places and related myths in Finnish nature. The program has been produced in two seasons, which can be viewed at Yle Areena. The first foreign spin-off of the format, Hidden Forests Australia, will start on Finnish television in November 2021.

    “Sami Yaffa - Sound Tracker” is a music program where Sami Yaffa, an accomplished musician himself, travels the world and learns about different music cultures and musicians. Sound Tracker is his expedition to the world of music highlighting ICH safeguarding and also ethical concerns. The program has been produced for three seasons so far and all seasons can be seen at Yle Areena.

    Yle's radio channels present folk music, world music and ethno music in three programs every week. Once a month, broadcasts of a live ethno concert. Yle's TV and radio channels present and record Ethnogala events and contemporary folk music for the Root Festival. Folk music is also shown and heard regionally, for example in Yle Ostrobothnia's program Kaustinen music traditions are strongly featured. Though the number of regional broadcasts is quite high, provincial actors have drawn attention to the fact that it is not possible for regional editors to have a sufficient influence on, for example, music choices in program content, which means that the music culture of the whole country does not stand out enough.

    In addition, dedicated magazines in all of the domains of ICH highlight current topics and events. Magazines dealing with ICH are often published by organizations and contain ICH relevant from an organizational perspective. Such are, for example, Pirta magazine published by Kalevala Women’s Association (Kalevalaisten Naisten Liitto) and Kansanmusiikki magazine of the Finnish Folk Music Association (Suomen Kansanmusiikkiliitto). In Finland, publications in the field of cultural heritage have a well-established and committed readership for the time being. For example, Taito magazine, which presents crafts culture, has been published continuously since 1907. The magazine presents craft techniques and tells their history, introduces craftspeople and the latest trends in crafts.

    In Åland, the importance of ICH and its safeguarding is implicitly a major part of the radio and television radio programs in ÅRTV (public service provider in Åland). ICH and culture in general forms a fundamental basis, and ÅRTV produces and broadcasts a diverse variety of programs related to ICH, both old and new materials. This raises awareness of the importance of ICH and its safeguarding. The ÅRTV broadcasts documentaries, cultural coverage, and transmits archived programs. The media landscape in Åland also consists of two competing newspapers, which has led to a broad coverage of ICH in its different forms.

 

  • Promote mutual respect among communities, groups and individuals?

    The Finnish Broadcasting Company (Suomen Yleisradio Yle) was founded in 1926. Yle’s operations are governed by the Act on Yleisradio Oy. The act defines the duties of Yle's public service media. Their operations are also based on ethical guidelines and instructions. Yle's Code of Conduct binds all Yle's operations, and every employee, freelancer and partner working for Yle.

    Yle is owned by the Finnish state, and its funding is based on the Yle tax, which is a maximum of 163 euros per person per year. As it is tax-funded, Yle must make its content available to everyone on equal terms. This means that Yle's programs and contents are available on television, radio and online to all Finns, regardless of age, gender, wealth or place of residence. The purpose of Yle, as defined in its strategy, is to increase understanding of each other and the world and to strengthen Finnish society and culture.

    Yle's contents include national and regional news as well as current affairs, sports, drama, culture and entertainment, and children's and youth programs. It has four channels on television, six on the radio as well as two digital radio services, and a wide range of online offerings. Contents for the channels and the network is produced in twelve languages: Finnish, Swedish and three Sámi languages, sign language, plain Finnish and Swedish, Romani, Karelian, English and Russian. The coverage of content production is ensured through regional deliveries, which Yle has 24: 18 in Finnish, 5 in Swedish and 1 in Sámi homeland. Seven correspondents and ten assistants bring news from around the world in Finnish and Swedish.

    Yle's mission is to promote freedom of expression, a high level of journalism and media diversity. At the same time, Yle must support the preservation of Finnish cultural heritage, tolerance, equality, parity and cultural diversity. All Finns must have equal opportunities to get information, experiences as well as enjoy, educate and develop themselves. In 2017, Yle founded a post of Head of Audience Dialogue to streamline and improve the company’s interaction with its audience. The task of the post is to open the background of Yle's journalistic solutions and other activities to the public and to support Yle's corresponding journalists, ethics manager and journalists within the company.

    Yle has significantly increased the number of publications online, in order to make public service content more accessible through a variety of media and to gain a more interactive audience relationship than in traditional media. Yle’s online media, Yle Areena, has been the most used and respected domestic online media now for several years in a row. All the Yle Arena's radio and TV channels are streamed, and the programs can be watched and listened through Yle Areena's mobile applications as well. The network is also the primary channel for Yle's content for expats.

    In November 2021, Yle will turn 95, and in honor of the anniversary celebrations, they have established a new event dedicated to social debate called Aurora. The name of the event refers to the northern lights (Aurora borealis), as it honors equality and responsibility in all Finnish living environments, as the tasks of Yle obliges. The first Aurora event focuses on gender equality.

Question 18.2

Do various ICH stakeholders and media organizations jointly establish and implement specific cooperation activities or programmes concerning ICH, including capacity-building activities?

Yes

Describe, using examples, such joint cooperation activities or programmes.

Yle's Swedish-language unit, Svenska Yle, is responsible for providing services in Swedish. It is responsible for Swedish-language radio and TV channels, programming, news coverage and publications. Svenska Yle produces content for the Internet, television and radio. On the Internet, it has its own website with its news offering. On television, it has its own independently operating channel, Yle Fem, with a shared channel location with Yle Teema. On the radio, Svenska Yle offers two channels: Yle Vega for adults and Yle X3M for young people. Yle Vega also has local deliveries and broadcasts.

Yle Sápmi (Yle Sámi) produces Sámi-language content for radio, television and the Internet. It is Finland's most important Sámi media. Yle Sápmi implements Yle's Sámi-language public service mission and Yle's strategy. Yle Sápmi employs about 20 people in Inari, Enontekiö and Helsinki.

Yle has produced a documentary “Unbroken” (Katkeamaton, 2021) about a young Sámi woman who wants to study the Sámi language and culture she has lost. The documentary follows his studies at Kautokeino in Norway and considers how the language has not been passed down from one generation to the next. In the summer of 2021, the documentary has attracted a lot of attention and discussion about how Sámi is portrayed in the media.

The Joint Truth and Reconciliation Commission of the Finnish state and the Sámi Parliament has been the starting point for the documentary Eatnameamet - Silent Battle (Eatnameamet - Min jaskes dáistaleapmi, 2021). The documentary can be viewed at Yle Areena. Columns on Yle's website are written by an urban Sámi journalist, who often raises issues related to minorities.

The Finnish Broadcasting Company broadcasts a weekly program in the Roma language, Romano Mirits. It is the only radio program for the Roma that is regularly broadcasted in the national media. During the 15-minute program, issues relevant to Roma people are addressed, with topics ranging from side to side. The program has been made for over 25 years, which is a long life for a radio program.

In 2015, Yle started broadcasting in Karelian radio news (Yle Uudizet karjalakse), which is carried out in cooperation with the Karelian Language Society. Yle publishes news contents in Karelian on their website as well.

Describe in particular any capacity-building activities in this area, with examples.

Question 18.3

Media programming on ICH:

  • Is inclusive

    See 18.2

 

  • Utilizes language(s) of the communities and groups concerned

    According to the Broadcasting Act, Yle must offer public service content in a versatile and comprehensive manner to everyone. These and other public service content services must be provided on public communications networks nationwide and provincially. Yle operates in two domestic languages and also provides services to the Sámi and other minorities and special groups. Yle produces contents in twelve languages: Finnish, Swedish and three Sámi languages, sign language, plain Finnish and Swedish, Romani, Karelian, English and Russian. Finnish and Swedish are the official domestic languages, so they dominate in content production.

    According to Yle’s strategy, it aims at bringing out people living and thinking in different ways and their stories heard from all over Finland and the world more strongly. It aims to increase understanding between people and also give voice to those who, because of their status, are not otherwise in public.

 

  • Addresses different target groups

    In the strategy for Yle 2020 is underlined that they must serve Finns of all ages. For this to happen, it requires a thorough understanding of media use and life for audiences of all ages. As media companies are constantly competing harder for young audiences and children, they aim at strengthening relationship with children and young people. For that, they give space to new actors and the voices and thoughts of young people. In order to get along in the competition, the services are being renewed, offering world-class quality software, pedagogical applications and memorable encounters.

 

  • None of the three

Question 18.4

Is media coverage of intangible cultural heritage and its safeguarding in line with the concepts and terminology of the Convention?

High

Provide any additional explanation.

The Finnish media has done pretty well in terms of the appropriate language thanks to the efficient communication policy of the FHA and the Ministry of Education and Culture. Press releases have been published on news to support the media to use the right terms and not to mix for example with World Heritage. There is still work to be done on this matter, as was shown by the recent media campaign in December 2021 related to the new inscriptions from Finland to the RL.

The task of the Council for Mass Media (Julkisen sanan neuvosto) is to cultivate responsible freedom in regard to the Mass Media as well as provide support for good journalistic practice. Good journalistic practice is based on the public's right to have access to facts and opinions. Media associations, journalists’ unions and independent media companies that have affiliated to the Basic Agreement are bound to adhere to its principles. The aim of the guidelines is to support the responsible use of freedom of speech in mass communication and encourage discourse on professional ethics. They also endeavour to ensure that their members and those working for them act in accordance with the intentions of this agreement. The council has pointed out that the dignity of everyone must be respected. Ethnic origin, nationality, gender, sexual orientation, beliefs or comparable characteristics shall not be inappropriate or derogatory.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State party will continue to promote cooperation between ICH stakeholders and media to foster the participative creation of content and programming for awareness raising on the importance of ICH and its safeguarding. Furthermore, the State Party will continue to expand capacity-building activities with media organizations for ICH stakeholders.


19. Extent to which public information measures raise awareness about the importance of ICH and its safeguarding and promote understanding and mutual respect.

Guidance note corresponding to indicator 19 of the Overall Results Framework: English|French|Spanish

Question 19.1

Do policies and programmes publicly acknowledge the practitioners and bearers of ICH on an inclusive basis?

Yes

Describe briefly, giving examples, how policies and programmes do this.

In Finland, the formation of political documents is based on dialogue with relevant groups and institutions. In the process respective communities are heard in dialogical processes. Furthermore, communities have the possibility to comments on policy papers before they are finalised.

For example, while planning for the implementation of the Convention in 2015, ten themed group discussions were organised. The topics of these were oral tradition, performing arts, practices of social life, nature and the universe, crafts and diversity. A discussion was also organised for the Sámi and Roma people as well as the Swedish-speaking population. Over 70 people took part in the group discussions were directed towards both to communities, practitioners and experts. Additionally, approximately thirty experts from different fields were interviewed. Furthermore, two online surveys were carried out and altogether, nearly 90 actors answered them.

Finnish law requires citizens to be consulted on matters concerning them. This right is protected by Administrative Procedure Act (Hallintolaki), the objective of which is to implement and promote good administration and protection under the law in administrative matters. A further objective of the Act is to promote the quality and performance of administrative services. All in all, the act obliges interaction between administration and citizens.

The Requirement of appropriate language requires authorities to use language that is clear, easy to understand and to the point. It also protects the right of customers to use their own language as it has been agreed upon in international conventions.

The act on Hearing the views of parties guarantees an opportunity to express opinions, with some exceptions, on the matter and to submit an explanation of claims and of evidence before a matter is decided.

The Provision of opportunities to exert an influence provides an opportunity for people affected by administrative decisions to obtain information on the bases and objectives of the consideration and to express their opinion on the matter. Information on the pendency of the matter and on exercising opportunities to exert an influence is to be provided in a manner consistent with the significance and extent of the matter.

The Local Government Act (Kuntalaki) governs how municipalities may organise their administration. The Act recognises the diversity of municipalities and secures the residents’ welfare in a democratic manner. The Act underlines the municipalities duty to offer opportunities for the residents to participate and exert an influence. The opportunities for participation must be diverse and effective and give wide range possibilities for planning and developing services, with ongoing interaction between residents and municipal authorities. Municipalities are obliged to take care of the well-being of their residents and the vitality of their respective areas, and they are to arrange services for their residents in a way that is financially, socially and environmentally sustainable. The main communication channel is internet. The communication obligation regulated by the Municipal Act covers all activities of the municipality, regardless of how activities are organized in practice. The obligation covers all municipal activities, including culture and cultural heritage activities.

As an example in 2021, the Working Group for Cultural Policy, Immigrants and Promotion of Cultural Diversity published their final report “Art, Culture and Diverse Finland”. The working group addressed that increasing diversity of the Finnish population needs to be mainstreamed into the planning and decision-making procedures in arts and cultural policy. The funding of arts needs to be developed strategically, taking into account the growing societal importance of cultural diversity. Successful mainstreaming means engaging migrants more equitably into arts and cultural life. Expertise related to cultural diversity, equity and equality should be developed in arts and cultural organisations.

During the process, the working group consulted wide range of people with knowledge and experiences on the subject. They held an open online brainstorming event for key stakeholders and a wider group of experts, with a total of 331 responses. Three thematic workshops (two online, one physical) were organized on themes included in the working group’s mission. The numbers of participants registering for the virtual workshops were a total of 160. The third, physical workshop was for professional artists and culture professionals with a foreign background and their employment in the Finnish field of art and culture, and the maximum number of 40 registrations was received.

The working group consulted the Arts Promotion Centre’s National Council for Diversity in Arts, the Arts Promotion Centre and Cultural Affairs from the Ministry of Education and Culture. The Culture for All Service, Globe Art Point and the working group members’ background organisations also provided valuable assistance in the information activities. A draft presenting the working group’s cross-cutting and thematic policy proposals for promoting cultural diversity was available for commenting on the Government’s project information site. The working group’s efforts were presented at a network meeting of the Association of Finnish Local and Regional Authorities’ cultural directors and in a cultural network consisting of leading senior staff members in the City of Helsinki’s cultural services

Describe in particular measures to ensure that they do so inclusively.

In the work with Finnish inventories practitioners and bearers are acknowledged. When elements are added to the National Inventory, community representatives have been invited to the National Museums for a ceremony (2019) and in the time of the pandemic and online ceremony was organised (2020). In press releases of the FHA, quotes from practitioners are used and they are also mentioned as informants in matters related to particular ICH element. The social media channels (Facebook, Youtube) lift up examples from the practitioners themselves.

Question 19.2

Are public events organized that concern ICH, its importance and safeguarding, as well as the Convention?

Yes

Are these events organized for:

  • Communities, groups and individuals

    Since 2014 numerous seminars and webinars have been organised concerning ICH. Thematic seminars have been held in all of the domains. All of the events are organized in close cooperation with communities, NGOs, museums, researchers and other organisations active in each field. With the pandemic, all events have been organised online and this has made the events more accessible for communities from the whole country to participate.

    Many events have been organised with different cultural groups: the Swedish-speaking population in Finland, three events with the Sámi People and two events with the Roma people. One seminar and two workshops have been organised on the theme of cultural heritage with immigrant communities, NGOs and institutions related to them.

 

  • General public

    One effective tool in promoting the ICH view have been the regional seminars arranged in connection with the Convention. Regional seminars have been held five provinces of Finland before the pandemic. These one-day events gather together 50 to 100 participants from practitioners, NGO's, museums, training institutions and civil servants to learn more and discuss about local heritage and safeguarding. All of the events are organized in close cooperation with other operators in the respective fields, and in cooperation with local and regional institutions: Regional boards, Arts Councils, regional museums and universities.

    All of the seminar videos can be found from the FHA webpages linking to Elävä perintö Youtube (Living Heritage) channel where the videos can be found at their own playlists. A. The videos at this channel have been watched more than 85 000 times to date.

 

  • Researchers

    When planning for the implementation model of the Convention in Finland, all of the seven focus groups organised included also researchers from the theme. Workshops were held with researchers in five Universities in 2016 to tell more about the Convention and to hear their viewpoints of the implementation. In 2017 meetings were arranged with all universities that study and teach ICH-related topics in Finland. The seminars and webinars in most cases include a researcher’s presentation to widen the view of the ICH theme at hand. In autumn 2021 a workshop for organised for researchers on the periodic reporting.

 

  • Media

    Particular events have not been organised for the media. For example with the regional seminars local media is also informed and invited and in most cases they have also reported on the events with local examples. However, the FHA has worked very actively and succesfully with and towards the media in informing about the Convention, inventorying, inscriptions and events related tot he Convention work.

 

  • Other stakeholders

    In recent years the museum field has been a special target group. In 2020 a webinar “Nordic Museums and Living Heritage” was organised gathering 260 participants from 12 countries. it was planned together with Nordic focal points and the Intangible Heritage and Museums (IMP) project. Information was also spread through all Nordic Museum Associations.

    In 2021 two half-day workshops for museum professional were organised in cooperation with the Finnish Museum Association. These events gathered altogether 130 participants. The videos of the webinars can be found at Elävä perintö Youtube and they continue gather interested viewers.

    In 2020 two half-day webinars on ICH and tourism were organised with visit Finland reaching to over 300 people. In early 2022 a publication one the same topic will be published by Visit Finland.

Question 19.3

Are programmes for promotion and dissemination of good safeguarding practices encouraged and supported?

Yes

Explain briefly, giving examples, how such programmes are encouraged and supported.

In the Wiki-inventory there is a separate section for Good Safeguarding practises. To date there are 28 examples around the country and in all of the domains. This part of the inventory is being promoted to the 250 communities that have already contributed to the Wiki to make also their safeguarding practises visible.

The FHA also shares grants for cooperation and development projects under the 2003 Convention. In the last three years 30 project have bene funded with 300 000 euros in total. All of these project are good safeguarding practises as such. The FHA also lifts up these examples in the Facebook pages.

Furthermore, Finland has been an active partner in building the international website Safeguarding Practices, coordinated by Norwegian Crafts Institute. To date there are seven Finnish articles in the website. These examples are also highlighted in the FHA FB for Living Heritage.

Question 19.4

Does public information on ICH promote mutual respect and appreciation within and between communities and groups?

Yes

Explain briefly, using examples, how public information on ICH promotes this.

Public information on ICH promotes mutual respect. The visibility gained through national inventorying and inscriptions has contributed to appreciation between communities. An example of this is the two elements in the inventory related to the Roma people. The media tends to pick up negative examples of minorities and through adding elements to the inventory, it has been possible to highlight the richness of this culture. The Wiki-inventory shows diversity of ICH of different kinds of groups and this promotes mutual respect.

Furthermore, the involvement of different stakeholders in the periodic reporting process has contributed to many people having learned more about ICH.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State party will continue to create more channels, mechanisms and events for the general public and for practitioners and bearers to further raise-awareness on ICH safeguarding. This will be done in cooperation with the Circles of Living Heritage and other partners active in the field of ICH. The State Party will also strive towards improving the mechanisms for sharing of good safeguarding practices both in national and regional level. In addition, the connections and differences to the World Heritage Convention will be further highlighted.


20. Extent to which programmes raising awareness of ICH respect the relevant ethical principles

Guidance note corresponding to indicator 20 of the Overall Results Framework: English|French|Spanish

Question 20.1

Are the Ethical Principles for Safeguarding Intangible Cultural Heritage respected in awareness-raising activities?

Yes

Describe briefly, giving examples, how the Ethical Principles are respected in awareness-raising activities.

In Finland, a significant number of NGOs and other organizations work with the safeguarding of various ICH domains and elements. The activities are managed by democratically organized voluntary organizations that are open to all interested parties who want to work according to the organization's purpose and ethical guidelines. In all of the events organized related to the Convention, highlight the viewpoint of the communities and their right to the heritage.

The Ethical Principles are followed in all of the awareness-raising activities that are part of the implementation. The Ethical Principles under the Convention are not very well known in Finland, but other ethical guidelines exist.

For example, the Sámi Parliament in Finland adopted Principles for Responsible and Ethically Sustainable Sámi Tourism in 2018. The primary purpose of these ethical guidelines is to terminate tourism exploiting Sámi culture and to eliminate incorrect information about the Sámi distributed through tourism. The second priority is to safeguard the cultural practices and traditions of Sámi population outside the tourism industry. The ethical guidelines are primarily meant for tourism actors and operators outside the Sámi community who carry out touristic productization, representation, marketing and communications of Sámi culture. Furthermore, the guidelines are for visitors arriving in Sámi Homeland. The ethical principles highlight that the cornerstone of Sámi tourism must be based on a strong connection with and responsibility towards the Sámi community.

Question 20.2

Are ethical principles, as embodied in relevant professional codes or standards, respected in awareness-raising activities?

Yes

Describe briefly how professional codes and standards are respected in awareness-raising activities.

Several governmental and other organizations have ethical guidelines that explicitly or implicitly include the provisions of the Convention. Here are some examples:

• The Advisory Body on Civil Service Ethics (Valtion virkamieseettinen toimikunta) is a permanent body for considering ethical issues. The Advisory Body is tasked to examine civil service ethics as part of the political and administrative system as a whole, in which the specific roles of public officials and politicians are also relevant to ethics in public administration.
• Civil Servants’ Code of Ethics (2021), published by the Ministry of Law, is intended to support central government units and officials in translating the values and ethical principles into practices and to ensure an ethically sound standard of performance. The Code of Ethics brings together the key issues for the ethics of civil servants, which are decentralized to various regulations and several guidelines. The guidelines describe the content of the common values of the state administration and the key principles of civil service and management. The Code of Ethics also communicates the values and operating methods of the state administration to parties outside the administration.
• The development of ethical guidelines for Sámi research is an important national project, which is being implemented in cooperation with the research and Sámi communities and the Research Ethics Advisory Board (TENK). Indigenous self-determination is an essential principle in the development of research ethics guidelines.
• The International Council on Archives (ICA) unites archival institutions and practitioners across the globe to advocate for good archival management and the physical protection of recorded heritage, to produce reputable standards and best practices, and to encourage dialogue, exchange, and transmission of this knowledge and expertise across national borders.
• The International Council of Museums (ICOM) establishes professional and ethical standards for museum activities. As forum of experts, it makes recommendations on issues related to cultural heritage, promotes capacity building and advances knowledge. Hundreds of museum professionals in Finland are members of ICOM. The Code of Ethics for Museum Work established by ICOM is a cornerstone of its work and a force for unity in the museum industry. The ICOM Finland Committee has translated the rules into Finnish, organized a Museum Ethics 2.0 seminar on the topic, and an online publication was published, in which leading experts in the museum industry discuss each aspect of the rules.

The Nordic and Baltic network on Intangible Cultural Heritage, has a code of conduct based in the UNESCO-values: “to follow the spirit of UNESCO and the Convention’s founding principles of dignity, equality and mutual respect among peoples and condemns all forms of discrimination, including racism, antisemitism, islamophobia and xenophobia. Futhermore, UNESCO applies a zero tolerance policy against all forms of harassment and seeks to build peace through international cooperation in Education, the Sciences and Culture”.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will promote further awareness on the Ethical Principles of the Convention as they are not yet known in Finland.


21. Extent to which engagement for safeguarding ICH is enhanced among stakeholders

Guidance note corresponding to indicator 21 of the Overall Results Framework: English|French|Spanish

Question 21.1

Do communities, groups and individuals participate on an inclusive basis, and to the widest possible extent, in the safeguarding of ICH in general or specific elements, (whether or not inscribed on the Lists of the 2003 Convention)?

High

Describe briefly, giving examples, how community, group and individual participation is secured.

In the National implementation plan from 2015 the communities form the starting point for the work with the Convention. This is reflected for example in the work of the Circles of Living Heritage. The participants in the Circles are from different kind of communities, NGOS and institutions, but also individual practitioners are welcome and encouraged in the work. The Wiki-inventory is another way to guarantee the participation of communities, groups and individuals in ICH safeguarding in Finland. The easy access platform makes it possible for all kinds of communities to participate in the inventorying process. There are several examples in the inventory that have started from an initiative of 1-3 community members and then later growing into cooperation between many actors in the field.

While looking at the various ICH fields in general, there are many forms of heritage and its transmission that are solely in the hands of the communities. For example, in social practises and events or in oral heritage, it is communities who practise and transmit this heritage. Also in crafts or in passing on traditional food culture, it is the communities, groups and individuals that are mainly responsible. However, the state and municipalities offer and support many kinds of formal and non-formal education and training where hundreds of thousands of people participate annually to learn more about specific forms of safeguarding of various ICH. In Finland the public sector forms a solid structure of institutions that creates possibilities for the safeguarding of many kinds of ICH.

The museum field in Finland also supports the participation of communities. For example, the regional responsibility museums cooperate with communities in many ways is documenting and presenting intangible heritage. Furthermore, the National specialised museums for example in crafts, glass-making, forest culture or aviation have many kind of cooperation that in part contribute to safeguarding of the elements. Furthermore, the Sámi Museum SIIDA works in a community-based manner in raising awareness and knowledge of the minority's culture and history. Furthermore, the network of hundreds of local museums provide possibilities for participation. Most often it is the community members themselves who run these museums by volunteering. For example, Rovaniemi Local Heritage Museum Totto (Rovaniemen kotiseutumuseo Totto) maintains the local food tradition by organizing an annual lunch at halloween (kekri) season called “Römppäpuolinen” and organizing traditional roast salmon roasting. The museum café serves traditional local buns and pastries for visitors.

The Tommi-knife Tradition Association (Tommipuukon perinneyhdistys) in Hyrynsalmi, together with the municipality, organizes courses related to knife culture at the Citizens' College. The safeguarding and continuation of the skill of making a knife is maintained in primary craft education, where all students learn how to make a Tommi knife. The Runosong Academy (Runolaulu-Akatemia) organizes runo singing courses and training, for example in primary and secondary schools, as well as in vocational education and for entrepreneurs. The Finnish Local Heritage Federation (Suomen Kotiseutuliitto) organizes workshops on the intangible cultural heritage, which are widely aimed at museums, non-governmental organizations and member organizations of the Federation. The main task of the workshops has proved to be to learn to recognize the living heritage and to bring it into the everyday life of the communities.

According to a recent consumer survey by the Finnish Crafts Association (Taitoliitto), half of Finns make crafts on a regular basis. Interest in maintaining and safeguarding crafts skills has clearly increased in recent years. People show raising interest for example in their local crafts traditions and their renewal. During 2020, the Craft Association's events, fairs and exhibitions had a total of more than 600,000 visitors. The craft workshops organized by the organization were attended by 3,900 people during the year.

Survey on the domain of folk music and folk dance implicated vast participations of communities and organizations working with communities in organizing events and festivals and by this manner raising awareness of the safeguarding of intangible cultural heritage. More than 50 events were organized annualy and more than 200 000 spectators participate to these events. Practitioners and communities are active in organizing courses and non-formal education for the bearers and practitioners. More the 10 000 hours of courses are organized annually and approximately 10 persons participate at the same time on these courses.
In 2020, the member associations of the Outdoor Association of Finland (Suomen Latu) organized guided and independent outdoor activities, the most popular of which had a total of more than 58,000 participants. 580 guided hikes or treks and 19 trainings were organized throughout the year. The Outdoor Association carried out two nationwide outdoor campaigns involving 136,000 people. The Sleep Night Out campaign won the Metsä360 award for emphasizing the importance of well-being in the forests.

Describe in particular measures to ensure that this is inclusive.

Finland is a party to several treaties concerning linguistic rights. Two highly important treaties for the linguistic rights have been concluded within the Council of Europe: European Charter for Regional or Minority Languages, and Framework Convention for the Protection of National Minorities, both ratified in Finland 1998.
The European Charter for Regional or Minority Languages seeks to strengthen the position of minority languages. The Charter recognises minority languages as part of the European cultural heritage and seeks to promote their position among the mainstream European languages. The Charter protects the position of languages that are traditionally used by minorities within a given territory of a state. This means that the scope of the Charter excludes the languages spoken by immigrants, for example.

The Framework Convention for the Protection of National Minorities sets out the principles, binding on the states parties, for protecting the national minorities in their own territory. The states parties also undertake, among other things, to comply with the principle of non-discrimination and equality and to support the preservation and development of minority cultures in many different ways.

The Nordic Language Convention is a Convention between Denmark, Finland, Iceland, Norway and Sweden on the right of Nordic nationals to use their mother tongue in other Nordic Countries, ratified in Finland 1987. Pursuant to the Language Convention, citizens of the Nordic countries must, when necessary, be able to use their own language before an authority or a public agency of another Nordic country. These include medical care and healthcare, social welfare, employment, tax, police and education authorities as well as courts of law.

Question 21.2

Do NGOs and other civil society actors participate in the safeguarding of ICH in general and of specific elements of ICH (whether or not inscribed)?

High

Explain briefly, giving examples, how NGO and civil society participation in ICH safeguarding is ensured.

In Finland, there are tens of thousands of voluntary organizations that work with the safeguarding various ICH elements. These NGOs are open to all interested parties who want to work according to the organization's purpose and ethical guidelines. The state gives operating support to some of them and also project support for many hundreds of NGOs. It must be noted however, that the support is available mainly for bigger, well-organised NGOs.

For example all minority groups have their own NGOs that also work with safeguarding and transmission of their culture and language. The work of these NGOs is mainly voluntary, but they cooperate with other institutions such as museums, archives and cultural centres. Some of the NGOs receive funding from the state, mainly in project grants.

In the implementation of the Convention, NGOs and other civil society actors play a crucial role. The majority of the articles in the Wiki-inventory are made by NGOs in various fields. Furthermore, the NGOs are well presented in the Circles of Living Heritage.

Question 21.3

Do private sector entities participate in the safeguarding of ICH, and of specific elements of ICH (whether or not inscribed), while respecting the Ethical Principles of Safeguarding of ICH?

Some

Describe private sector participation in ICH safeguarding briefly, giving examples, and explain how the Ethical Principles are respected.

In many of the fields of ICH, being an entrepreneur is a common way to earn a living. Thousands of crafters, musicians, theatre professionals, dancers operate as sole proprietor. Furthermore, in cultural tourism there is a big number of entrepreneurs working with local heritage as nature guides, cooks or local guides.
The Ethical Principles of the Convention are not yet widely known in Finland, however there are other initiatives that highlight this. The Ethical Guidelines for Sámi tourism have been described elsewhere in this report.

International Sami Film Institute AS has published ethical guidelines; Pathfinder - Guidelines for responsible filmmaking with the Sámi culture and People, which will be a guideline for funders when considering support for projects with Sami content from private film actors. The Pathfinder guidelines are a joint initiative from the International Sámi Film Institute, the Sámi Filmmakers Association, and the Pathfinder filmmakers reference group. The International Sámi Film Institute and a Sámi Film and Culture Advisory Group can give advice.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will continue to enhance the engagement for ICH safeguarding among stakeholders and will further promote the Ethical Principles of the Convention.


22. Extent to which civil society contributes to monitoring of ICH safeguarding

Guidance note corresponding to indicator 22 of the Overall Results Framework: English|French|Spanish

Question 22.1

Does an enabling environment exist for communities, groups and individuals to monitor and undertake scientific, technical and artistic studies on ICH safeguarding programmes and measures?

Yes

Describe briefly, giving examples, how communities, groups and individuals can monitor and undertake scientific, technical and artistic studies on ICH safeguarding programmes and measures.

Information on the implementation of the Convention is accessible to communities, groups and individuals on the three websites of the FHA (aineetonkulttuuriperinto.fi, OPI.aineetonkulttuuriperinto.fi and the Wiki).

The Constitution of Finland, as the “Freedom of Expression and Right of Access to Information” was formulated in 2000, guarantees the right to all citizens to request information or accountability on public policies or other matters of public interest. In this section, access to information is conjoined with the freedom of expression, but it nevertheless constitutes an independent individual right.

It is possible to undertake scientific, technical and artistic studies on ICH safeguarding programmes and measures, but the support schemes are limited.

Question 22.2

Does an enabling environment exist for NGOs and other civil society bodies to monitor and undertake scientific, technical and artistic studies on ICH safeguarding programmes and measures?

Yes

Describe briefly, giving examples, how NGOs and other civil society bodies can monitor and undertake scientific, technical and artistic studies on ICH safeguarding programmes and measures.

It is possible to monitor and undertake studied in ICH within existing support schemes. There are no separate programs to study the effects of safeguarding according to the principles of the Convention. NGOs and institutions in the domains of ICH set their own goals based on self-evaluation, and have reporting requirements for the state.

Question 22.3

Does an enabling environment exist for scholars, experts, research institutions and centres of expertise to monitor and undertake scientific, technical and artistic studies on ICH safeguarding programmes and measures?

Yes

Describe briefly, giving examples, how scholars, experts, research institutions and centres of expertise can monitor and undertake scientific, technical and artistic studies on ICH safeguarding programmes and measures.

Considering the Convention was ratified in Finland in 2013, the timespan for reviewing monitoring and analytical studies on its implementation is rather short. Generally, as has been pointed out in 9.1 and 9.2, the research environment in Finland is liberal and as such enabling. The open and inclusive mindset that underlies the FHA activities on the Convention implementation, pointed out in 17.1, welcomes also research initiatives.

Research activities have been involved in the ICH activities from the beginning. The FHA partnered with the Cultural Policy Research Center Cupore when planning the implementation model for Finland in 2014-2015. As part of this process, the Cupore produced two extensive reports on ICH. First was published the comparative study, “Intangible cultural heritage. Examples of the implementation of the UNESCO 2003 Convention in selected countries under comparison” (2014) This was followed by the comprehensive final report ”Living Intangible Cultural Heritage” (2015)that based on two online surveys and respective research analyses as well as expert articles that elaborated on the survey analyses surveys and opened up and discussed the definitions and terminology of the Convention.
The recent survey related to this report directed to researchers revealed that funding for ICH related research has so far been scarce. This should be reviewed against the background that research on ICH and its safeguarding are not linked to any specific discipline or any educational or research institution. Instead, ICH can be seen as intertwined with many subjects taught in university and in vocational training. Of course, it reflects directly also in research activities taken in museums. Still, according to the survey results, ICH or its safeguarding are not widely understood or grasped on the conceptual level. This means that although ICH is implicitly addressed in many research initiatives, explicit references to it as a key concept are limited.

Regarding the enabling environment, it is important to note that, especially in the humanities, core funding for research in Finnish universities has been significantly cut during last decade. It follows from this that research funding also in the field of cultural heritage is increasingly dependant on funding coming outside universities, from external project funding sources such as private foundations. New topics and areas of research, such as ICH and related safeguarding, are easily overshadowed when funding is highly competed.

The ICH perspective is more clearly present in the work of museums where contemporary collecting and documenting is applied. In Finland, the TAKO network Collaboration of Museums organizes National Contemporary Campaign Days every second year to encourage Museums to conduct contemporary documentation. In the Craft Museum of Finland (Suomen käsityön museo), phenomenon-based contemporary documenting has been carried out in collaboration with the University of Jyväskylä museology students and the museum's volunteers as well as museum partners. The Crafts Museum of Finland records living heritage of crafts by documenting tacit knowledge and know-how of crafts that have traditionally been passed from one practitioner to another. The work process, skills, and techniques of a craftsman, designer, or artist are recorded by photographing or videotaping the work from the author’s perspective, thereby recording the skill of making.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

State Party-established target

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will further promote opportunities for monitoring and research on safeguarding measures in Finland by updating the Wiki-inventory and other websites to allow more access to public information on the implementation of the Convention and fostering spaces for dialogue and monitoring with all ICH stakeholders.


23. Number and geographic distribution of NGOs, public and private bodies, and private persons involved by the Committee in an advisory or consultative capacity (this indicator is monitored and reported by the Secretariat at the global level)

Guidance note corresponding to indicator 23 of the Overall Result Framework: English|French|Spanish


24. Percentage of States Parties actively engaged with other States Parties in cooperation for safeguarding

Guidance note corresponding to indicator 24 of the Overall Result Framework: English|French|Spanish

Question 24.1

Is there cooperation to implement safeguarding measures for ICH in general at:

  • Bilateral level

    In Finland, the Nordic co-operation at bilateral level is administrated by Hanaholmen, the Swedish-Finnish Cultural Centre. Hanaholmen works to develop co-operation between the countries in all areas of society. The centre administers altogether four bilateral foundations, the largest one of which is the Swedish-Finnish Cultural Foundation.

    The Swedish-Finnish Cultural Foundation is the largest bilateral foundation in the Nordics. The foundation aims to further cultural relations between Sweden and Finland by providing support for increased knowledge of, and contact between, the culture, economy and people of the two countries. To this end the Foundation dispenses project subsidies and travel grants. Beyond this, the Foundation also initiates its own projects. These projects are largely funded by external funding. The largest bilateral project in recent years has been the Tandem Forest Values research program. It was founded in 2017 as a gift from Sweden to celebrate the 100th anniversary of Finland's independence. The aim of the project is to deepen co-operation between Sweden and Finland in the fields of forestry and forest research. The Tandem Forest Values project has raised several million euros for forest research.

    Besides the Swedish-Finnish Cultural Foundation, there are foundations for co-operation between Finland and Norway, Denmark and Iceland as well. The foundations promote relations and cultural exchange between countries and increase the countries’ mutual awareness and knowledge. They provide grants to support projects in different spheres of society and cultural life. Grants are awarded, for instance, for co-operation in the fields of art and culture, scientific research, especially humanities and social sciences, study trips by student and pupil groups, and for learning more about either country’s cultural, social and economic conditions. For example, these foundations have been able to support the interaction of folk musicians by funding mobility in the Nordic countries.
    Bilateral funds also include the Finnish-Estonian Cultural Fund, which supports art, culture and education projects between Finland and Estonia with grants and scholarships that can be awarded to individuals and organizations. The founders of the foundation include the University of Tallinn, the University of Turku, Åbo Akademi University, Tallinn University of Technology and the University of Tartu. The main objectives of the Foundation's activities are to strengthen co-operation between Finland and Estonia in the fields of culture and the arts, to improve mutual language skills, to develop joint projects and to promote cultural exports to third countries.

    Russia and Finland have many kinds of cooperation in the field of ICH. The Ministry of Education and Culture’s Discretionary subsidies for projects under the Russia programme for arts and culture are intended for actors in the field of art and culture, who promote art and culture projects in cross-border cooperation with Russia based on a reciprocal partnership. The objective of the grant is to promote civil society activities related to and supportive of the cultural sector and their activeness and the realisation of democracy, citizens’ participation in art and culture, and to promote Finland’s recognition in Russia, internationalisation and intercultural dialogue. The grant encourages actors to develop direct interaction in the bilateral and multilateral operating environment with Russian partners.

    Bilateral cooperation in the field of arts and culture with Russia has been supported since 2007. Each year, some 20-30 projects have received funding. The programme’s grants have been used annually to support, for example, the implementation costs of the Finnish-Russian Cultural Forum event. About 350 participants will gather at Forum each year, and during this time about 100 cooperation negotiations will be held in the field of arts and culture. In 2021, the projects related e.g. to the presentation of the Finnish library architecture, the making of opera performances and baroque music concerts, cooperation in the field of cultural heritage and folk dance, and the modern dance and circus cooperation.

    Finno-Ugric cultural cooperation with Russia is active. The M. A. Castrén Society creates contacts and fosters dialogue with Finno-Ugric (Uralic)-speaking peoples living in the Russian Federation, makes the culture of these peoples known in Finland and elsewhere in the world, and supports their cultural efforts and the use and development of their own language as a means of modern communication. Society receives yearly discretionary general assistance for its activities from the Ministry of Education and Culture.

    The M. A. Castrén Society implements more than 30 co-operation projects with Finno-Ugric partners living in the Russian Federation every year. In addition to these projects, the Society supports Finnish partners with project-specific state grants delegated by the Ministry of Education and Culture for that purpose. Most of the projects represent ICH.

    One example of the supported projects is organised by the Mari Youth Theatre (in the Republic of Mari, Russian Federation). The theatre organizes summer tours in the countryside, both within and outside the Republic. In this way, theatre performances in native language are taken to where there is no own theatre, and experiences are offered to both adults and children. Such tours increase interest not only in theatre but also in native language, increase the importance of intangible culture and awareness of one’s own roots and identity. In the pandemic year 2020, the tour took place in November, when a group of ten actors performed in schools and cultural centers in the Mari villages of the Republic of Tatarstan. During all the pandemia, these theatre and musical performances received great enthusiasm.

 

  • Regional level

    Pan-Sápmi cooperation

    In the work with the Sámi people it is of outmost importance to work on a Pan-Sámpi level meaning the home-land area of the Sámi. Norway, Sweden, Finland have been working together on the Sámi ICH for several years. Some of the highlights have been the UNESCO capacity building course in Karasjok in 2019 where also Finnish Sámi people took part. In 2021 the first webinar “Intellectual property protection and the safeguarding of Nordic indigenous traditional knowledge” was organised by the Finnish Heritage Agency and the Sámi Parliament of Norway. In the group planning for the webinar all three countries plus Greenland had a representative. The webinar was a side event to the high-level “Conference on Protection of Nordic Indigenous traditional knowledge and Intellectual Property” (Nov 11, 2021 Inari and online). The aim of the webinar is to strengthen regional cross-border co-operation and increase expertise in the Nordic countries on intellectual property law and safeguarding traditional knowledge, or intangible cultural heritage. With this webinar and the planning of it, the cooperation has included also the indigenous perspective of the Inuits from Greenland.

    The Ministry of Education and Culture in Finland has since 2012 started forging co-operation within the Finnish government in relation to protection of indigenous traditional knowledge (TK). This is important because from indigenous perspective there is a need for holistic protection which cannot be achieved unless it is dealt in a broader context. This way the combined efforts in protecting TK comes clearer and synergies from existing instruments can be used.

    The network on Traditional Knowledge and Cultural Expressions (perinnetietoverkosto) is led by DG of Culture and Arts department in Finland. Secreatary General is from the Copyright unit, ensuring that IP is also considered as one key area. Intellectual Property is only one of the ways, although important, to cover issues related to protection of indigenous traditional knowledge. The network has some 40 members representing the Sámi Parliament, Finnish government (Ministries of Economy, Justice, Foreign Affairs, Environment, etc.) and public institutions (IP Office, National Heritage, National Broadcasting company etc.) and is open for anyone interested, including from the private sector. It’s activity includes meetings once a year (excluding corona). The forum has been used for information distribution in relation to activities on national and international levels. The latest activity was collecting information on ways indigenous TK related aspects are handled in the Nordic countries in order to improve Nordic co-operation in the protection of TK&IP as the Sámi live on the areas of three Nordic countries and Russia.

    The Finnish Initiative under the Presidency of the Nordic Council of Ministers promotes information exchange and experiences on how TK and IP can be addressed. The Conference on the Protection of Nordic Indigenous Traditional Knowlegde and Intellectual property organized in Inari in November 2021 first and foremost provided space for the Sámi to express their own approach, needs, and their studies and experiences of the current situation in relation to ICH and IP and work planned to deepen their internal understanding as well as needs for funding and support from IP offices etc. to co-operate on regional level to ensure these issues are addressed in similar ways. The Norwegian Presidency will continue this enablement during 2022.

    Nordic – Baltic level

    The Nordic countries had extensive co-operation on the implementation of the 2003 Convention. With the advancement of digital platforms, it has become easier to meet regularly. At present the Nordic coordinators meet 3-5 times per year to discuss various matters. Since Sweden became a member of the Intergovernmental Committee, there have been input meetings on topics for state parties and NGOs on related topics.

    The coordinators from the Baltic states have been part of this network since 2021. In 2021, an important topic in the meetings has been the periodic reporting.
    Finland has been part of this cooperation network since the ratification of the Convention, since 2013, and active in the international level since 2014 when a focal point for the Convention started working in the FHA. Since then, the “Finnish model” has been presented in seminars in Norway, Estonia, Latvia, Hungary, Greece, Belarus and the Republic of Korea.

    The Nordic and Baltic network on Intangible Cultural Heritage was established in 2019 in Finland at the Kaustinen ICH seminar held as part of the Kaustinen Folk Music Festival. The aim of the network is to share good practices on community involvement in a wider scope. The informal network gathers hundreds of ICH workers from Nordic and Baltic states to regular meetings open for all stakeholders and domains working in the spirit of the UNESCO Convention. It also works on projects in the region.

    Finland was also the initiator together with Italy for the European Network of Focal Points for the 2003 Convention. In April 2021 the ENFP was launched for the UNESCO Group I and II countries. The proposal was launched in the UNESCO training on periodic reporting. Finland organised the first webinar of the network in May 2021, gathering over 100 participants from 45 countries.

    The Nordic Council of Ministers and the Nordic Council

    The Nordic Council of Ministers and the Nordic Council are the main forums for official Nordic co-operation, which involves Denmark, Finland, Iceland, Norway and Sweden as well as the autonomous territories Faroe Islands, Greenland and Åland in the Nordic region.

    The Nordic Council of Ministers is the official body for inter-governmental co-operation in the Nordic Region. The Nordic countries have been members of the Nordic Council of Ministers since 1971. Later on, Greenland, the Faroe Islands and Åland have joined the Nordic Council of Ministers. The Nordic countries work together for example in legislation, digitalization, environmental issues, sustainability, culture and education to strengthen the Nordic viewpoints and voices at European level, for instance. Committees of Senior Officials, working under the Council of Ministers, prepare matters for the ministers and are responsible for implementing and developing measures in the sector. All decisions in the Nordic Council of Ministers have to be unanimous.

    Nordic Bridges, the cultural initiative of the Nordic ministers for culture, will take place in Canada in 2022. The largest ever international Nordic cultural venture Nordic Bridges is a multidisciplinary cultural initiative that aims to promote interaction and exchange between Nordic cultural stakeholders and Canada. The artistic program is based on four key program pillars: artistic innovation, accessibility and inclusion, indigenous perspectives, as well as resilience and sustainability. The program is curated by Canadian partners and includes performing arts such as dance, theatre and music, visual and digital arts, crafts and design, as well as literature and film.

    The Nordic Council of Ministers has five cultural institutions, all of which play strategic roles in achieving the goals of the cultural-political co-operation programme: Nordic House in Reykjavik (NOREY), Nordic House in the Faroe Islands (NLH), Nordic Institute in Greenland (NAPA), Nordic Institute on Åland (NIPÅ) and Nordic Culture Point (NKK).

    The Nordic Culture Point support cultural and artistic projects of high quality that contribute to development within the field and have a strong Nordic dimension. Nordic Culture Point administers four grant programmes, which are divided into six different funding options. The thematic programmes provide the opportunity to create culture, conduct projects and create meetings between artists and cultural workers in the Nordic region. One of the grant programmes, namely the Nordic-Baltic Mobility Programme for Culture, strengthens artistic and cultural cooperation in the Nordic region and Baltic states.

    The shared feature of all supported projects is that they have a strong Nordic dimension and are culturally innovative. There are grant programmes specially targeted at children and young people. The Nordic Culture Point has given funds for example to Nordic Arts & Health Research Network, coordinated by Arts Academy at Turku University of Applied Sciences, which fosters collaborations between researchers, professional artists, artist-researchers and educators working within the arts & health field in the Nordic area. The cross-disciplinary network’s long-term objective is to strengthen the arts and health field in the Nordic countries.

    The Nordic Culture Fund is an important part of the Nordic cultural co-operation. The Nordic Culture Fund an independent legal entity associated with the Nordic Council and the Nordic Council of Ministers. It has funded for instance a biannual Young Craft Camp, which is aimed at young Nordic crafters. The workshops, held by youngsters themselves, focus on sustainability. The goal of the camp is to pass on ICH of crafts, as well as to support and pass on the tradition of strong Nordic co-operation to the new generation of crafts enthusiasts. The Young Craft Camp is carried out in collaboration between the seven member organizations of the Nordic Folk Art and Crafts Federation (NFACF): Denmark, Taito in Finland, Færoya Heimavirkisfelag in the Faroe Islands, Heimilisiðnaðarfélag Íslands in Iceland, Norges Husflidslag in Norway, Svensk Hemslöjd in Sweden and Estonian Folkart & Craft Union in Estonia. The organizations all work to strengthen and develop handicrafts and creative crafts.

    The Nordic Council of Ministers for Culture collaborates with different international organisations and initiatives, including EU Baltic Sea Collaboration, Priority Area Culture, and takes initiative in the Arctic culture collaboration.

    The Nordic Council is the official body for formal inter-parliamentary co-operation. Formed in 1952, it has 87 members from Denmark, Finland, Iceland, Norway, Sweden, the Faroe Islands, Greenland and Åland. The members of the Council are members of the national parliaments and are nominated by the party groups. First and foremost, the Nordic Council’s politicians are driven by the desire to make the Nordic region one that people want to live and work in. This is also the primary objective of the ideas and proposals for co-operation that are borne out of the Nordic Council.

    Based on the work of the Nordic Council, the Nordic countries, Faroe Islands, Greenland and Åland have signed for example a contract on cultural co-operation, its purpose is to strengthen and intensify cultural co-operation in a broad sense between the Contracting Parties in order to develop further the Nordic community of cultural interests. It is in the interest of the Nordic efforts to increase the combined effectiveness of countries' investments in education, research and other cultural activities through joint planning, co-ordination, collaboration and division of labour, and also to create the practical conditions for smoothly functioning co-operation.

    In order to increase the visibility and notoriety, the Nordic Council awards five annual prizes: the Literature Prize, the Children and Young People’s Literature Prize, the Music Prize, the Film Prize, and the Environment Prize.

    The Northern Dimension Partnership on Culture (NDPC) is a governmental initiative which brings together national authorities, practitioners from cultural and creative industries (CCI) and experts. It works towards a stronger, more competitive and more resilient CCI sector that contributes significantly to the sustainable development of the Northern Dimension (ND) region, meaning Nordic and Baltic EU countries, Iceland, Norway and Russia. NDPC implements project activities, offers networking and professional development opportunities to creative professionals and provides valuable insights for policy development to national authorities. The NDPC is focusing on building cultural and creative crossovers with other sectors, particularly with areas covered by the UN Sustainable Development Goals, as well as facilitating dialogue between cultural actors and business community. The NDPC will give a special attention to cooperation within the Northern Dimension policy framework and its existing structures. The NDPC itself does not offer funds directly to individual CCI projects; instead, it provides knowledge-based support for the owners of cultural and creative-industry projects to create a suitable financing model. It supports and co-finances the NDPC’s priority projects from our member countries.

    For example, the project Creating New Practices of Sustainability - Cross-Sectorial Creativity in the Era of Climate Change, implemented by Arts Promotion Centre Finland in collaboration with Ministry of Education and Culture, Finland, was a collaboration established through NDPC. The project is based on the idea that art and culture can serve as activators for developing the social discourse in an eco-social and cultural direction. The project paced for example the evolvement of the Wheel chart of sustainability and intangible cultural heritage as well as supported participant for the Living heritage in the Nordic countries -conference. NDPC is also a partner in the LIVIND project.

 

  • International level

    "LIVIND – Creative and living cultural heritage as a resource for the Northern Dimension region" is a project led by the Finnish Heritage Agency. The project involves 10 countries in the Northern Dimension region (Nordic and Baltic states, Poland and Russia) from September 2021 until May 2023. The project budget, totalling 254?000 euros, is mainly funded by the Ministry for Foreign Affairs of Finland with a grant from the funds for the strengthening of cooperation in the Baltic Sea, Barents Sea and the Arctic regions and more largely in the Northern Dimension region. Other funders are the NDPC and the FHA. The project is based on the many years of extensive international cooperation for ICH and the 2003 Convention. Further cornerstones of the project include the Agenda 2030, the UNESCO 2005 Convention, the Faro Convention of the Council of Europe.

    The project makes use of diverse web-based tools that support fluent exchange and increased co-development work. Webinars, virtual workshops and platforms will be used to collect and share ideas between the diverse actors including public bodies and NGOs from the different countries and areas. The project also involves research activities resulting as analyses and policy briefs that support the further development on living heritage. These materials, along with the good practices and experiences from the pilots implemented during the project will be available on a virtual resource bank, a key result of the project.
    The ICH North project is developing new ways and education to safeguard the cultural heritage of music in the northern regions of Finland, Sweden and Norway. It is a joint project of Centria University of Applied Sciences in Finland, the Finnish Folk Music Institute and the University of Tromsø as well as traditional music players from northern Sweden and the Sámi region. In order to make the intangible cultural heritage of folk music visible, one of the measures of the project is to create an interactive virtual map of the musical traditions and the communities that practice them. At the moment, communities maintaining musical traditions are being mapped out with hopes they will participate in the actual mapping project.

    The Finnish Folk Music Institute hosts a Nordic-Baltic ICH Network exchange program, through which ICH practitioners can apply for a visit or host position. The programme is for exchanging and sharing good practices on community involvement in the Safeguarding of ICH. Exchange activities include funding for six visits, where a person working on safeguarding ICH in the Nordic or Baltic region will travel to a minimum of two-day period to another organization working with living heritage.

    Interreg Nord has funded AIDA, The Arctic Indigenous Design Archives project, which aims to ensure the preservation and continuity of design-thinking for future generations. AIDA is a crossborder collaboration between Sámi Archives of the National Archives of Finland, the Ájtte - Swedish Mountain and Sami Museum in Sweden and the Sámi allaskuvla in Norway. During the project, they worked together with duojárs: Sami craftsmen, designers and artists, to establish their individual archives to preserve archival materials from their creative processes. The process is rooted as good practice of new archives being established continuously. The materials gathered in the Duojár Archives are a source of inspiration for design and pedagogical purposes as well.

Question 24.2

Is there cooperation to implement safeguarding measures for specific elements of ICH, in particular those in danger, those present in the territories of more than one State, and cross-border elements at:

  • Bilateral level

    Traditional fishing culture with dipnets (lippo) in the Torne River’s rapids is a joined heritage for Finland and Sweden. The Torne River, the boundary between Finland and Sweden, is the largest free-flowing water system in Northern Europe. The river is about 522 km in length, and it is also the most important spawning river for salmon (Salmo salar) and anadromous whitefish (Coregonus lavaretus) in the Baltic Sea area. Historically, dipnets were also used in other rivers, but the dipnetting fishing culture has continued uninterrupted until modern times especially well in the Torne Valley. Even today, the fishing tradition carries features from both countries, although every body of joint owners has developed its own variation.

    Fishing in the rapids is one of the most important forms of traditional fishing in the Torne River. The residents of the villages on the shores of Torne have been in close contact with each other and traditional rapids fishing is practised by fishing right holders, i.e. shareholders of joint ownership bodies for jointly-owned fishing water. Fishing is governed by the Agreement between Finland and Sweden Concerning Transboundary Rivers. To highlight the importance of the tradition for both sides of the border, a statue of a dipnet fisher stands in the river as a reminder of the shared culture.

    The tradition’s safeguarding efforts have been supported in various ways by several organisations and communities, including the EU, the Regional Council of Lapland, the City of Tornio, the Transboundary River Commission, the Museum of Torne Valley, Lapland’s Cultural Fund, the Natural Resources Institute Finland, the Municipality of Ylitornio, the Union for Rural Culture and Education, Lapland University of Applied Sciences, Meän Kukkola ry (entrepreneurs), as well as similar organisations and communities in Sweden. recent project called the Tornio Valley Summer Whitefish project was funded by the Interreg North from the EU. There were a large number of organisations from both countries collecting knowledge and renewing the all important fishing tradition as well as fish food industry in the rapids area.

 

  • Regional level

    Finland, Norway and Sweden cooperate in the safeguarding of Sámi ICH in many ways. The Sámi parliaments are active in all countries. In addition the Sami Parliamentary Council and Saami Council cooperate in the matter.

    Young Arctic Artists exhibition series promotes young and emerging artists from the Arctic regions of Nordic countries and Russia. The aim of the exhibition series is to map the field of northern contemporary art and to promote its visibility and to create new networking possibilities in the area. The series of exhibitions, which started in 2016, is produced by the Artists’ Association of Lapland, Finland. The curatorial theme of the YAA 2021 has been created from the Kven viewpoint. The Kven language developed in northernmost Sweden and in the areas of the Torne River Valley, and it resembles Meänkieli but has unique features. The Kven people are one the groups of people who don’t belong to the national majorities but are not considered indigenous either. There is a clear need for a self generated Arctic culture and with the Young Arctic Artists 2021 the aim is to raise the diversity of Arctic voices.
    Digital Access to the Sámi Heritage Archives, called Nuohtti, is a multi-disciplinary collaboration project working towards the goal of improving accessibility to the Sámi Cultural heritage. The project develops a technical solution, with a usable and intuitive user interface design, to find the information and materials about the Sámi cultural heritage from different archives and collections easily and simultaneously. European Regional Development Fund Interreg nord has funded the implementation of the archives.

    The project is a collaboration between Norway, Sweden and Finland. The national Sámi archives in Finland and Norway chart the different archives in Nordic countries as well as Europe, in which Sámi related materials are stored. The University of Oulu, Finland, is responsible for the technology development and implementation. The University of Lapland, Finland, conducts usability testing and explores alternative user interface solutions in cooperation with the Umeå University, Sweden. The University of Lapland is also responsible for the ethical guidelines related to the usage of cultural heritage materials. The search service will be piloted among Sámi community members in Norway, Sweden and Finland.

    Finland is part of the first joint Nordic application to the UNESCO Representative list on Nordic clinker boat traditions which was inscribed in December 2021. Finland, Åland, Sweden, Norway, the Faroe Islands, Denmark and Iceland are included in the application, Norway being the coordinator. The multinational process has created many kinds of cooperation in and between the countries.

 

  • International level

    See 24.1.

Question 24.3

Are information and experience about ICH and its safeguarding, including good safeguarding practices, exchanged with other States Parties?

Yes

Explain briefly, using examples, how such exchanges operate, their purpose(s) and outcome(s).

See 24.1.

Question 24.4

Have you ever shared documentation concerning an element of ICH present on the territory of another State Party with it?

Yes

Describe any relevant case(s), naming the element and the other State(s) Party(ies) involved.

Finland has a system in place to facilitate international cooperation through the system of the United Nations, UNESCO, UNDC, UNIDROIT, the Council of Europe and the Nordic Council of Ministers.

Cultural goods of scientific, artistic and historic national importance are protected by legislation in Finland. The National Heritage Agency is the general licencing authority and the Finnish National Gallery is the licencing authority for art. The regulations regarding the export of cultural goods are a part of the protection of our cultural property. The goal of protecting of Finnish national property is to keep our most valuable cultural property in Finland as a part of our Finnish history and cultural identity. The regulations regarding this matter are included in the Act on Restrictions to the Export of Cultural Goods (933/2016). In 1999, Finland ratified the 1970 Unesco Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property as well as the 1995 Unidroit Convention on Stolen or Illegally Exported Cultural Objects.

As part of rethinking on museal collections, Finland has repatriated artefacts of human origin from the National Museum of Finland’s Mesa Verde collection to representatives of Native American peoples. The Mesa Verde collection and the repatriation decision came up in a president-level meeting between Finland and the United States. The items, which are estimated to date back to the 13th century, were originally extracted from the graves of roughly 20 Pueblo Indians. In addition to human bones and mummies, goods found in the graves will be returned. The artefacts and remains are of particular importance to the descendants of North American Indian tribes. The remainder of the Mesa Verde collection consisting of some 600 items will remain in the possession of the National Museum of Finland. The Museum has inventoried and digitized the collection, and they are published excluding bone findings, for ethical reasons.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will strive towards strengthening cooperation for the safeguarding of specific elements, specially at an international level when relevant, while continuing its commitment towards cooperation for ICH safeguarding in general.


25. Percentage of States Parties actively engaged in international networking and institutional cooperation

Guidance note corresponding to indicator 25 of the Overall Result Framework: English|French|Spanish

Question 25.1

Do you participate in the activities of any category 2 centre for ICH?

No

1

Choose a category 2 centre

-

Describe the activities and your country’s involvement.

Question 25.2

Is international networking among communities, groups and individuals, NGOs, experts, centres of expertise and research institutes that are active in the field of ICH encouraged and supported?

Yes

Describe briefly, giving examples, specifying the partners involved and how networking is encouraged and supported.

In April 2021 the European Network of Focal Points for the 2003 Convention (ENFP) was launched for the UNESCO Group I and II countries. The proposal was launched in the UNESCO training on periodic reporting by focal points in Italy and Finland and was received with great interest by tens of countries in the region. On the 25th May the first online event was organised to discuss a network in more detail. The webinar was organised by the Finnish Heritage Agency in partnership with UNESCO Unit - Secretariat General of the Italian Ministry of Culture. A working group will convene in early 2022 to continue the work.

Much of the activities within ICH in Finland takes place at NGO level. Institutions such as museums, archives and educational organisations support this work. Several NGOs work internationally through various types of cooperation, such as professional networks with sister organizations in other countries, through EU and UNESCO cooperation. There is many kind of funding available, but from the viewpoint of ICH communities, the situation is challenging when communities rarely have sufficient expertise and resources to network. Currently, NGOs find it burdensome to apply for grants needed for international networking, as grants for ICH purposes are fragmented into dozens of different areas, according to different uses.

Most Finnish museums participate in international professional forums and networks. The overall work is linked to ICOM, the International Council of Museums, the member organization for museums and museum staff worldwide, which forms a network of members from 136 countries. ICOM is an accredited NGO to the UNESCO 2003 Convention. ICOM sets international standards for museums and has drawn up regulations that define ethical principles for work in museums.
The international networking is supported by national and regional funds such as Nordic and EU instruments. Nordic Culture Point administers grant programs, which support cultural and artistic projects of high quality that contribute to development within the field and have a strong Nordic dimension. The programs provide the opportunity to create culture, conduct projects and create meetings between artists and cultural workers in the Nordic region and Baltic states.

Creative Europe is the European Union's funding program for the cultural, audiovisual and creative sectors for 2021-2027. It provides funding for the European cooperation and development of organizations and professionals in these fields. The Culture sub-program is aimed at organizations working in the field of culture, art and cultural heritage. In terms of culture, cultural heritage is one of the priorities for 2021 in the search for a funding program. Funding for cultural heritage projects will focus on strengthening the skills of cultural heritage professionals on current themes, such as participatory projects, technological and digital content production and cultural heritage risk management, and the challenges posed by climate change. The overall objective of the program is to increase opportunities for international cooperation and to promote sustainable growth, job creation and social cohesion in Europe.

The University of the Arctic (UArctic) is a network of universities, colleges, research institutes, and other organizations concerned with education and research in and about the North. UArctic builds and strengthens collective resources and infrastructures that enable member institutions to better serve their constituents and their regions.

The International Centre for Reindeer Husbandry is a member and contributes to the unique international cooperation of circumpolar reindeer herding peoples and hosts the Secretariat of Association of World Reindeer Herders (WRH). Finland is involved in the actions of the centre through The Nordic Council of Ministers as well as the University of the Arctic.

The International Sámi Film Institute is dedicated to providing Sámi people with the skills and economic opportunities in developing, producing, and distributing Sámi films in the Sámi language.

Ijahis idja is a festival celebrating the music of indigenous peoples and has been held in Inari since 2004. The event is the only music festival held in Finland that concentrates on Sámi music. Festival’s program consisted of concerts, pop-up workshops, Sámi handcraft market and lasso throwing competition. Ijahis idja is organized in cooperation with Anára Sámisearvi ry, the Sámi Parliament, the Sámi Cultural Center Sajos, Kahvila ?aiju, the Sámi Education Center and the Municipality of Inari.

Skábmagovat – Indigenous Peoples’ Film Festival creates a standing ground to present indigenous peoples’ films globally. Skábmagovat is organised annually in Inari, center of Sámi culture in Finland. The festival is organised by Friends of Sami art association, in collaboration with Sámi Cultural Centre Sajos. Skábmagovat Indigenous Film Festival is the oldest Sámi film festival in the world. Skábmagovat has established its place among international film festivals and enjoys a visitor base from passionate film consumers to film-industry and other organisations. On the side, the program is enriched with e.g. workshops, discussions and concerts. Skábmagovat has also a special day for the children and youngsters of the kindergartens and schools nearby.

Nordic Craft Week is an online collaborative campaign for sharing ideas and good practices on safeguarding crafts based on traditions. It is a collaborative project,
initiated by the Nordic Folk Art and Craft Federation (NFACF). The week is given a theme, which is interpreted by every participating country. The core idea is to show how crafts are practiced and celebrate the traditions across the Nordic region. Patterns for traditional craft work are shared and talks over borders organized. The week is a joined effort of the Nordic Craft Federation, which was founded in 1937. The Federation includes nowadays Estonia and Faroe Islands too. This year (2021), the theme of the Nordic Craft week was “Hands On”. The Finnish craft organization took part by giving visible mending classes online and organizing a panel discussion on the changing heritage of national costumes.

Finnish Crafts Organization Taito is also a member of the European Folk Art and Craft Federation (EFACF). It aims to strengthen European craft culture and entrepreneurship. The Federation provides a platform for information sharing and a discussion forum for NGOs ’ways of promoting crafts as well as mutual acquaintance with European craft culture.

There are also some examples of international collaboration on researchers within the fields of ICH. COST (European Cooperation in Science and Technology) is a funding organisation for research and innovation networks. It helps to connect research initiatives across Europe and beyond and enable researchers and innovators to grow their ideas in any science and technology field by sharing them with their peers. COST Actions are bottom-up networks with a duration of four years that

boost research, innovation and careers. Finland is both hosting and taking part in COST actions. In 2019, Finland had 29 leadership positions within Actions.
Currently, Finland is for example involved in a COST-action called “Europe Through Textiles: Network for an integrated and interdisciplinary Humanities”. The action fosters a pan-European network of scholars and stakeholders from academia, museums, conservation, cultural and creative industries on textile crafts for re-writing European history based on its massive production, trade, consumption and reuse of textiles and dress. For this purpose, ITCs are crucial for their experience in ancient techniques and cultural heritage in textile crafts. The goal is to identify expertise across time in sustainable textile practices. The outcome of the action would be inspirational material for experts in the allied and applied disciplines of fashion, art and design.

Question 25.3

Do you participate in ICH-related activities of international and regional bodies other than UNESCO?

Yes

1

International and regional bodies

European Union

ICH-related activity/project

Finland participates in the work of European Union related to culture in many ways. Creative Europe has already been mentioned in this report.

Interreg is one of the key instruments of the European Union (EU) supporting cooperation across borders through project funding. It aims to jointly tackle common challenges and find shared solutions in fields such as health, environment, research, education, transport, sustainable energy and more. Interreg Nord is a EU-program supporting cross-border cooperation in order to strengthen the economic and social development. Areas included in the program are north Norway, north Finland, north Sweden and Sápmi, which spreads over all three countries. The program has given support to several projects which strengthen cross-border collaboration substantially.

Contributions to the safeguarding of intangible cultural heritage

Here are some examples of the projects implemented under the Interreg Nord:
• The project “Summer whitefish in Torne River Valley –culture and cultural heritage” increased awareness about Tornedalen´s unique hereditary fish culture and improved its attractiveness among the area´s fishermen, residents, tourists and most importantly, the youth.
• The Giellagáldu -projects aim was to strengthen the use of Sami languages in various sectors in Finland, Sweden and Norway. The main purpose was to permanently establish the trade and resource center for the Sami languages, Sámi Giellagáldu
• The Ourstories -project’s main goal was to promote regional storytelling and to strengthen the local northern identity by localizing inspirational narratives across the border, in form of music pieces, films, texts, works of art and articles.
• The AIDA -project’s overall objective was to strengthen and bring to life the region's culture and heritage through duodji. The aim is furthermore to strengthen entrepreneurial skills among duodji students on Sami college. Materials to highlight the thinking behind duodji was produced from archives, for educational purposes.
• The Viesso duobddága – Living landscape -project’s main objective of the project is to increase understanding of the Lule Sami area as a common, composite landscape in Sweden and Norway, and to convey Sami use and understanding of the landscape as a basis for experiences and natural tourism in northern areas.
• The Digital access to the Sámi heritage archives -project aims to improve the accessibility of the Sami cultural heritage.
• The Arctic Pulse -project’s aim is a collaboration where culture and business, especially the visiting industry, meet. With live music and cultural cooperation, well-packed experiences of the region's intangible cultural heritage are delivered to a large audience in the North Calotte.
• The Collaboration platform for minority languages -project has a vision of developing education, culture and business based on the social capital, eg. language and cultur of national minorities. Here, attention is especially paid to Meänkieli and Kven minorities. In order to do that, they build a collaboration platform, a physical and virtual meeting place for knowledge and experience exchange among language teachers and cultural educators, researchers and educators, cultural workers and language bearers.
• The ICH North - Passing on our musical traditions -project supports the safeguarding of the intangible cultural heritage of folk music as well as its awareness among the younger generations and promotes cross-border cooperation related to the cultural heritage of folk music. The lead partner of the project is Centria University of Applied Sciences, Finland, and the projects partners are the Finnish Folk Music Institute and the Arctic University of Norway. Framnäs Folkhögskola, Norrbottens Spelmansförbund and Sámi musihkkaakademiija act as associate partners in the project.

 

2

International and regional bodies

CoE (Council of Europe)

ICH-related activity/project

In addition to defining and monitoring cultural heritage policies (Strategy21), conventions and recommendations, the Council of Europe's cultural heritage policy includes networking and cooperation between Member States' cultural heritage professionals (Herein), technical cooperation and assistance, and projects to raise awareness of European cultural heritage. Activities are aimed at the general public include, for example, the European Heritage Days and the European Cultural Routes.

Contributions to the safeguarding of intangible cultural heritage

Finland is active in all of these processes and brings also the viewpoint of ICH safeguarding into these forums.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Largely

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will continue to actively engage in international networking and institutional cooperation, specially by promoting international networking among communities, groups and individuals, NGOs, experts, centres of expertise and research institutes that are active in the field of ICH.


26. ICH Fund effectively supports safeguarding and international engagement (this indicator is monitored and reported by the Secretariat at the global level)

Guidance note corresponding to indicator 26 of the Overall Result Framework: English|French|Spanish


C01596

C

C. Status of elements inscribed on the Representative List

Please complete all points below for each element of intangible cultural heritage present in the State's territory that has been inscribed on the Representative List. Refer to the nomination file as the basis for reporting on the current status of the element and report only on relevant changes since the date of inscription on the List or since the last report. Nomination files and earlier reports are available at https://ich.unesco.org or on request at the Secretariat.

The State Party shall pay special attention to the role of gender and shall endeavour to ensure the widest possible participation of the communities, groups and, where applicable, individuals concerned as well as relevant non-governmental organizations during the process of preparation of each report, and is asked in point C.7 below to describe how it has done so.

Name of the element

Year of inscription

Sauna culture in Finland

2020

Question C.1

C.1. Social and cultural functions

Explain the social and cultural functions and meanings of the element today, within and for its community, the characteristics of the bearers and practitioners, and any specific roles or categories of persons with special responsibilities towards the element, among others. Attention should be given to any relevant changes related to inscription criterion R.1 (‘the element constitutes intangible cultural heritage as defined in Article 2 of the Convention').

Sauna culture in Finland was inscribed to the UNESCO Representative list in December 2020. During the year, no significant changes have taken place in the social and cultural dimensions of sauna.
However, it is worth highlighting the unforeseen effects of the pandemic on the sauna tradition. In the case of Finland, the restrictive measures were significant from April 2020 and the restrictions of various lengths will last at least until spring 2022.
The pandemic can be said to have had a positive effect on sauna use in private spheres. The saunas in the homes have been used more frequently as activities outside home, hobbies and travel decreased. In times of uncertainty, sauna has been an even more important form of relaxation and calming for many. For people with restrictions outside home, the sauna has been “an own space” for many. As distance work has increased dramatically, Finns have also spent more time in their cottages, where sauna is an essential part of lifestyle.

Public saunas, on the other hand, were negatively affected by the pandemic. Public saunas have been closed for many months and the communities associated with them have not been able to gather together. In many respects the most significant way of social interaction has been blocked for these people.

Question C.2

C.2. Assessment of its viability and current risks

Describe the current level of viability of the element, particularly the frequency and extent of its practice, the strength of traditional modes of transmission, the demographics of practitioners and audiences and its sustainability. Please also identify and describe the threats, if any, to the element's continued transmission and enactment and describe the severity and immediacy of such threats.

There have been no significant changes in the vitality of the sauna culture during the year. However, during the pandemic and especially during lockdown, the importance of sauna has strengthened within private spheres.
However, the public saunas were significantly affected by the pandemic. The saunas had to be closed for several months due to restrictions. This greatly hampered the economy and social community of the saunas. Community members ran various fundraising campaigns to help the sauna owners and associations behind them. Some public saunas received a corona subsidy for cultural communities from Ministry of Education and Culture in 2021. During the summer of 2021, sauna events could be partly organized: a total of about 25 events were organized, compared to about 125 in the previous year.

In the late fall of 2021, it looks like the pandemic will continue and restrictions may also apply to public saunas. However, their operation is likely to continue with the help of Covid 19 passports.

Question C.3

C.3. Contribution to the goals of the List

Describe how the inscription of the element has contributed to ensuring visibility of the intangible cultural heritage and raising awareness at the local, national and international levels of its importance. Explain how its inscription has contributed to promoting respect for cultural diversity and human creativity, and mutual respect among communities, groups and individuals.

The inscription of sauna culture on the RL brought a lot of visibility to ICH. The communications following the inscription were made in cooperation by the FHA, Ministries of Education and Culture and Foreign Affairs and Visit Finland. Embassies, Finnish science and culture institutes around the world were utilized in international communication. There were 86 media hits in Finland and millions of people were reached nationally, especially through national newspapers, their online publications and TV news. For the rest of the world, e.g. The Guardian, the Washington Post, die Zeit, die Frankfürter Allgemeine and Japan's NRK made sauna headlines. Sauna communities also and the International Sauna Association (ISA) disseminated information nationally and worldwide through its own channels.



In this context, Yle's Sauna Day in June-July 2020 is also worth mentioning. It took place between the submission of the application and the inscription. The campaign included dozens of different contents, which were published on TV, Yle Areena, websites and on various social media channels. On sauna day 27.7, there were more than 1,000 saunas and more than 200,000 participants registered. Counting in all channels, the campaign reached one million during the day.

The inscription has contributed to respect for cultural diversity and people's creativity, as well as mutual respect between communities In particular, the survey, the report and the webinar on the future and sustainability of the sauna, carried out in cooperation with the University of Jyväskylä, contributed towards the goals of the list.

Question C.4

C.4. Efforts to promote or reinforce the element

Describe the measures that have been implemented to promote and reinforce the element, particularly detailing any measures that might have been necessary as a consequence of its inscription.

To safeguard sauna culture, Sauna circle (Saunarinki), a network of sauna operators, was established in August 2019. Of the 25 sauna societies supporting the inscription, most were present at the founding meeting. Sauna circle is a community of sauna operators in Finland, whose goal is to strengthen the mutual cooperation of the sauna community and to continue the discussion on the current state of Finnish sauna culture, to consider the future and to develop it. The FHA granted the Finnish Sauna Association a project supported to develop the work of the network in 2021.

The Sauna circle has now been around for more than two years. Already during that time, it has proved its necessity as a gatherer of the Finnish sauna community. Sauna circle already has more than a hundred participants from all over Finland. There are about 30 different sauna clubs and other non-governmental organizations related to sauna in the circle. 900 people have joined the Saunarinki Facebook group. In December, a collection of 20 new Finnish sauna songs was published.

One way of protecting the sauna tradition and its vitality is to protect public saunas. From the beginning of 2021, the FHA initiated protection proposals for three public saunas. These saunas are Kotiharju Sauna and Sauna Arla in Helsinki, and Rajaportti sauna in Tampere. The FHA has now submitted protection proposals for the sites and filed them with the Regional business, transport and environmental centers, which will make the final decisions.

Question C.5

C.5. Community participation

Describe the participation of communities, groups and individuals as well as relevant non-governmental organizations in safeguarding the element and their commitment to its further safeguarding.

Sauna culture is a vivid living heritage in Finland: about 60% of the population go to sauna every week. Thus, it can be said that the participation of communities in the protection of the sauna tradition is very active.

All Finnish sauna communities and citizens, who are otherwise interested in sauna culture, are welcome to join the Sauna circle. The lead responsibility of the network changes every two years, and the role of the leader is to coordinate activities and apply for funding for projects to the network. In 2021, the Finnish Sauna Association (Suomen Saunaseura ry) was in charge, in 2022-23 the Finnish Sauna Culture NGO (Suomen Saunakulttuuri ry) will take its turn. The idea is that rotation in the leadership strengthens the sauna culture in different parts of Finland.

In two years, the sauna circle has held several meetings, during the pandemic all of them online, making is accessible from the whole country. In the Saunarinki Facebook group, various news, articles and events related to the sauna are distributed on a daily basis.
In 2021, a survey on the sauna and sustainable development was conducted to start Sauna circle's activities by the students of the University of Jyväskylä's KUOMA program. 295 people responded to the survey. The Wheelchart of Sustainability by the FHA and its partners was used in compiling the survey. The final report contains comprehensive material for future development. A webinar on the subject was held in June 2021, the video recording on Yotube has gathered more than 300 views. Thoughts on the sustainable future of sauna culture have gained a great deal of attention at the beginning of the Sauna circle activities.

The public events of the Finnish sauna day could not be carried out normally due to corona situation. There was a press release to encourage citizens to celebrate sauna day locally, to support sauna entrepreneurs in the economic situation weakened by the pandemic, and to inform them about Sauna circle's activities and goals. A new land sauna was inaugurated in Jämsä Sauna Village, within the corona restrictions.

The virtual “Village of Finland in the World” (Suomikylä maailmalla) was an online event organized by Finland Association (Suomi-Seura ry) for the first time in June 2021, the aim of which was to bring together Finns from all over the world. Sauna circle participated in the event by producing a virtual sauna space together with the Finnish Sauna Association (Suomen Saunaseura). At the same time, the Sauna circle gained visibility beyond the borders of our country.

The International Sauna Association (ISA) has funded research on viruses, heat and sauna over the past few decades. The aim is to find ways to keep saunas open during a pandemic and even to use saunas as a form of protection. The presidency of ISA is in Finland and but the study was conducted in Germany.

Question C.6

C.6. Institutional context

Report on the institutional context for the element inscribed on the Representative List, including:

  1. the competent body(ies) involved in its management and/or safeguarding;
  2. the organization(s) of the community or group concerned with the element and its safeguarding.

During 2021, due to the pandemic, public saunas have been forced to keep closed. However, Finnish cities and municipalities still offer cheap or free saunas in public swimming pools, beach areas and other sports facilities. More than 250 public swimming pools are provided with sauna facilities, which are used by millions of visitors and schoolchildren attending swimming lessons every year.

The state financially supports the sauna culture with research and documentation funding. For example, EU's sustainable product policy, ecodesign legislation and energy labelling cause actions also in the sauna related industries. The Ecodesign directive provides consistent EU-wide rules for improving the environmental performance of products, also for the sustainable development sauna stoves. Reduction of small particles has been in special focus. The doctoral dissertation of Heikki Suhonen, MSc (Tech.), entitled “Novel electrical particle emission reduction methods for small-scale biomass combustion”, was examined at the University of Eastern Finland.

The various sauna societies continue their active work with safeguarding sauna culture as mentioned in the pervious indicators.

Question C.7

C.7. Participation of communities in preparing this report

Describe the measures taken to ensure the widest possible participation of the communities, groups and, where applicable, individuals concerned as well as relevant non-governmental organizations during the process of preparation of this report.

Sauna culture in Finland has been nominated on the UNESCO lists for a year. Activities to protect the sauna tradition have been active despite the exceptional period. During the year, sauna operators have participated in Sauna circles's activities in many different ways in meetings, on social media, by answering a survey and following events online.

In preparing this report, the materials, memos and questionnaire responses produced by Sauna circle during the year have been utilized. Sauna circle communities have participated in the creation and commenting on the report. The draft report was sent for comments to more than a hundred sauna operators. In addition, the application was discussed in the core group of the circle, including the Finnish Sauna Association (Suomen Saunaseura), the International Sauna Association (Kansainvälinen Saunaseura), the Finnish Sauna Culture NGO (Suomen Saunakulttuuri ry), the Sauna Master Guild Association (Saunamestarien Kilta ry), the International Smoke Sauna Club (Kansainvälinen Savusaunaklubi) and the Rajaportti sauna (Rajaportin Sauna).


C01683

C

C. Status of elements inscribed on the Representative List

Please complete all points below for each element of intangible cultural heritage present in the State's territory that has been inscribed on the Representative List. Refer to the nomination file as the basis for reporting on the current status of the element and report only on relevant changes since the date of inscription on the List or since the last report. Nomination files and earlier reports are available at https://ich.unesco.org or on request at the Secretariat.

The State Party shall pay special attention to the role of gender and shall endeavour to ensure the widest possible participation of the communities, groups and, where applicable, individuals concerned as well as relevant non-governmental organizations during the process of preparation of each report, and is asked in point C.7 below to describe how it has done so.

Name of the element

Year of inscription

Kaustinen fiddle playing and related practices and expressions

2021

Question C.1

C.1. Social and cultural functions

Explain the social and cultural functions and meanings of the element today, within and for its community, the characteristics of the bearers and practitioners, and any specific roles or categories of persons with special responsibilities towards the element, among others. Attention should be given to any relevant changes related to inscription criterion R.1 (‘the element constitutes intangible cultural heritage as defined in Article 2 of the Convention').

Since Kaustinen fiddle playing and related practices and expressions was just inscribed in December 2021, there are no significant changes to report.

Question C.2

C.2. Assessment of its viability and current risks

Describe the current level of viability of the element, particularly the frequency and extent of its practice, the strength of traditional modes of transmission, the demographics of practitioners and audiences and its sustainability. Please also identify and describe the threats, if any, to the element's continued transmission and enactment and describe the severity and immediacy of such threats.

Question C.3

C.3. Contribution to the goals of the List

Describe how the inscription of the element has contributed to ensuring visibility of the intangible cultural heritage and raising awareness at the local, national and international levels of its importance. Explain how its inscription has contributed to promoting respect for cultural diversity and human creativity, and mutual respect among communities, groups and individuals.

Question C.4

C.4. Efforts to promote or reinforce the element

Describe the measures that have been implemented to promote and reinforce the element, particularly detailing any measures that might have been necessary as a consequence of its inscription.

Question C.5

C.5. Community participation

Describe the participation of communities, groups and individuals as well as relevant non-governmental organizations in safeguarding the element and their commitment to its further safeguarding.

Question C.6

C.6. Institutional context

Report on the institutional context for the element inscribed on the Representative List, including:

  1. the competent body(ies) involved in its management and/or safeguarding;
  2. the organization(s) of the community or group concerned with the element and its safeguarding.

Question C.7

C.7. Participation of communities in preparing this report

Describe the measures taken to ensure the widest possible participation of the communities, groups and, where applicable, individuals concerned as well as relevant non-governmental organizations during the process of preparation of this report.


C01686

C

C. Status of elements inscribed on the Representative List

Please complete all points below for each element of intangible cultural heritage present in the State's territory that has been inscribed on the Representative List. Refer to the nomination file as the basis for reporting on the current status of the element and report only on relevant changes since the date of inscription on the List or since the last report. Nomination files and earlier reports are available at https://ich.unesco.org or on request at the Secretariat.

The State Party shall pay special attention to the role of gender and shall endeavour to ensure the widest possible participation of the communities, groups and, where applicable, individuals concerned as well as relevant non-governmental organizations during the process of preparation of each report, and is asked in point C.7 below to describe how it has done so.

Name of the element

Year of inscription

Nordic clinker boat traditions
Multiple: Denmark, Finland, Iceland, Norway, Sweden

2021

Question C.1

C.1. Social and cultural functions

Explain the social and cultural functions and meanings of the element today, within and for its community, the characteristics of the bearers and practitioners, and any specific roles or categories of persons with special responsibilities towards the element, among others. Attention should be given to any relevant changes related to inscription criterion R.1 (‘the element constitutes intangible cultural heritage as defined in Article 2 of the Convention').

Since the Nordic clinker boat traditions was just inscribed in December 2021, there are no significant changes to report.

Question C.2

C.2. Assessment of its viability and current risks

Describe the current level of viability of the element, particularly the frequency and extent of its practice, the strength of traditional modes of transmission, the demographics of practitioners and audiences and its sustainability. Please also identify and describe the threats, if any, to the element's continued transmission and enactment and describe the severity and immediacy of such threats.

Question C.3

C.3. Contribution to the goals of the List

Describe how the inscription of the element has contributed to ensuring visibility of the intangible cultural heritage and raising awareness at the local, national and international levels of its importance. Explain how its inscription has contributed to promoting respect for cultural diversity and human creativity, and mutual respect among communities, groups and individuals.

Question C.4

C.4. Efforts to promote or reinforce the element

Describe the measures that have been implemented to promote and reinforce the element, particularly detailing any measures that might have been necessary as a consequence of its inscription.

Question C.5

C.5. Community participation

Describe the participation of communities, groups and individuals as well as relevant non-governmental organizations in safeguarding the element and their commitment to its further safeguarding.

Question C.6

C.6. Institutional context

Report on the institutional context for the element inscribed on the Representative List, including:

  1. the competent body(ies) involved in its management and/or safeguarding;
  2. the organization(s) of the community or group concerned with the element and its safeguarding.

Question C.7

C.7. Participation of communities in preparing this report

Describe the measures taken to ensure the widest possible participation of the communities, groups and, where applicable, individuals concerned as well as relevant non-governmental organizations during the process of preparation of this report.


Question D

Signature on behalf of the State

The report should conclude with the original signature of the official empowered to sign it on behalf of the State, together with his or her name, title and the date of submission.

Name

Title

Date

Signature