Periodic Report (Convention)

A. General information

Name of State Party

Finland

Date of Ratification

2013-02-21

Question A.1

Executive summary

Please provide an executive summary of the report that will allow general readers to understand the overall status of legislative, regulatory and other measures taken at the national level to implement the Convention. This should follow the organizational structure of the form.

Finland ratified the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage in 2013. The Finnish Heritage Agency is responsible for the national implementation in Finland under the Ministry of Education and Culture. An Advisory board of ICH is appointed by the Ministry every four years.

Multistakeholder networks, Circles of living heritage, have been established in most of domains to support the implementation and to share good practises among each other. Living heritage! Plan for National Implementation (2015) defines the general guidelines for the implementation and it is supplemented with an Action Plan every four years. In 2016 the Wiki-inventory for Living Heritage was opened to make visible the ICH of various communities. To date there are 213 entries from more than 250 communities. From the Wiki it is possible to apply to the National Inventory, which has 64 elements to date.

Finland has a wide variety of actors in safeguarding at national, regional and local levels. Thousands of NGOs and other civil society actors contribute to the safeguarding of ICH. Transmission and documentation is also carried out by a vast network of educational institutions, museums, archives and other institutions. Most of these institutions and organisations receive public funding from governmental, regional or municipal authorities, either in the form of operating grants and/or individual project grants.

Finland does not have special legislation for ICH. However, there is a wide range legal and administrative instruments and policies that relate to ICH and its safeguarding, the right to language and culture, participation, and access to culture. However, in recent years the notion of ICH has become visible in new legislation on museums and the work with culture in municipalities. In the work with living heritage, there are strong synergies with the 2030 Agenda. In order to better fulfil the
SDGs, closer cooperation with other public bodies, ministries and agencies is needed.

In Finland the awareness and media attention towards ICH has been steadily rising since the ratification of the Convention. Inventorying and inscriptions have been important in this process. International cooperation in the field is active. The work on ICH touches upon many other international organs and Conventions. In the future, it is important to highlight these connections and to find more synergies.

However, the field of ICH is vast and there is still work to be done. In Finland many of the stakeholders of ICH don’t necessarily regard themselves as actors of ICH, and thus their safeguarding actions are not always implemented the best way possible in the spirit of the Convention 2003. Awareness raising and capacity building efforts should be emphasized in the future to overcome this challenge especially in the field of formal and non-formal education and transmission of ICH. The NGOs and the civil society will have a big role in the awareness raising and capacity building efforts for their capacities acting as mediators between the state and the communities. It is essential for all the actors to include better the viewpoint of cultural diversity in all of its forms. In Finland this means particularly the indigenous Sámi people.

This report gathers the experience of Finland in the implementation of the Convention both by the national coordinating body Finnish Heritage Agency as well as safeguarding ICH in general by the state and the civil society. The report is based on research work and wide consultation process among communities, NGOs, various institutions and public bodies. The report has provided a lot of new insights and will also serve as planning tool for the safeguarding of ICH in Finland for the following six years.

Question A.2

Contact information of the focal point for the periodic report

If you need to update the information related to the focal point, please write to the Secretariat (ich-reports@unesco.org) indicating the information to be updated, and the Secretariat will make necessary changes.

Title (Ms/Mr, etc)

Mr

Family name

Vainonen

Given name

Hannu

Institution/position

Senior Ministerial Adviser Ministry of Education and Culture International Relations

Address

P.O. Box 29 FI-00023 Government

Telephone number

+358 295 3 30323

E-mail address

hannu.vainonen@gov.fi

Other relevant information

Ms Leena Marsio
Senior Advisor
Finnish Heritage Agency
P.O. Box 913
FI-00101 Helsinki
+359 295 33 6017

leena.marsio@museovirasto.fi

Question A.3

Institutions and organizations involved in the preparation of the periodic report

  • Governmental institutions

    The Ministry of Education and Culture has founded an advisory group on ICH for the term 2018–2022. The group acts to support the implementation of the Convention and as experts in questions relating to intangible cultural heritage. The group has participated in the planning of the reporting process and replied also to the surveys and participated in some of the workshops.

    The members of the advisory group are from the following organisations:University of Turku, Åbo Akademi University, Finnish Literature Society, Institute for the Languages of Finland, Finnish Heritage Agency, The National Library, The Society of Swedish Literature in Finland, The association of Cultural Heritage Education in Finland, Ålands museum, Arts Promotion Centre Finland, The Finnish Folk Music Institute, Runosong-Academy, Finnish Crafts Organization Taito, Finnish Forest Museum and Ministry of Education and Culture.

    The Government of Åland produced material for the periodic report. The survey for communities was circulated in Åland. Workshops were also organized with the Sámi Parliament and the Roma Advisory Board.

    Furthermore, the following governmental organisations replied to the surveys and/or took part in workshops:
    Ministry of Education and Culture, Ministry of the Environment, Ministry of Agriculture and Forestry, National Agency for Education, Metsähallitus (Finnish Forest Administration), Natural Resources Institute Finland, Finnish Environment Institute

 

  • National commission for UNESCO

    The national commission for UNESCO has provided information to the report regarding International Conventions. The commission has also discussed about the report in its meeting.

 

  • Research institutions

    The Center for Cultural Policy Research Cupore has been a partner to the FHA in the periodic reporting with an input of three months of work. Cupore staff was responsible for drafting indicators 2-4 and 11-14.

 

  • Centres of expertise

    The following centres of expertise have participated in the surveys and/or workshops:

    Suomalaisen Kirjallisuuden Seura (The Finnish Literature Society )
    Kansanmusiikki-instituutti (Finnish Folk Music Institute)
    Kansanmusiikin ja Kansantanssin Edistämiskeskus (Promotion Centre for Finnish Folk Music and Folk Dance)
    Kotimaisten Kielten Keskus (Institute for the Languages of Finland)
    KulturÖsterbotten
    Saamelaisarkisto (Sámi Archives)
    Saamelaisneuvosto (Saami Council)
    Taiteen edistämiskeskus (Art Promotion Center)
    Svenska litteratursällskapet i Finland (Society of Swedish Literature in Finland)
    Nordens Institut på Åland (The Nordic Institute on Åland)

 

  • Universities

    Staff members from the following universities have participated in the surveys and/or workshops:
    Aalto University
    Arcada University of Applied Sciences
    Centria University of Applied Sciences
    Metropolia University of Applied Sciences
    University of Helsinki
    University of Eastern Finland
    University of Jyväskylä
    University of Tampere
    University of Turku
    Åbo Akademi

 

  • Museums

    The following museums have participated in the workshops organised by the FHA:
    Designmuseo, Helinä Rautavaaran museo, Käsityömuseo, Savonlinnan museo, Lusto - Suomen Metsämuseo, Teatterimuseo.

    The following museums have provided information to the survey related to the periodic reporting:
    Espoon kaupunginmuseo, Föreningen Brage i Vasa – museisektionen, Helsingin taidemuseo, Hämeenkyrön kunta museopalvelut, Helsingin kaupunginmuseo, Huittisten museo, Joensuun museot, K.H.Renlundin museo,
    Kainuun Museo, Karhulan Ilmailukerhon Lentomuseo, Kaskö hembygdsmuseum, Keski-Suomen museo,
    Kovjoki hembygds- och museiförening r.f / Nykarleby Jernväg - Kovjoki Museigård, Kuopion kulttuurihistoriallinen museo, Lahden museot, Lapin maakuntamuseo, Museo- ja tiedekeskus Luuppi, National Museum of Finland, Palsan Mylly- ja sahamuseo, Pirkanmaan maakuntamuseo, Saarijärven museo, Salon kaupungin museopalvelut, Savonlinnan museo, Stiftelsen Ålands Jakt-och Fiskemuseum, Stundars museum, Suomen käsityön museo, Tuusulan museo, Vantaan kaupunginmuseo, Vesilahden museoyhdistys ry

 

  • NGOs

    The following NGOS have participated in the workshops organised by the FHA:
    Art-Master ry, Globe Art Point, HIAA, Hippos, Joulupukkisäätiö, Kalevalainen kansanparannussäätiö, Kalevalaisten Naisten liitto, Kansanlääkintäseura ry, Kansaparannus säätiö, Kansaparannus säätiö, Käpylä seura, Karjalainen nuorisoliitto, Käsi- ja taideteollisuusliitto ry, Kotiseutuliitto, Kotiseutuyhdistys Kömin Kilta ry, Kulttuuria Kaikille, Kuurojen Liitto ry, Kulttuurituotanto, Luonto ja ympäristö koulujen liitto, Luontoliitto ry, Maa- ja kotitalousnaisten liitto, PACUNET, Paliskuntain yhdistys, ProSiika ry, Romano Missio ry, Runolaulu-Akatemia, SÁMI DUODJI RY, Seurasaarisäätiö, Sirkuksen tiedotuskeskus, Sirkuksen tiedotuskeskus ry, SKIP ry, Suomen etnomusikologinen seura ry, Suomen Hippos, Suomen Käsityön Ystävät ry, Suomen Kotiseutuliitto, Suomen luonto- ja ympäristökoulujen liitto, Suomen luonto- ja ympäristökoulujen liitto ry, Suomen Nuorisosirkusliitto, Suomen partiolaiset, Suomen Romaniyhdistys ry, Suomen Unima ry, Suomi-arabia ystävyysseura, Käsi- ja taideteollisuusliitto Taito ry, Tekstiilikulttuuriseura, Tyyne-kerttu virkki-säätiö, Urbanapa.

    The following NGOS have provided information to the survey related to the periodic reporting:
    Svenska Österbottens Ungdomsförbund, Finlands svenska spelmansförbund r.f., Härmä Seura, Heinolan Kalevalaiset Naiset ry, Helsingin Seudun Erilaiset Oppijat ry, Hirvensalmi-seura ry, Joulupukkisäätiö sr, Kalevalaisten Naisten Liitto, Kalevalainen Kansanparannus-säätiö, Kansanlääkintäseura ry, Kaukametsäläiset ry, Kökars Marthaförening, Kömin Kilta ry, Kotiseutuyhdistys Rovaniemen Totto ry, Kulttuuriperintökasvatuksen seura, Kulttuuriperintökasvatuksen seura, Kuurojen Liitto ry, Läntinen tanssin aluekeskus ry, Lappfjärds Marthaförening, Naantalin Purjehdusseura ry, Österbottens barnkulturnätverk Bark / Österbottens förbund,
    Pentti Roiton Säätiö, Petäjäveden vanhan kirkon säätiö, Pitsikeskus Emelia ry, Pohjois-Karjalan Martat ry, Pro Karhusaari ry, ProSiika ry, Runolaulu-Akatemia, Sámi Duodji ry, Seurasaarisäätiö, Sivistysliitto ja Opintokeskus Kansalaisfoorumi, Suomen Etnomusikologinen Seura, Suomen Kirkkomusiikkiliitto ry, Suomen Kotiseutuliitto, Suomen Nuorisosirkusliitto, Suomen Romaniyhdistys ry, Suomen tanssioppilaitosten liitto ry, Suomen UNIMA ry, Sydösterbottens marthadistrikt, Taito Pohjois-Pohjanmaa ry, Taito Varsinais-Suomi, Taito Ylä-Savo ry, Teuva-Seura ry, Teuvan Kalevalaiset, Tommi-puukon Perinneyhdistys ry, Turun Kansantanssin Ystävät ry, Vantaa-Seura, Ympäristökasvatusjärjestö FEE Suomi ry.

 

  • Municipalities

    A survey for municipalities was made on the relevant indicators and sent to all 309 municipalities in Finland. Altogether 74 municipalities replied to the survey.

    Korsnäs, Alavieska, Alavus, Askola, Enontekiö, Eurajoki, Evijärvi, Hailuoto, Hanko, Heinola, Inari, Isojoki, Joensuu, Joutsa, Kalajoki, Kangasala, Kangasniemi, Kankaanpää, Kannus, Kauniainen, Keminmaa, Kempele, Kihniö, Konnevesi, Korsholm, Kouvola, Kruunupyy, Kurikka, Laihia, Lapinlahti, Lempäälä, Leppävirta, Liminka, Maarianhamina, Mynämäki, Nivala, Nykarleby, Orimattila, Oripää, Orivesi, Oulainen, Paimio, Pälkäne, Parkano, Pello, Petäjävesi, Pietarsaari, Pirkkala, Pornainen, Pöytyä, Punkalaidun, Raahe, Raseborg, Rautalampi, Rautavaara, Säkylä, Salla, Salo, Savonlinna, Sievi, Siikalatva, Siilinjärvi, Suonenjoki, Taivalkoski, Tammela, Toholampi, Valkeakoski, Vesilahti, Vieremä, Virrat, Ylivieska.

 

  • Local governments

    The following regional councils replied to the survey:
    Etelä-Savon maakuntaliitto (South Savo Regional Council)
    Pohjanmaan liitto (Regional Council of Ostrobothnia)

 

  • Private sector entities

    The following private sector entities replied to the survey:
    Helsingin Suomalainen Klubi (The Helsinki Finnish Club)
    Hintsa Performance
    Lumimuutos Osuuskunta (Snowchange Cooperative)

 

  • Others (if yes, specify)

    The following educational institutions have provided information to the survey

    Ammattiopisto Livia (Vocational college)
    Ammattiopisto Tavastia (Vocational college)
    Espoon Tanssiopisto (Espoo Dance Institute)
    Keski-Pohjanmaan konservatorio (Central Ostrobothnia Conservatory)
    Kulttuuri- ja oppimiskeskus Virta (Culture and Learning Center Virta)
    Malax-Korsnäs medborgarinstitut (Malax-Korsnäs Citizens' Institute)
    Medborgarinstitutet i Mariehamn (The Citizens' Institute in Mariehamn)
    Musiikkiopisto Arkipelag (Music college)
    Opintokeskus Kansalaisfoorumi (Adult Education Institution - Citizens’ Forum)
    Pieksämäen Seutuopisto (Pieksämäki Regional College)
    Saamelaisalueen Koulutuskeskus (Sámi Educational Centre)
    Sydkustens landskapsförbud/Åboland
    Tiedotuskeskus (Dance Info Finland)
    Vantaan kuvataidekoulu (Vantaa Art School)
    Vihdin kuvataidekoulu (Vihti Art School)
    Ylivieskan seudun kansalaisopisto (Ylivieska Region Citizens' College)

    In addition one parish participated in the survey: Ilomantsin ortodoksinen kappeliseurakunta

Please provide any comments in the box below

The Finnish Heritage Agency has organized several surveys related to the periodic reporting. Separate surveys have been sent to communities and NGOs; researchers; educational institutions and municipalities. The surveys were replied by 206 respondents. Furthermore, both accredited organisations (Finnish Folkmusic Institute and Crafts Organization Taito) produced own reports from their field.

In addition, altogether nine online workshops were organised and in total 188 people/organisations participated. Workshops were organised by the FHA for the advisory board of ICH; for ICH communities and NGOs and also for researchers.

Many workshops were organised in partnership with other organisations. A workshop on Roma ICH was organised in cooperation the National Advisory Board on Romani Affair and Finnish Roma Association. Furthermore, a workshop on Sámi ICH was organised in cooperation with the Sámi Parliament in Finland. A workshop on ICH and cultural diversity was organised with the NGO Culture for All Service.

Four workshops related to the Cultural Heritage Strategy of Finland were organised with the Circles of Living Heritage as an input to the report on sustainable development and future planning of the ICH field.

Question A.4

Accredited Non-Governmental Organizations

For information, please find below the list of accredited NGOs located in your country, if any. You can find detailed information on each NGO, by clicking on the question mark symbol.

Name of the NGO

Year of accreditation

Finnish Folk Music Institute (NGO-90407)

2018

Finnish Crafts Organization Taito (NGO-90436)

2020

Please provide in the box below observation(s), if any, on the above-mentioned information.

There are two organizations accredited to the Convention in Finland, the Finnish Folk Music Institute (since 2018) and Finnish Crafts Organization Taito (since 2020). Both operate in their respective fields nationwide.

The Finnish Folk Music Institute (Kansanmusiikki-Instituutti) was founded in 1974. Its main tasks are the research, recording, archiving, information, concert and publishing activities, educational and museum activities, and cultural policy influencing of folk music and dance. The institute operates e.g. in the Circle of living heritage in its field and in co-operation with various communities, as well as in international co-operation forums in the Nordic-Baltic ICH Network, on the ICH NGO Forum and its working groups, e.g. chairing the Working Group on Regional Imbalances. The Finnish Folk Music Institute’s capacity building program for ICH aims at e.g. the involvement of NGOs in the safeguarding of ICH the documentation, innovation and dissemination of good safeguarding practices, the development of research and cooperation between communities and research and education organizations, and the expansion of international networks.

The Finnish Crafts Organization Taito (Käsi- ja taideteollisuusliitto Taito ry) was founded in 1913. The activities of the organization Taito focus on the development of the crafts industry, in which the central role is played by the 16 regional associations. The training and counselling activities of the organization and the crafts schools for basic art education are active protection work of the living handicraft tradition. Crafts are linked to cultural, social and economic policies, which the association is influencing by conducting surveys and statements, liaising with decision-makers and networking with other actors in the field. The organization is active in international and domestic communities, such as with Nordic accredited expert organizations in the field of handicrafts, the living heritage craft circle, the ICH NGO Forum, the Nordic-Baltic ICH Network and the Ministry of Education and Culture’s intangible cultural heritage advisory group. The Finnish Crafts Organization Taito produces exhibitions and seminars related to the intangible cultural heritage and publishes Taito magazine, which has been telling stories about Finnish handicrafts for more than a hundred years.

Question A.5

Participation to the international mechanisms of the 2003 Convention

Question A.5.1

Elements inscribed on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding

For information, please find below the list of elements inscribed on the List of Intangibe Cultural Heritage in Need of Urgent Safeguarding, if any. You can find detailed information on each element, by clicking on the question mark symbol (Periodic reporting on these elements is done under a separate set of guidelines using form ICH-11).

none

Please provide in the box below observation(s), if any, on the above-mentioned information.

Question A.5.2

Elements inscribed on the Representative List of Intangible Cultural Heritage of Humanity

For information, please find below the list of elements inscribed on the Representative List of Intangible Cultural Heritage of Humanity, if any. You can find detailed information on each element, by clicking on the question mark symbol (the report on these elements will be made in section C of this form).

Name of the element

Year of inscription

Sauna culture in Finland (01596)

2020

Please provide in the box below observation(s), if any, on the above-mentioned information.

Question A.5.3

Programmes selected for the Register of Good Safeguarding Practices

For information, please find below the list of programmes selected for the Register of Good Safeguarding Practices, if any. You can find detailed information on each element, by clicking on the question mark symbol.

none

Please provide in the box below observation(s), if any, on the above-mentioned information.

Question A.5.4

Projects financed through International Assistance (Intangible Cultural Heritage Fund)

For information, please find below the list of projects financed through the ICH Fund in your country, if any. You can find detailed information on each project, by clicking on the question mark symbol.

none

Please provide in the box below observation(s), if any, on the above-mentioned information.

Question A.6

Inventories

Please provide information on the inventory or inventories of the intangible cultural heritage present in your State’s territory, as referred to in Articles 11 and 12 of the Convention and paragraph 153 of the Operational Directives. The 'Add' tab allows you to add as many inventories as you wish to include. If no inventory has been established yet in your country, leave this section blank.

1

a. Name of inventory

Elävän perinnön wikiluettelo / Wiki-inventory for Living Heritage

b. Hyperlink to the inventory (if any)

https://wiki.aineetonkulttuuriperinto.fi/

c. Responsible body

Finnish Heritage Agency

d. Date of establishment

28th February 2016

e. Updated since ratification or during the reporting period (provide further details in section 7.3

)

Yes

Date of latest update

10-12-2021

f. Method and frequency for updating

The inventories under the Convention are updated every three years based on the date when they are originally submitted to the Wiki. The updating is done by the communities behind the entries. The Agency follows up the updating, reminds the communities if needed, asks for further questions and provides technical assistance when necessary. The updates are usually about recent development, project, campaigns or courses related to the element so contributing namely to the viability. The texts can be updated, new photos, videos or other links can be updated.

g. Number of elements included

213

h. Applicable domains

Festivities and practices
Music and dance
Performing arts
Oral traditions
Crafts
Food traditions
Games and playing
Nature and the universe
Good practices

i. Ordering principles

The inventory is ordered by the above mentioned domains. It is also possible to see the elements by region/municipality. In addition there are articles by children with the label “Our Heritage”.

j. Criteria for inclusion

- Elements of ICH in the domains mentioned, linking them or from outside them.
- Examples of ICH, at the heart of which are practising and passing on from one person to another.
- ICH in accordance with human rights and Finnish legislation, which supports sustainable development and respect between communities.
- Traditions in Finland which are transferred from one generation to the next or which surpass generational boundaries.
Who can make proposals?
- Associations
- Various communities (e.g. practitioners, hobby groups, actors within a certain geographical or thematic area, organisations in the field)
- Groups of individuals
Consideration should be also given to:
- Submissions to the wiki should be made by the communities and organisation that practice and are familiar with the heritage.
- Show consideration for the diversity, variation and nuances of traditions. It is possible to make several submissions for the wiki for the same element from different perspectives.
- Highlight living and changing cultural heritage, and show consideration for the different variants of the same heritage.
- Show consideration for previously under-represented groups and insufficiently documented cultural traditions.
- Avoid stereotypical assumptions.
- Give visibility to good practices (e.g. projects and their various parts).

k. Does the inventory record the viability of each element?

Yes

Please provide further details, if appropriate:

The contributors are asked to provide information about e.g. the communities that actively practise the tradition nowadays; how it is practised today; how does the transmission of the tradition take place and how does the future for the element looks like. Images and links to videos, social media, websites and other sources on information.

l. Does the updating of the inventory reflect the current viability of elements included? (provide further details in section 7.3

)

Yes

Please provide further details, if appropriate

When updating, the communities are asked to describe changes of the element since the inscription was last modified and also to update list of communities behind if there are new interested actors to support the inscription. Special attention is paid to the future of the tradition: how does the future look like; how is the tradition developing; what kind of good practices for transmission are there.

m. Does the inventory identify threats to the ICH elements included?

Yes

If yes, what are the main threats you have identified?

The elements inventories face many kinds of threats. There is lack of capacities at a local level for ICH safeguarding and management. Furthermore, disinterest of younger generations in learning techniques and knowledge related to ICH as well as participating in its continued transmission has been reported related to many elements. There is still lack of integration of ICH safeguarding in local development programs and projects. There is also over-commercialization, unregulated tourism and folklorization of ICH elements reported, particularly related to the Sámi ICH. In addition, there is need for more community-based research.

n. Is this a specialized inventory or an inventory of specific scope? (provide further details in section 7.2

)

No

Name of the associated element, domain, ethnic group, geographical region, etc.

o. Is access to the inventory facilitated while respecting customary practices governing access to specific aspects of ICH? (provide further details in section 7.4

)

Yes

p. Do communities, groups and NGOs participate inclusively in the inventorying process? (provide further details in section 8.1

)

Yes

q. Does the inventory respect the diversity of ICH and its practitioners, including the practices and expressions of all sectors of society and all regions? (provide further details in section 8.2

)

Yes

r. Does the inventory include the practices and expressions of all genders? (provide further details in section 8.2

)

Yes

Question A.7

Synergies with other international frameworks

States Parties are invited to share examples of concrete activities developed within other international frameworks which contributed to the safeguarding of ICH:

1

Programme/Convention /Organization

1972 Convention Concerning the Protection of the World Cultural and Natural Heritage

Activity/project

In September 2020, the National Museum of Finland returned Pueblo Tribes’ ancestral remains for reburial in Mesa Verde, Colorado, USA. The ancestor’s return home was agreed in excellent cooperation between the Museum and the four repatriating tribes – the Hopi tribe, pueblo of Acoma, pueblo of Zia and pueblo of Zuni – and with support and commitment of both countries’ governments and administration. In the spirit of the 1970 and 2003 UNESCO Conventions, UNIDROIT 1995 Convention, and the UN Declaration on the Rights of Indigenous Peoples, the repatriation of the ancestral remains to the Tribes was regarded the only ethically correct decision and procedure.

Contributions to the safeguarding of intangible cultural heritage

Finland has ratified in 1999 the UNESCO Convention on the Prohibition and Prevention of the Unauthorized Import, Export and Transfer of Ownership of Cultural Property. The treaty states that the exchange of cultural property will increase the knowledge of the civilization of mankind and enrich the cultural life of all peoples and awaken mutual respect and esteem between nations. Cultural heritage is one of the fundamental elements of civilization and national cultures, the real value of which can only be understood in a context where its origin, history and traditional environment are known as much as possible. Therefore, the signatory states have an obligation to protect the cultural property on their territory from theft and unauthorized export.

 

2

Programme/Convention /Organization

Other international frameworks

Activity/project

The European Landscape Convention by the Council of Europe

Contributions to the safeguarding of intangible cultural heritage

The European Landscape Convention entered into force in Finland in 2006. Under the Nature Conservation Act, special landscape management areas can be established. They are used to preserve, among other things, the natural or cultural landscape and the historical features of the areas. Landscape management areas are established in close cooperation with local actors, such as village associations and municipalities. Five national landscape conservation areas have been established by the decision of the Ministry of the Environment and two provincial landscape conservation areas by the decision of the regional environmental centers.

Regional Councils may propose the creation of landscape protection areas. Such projects are often started at grassroots level, and the plans shaped by the opinions presented by the citizenry and the organizations of the area. In landscape management, joint planning of activities is essential: preparations are made, for example, with the village association. A management and use plan will be drawn up for the Conservation Area together with local actors. Regional Councils may propose the creation of landscape protection areas. Such projects are often started at grassroots level, and the plans shaped by the opinions presented by the citizenry and the organizations of the area. To support the acts, a landscape Inventory guidance booklet has been produced.

One goal of The European Landscape Convention is to remind citizens that landscapes are an integral part of human well-being and the attractiveness of living environment. The International landscape Day celebrates various ways the meanings of landscapes. Open photo competition, guided landscape walks and photography campaign on social media have been organized in order to encourage people to recognize the value of familiar everyday landscape and its impact on daily lives. The Landscape Day brings together several NGOs and state administration to collaboration.

The Landscape Convention is of great relevance for the indigenous people as it underlines cultural and symbolic significance of the living environments. The use of landscape is crucial for following the traditional way of living. The Convention encourages informal cross-border discussions and exchange of information between experts and officials working on landscape issues.

The Landscape Award of the Council of Europe is intended to raise civil society’s awareness of the value of landscapes, of their role and of changes to them. For example, in 2020, the Winner in Finland was a management project for coastal meadows in the Gulf of Bothnia. It is a joined effort, which has resulted in the landscape and nature of the coastal meadows have been managed through long-term and extensive cooperation.

As part of the Convention, the Helmi (Pearl) Program is a key tool in halting the impoverishment of Finland's nature. The program includes 40 measures to accelerate the restoration, management and protection of different habitats. The activities of the program help hundreds of endangered species as well as a large part of the endangered habitats in our country. The main goal of the Helmi program is to look at habitats and the restoration and management measures they need as a whole and as a multi-stakeholder collaboration. Rehabilitation and management measures will be centralized to make them as effective as possible for biodiversity. The program manages, restores and restores various habitats, such as bird waters and wetlands, traditional biotopes, groves, roasting areas, small waters and coastal nature. Associations can apply for support from the Ministry of the Environment through the program for the protection of the living environment.

 

3

Programme/Convention /Organization

Other international frameworks

Activity/project

Creative Europe Program by the European Union

Contributions to the safeguarding of intangible cultural heritage

Creative Europe is the only EU programme that specifically targets cultural, creative and audiovisual sectors and operators from all over Europe. Funding is provided for projects and activities with a European dimension. Culture strand of the program funds culture sector initiatives, such as those promoting cross-border cooperation, platforms, networking, and literary translation. The Creative Europe Program is a major funder of international cooperation in the cultural field. Some of the Finnish projects funded by Creative Europe are related to intangible cultural heritage.

Creative Europe has given funds for Heritage Hubs, led by The Association of Cultural Heritage Education in Finland (Suomen kulttuuriperintökasvatuksen seura ry.) Heritage Hubs brought together 10-16-year-old children and young people from Finland, Serbia and Spain to share examples of their cultural heritage via digital platforms and to experience, interpret and practice the cultural heritage of others in face-to-face interaction at home and abroad. The pupils familiarised themselves with their own heritage and produced videos and other digital presentations of what they regard as important cultural heritage thus creating new interpretations of ICH.

There are also several other Creative Europe funded projects dealing with intangible cultural heritage where Finnish organisations have participated in. For example, in” FACE to FAITH”, a collaboration of 7 countries and organisations led by German Sommerblut Kulturfestival, Finnish ANTI-festival explores and discusses the meaning of faith in our societies through theatre projects and conferences. In project “Refresh+,” coordinated by the Association of Historic Towns of Slovenia, Finnish Tuas participates in bringing together young artists who create new artworks inspired by intangible cultural heritage in Slovenia and Romania.

In ”Womarts,” led by Auditorio de Galicia, WIFT Finland takes part in highlighting the contribution of women to the European cultural heritage and diversity. Rosala Viking Centre participated in “Follow the Vikings” project that brough together a network of partners from across Europe to broaden and develop the audience to Viking heritage and its sites. And in Sounds of Changes, led by Flygvapenmuseum from Sweden, The Finnish Labour Museum Werstas participated in documenting the changes in our audiovisual landscape by recording 800 sounds and soundscape. As the examples show, Creative Europe funding has been used for bringing together intangible cultural heritage from European countries, also Finland, and creating joint European creations and solutions based on it.

 

4

Programme/Convention /Organization

Other international frameworks

Activity/project

European Heritage Label of the European Union

Contributions to the safeguarding of intangible cultural heritage

Finland joined the European Heritage Label in 2018. The Finnish Heritage Agency is responsible for the national coordination of the label. The first application opportunity for Finnish cultural heritage sites was in the spring of 2021. Since 2018, several seminars and webinars have been organized related to EHL, which have also been actively communicated to the ICH field. Intangible cultural heritage actors were also active in the first call of applications.

The Images from Finland – photo campaign related to the first application round of EHL was also effectively promoted among living heritage actors. The campaign resulted in more than 4,000 images on social media, many of which were related to intangible cultural heritage.

 

5

Programme/Convention /Organization

Convention on Wetlands (RAMSAR)

Activity/project

Contributions to the safeguarding of intangible cultural heritage

 

6

Programme/Convention /Organization

Other international frameworks

Activity/project

Leader Program by the European Union

Contributions to the safeguarding of intangible cultural heritage

Since its launch in 1991, the Leader programme has helped rural communities across the European Union to actively engage and to direct the local development of their area, through community-led local development. Finland has been part of the Leader programme since 1996.

The Leader network extends throughout Finland, with a total of 55 Leader groups across the country. Public funding for Leader activities in the period 2014-2022 totals EUR 383 million. Though most of the funding comes from the EU, also the state and municipalities provide funding for Leader-projects. During these years, the Leader groups had funded almost 7,000 projects. Tens of projects related to ICH have been funded related to local heritage, storytelling, performing arts, crafts and food. In 2022 three Leader groups in Southern Savo will publish a funding call targeted specifically to ICH projects.

 

7

Programme/Convention /Organization

1972 Convention Concerning the Protection of the World Cultural and Natural Heritage

Activity/project

Finland ratified the Convention Concerning the Protection of the World Cultural and Natural Heritage in 1987. At present the World Heritage List contains six Finnish World Heritage Sites and one Natural Heritage Site. I

Contributions to the safeguarding of intangible cultural heritage

ICH in the Finnish World Heritage sites is related for example on the craft skills. The stone walls in the Fortress of Suomenlinna or the wooden buildings in Old Rauma can only be preserved if the knowledge on the necessary craft skills are passed on in the community. By protecting these sites, also the knowledge is safeguarded. In Kvarken Archipelago, there is many kinds of knowhow related to the nature and its preservation among the community living in the area. In the Verla Groundwood and Board Mill there is a lot of stories and oral heritage related to the use of and life on the Mill.

World Heritage Sites are common living heritage that everyone can access. Sites are developed in interaction with regional actors and local communities, associations and citizens. When well cared for, the sites will be preserved for future generations and bring joy, benefit and added value to their environment.
Finland's world heritage activities are guided by the Operational Guidelines for the Implementation of the Agreement, the so-called “Our Common Heritage. The Global Strategy and the National World Heritage Strategy 2015–2025” completed under the guidance of the Ministry of Education and Culture and its implementation plan. The heritage sites are encouraged to provide opportunities for local citizens, property owners, entrepreneurs, associations and other stakeholders to act for the good of world heritage as well as to support voluntary activities and to build networks. Shared goals for quality (cf. aforementioned visitor services) and visibility will be agreed upon together with the entrepreneurs operating in the world heritage sites.

 

8

Programme/Convention /Organization

Convention on Biological Diversity

Activity/project

Finland was one of the first countries to sign the Convention on Biological Diversity (CBD), the most important agreement protecting biodiversity. Finland ratified the Convention in 1994.

Contributions to the safeguarding of intangible cultural heritage

A process to prepare a new National Biodiversity Strategy and an action plan to 2030 related to this is currently underway. In addition to national objectives, the strategy takes into account the objectives of the UN Convention on Biological Diversity and the new EU Biodiversity Strategy. This process should be completed in the early part of 2022. The previous strategy (2013-2020) stressed the need to mainstream issued related to the natural environment to all sectors of society, involvement of new actors to work for the benefit of nature, decision-making based on solid scientific knowledge and, as part of the international community, Finland’s responsibility for natural environments on the global scale. The strategy also outlined ways to link the traditional knowledge of the Sámi people to the protection of biodiversity.

Under Article 8(j) of the Convention on Biological Diversity, Finland has undertaken to respect, preserve and maintain the knowledge, innovations and practices of indigenous peoples and local communities relevant for the conservation of biological diversity and to promote their wider application with the approval of knowledge holders and to encourage equitable sharing of benefits arising out of the use of biological diversity. The Akwé: Kon guidelines aim to improve environmental decision-making in the home regions of indigenous populations. In Finland, the Akwé: Kon guidelines are intended to be used in the Sámi homeland to assess the cultural, environmental and social impacts of projects and plans that may affect Sámi culture, livelihoods and cultural heritage. The Akwé: Kon method has been used in Finland for example in Forest Boards (Metsähallitus) national park management plans.

 

9

Programme/Convention /Organization

Food and Agriculture Organization of the United Nations (FAO)

Activity/project

Finland has been a member of FAO ever since the organisation was established in 1945. In Finland, FAO matters fall under the responsibility of the Ministry of Agriculture and Forestry of Finland (Maa- ja metsätalousministeriö), which also pays Finland’s annual statutory membership fee (approximately €2 million). Development funding provided by the Finnish Ministry of Foreign Affairs is channelled through FAO. As a rule, Finland participates in FAO’s Governing Bodies through its reference groups, such as the Nordic countries, the EU and the regional group for Europe. Helsinki University Library is the repository of FAO publications in Finland.

Contributions to the safeguarding of intangible cultural heritage

The Sámi Parliament, in co-operation with the FAO, carried out a project “Reindeer herding food system of the Inari Sámi people in Nellim, Finland” that aimed at profiling traditional indigenous food systems in co-operation with indigenous peoples. The project was implemented in 2018 and funded by the Ministry of Agriculture and Forestry of Finland. The aim was to highlight the uniqueness of indigenous food systems and the commonalities around the world and the challenges they face, the likes of climate change. The profiling of the Sámi food system covered the whole Arctic region in the FAO project. The project was implemented in collaboration with indigenous people at the community level, respecting the principle of free, informed prior consent of indigenous people.

The project was implemented from an inclusive perspective through discussions with indigenous communities. The community here was the village of Nellim in Inari Sámi. The topics of discussion were e.g. food traditions, exchange and trade culture, seasons, diets and challenges for preserving and strengthening the traditional food system. Both men and women, from young people to the oldest in the community, took part in the discussions. The final report of the project was included in the recent FAO publication “Indigenous Peoples’ food systems - Insights on Sustainability and resilience from the front line of climate change”.

 

10

Programme/Convention /Organization

Man and the Biosphere programme (MAB)

Activity/project

Biosphere sites are model areas for sustainable development that combine the protection of the biodiversity of habitats, sustainable use of natural resources and environmental research. In Finland there are two biosphere sites, one in North Karelia (Pohjois-Karjalan biosfäärialue) established in 1992 and the Archipelago Sea biosphere (Saaristomeren biosfäärialue) site established in 1994.

Contributions to the safeguarding of intangible cultural heritage

In the North Karelia Biosphere Reserve, activities support and highlight local companies and actors that maintain intangible cultural heritage through a partnership network. Examples of this are the Puukari stop and the Laitala Holidays Inn, which maintain Karelian food culture. Good ICH practices are also shared through the partnership network.

In the Archipelago Sea Biosphere Reserve, traditional boat building and sailing are an important part of the archipelago’s cultural heritage. Children get to experience traditional boat sailing in schools and with a local association. Two local schools have their own study unit “Archipelago knowledge” (Skärgårdskunskap) where children and young people are taught archipelago skills. At the annual winter meeting of the Biosphere Reserve, high school student groups present their work. The theme for 2022 is “Sustainable living in the archipelago” (Hållbart boende i skärgården) and the work concerns traditional construction.

Furthermore, in this area, The Biosphere Academy's pedagogical program focuses on science, environmental and sustainability education for children. There have been several projects in the biosphere reserve related to artisanal food and fish processing, which dealt with traditional recipes and fish processing skills. Actors from the area have participated in the process to inscribe Nordic clinker boat tradition to UNESCO RL.

 

11

Programme/Convention /Organization

World Intellectual Property Organization (WIPO)

Activity/project

Contributions to the safeguarding of intangible cultural heritage

The Ministry of Education and Culture in Finland has since 2012 started forging co-operation within the Finnish government in relation to protection of indigenous traditional knowledge (TK). This is important because from indigenous perspective there is a need for holistic protection which cannot be achieved unless it is dealt in a broader context. This way the combined efforts in protecting TK comes clearer and synergies from existing instruments can be used. The work is led by DG of Culture and Arts department in Finland. Secretary General is from the Copyright unit, ensuring that IP is also considered as one key area. Intellectual Property is only one of the ways, although important, to cover issues related to protection of indigenous traditional knowledge. The network on Traditional Knowledge and Cultural Expressions (Perinnetietoverkosto) has some 40 members representing the Sámi Parliament, Finnish government (e.g. Ministries of Economy, Justice, Foreign Affairs, Environment) and public institutions (IP Office, National Heritage, National Broadcasting company etc.) and is open for anyone interested, including from the private sector. Normally, its activity includes meetings once a year.

The forum has been used for information distribution in relation to activities on national and international levels. The latest activity was collecting information on ways indigenous TK related aspects are handled in the Nordic countries in order to improve Nordic co-operation in the protection of TK&IP as the Sámi live on the areas of three Nordic countries and Russia. The Finnish Initiative under the Presidency of the Nordic Council of Ministers promotes information exchange and experiences on how TK and IP can be addressed, first and foremost to enable a space for the Sámi to express their needs, their studies and experiences of the current situation in relation to ICH and IP and work planned to deepen their internal understanding as well as needs for funding and support from IP offices etc. to co-operate on regional level to ensure these issues are addressed in similar ways.

 

12

Programme/Convention /Organization

Other international frameworks

Activity/project

Council of Europe Framework Convention on the Value of Cultural Heritage for Society (Faro Convention)

Contributions to the safeguarding of intangible cultural heritage

Finland ratified the Faro Framework Convention in 2017. The Convention emphasizes the tangible and intangible cultural heritage as a common and valuable resource. In Finland the preparation of the ratification of the FARO Convention took place at the same time in Finnish Heritage Agency as the planning for the implementation of the 2003 Convention. Therefore, there has been close synergies and the implementation model of the 2003 Convention is made strongly in the spirit of the Faro Convention.

During 2021-2022, a proposal for Finland's first-ever cultural heritage strategy will be prepared. The aim is to produce a Government resolution for a cultural heritage strategy effective until 2030, with cultural heritage being seen as a source for sustainable solutions in all areas of society in the future. The participatory approach of the Faro Convention is used in the making of the strategy: wide-ranged workshops on cultural heritage strategy have been organized during the strategy work process during in 2021. The FHA has had four different workshops for the Circles of Living Heritage related to the strategy.

 

13

Programme/Convention /Organization

Other international frameworks

Activity/project

European Heritage Days (EHD)

Contributions to the safeguarding of intangible cultural heritage

The European Heritage Days (EHD) are celebrated in Finland every year through a couple of hundred organised walks, exhibitions, village and neighbourhood celebrations and much more. The EHDs welcome everyone interested to contribute to the programme. Events are organised by museums, libraries, schools, youth and hobby clubs and different associations. Approximately a third of the events are organised by local heritage associations and similar communities and many of them feature ICH.
In Finland the EHDs are celebrated in the second week of September, but events can be organised throughout the year. In addition, the International Landscape Day on 20 October is celebrated as part of the European Heritage Days. The EHDs are an essential part of the cooperation and the dialogue between the state administration and the regional and local communities. The EHDs can deepen people's appreciation of their cultural heritage and local environment and inspire them to contribute actively. The EHDs are important for creating a positive atmosphere, bringing forth topical issues, organising opportunities for participation as well as enhancing community spirit and democracy.

 

14

Programme/Convention /Organization

Other international frameworks

Activity/project

Cultural Routes of the Council of Europe (CoE)

Contributions to the safeguarding of intangible cultural heritage

Cultural Routes of the Council of Europe (CoE) programme connects European countries via cooperation within the fields of cultural heritage, culture, and tourism. Finland joined the Enlarged Partial Agreement (EPA) on Cultural Routes in 2018. In Finland, the Programme has been promoted within the field of sustainable cultural tourism in particular. At the end of 2021, six certified Cultural Routes of the CoE crossed Finland. Year 2021 also marked the certification of the first cultural route led by a network based in Finland, when the “Alvar Aalto Route – 20th Century Architecture and Design” was awarded certification. Other route initiatives in Finland include St. Olav Waterway, which is a part of Norwegian-led Saint Olav Ways and the Singing Heritage Route, which is currently being developed and aims at CoE certification. The initiatives showcase the variety of cultural heritage and. St. Olav Ways and Singing Heritage Route are thematically strongly based on ICH and embrace the heritage elements though their activities.

The Ministry of Education and Culture, Finland is responsible for the EPA on Cultural Routes in Finland. The Ministry has supported the development of cultural routes via project grants. Cultural routes relying on the theme of pilgrimage, for example, are also being developed. Exchange of good practices between different route initiatives has been encouraged through meetings of national cultural routes operators organised in cooperation with the Ministry of Education and Culture, Finnish Heritage Agency and Visit Finland.

ICH and its potential in developing sustainable cultural tourism has also been addressed through cooperation between the Finnish Heritage Agency and Visit Finland. A webinar on the theme was organised in November 2020. A guide on the responsible use of ICH in tourism is currently being prepared. A workshop on the theme was organised in May 2021 as part of the guide’s development to involve relevant stakeholders within the fields of ICH and tourism in the process.

Finland is in the process of preparing a roadmap for the national development of cultural tourism. The roadmap will provide further guidance on the implementation of the Cultural Routes programme. Also the ICH viewpoint will be included.


B. Reporting against core indicators

The Section B of the form will allow you to report on your safeguarding activities and priorities according to the Overall Results Framework approved in 2018 by the General Assembly of States Parties to the 2003 Convention. Distributed in eight thematic areas, 26 core indicators have been established. To each of the indicators correspond assessment factors.

Each tab under Section B corresponds to one of the 26 indicators. The answers provided for each assessment factor determine the extent to which the indicator is satisfied. It constitutes your baseline and it is represented by a scale. You are invited to define a target for the next reporting exercise in six-year time and to explain how you intend to achieve this target, referring to the specific aspects and assessment factor(s) that the State may wish to address.


1. Extent to which competent bodies and institutions and consultative mechanisms support the continued practice and transmission of ICH

Guidance note corresponding to indicator 1 of the Overall Results Framework: English|French|Spanish

Question 1.1

Have one or more competent bodies for ICH safeguarding been designated or established?

Yes

1

Name of the body

Finnish Heritage Agency

Brief description of the safeguarding functions of the body

Finland ratified the Convention in 2013. The Finnish Heritage Agency (later FHA) is responsible for the implementation of the Convention at national level since 2014. The national implementation includes national coordination, the national inventorying of ICH and, in cooperation with the Ministry of Education and Culture, international cooperation. FHA is responsible for communication related to the Convention at national level.

Since 2014 a full-time national coordinator has been working for the Convention. In addition, every year two university-level interns have been working to support the work, 6-8 months in total in a year. In addition, other staff in the FHA have participated in the implementation work.

The Finnish Heritage Agency publishes a plan for the national implementation of the Convention, commissioned by the Ministry of Education and Culture. The first edition was published in 2015, and a related action plan for the years 2016–2018 was published as well. The latest action plan covers the years 2019–2022. UNESCOs overall results framework was used in preparing the action plan for the later period.

Website

https://www.aineetonkulttuuriperinto.fi/en/

Contact details

Address

Po Box 913 FI-00101 Helsinki Finland

Telephone number

+358 29533 6017

E-mail address

leena.marsio@museovirasto.fi

 

2

Name of the body

Advisory group on intangible cultural heritage

Brief description of the safeguarding functions of the body

The Ministry of Education and Culture appoints the Advisory group on intangible cultural heritage. The present group is for the 2018–2022 term and has 17 members. The former group had a term 2014-2018 with 13 members. The group acts to support the implementation of the Convention and as experts in questions relating to intangible cultural heritage. It meets 2–3 times per year. The group is tasked with developing methods for recognising the diversity of the different forms of ICH and documenting them, promoting good practices in safeguarding and assessing the role of ICH and its safeguarding in the society.

Website

https://www.aineetonkulttuuriperinto.fi/en/sopimus-suomessa/asiantuntijaryhm%C3%A4t

Contact details

Address

Ministry of Education and Culture P.O. Box 29 FI - 00023 Government FINLAND

Telephone number

https://www.aineetonkulttuuriperinto.fi/en/sopimus-suomessa/asiantuntijaryhmä

E-mail address

mirva.mattila@gov.fi

Question 1.2

Do competent bodies for safeguarding specific ICH elements exist in your country? (whether or not inscribed on one of the Lists of the 2003 Convention)

Yes

1

Name of the body

The Finnish Local Heritage Federation

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Finnish Local Heritage Federation (Suomen Kotiseutuliitto) is the central organizing body for local heritage work in Finland. The federation has over 730 membership organizations representing over 150 000 individuals. Its purpose is to promote recognition of the diversity of Finnish culture and regional cultures in Finland, as well as to develop and support local heritage projects and serve members as the central lobbying body of local heritage work. The Federation is also engaged in social and regional planning and preserving Finnish cultural environments and the appreciation of Finnish nature. Their work aims at promoting the interests of their members and to give advice on questions of local heritage work, locality, and cultural heritage.

Website

https://kotiseutuliitto.fi/in-english/

Contact details

Address

Kalevankatu 13 A 00100 Helsinki FINLAND

Telephone number

+358 9 612 6320

E-mail address

toimisto@kotiseutuliitto.fi

 

2

Name of the body

Outdoor Association of Finland

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Outdoor Association of Finland (Suomen Latu) is an organization focused on exercise and advocating for the interests of outdoor enthusiasts, with more than 90,000 members in 184 associations. The Association promotes outdoor activities and an active lifestyle for all ages. The goal of the organization is for everyone to find a meaningful way outdoors and enjoy nature. Organizing outdoor events for everyone is one way to guide movement in nature. The Outdoor Association cherishes everyman's rights and obligations, and it is important to guide outdoor enthusiasts to environmentally responsible practices in their operations.

Website

https://www.suomenlatu.fi/en

Contact details

Address

Paavo Nurmen tie 1, 00250 Helsinki Finland

Telephone number

E-mail address

anne.rautiainen@suomenlatu.fi

 

3

Name of the body

Finnish Olympic Committee

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Sports clubs play an important role in civil society in transmitting sport related heritage outdoors and indoors. 1.8 million people take part in the activities of sports clubs in various roles. 60% of 7-15 year olds participate in sports clubs and 500,000 people volunteer in them. Sports club activities under the Finnish Olympic Committee (Olympiakomitean seuratoiminta) provide clubs with support and training for activities and tools for development. The Star Club (Tähtiseura) program is a joint quality program of the Olympic Committee, federations and regional organizations that provides clubs with online services and support for self-assessment. The program includes 800 clubs. The Olympic Committee maintains the Suomisport service, which is a joint digital service of the sports and sports community to support the day-to-day operations of the clubs. Regional sports organizations, sports federations and the Olympic Committee organize training for club activities all over Finland.

Website

https://www.olympiakomitea.fi/seuratoiminta/

Contact details

Address

Valimotie 10, 00380 Helsinki Finland

Telephone number

E-mail address

jaana.tulla@olympiakomitea.fi

 

4

Name of the body

Finnish Swedish organisations

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

In addition, there are a lot of parallels to the organizations depicted that operate in Swedish language. These are for example:
Finlands svenska hembygdsförbund – umbrella association for agents with an interest in local heritage, including intangible cultural heritage
Finlands svenska spelmansförbund - umbrella association for performers of traditional music
Finlands svenska folkdansring - umbrella association for performers of traditional dance
Finlands svenska ungdomsförbund - umbrella association for youth associations, a strong agent in the field of amateur theatere
Finlands svenska marthaförbund - umbrella association for women’s association, extensive knowledge on traditional food, handicraft and everyday sustainability
Finlands svenska 4H - umbrella association for children’s and youth clubs, actively engaged in traditional foods and crafts
Samfundet Folkhälsan – national actor within health and wellbeing, arranges extensive Lucia-celebrations as well as promotes the nature relationship and massive amount of courses in swimming
Österbottens hantverk /Åbolands hantverk /Nylands hantverk – regional association for handicraft
Svenska litteratursällskapet – extensive archive collections on intangible cultural heritage as well as current day publications within this area
KulturÖsterbotten – regional actor with projects concerning safeguarding of intangible heritage as well as oral traditions
Sydkustens landskapsförbund – regional actor with projects concerning safeguarding of intangible heritage as well as oral traditions

Website

Contact details

Address

Telephone number

E-mail address

 

5

Name of the body

Kalevala Women’s Association

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Kalevala Women’s Association (Kalevalaiset Naiset), founded in 1935, is a cultural organization in search of new aspects in tradition. Kalevala Women’s Association operates in Finland and Sweden. Kalevala refers to the Finnish national epic, a 19th century work compiled from folk poetry. The aim of the association is to translate tales of Kalevala to our time. The organization consists of 52 associations across Finland and Sweden and has 3,000 members. The objective is to collectively make cultural heritage and mythical past alive today and beyond. The association organizes cultural events, like Kalevala Day festivals and trips to cultural heritage destinations as well as visits museums and art galleries. One important activity is to provide practical support for Finnish national dress and Iron Age Finnish Costumes. Kalevala Women’s Association has their own jewelry brand, Kalevala Koru, items of which celebrate the history of decoration. They also support and take part in research projects dealing with their areas of interest. At the moment, they are involved in an archeology based project “ From discovery to jewelry”.

Website

https://www.kalevalaistennaistenliitto.fi/in-english/

Contact details

Address

Neljäs linja 24, 00530 Helsinki Finland

Telephone number

E-mail address

sirpa.huttunen@kalevalaistennaistenliitto.fi

 

6

Name of the body

The Martha Organization

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Martha Organization (Martat) is a Finnish home economics organization, founded in 1899 to promote well-being and quality of life in the home. It carries out cultural and civic education and does advocacy work in Finland. Home economics is the main activity of the Marthas. The organization deals with food and nutrition, home gardening and environmental protection as well as household economics and consumer issues

In addition to this, the Marthas take part in a variety of campaigns together with other organizations and authorities. Adult education is an important field of activities and is implemented in study groups. The themes vary from human relations, women and development, gardening and environment to cooking and healthy eating. At the moment, the number of members of the organization is 43 000. The members are organized into 1100 local clubs headed by elected leaders. The organization is divided into districts, and each district association has an executive director, employed home economics specialists and an elected board. A magazine called Martat has been published since 1902, and material on home economics is produced continuously also online. The organization has received a State subsidy since 1907 for the expenses incurred by home economics.

Website

https://www.martat.fi/in-english/

Contact details

Address

Lapinlahdenkatu 3 A 00120 Helsinki Finland

Telephone number

+358 50 511 8002

E-mail address

martat@martat.fi

 

7

Name of the body

Rural Women’s Advisory Organization

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Rural Women’s Advisory Organization (Maa- ja kotitalousnaiset) is a nationwide expert organization and an extensive women’s network in the rural areas. The aim of the organization is to promote lively and active rural communities. For that purpose, they offer expert services, consulting, planning, advice and training and employ 70 professionals in various fields of expertise. The main fields of activities are on food and nutrition, landscape management and entrepreneurship. The core expertise of the organization lies in advising enterprises in the fields of catering services, rural tourism and food processing. The organization consists of over 900 associations at municipal and village level, where they offer a wide range of activities including training courses, excursions and club meetings for tens of thousands of members. The number of participants makes them one of the largest women’s organizations in Finland.

Website

https://www.maajakotitalousnaiset.fi/english

Contact details

Address

Vanha talvitie 2 A 15, 00580 Helsinki

Telephone number

E-mail address

tiedotus@maajakotitalousnaiset.fi

 

8

Name of the body

Theatre Info Finland TINFO

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Theatre Info Finland TINFO (Teatterin tiedotuskeskus) is an expert in the performing arts, which produces theatre statistics, conducts reports, and processes and analyses data. TINFO offers mentoring, in order to help theatre professionals to increase their international mobility and find partners. TINFO’s activities increase awareness of Finnish plays and performing arts. TINFO provides online a building block of the performing arts ecosystem.

Website

https://www.tinfo.fi/en

Contact details

Address

Arkadiankatu 12 A 5 FIN - 00100 Helsinki finland

Telephone number

E-mail address

tinfo@tinfo.fi

 

9

Name of the body

Dance Info Finland

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

Dance Info Finland (Tanssin tiedotuskeskus) is an expert of Finnish dance art. It promotes the development of Finnish dance art and improves its status and operating conditions in the society. Domestic and international projects form a major part of Dance Info Finland’s activities. They provide multiple working possibilities for Finnish dance professionals, develop the operating conditions of Finnish dance field and also open up the world of dance for larger audiences. Dance Info Finland has 12 member organizations who represent the variety of the Finnish dance field, dance art and culture. Dance Info collects an information bank on dance education, festivals and events, residencies, venues, regional dance centers, and professional organisations and unions in Finland. They also maintain Tanka database which contains information about Finnish dance productions, companies, artists and articles on dance. It has been updated regularly since year 2000 and contains thousands of entries.

Website

https://www.danceinfo.fi/en/

Contact details

Address

Tallberginkatu 1 C 93, 2nd floor, Door nr 212 00180 Helsinki Finland

Telephone number

E-mail address

tanssi@danceinfo.fi

 

10

Name of the body

CircusInfo Finland

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Circus Information Center, CircusInfo Finland (Sirkuksen tiedotuskeskus), collects and disseminates information on Finnish circus art and promotes the circus' artistic development and social status in Finland. Founded in 2006, it receives annual funding from the Ministry of Education and Culture. Currently, CircusInfo has 21 member organisations. The organisation creates and maintains the international contacts of the Finnish circus and promotes the international mobility of the Finnish circus. CircusInfo communicates about the Finnish circus both domestically and internationally, in addition to which they maintain the Finnish circus Sirkka database and the circus handbook library, collect information about the Finnish circus and promote the storage of circus materials in memory organizations. Every year, CircusInfo compiles statistics on the Finnish circus to support cultural policy influence and decision-making. They seek to influence decision-makers to develop the circus’s social status. CircusInfo serves circus professionals by providing information and advice regarding conditions, and informing about current scholarship, residency, performance, and job searches. They also organize workshops that provide professionals with tools to develop their own operations. When it comes to living heritage of the circus, they have been active in bringing circus communities together in projects and also actively urged other European circus actors to take part in living heritage projects.

Website

https://sirkusinfo.fi/en/

Contact details

Address

Käenkuja 8 C 34 a FI-00500 Helsinki

Telephone number

E-mail address

info@sirkusinfo.fi

 

11

Name of the body

The Finnish Youth Association

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Finnish Youth Association (Nuorisoseurojen liitto) offers cultural hobbies, such as dance, theatre, circus, music, and sports, for all ages. The Finnish Youth Association club was founded already in 1881, and in 1897 the national association was formed. Currently, about 700 Finnish Youth Association clubs operate locally, all over Finland. The national organization along with its 15 regional offices organize events and courses, produce materials for use, and support the local clubs with their needs. Culture, community and learning form the basis of club activities. The aim is to generate genuine participation and let everyone's creativity show. Activities are designed and implemented according to the wishes of the participants.

Website

https://nuorisoseurat.fi/join-us/

Contact details

Address

Vernissakatu 8 A 01300 Vantaa Finland

Telephone number

E-mail address

info@nuorisoseurat.fi

 

12

Name of the body

The Promotion Centre for Finnish Folk Music and Folk Dance

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Promotion Centre for Finnish Folk Music and Folk Dance (Kansanmusiikin ja kansantanssin edistämiskeskus KEK) aims is to promote and support folk music and folk dance as well as instrument building, costume traditions and other practices linked to these, including both enthusiasts and professionals in Finland. Their activities embrace majority culture as well as minorities and their respective traditions. The Promotion Centre arranges the Ethnogala- event for the whole field, coordinates a yearly common theme, which is for 2021 “Treading northern trails”. In 2018 the theme year was “Living heritage in folk music and folk dance” and it was implemented by 19 member organizations. The centre awards prizes like the Wäinö Award or Folk Music Record of the Year. The Promotion Centre is active in the whole country and is also the representative of CIOFF in Finland. The centre maintains the website Kamukanta.fi, which contains current information and profile pages on actors ot the field. The website also administrates a list of publications as well as video content.

Website

https://kansanmusiikkikansantanssi.fi/english/

Contact details

Address

Telephone number

+358 40 7384736

E-mail address

toiminnanjohtaja@kansanmusiikkikansantanssi.fi

 

13

Name of the body

The Finnish Folk Music Association

Select the element if it is inscribed on one of the Lists of the 2003 Convention

-

Name of the element concerned (if it is not inscribed on one of the Lists of the 2003 Convention)

Brief description of the safeguarding functions of the body

The Finnish Folk Music Association (Kansanmusiikkiliitto) is an organization of folk music enthusiasts, professionals and enthusiasts that has been operating in Finland since 1968. Currently, regional activities are run by 22 member associations all over Finland. The association organizes events and workshops and promotes the folk music industry through various projects, collaborating with the entire field of folk music. In addition, the association maintains international contacts through, among others, the Nordic Folk Council, the NORDLEK Council and the Center for the Promotion of Folk Music and Folk Dance. The main event of the Finnish Folk Music Association is Samuel's Polonaise, which is held annually in March in different parts of Finland. The association is also involved in organizing the JuuriJuhla - RotFest festival in Espoo. Since 2009, the association has organized eight yearly nationwide folk music tours. The Finnish Folk Music Association publishes the only Finnish folk music magazine together with the Folk Music Institute. The Association manages also the widest sales service of Finnish folk music recordings and literature.

Website

https://kansanmusiikkiliitto.fi/

Contact details

Address

Hämeentie 34 D 00530 Helsinki Finland

Telephone number

E-mail address

toimisto@kansanmusiikkiliitto.fi

Question 1.3

Do any consultative bodies or coordination mechanisms encourage and support broad and inclusive involvement of communities, groups and individuals in ICH safeguarding and management?

Yes

Explain briefly how such bodies or mechanisms involve/encourage communities, groups and individuals in ICH safeguarding and management.

Circles of living heritage support the work of the FHA in implementing the UNESCO Convention on a voluntary basis. The circles are multidisciplinary networks of actors, through which it is possible to interact with communities, NGOs, museums and other organisations in the field of living heritage. Four circles have been established related to domains of ICH: one in crafts, nature, folk dance and folk music as well as oral tradition. There are over 100 NGOs, museums, institutes and other organisations represented in these circles.

The FHA has called these networks together, was coordinating them in early stages, but now each circle has an organisation (NGO or a museum) responsible for its coordination. A wide variety of organisations and community members representing each field participate in the circles, and they are open to new actors.
The operating model of the circles is a tool that can be used for different aspects of intangible cultural heritage, in large or small communities. The circles make it possible for communities and practitioners of traditions to participate actively in implementing the UNESCO Convention. The FHA participates in the costs of the circles’ activities. A leaflet ABC of the Circles of Living Heritage has been published to communities in Finland and abroad to use this working method.
In addition to these four circles, two other ones have been born as part of the nomination processes to UNESCO. The Sauna circle was established in 2018. The Circle of clinkerboat traditions has been active since 2019.

All of these circles have been fully functional even in the times of the pandemic. It is even easier for individuals and communities from different parts of the country to participate in online meetings, webinars and workshops.

Question 1.4

Are institutions, organizations and/or initiatives for documenting ICH fostered and supported by the State?

Yes

Describe briefly how the State supports such institutions, organizations and/or initiatives for documenting ICH.

Measures related to the documentation of ICH are implemented in Finland in universities, museums, archives, educational institutions, NGOs and also by individual practitioners. Almost all of these institutions and organizations receive public funding, be it from the state, regional or municipal authorities, either in the form of operating grants and / or individual project grants. In memory organisations, documentation is made by professionals and experts, but community involvement is becoming more into the practise.

The practice in Finland has been documentation as a record of past day practices. There is still much to do to turn documentation to support continued practise and transmission of ICH. There are some good examples however. For example, materials in folk music archives are actively being used by musicians to create new performances. Also dialect archives are being used by NGOs.

Many Universities in Finland works with documenting and researching ICH. These are Aalto University, University of Helsinki, University of Eastern Finland,
University of Jyväskylä, University of Tampere, University of Turku and Åbo Akademi University.

The Finnish Literature Society (SKS) and the Swedish Literary Society in Finland (Svenska litteratursällskapet i Finland, SLS) stores, preserves, studies and promotes Finnish and Finnish-Swedish culture in many ways. The archives supports academic and other research and organises collection campaigns in the field of ICH. One project to mention is the project by Sámi craft Association (Sámi Duodji) in collaboration with the National Museum of Finland, where community members got familiarized with craft items in the collections and created new crafts based on them.

Are the documentation materials produced utilized to support the continued practice and transmission of ICH?

Yes

Describe briefly how the documentation materials are utilized for these purposes.

See more in 9.1.

Question 1.5

Which of the following institutions contribute towards ICH safeguarding and management?

1.5

  • Cultural centres

    In Finland there are 300 municipalities and many major provincial centers have their own cultural centre or house. There are 28 cultural houses around the country that have a performance hall and often other spaces to rehearse music, practise crafts and different communities to have their meetings. Some of these centres have a library attached which also offers spaces for e.g. discuss poetry, do community crafts or make your own music. Some centres also have a local museum attached. These cultural centres funded by municipalities offer thus arenas all over the country to contribute to safeguarding.

    In addition there are more cultural centres specialised in ICH, below are some examples.
    The Sámi Cultural Centre Sajos (Saamelaiskeskus Sajos, Sámekulturguovddáš Sajos) is located in Inari, Northern Finland. Sajos is the centre of Sámi culture and administration. The Sámi Parliament’s main office and parliament hall are located in the Centre as well as other Sámi organizations. The purpose of the centre is to create better possibilities for the Sámi in Finland to preserve and develop their own language, culture and business activities as well as to manage and develop their cultural self-government and to support the development of their general living conditions. The Sámi Archives is also located in Sajos, as part of the National Archive of Finland.

    The Folk Arts Centre at Kaustinen (Kaustisen Kansantaiteenkeskus) hosts the premises of Finnish Folk Music Institute and Finnish Folk Art Museum and the offices of Pro Kaustinen Association that organises the Kaustinen Folk Music Festival. The concert hall of the building is one of the main venues of the festival and the venue of Kaustinen Youth Association dance groups' regular performances as well as occasional other folk music and folkdance related events. The lobby and smaller rooms are weekly used as rehearsal spaces of Näppärit and other Kaustinen fiddle playing groups.

    Juminkeko (Juminkeko-säätiön kulttuurikeskus) is a centre for the safeguarding of Kalevala traditions and culture, related to the national epic and the oral and musical heritage related with it. The foundation behind the centre organises cultural exchange between Finland and the Republic of Karelia, Russia. The centre organises exhibitions and events, musical and folklore tours, has numerous publications, and is also active in various projects to safeguard Karelian and Finnish traditions. Juminkeko hosts also an extensive folkloristic archive. The archive consists of photos and audios collected especially in Kainuu and in the Karelia of the White Sea but also in Olonets Karelia, Ingria and among the Veps. The archive is open to the public and the researchers and available in digital format.

    The Global Music Centre (Maailmanmusiikin keskus) works to collect, record and distribute information about musical cultures from around the world. The Centre aims to increase understanding among listeners, researchers and music-makers of the individual and collective values in music, and of the importance of music as a means of communicating and strengthening identity. Thus the Centre aims to promote understanding between people across cultural boundaries, through music. Equality and respect for others are basic values in the work of the Centre.

    The Caisa Cultural Center (Kulttuurikeskus Caisa) is part of Helsinki's culture and leisure industry. It was founded in 1996 to promote the development of Helsinki into a diverse city through art and culture. Caisa hosts performances, events and exhibitions, as well as art education. The contents of Caisa's art education take into account the diversity of cultures and identities, as well as multilingualism.

 

  • Centres of expertise

    Language centers, archives and museums play an important role for many kinds of ICH. Their work on documentation, research and sharing information about ICH is important for the culture bearers and the community itself, but also for the society at large.

    The Institute for the Languages of Finland (Kotimaisten kielten keskus, Kotus) is devoted to the study and language planning of Finnish and Swedish. It also coordinates the activities of the Saami, Romani, and Sign Language Boards. The archives of the Institute are constantly used by various communities. An example of resent activities is the One Hundred Finnish Linguistic Biographies project, which collects the linguistic biographies of people living in Finland through interviews and studies material using the methods of linguistics, ethnology, folklore and social policy. In addition to the interviews, some of the subjects were photographed, and a traveling exhibition was built from the images. In addition to scientific publications, in addition to the exhibition, discussion events were organized all over Finland.

 

  • Research institutions

    Some research institutions in Finland have special emphasis on ICH-related research that also on its part is contributing to safeguarding.

    The Center for Cultural Policy Research Cupore produces and disseminates research and information on arts and cultural policy and acts as a forum for discussion and debate on cultural policy issues both in Finland and internationally. Cupore’s main research fields include arts and artists’ policy, creative and cultural industries & production of cultures and cultural rights and participation. Cupore produces in co-operation with the Arts Promotion Centre Finland (Taike) The Arts and Culture Barometer. The purpose of the Barometer is to annually monitor and highlight the views of actors in the field of the arts regarding current issues and phenomena. The 2020 barometer examined artistic work from a regional perspective. As an artist in Finland is a research project on the situation and societal status of professional artists working in Finland. Other current projects include research on music education and inclusive media education. During 2015-2021 Cupore participated in a project called ArtsEqual, which was a collective, multidisciplinary research project that investigated the implementation of equality in the existing art services, art education and hobbies, as well as how equality and inclusion could be promoted through the arts as well as in the field of arts itself. Cupore has also collaborated with the Finnish Heritage Agency and for example conducted background research to support the planning of the national implementation of the ICH Convention after ratification in 2013.

    The Giellagas Institute for Saami Studies (Giellagas Instituutti) at University of Oulu has a nation-wide responsibility to organize, introduce and provide Saami language and cultural studies and research at the academic level. The Giellagas Institute houses two major academic subjects, Saami Linguistics and Saami Culture. In Saami linguistics the major teaching language is Saami while the studies of Saami Culture require skills in Finnish, in addition to Saami and English.
    The Saami Culture Archive, placed within the Giellagas Institute, is developing research infrastructure. The collections of Saami Culture Archive form a significant “bank of resources” for academic research in Saami language, cultural and sociological studies as well as teaching and Saami cultural work. The collection of the Saami Culture Archive consists of notable amount of sound, video and photograph material as well as digitalised documents of the Saami traditional culture and various Saami cultural activities.

    The Ruralia Institute (Ruralia Instituutti) examines sustainable development and the changing relationship between global and local issues from the perspective of rural areas. The institute serves as an expert partner and utilises the competence of the University of Helsinki in applying research information. The 50 experts engage in wide-ranging international, national and regional cooperation in the university consortiums of Mikkeli and Seinäjoki. Part of its work in local development contributes also to ICH safeguarding. The Ruralia Institute and the Kaustinen Folk Music Institute have studied the folk music tradition in a project highlighting folk music as living heritage in collaboration with the actors of the Kaustinen Fiddler Association. The project collected data related to Kaustinen's musical tradition over hundred years old. The Institute coordinates an EU-funded project dealing with food culture and tourism, where the regional specificity of Saimaa area is utilized in value adding to food as an expression of sense of place. The Roots for Juniors (JUJU) project examines the roots of children and young people in rural areas and develops models for organizing local heritage education that supports children's and young people's experiences of inclusion. The project is funded by the Ministry of Agriculture and Forestry.

 

  • Museums

    In Finland there are 153 professionally managed museums that in 2019 had 7.6 million museum visits. 71.6 % of the museums’ costs were met through public funding. 1,004 new exhibitions were opened in museums. In addition to these, there are approximately one thousand local voluntary museums. The awareness of these museums in terms of the Convention is rising steadily through cooperation with the FHA, Finnish Museum Association (Museoliitto) and the museums themselves through campaigns, webinars, trainings and tools that are developed. In documenting present day heritage, the communities are becoming more and more the centre of the work done. Awareness about safeguarding is also rising and being turned into concrete action, such as exhibitions and workshops. A recent example is the repatriation of 2200 items from the National Museum of Finland of its Sámi collection to the Sámi Museum Siida. It is celebrated with the exhibition “Homecoming” (Mäccmõš, maccâm, máhccan- kotiinpaluu) with a special emphasis on present day Sámi crafts.

    The Museum act from 2019 states that the work of Finnish museums relates both to tangible and intangible heritage. The act stipulates the work of museums with national (17 in total) and regional (22 in total) responsibilities.

    The museums with regional responsibilities cover many municipalities in their own area. The governmental proposal stipulates that the museum is responsible for developing and promoting the preservation and digital accessibility of cultural heritage in its area of responsibility. The task would cover the storage and promotion of access to tangible, intangible and digital cultural heritage. With regard to the tangible and intangible cultural heritage, preservation shall be promoted in particular through regional collection policy cooperation.

    Museums with national responsibility are experts in their respective fields in Finland. There are 17 national responsibility museums in our country, whose mission is to carry out national museum activities in its field of specialization; to develop and promote cultural heritage work and co-operation between museums in their field of specialization; to act as a national expert in cultural heritage in their field; maintain and promote international contacts in its field; promote the preservation and digital accessibility of the cultural heritage of their specialty. Of these museums the following contribute specifically to ICH safeguarding: Design Museum, Craft Museum of Finland (Suomen Käsityönmuseo), Forest Museum Lusto (Suomen Metsämuseo Lusto), Finnish Glass Museum (Suomen Lasimuseo), Forum Marinum, Theatre Museum (Teatterimuseo), Sports Museum, Aviation Museum (Suomen Ilmailumuseo), The Finnish Railway Museum (Suomen Rautatiemuseo) and the Sámi Museum Siida.

    The Sámi Museum Siida is a national museum responsible for Sámi culture, and a regional museum responsible for tasks concerning cultural environments in the Sámi Area. The museum collects tangible and intangible heritage of the Finnish Sámi in their collections and display it in exhibitions and publications. The main purpose is to support the identity and the cultural self-esteem of the Sámi. The museum also runs the Skolt Sámi Heritage House in Sevettijärvi, Inari, and activities also take place elsewhere in the form of exhibitions and events.

    TAKO (ammatillisten museoiden tallennus- ja kokoelmayhteistyöverkosto) is an acquisitions, documentation and collection collaboration network for professionally managed Finnish museums, which is supported by the Finnish Heritage Agency and the National Museum of Finland. The TAKO network develops and maintains the national division of labour in acquisitions and documentation. The jointly recognised and shared acquisitions and documentation responsibilities of the museums participating in the network enable the versatile utilisation and mobility of collections while also emphasising the accessibility and importance of collections. The network’s systematic development work supports the community-based utilisation of museum collections as a social resource. The network promotes diverse collection collaboration and participates in topical discussions. TAKO provides museums with tools to open up and develop their collections collaboratively. For example, Finnish everyday life and Finnish happiness is being documented through TAKO's Everyday pool (pool 3) together with a number of Finnish museums.

    The Finnish Museums Association (Museoliitto) is the central organisation for museums. Its tasks include looking after museums´ interests and advancing museums´ activities. The Finnish Museums Association incorporates all professionally run museums in the country: 213 member societies that manage a total of 418 museums. The Association has been a partner to the FHA during the years in communicating about the Convention and work around it. Their email-list for 2000 museum professionals has been a convenient way to reach out on news and events around the Convention. It has also been a way to activate these professionals. One fruit of this cooperation is a set of inspiration cards on ICH: they present 40 examples of ICH work in museums in a form of a card-set, free to be printed by anyone. These cards are now being used in many museums around the country.

    In addition, the Association has provided FHA space in many of its events to raise awareness. In 2020, a webinar on Living heritage in Nordic Museums was organised jointly. It gathered 260 participants from 12 countries. In 2021 two half-day webinars was organised to Finnish museum professionals around the theme of ICH. These events provided a platform for professionals to learn more about ICH and incorporate the view of the Convention into their work.

 

  • Archives

    In Finland there is a vast number of public and private archives that contribute to the safeguarding of ICH in many ways. The National Library of Finland (Suomen Kansalliskirjasto) maintains the Finna service that brings together millions of items of cultural and scientific material in Finland. The service has been in use since 2013. Hundreds of Finnish organizations such as Archives, Libraries and Museums bring their unique content to Finna. At present, Finna has more than 400 organizations involved, many of which also have their own organization-specific website. The objective is to make finding and using information and learning new Lessons as easy and secure as possible. Finna contains literature, journals, images, art, maps and films. During 2020, the Finna.fi outlook was visited 2,9 million times.

    The task of Finland's National Archives is to ensure that documents belonging to the national cultural heritage are preserved and to promote their use for research. Research and development in the sector are also part of its remit. The Archives has nine different branches all around Finland.

    The National Archives of Finland receives documents that have been released by public officials and acquires and preserves other datasets that are significant for society and research. As a rule, municipalities, cities and federations of municipalities store their own documents in their own central archives. Lutheran congregations and Orthodox parishes have stored their archives in the National Archives of Finland. The National Archives of Finland is also home to many archives of private individuals, families, organisations, associations and businesses.

    The Sámi Archive in Inari is part of the National Archives (Kansallisarkisto). The mission of the Sámi Archive is to support and promote interdisciplinary Sámi research, strengthen Sámi culture and increase awareness of it. In addition, the archive's task is to ensure the preservation of documents concerning the Sámi. An example to mention is the “Digital Access to Sámi Heritage Archives” project that develops a user-friendly search portal for searching Sámi cultural heritage information from different European digital archives. This enables easier study of archived information independently from its location. The project is conducted as a collaboration between several partners in Finland, Norway and Sweden. The University of Lapland (Lapin yliopisto) is also responsible for the ethical guidelines related to the usage of cultural heritage materials.


    Furthermore, many other archives collect and store private archival materials. These archives receive and also actively acquire materials that fall under their area of responsibility, in accordance with the division of work that the archives have collectively agreed upon.

    The Finnish Literature Society (SKS, founded 1831) stores, preserves, studies and promotes by publishing Finnish culture in its different units: Archive conveys information about oral and written Finnish cultures, Library works as a special library in the fields of cultural studies, multidisciplinary research community comprises a wide range of specialists from folklorists, linguists and literary scholars to historians and researchers in comparative religion and ethnomusicology, and Publishing House publishes yearly around 60 new titles in the fields of folklore, ethnology, history, art, literary criticism and Finnish language research.

    The archive of the Finnish Literature Society (Suomalaisen Kirjallisuuden Seuran arkisto, SKS) acquires, preserves and makes available source materials from Finnish literature and cultural history as well as materials related to tradition and oral history. Manuscript collections contain a total of around 600 metres of folklore and oral history in paper format, tens of thousands of hours of memory data as sound recordings, and more than a thousand hours of videos, which is in many ways are connected to ICH: the collections feature more than four million fairytales, stories, dictums, songs, beliefs or other texts about traditions. In addition to Helsinki archives, in Joensuu the SKS has a wide collection of tradition and contemporary culture (formerly the Folk Poetry Archive).

    The archive supports academic and other research and organizes collection campaigns in the field of ICH. For example, within the archive collaborates FOHN – Finnish Oral History Network, which provides a forum for oral history, memory studies, and life storying scholars in Finland. In the Cultural Heritage Materials and New Finnishness project, SKS is implementing two online services open to all Finns and Finns abroad that increase their understanding of Finnish culture. The project utilizes experiential and inclusive archival pedagogy. The online services highlight the diversity and interactivity of cultures and take into account learners who are not so familiar with Finnish culture. The Collection campaigns are organized collaboratively with the tradition communities of ICH. Collections are often launched based on a collection initiative made by a community, research project or an individual, for example. The archive’s collection features stories told by ordinary people about such subjects as midsummer festivities, interrail journeys, LGBT+ youth life, landscape experiences and indoor air problems.
    The archives of the Society of Swedish Literature in Finland (Svenska litteratursällskapet i Finland SLS) collects and preserves analogue and digital material on the culture, traditions, folk music, language and history of the Swedish-speaking population in Finland. SLS receives donated materials that focus on Finnish-Swedish culture and cultural heritage and also documents the subject with the help of acquisitions, surveys and field work. The Archives provides material for research and general purposes. The archive catalogue and an increasing part of the material are available in electronic form on the national search portal Finna (sls.finna.fi). SLS Archives acquires source material through donations but documents also contemporary traditions and society through collecting and fieldwork in the field of ICH. The Archives organizes every year several collections based on initiatives from communities, researchers and individuals.

    SLS Archives have four collections: historical and literary history collection, tradition and language collection, tradition and local history collection in Ostrobothnia and folk music and dance collection. The Finland-Swedish folk music institute is part of the SLS archive. It is an information center for historical and contemporary folk music and dance tradition in Swedish-speaking Finland. The eldest tradition collections in SLS Archives was collected 2021 to the National Memory of the World Register (Maailman Muisti). The material consists of the ethnographical, folkloristic and linguistic cultural heritage of the Swedish-speaking population in Finland.

    The Finnish-Swedish Folk Music Institute (FMI), under the SLS, is an information and documentation center for the Swedish folk music and dance tradition in Finland which serves musicians, researchers, students, associations, mass media and others who are interested in folk music and dance. The institute takes advantage of, stores and publishes both historical folk music material and material concerning today's musicians.The collection consists of recordings, films, photographs, handwritten and printed music collections, handwritten songbooks, notes, posters and newspaper clippings.
    The Swedish Central Archive of Finland (Svenska centralarkivet, SCA) maintains a private archive of activities related to Finnish-Swedish society and culture.

    The National Audiovisual Institute (Kansallinen audiovisuaalinen instituutti KAVI) is a government agency under the Ministry of Education and Culture. KAVI's statutory tasks include the preservation of films and television and radio programs, the promotion of audiovisual culture, the control of the provision and classification of visual programs, and the promotion of media education. Preserving the domestic film heritage for future generations is one of the key tasks of the institute, which is supported by legislation. KAVI's film collections comprise about 1,300 feature-length domestic films, and the number is accumulating at the annual rate of about 25 new films. The task of the National Audiovisual Institute is to promote audiovisual culture in Finland. In practice, promotion means film screenings, film education, library and information services, and exhibition and publishing activities.

    The People’s Archives (Kansan arkisto, KansA) stores and makes available historical documents from Finland’s left-wing labour movement, civic organisations and private individuals. The Archive of the Centre Party and Rural Areas (Keskustan ja maaseudun arkisto, KMA) is responsible for the permanent storage of archival material from the Centre Party’s history and the organisations and private individuals close to the party, and the archive also promotes the research-oriented use of these materials. The Labour Archives (Työväen Arkisto, TA) is Finland’s oldest popular movement archive. The Archives of the Organizations of the National Coalition Party (Porvarillisen Työn Arkisto, PTA) is responsible for the preservation of documents that were created by bourgeois organisations and pertain to conservative social activities and provides them for research-oriented use. All of these contain material related to e.g social events and music related to these communities.

    The Cultural Sciences Archive Cultura at Åbo Akademi University in Turku is a research archive aimed at students, researchers, personnel and the general public. The archive contains the ethnological collection, the folkloristic collection and the Swedish-Finnish textile archive and the archive works in close contact with Nordic Ethnology and Nordic Folkloristics. Collections of the Archives of the History, Culture and Arts Studies at University of Turku (Turun yliopisto). The collections offer research material on various subjects concerning culture phenomena such as village folk culture, custom culture, cultural environment and cultural heritage as well as activities of museums. The audio recordings collection of Sami folklore is the most extensive audio collection on the subject in the world, for instance. The collections may be used for research, university teaching and museum work, and as the case may be, discretionarily for other purposes.
    The Folklife Archives at the University of Tampere include over 20,000 hours of sound recordings, about 200,000 photographs, records, musical instruments and manuscripts. The archives of the Faculty are one of the largest folklife archives in Finland.

    The Finnish Social Science Data Archive (Tietoarkisto, FSD), located also at the University of Tampere, provides a single point of access to a wide range of digital research data for learning, teaching and research purposes. The themes related to ICH vary from cultural life, identity and minorities to agriculture and fishing.
    There are archives aimed at specific domains, such as archives of traditional and popular music. In Finland, there are six official music archives: The Institute of Swedish folkmusik in Finland at SLS Archives (Finlands svenska folkmusikinstituts arkiv), the Music Library and Sound Recording Archives of the National Library (Kansalliskirjaston Musiikkikirjasto ja äänitearkisto), the Archives of the Kaustinen Folk Music Institute (Kansanmusiikki-instituutin arkisto), the Archives of the Sibelius’ Museum (Sibelius-museon arkisto), Music Archives of Finland (Suomen Musiikkiarkisto) and Finnish Institute of recorded sound (Suomen Äänitearkisto ry).

    The Folk Music Institute's (Kansanmusiikki-Instituutti) archive is the largest in the country specialising in folk music and dance. The archive's photos and videos give a comprehensive image of the phenomena and characters of Finnish music tradition throughout multiple decades.

    The Sports Archive of Finland (Suomen Urheiluarkisto) is responsible for the preservation and organisation of historically significant documents related to Finnish sports history and for making them available for wider use.

    Archives specialiced on crafts are held by the Finnish Craft Museum (Suomen Käsityön museo) with subcollection of the national and folk costumes. Brages national costume agency (Brages dräktbyrå) takes care of archiving the costumes of the Swedish-speaking areas in Finland. Most of these actively document current expressions of traditional culture. There are also traditional archives at many of the universities in Finland. They operate in close collaboration with the academic fields and some of the highlight also living heritage.

 

  • Libraries

    The key objective of library policy in Finland is to promote the population's cultural rights and access to information and culture. The Finnish system of municipal libraries is of high quality by international standards. Library services are among the most frequently used municipal services. Libraries are used not only for obtaining information and borrowing materials, but also for recreational activities, studying and work. Furthermore, a range of different events are arranged at libraries.

    The Finnish network of libraries consists of public i.e. municipal libraries, research libraries (university libraries and libraries of universities of applied sciences), special libraries, and libraries located at schools and other educational institutions. The National Library of Finland is a cultural heritage organisation that is pivotal for securing the availability of research resources. They secure, transmit and produce open access information platforms in Finland and related to Finland. The cooperation of the library network on digital platforms is central to the transmission of research information and the availability of materials to researchers. Most municipal libraries collect publications and other materials on local history and culture. These collections often contain interesting material on local traditions and ICH.

    Municipal libraries and research libraries are open for everyone. There are a total of 720 main and branch libraries in Finland. Up to 70 per cent of Finns live within three kilometres from a library, and 93 per cent of Finns have at most 10 kilometres to the nearest library. Mobile libraries - a total of 135 of them - complete the municipal library services.

    The National Library of Finland (Suomen Kansalliskirjasto) is a cultural heritage organisation that is open to all and provides nationwide services to citizens, scientific communities and other societal operators. It secures the availability of cultural heritage published in Finland or relating to Finland as well as transmit and produce information content for research, studies, citizens and the society. The National Library develops services in cooperation with libraries, archives, museums and other operators.

    Celia is a national library and government organization for accessible literature and publishing in Finland, working toward equality in reading and learning. Celia produces and distributes literature in accessible formats, such as talking books and braille books, together with public libraries and publishers. In addition to fiction and non-fiction, Celia also produces and distributes textbooks in accessible formats to all educational levels. Celias books are meant for anyone with a print disability.

    Multilingual Library is situated In Helsinki. The collection has books for children, young people and adults in more than 80 languages. In addition to books, the collection has music recordings, movies, magazines, audiobooks and e-books. Multilingual Library sends library materials to all parts of Finland.

    As an example, Helsinki Central Library Oodi (Keskustakirjasto Oodi) is one of the 37 offices of the Helsinki City Library. It has been designed in conjunction with the townspeople to best meet the wishes and needs of library users. The library is an open, non-commercial meeting place for public citizens in a central location in Helsinki. Oodi has places for both quiet work and groups, and you can book a meeting room free of charge for activities such as an organization or association. Oodi has various activities, such as music studios, a recording studio and a photo and video studio. Open to all City Workshop is a community-based MakerSpace with a wide range of tools available, including 3D printers, sewing machines, seamers, laser cutters and punching tools.

 

  • Others

    In Finland there is a long history of founding NGOs in order to support groups with common interests. Civil society actors are easily organized by setting up an association that suits their purpose. Organizations may have employees, but the typical membership and active actors are voluntary. In addition, NGOs are in the public interest, i.e. they do not seek financial gain. The money received or collected by the organization is used for its general good activities.

    Much of the work on the intangible cultural heritage takes place with the support of NGOs. Statistics on ICH organizational actors and voluntary work are not available in Finland, but in Finnish society, organizational work has a strong tradition, also in cultural heritage work.

    The government has regulated relatively few civil society activities in Finland. Organizations may receive government support in the form of general grants, but for the most part, the acquisition of funds is the work of the organization itself and in its own decision-making power. Although government guidance has increased in recent years, autonomy is still a hallmark of Finnish civil society. Well-known and well-established organizations often have strong relationships with decision-makers and effective channels for influencing decisions.

    There were 106,000 associations in the register of the National Board of Patents and Registration in 2020. In addition, there are about 30,000 unregistered associations. Most of the associations in the register of associations, about 18,600, are cultural associations. The second largest number is sports associations, 14,200. Other large groups of associations are professional and trade associations (10,800), leisure associations (10,000), and social and health associations (6,500). There are about 4,500 political associations.

    In 2020, 1.4 million Finns were involved in volunteering. This means that one in three Finns volunteers. Volunteering is done an average of 18 hours a month, for a total of almost 170,000 person-years of volunteering today. Help and support work are the most popular forms of volunteering. The largest fields of volunteering are physical activity and sports, in which 350,000 Finns work, voluntary work with children and young people (343,000) and voluntary work with seniors and the elderly (344,000).

    64% of those involved in volunteering work regularly. Half of the volunteer work is organized by an organization or community. Contrary to expectations, civic activism has not diminished, but has changed shape. Although long-term, regular volunteering is still a typical form of volunteering, people are increasingly becoming active in freely organized, often non-formal, groups. Groups are created around a specific issue or grievance, and their duration may be short. In addition, local, regional, and global movements are emerging on social media that can quickly mobilize tens of thousands, even millions, of people.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The state Party will continue to support the work of many kinds of competent bodies in safeguarding ICH and specific ICH elements. Broad and inclusive involvement of communities, groups and individuals in ICH safeguarding and management will be emphasized. Furthermore, institutions, organizations and initiatives for documenting ICH will be fostered.


2. Extent to which programmes support the strengthening of human capacities to promote safeguarding and management of ICH

Guidance note corresponding to indicator 2 of the Overall Results Framework: English|French|Spanish

Question 2.1

Do tertiary education institutions offer curricula and degrees in ICH safeguarding and management, on an inclusive basis?

Yes

Describe briefly, using examples and focusing on the course content relevant to ICH safeguarding and management.

In 2019, the Centria University of Applied Sciences (Centria-ammattikorkeakoulu) in the city of Kokkola in Central Ostrobothnia offered a course (5 course credits) in intangible cultural heritage which has been developed in cooperation with the Folk Music Institute (Kansanmusiikki-instituutti). The course focused on the main concepts of ICH, the Convention, the process of safeguarding and national and international inventorying. The Kaustinen fiddle playing was used as one of the practical examples of the subject of ICH. The course was aimed for operators and students the fields of culture, education, music, and the social service, and museum and cultural heritage sectors. Second course similar was offered in autumn 2021.

Also, a course in Entrepreneurship and Intangible Cultural Heritage has been offered at Centria. The course was directed to heritage experts planning entrepreneurship, event producers, cultural entrepreneurs, tourism industry students, students in the field of cultural heritage and those working in the field who want to understand new models and perceptions of cultural heritage work through entrepreneurship. In both courses there were 50 participants.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

Both courses are open for all. As they are online courses, anyone from any part of the country can participate.

Question 2.2

Do governmental institutions, centres and other bodies provide training in ICH safeguarding and management on an inclusive basis?

Yes

Describe briefly, using examples and focusing on the nature of the training offered and the body providing it.

The Finnish Heritage Agency has organised several seminars and workshops in the various domains and themes of ICH during the implementation process to disseminate information and knowledge on the Convention and to strengthen capacities in safeguarding methodologies.

The seminar Living heritage of Finnish-Swedish people in 2016 launched the mapping of the traditions of the Swedish-speaking minority in Finland. In the seminar we will discuss about the Convention and the process of safeguarding intangible cultural heritage.

The Finnish Heritage Agency organised a seminar on Sámi living heritage in cooperation with Sámi archives, The Sámi Museum Siida, The Sámi Education Institute, the Sámi Parliament, and the Arts Promotion Centre Finland in 2018. Presentations were made by representatives of the Sámi cultural organisations. The theme of the seminar was Sámi living heritage and traditions that could be included in the wiki-inventory of living heritage and the role of the ICH Convention in safeguarding Sámi traditions.

The Finnish Heritage Agency organized in 2018 a UNESCO Capacity Building workshop in Helsinki. Forty representatives of local communities, minorities, non-governmental organizations, and government offices took part in the four-day workshop. The workshop aimed to equip participants with the knowledge and skills needed for the development of effective safeguarding plans for living heritage.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

All of the events - seminars, webinars and workshops - are organised in co-operation with actors from different fields and in co-operation with heritage communities. The participation is free for all. They are widely an openly advertised for many kind of target groups through FHA and organising partners’ networks.

Question 2.3

Do community-based or NGO-based initiatives provide training in ICH safeguarding and management, on an inclusive basis?

Yes

Describe briefly, using examples and focusing on the training offered and the organization providing it.

See also indicators 4.1. and 4.3. In general, training offered by community-based or NGO-based initiatives are in the form of workshops, seminars, webinars, or other short-term projects, often in co-operation with other actors and stakeholders.

For example, the Folk Music Institute organises educational events both together with different partners and on their own, publish educational material and participate in joint educational projects. The Institute has organised for example organised and online training for libraries in cooperation with the Finnish Heritage Agency. The education introduced the concepts and phenomena of intangible cultural heritage, presented living heritage from a community perspective, and considered the role of libraries in nurturing the living heritage and supporting traditional communities. Both experts and practitioners from different fields were presenting in the training, and group work was used as a method for considering new ways and possibilities for nurturing intangible cultural heritage in libraries. In 2019, the Folk Music Institute organized the Kaustinen Intangible Cultural Heritage Seminar called The impact of UNESCO nominations on community-based safeguarding of intangible cultural heritage – experiences and practices. The seminar aimed to elaborate the role and impact of UNESCO’s lists of intangible cultural heritage in safeguarding ICH, effects nominations have brought to practitioners in different Baltic and Nordic countries, ways to promote safeguarding practises and NGOs’ role in the safeguarding process.

The Finnish Local Heritage Federation (Suomen Kotiseutuliitto) that organises training for and courses on local heritage and regional work. In the Federation’s project Communities are living! (Yhteisöt elävät! in Finnish) living heritage workshops were organised, where participants learned to recognise intangible cultural heritage and learn ways of integrating it into activities of communities. In the project materials were produced to help members of the federation to organise community workshop on living heritage and to contribute to the wiki-inventory of living heritage.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will strive to build a stronger dialogue with educational institutions in order to strengthen and develop more curricula and degrees in ICH safeguarding and management, on an inclusive basis. This will be done by promoting more awareness among educational institutions on the 2003 Convention and the ICH Policy of Finland. Additionally, the State Party will look to strengthen capacity building to be more inclusive.


3. Extent to which training is operated by or addressed to communities, groups and individuals, as well as to those working in the fields of culture and heritage

Guidance note corresponding to indicator 3 of the Overall Results Framework: English|French|Spanish

Question 3.1

Do training programmes provide capacity building in ICH addressed to communities, groups and individuals?

Yes

Describe briefly, using examples and referring to capacities built/strengthened, the training provider and the participants (incl. age and sex).

The processes towards entries into Wiki-inventory for Living Heritage, nomination processes towards the National Inventory of Living Heritage and the nomination processes towards the Representative List of UNESCO have built knowledge of the Convention and safeguarding of ICH in communities and groups that participated in the processes. These have been organised by the FHA, the Circles of living heritage, various NGOs and other organisations.

One of the central aims of the Circles of living heritage is to strengthen education and training of living heritage. In addition to co-operation with education providers, the circles disseminate information on the implementation of the Convention and encourage the inventorying of living heritage among those working in the field.
The Centria University of Applied Sciences course on intangible cultural heritage (see indicator 2.1.) was designed in co-operation with the Folk Music Institute.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

The seminars and webinars organised by the FHA are open to all and promoted widely among respective communities. The videos of the events are available online on the Elävä perintö Youtube.

The Centria course on ICH has been organised as virtual training. The course can be completed according to the students own schedule and the course requires no previous qualifications on the subject. In addition to students, the course is intended for anyone interested in developing their own skills.

Are any of these training programmes operated by communities themselves?

Yes

Provide examples of such trainings, describing the involvement of communities in operating these programmes

Both Folk Music institute and Finnish Federation for Local Heritage Associations have planned and managed independently capacity building programs.

Question 3.2

Do training programmes provide capacity building in ICH addressed on an inclusive basis to those working in the fields of culture and heritage?

Yes

Describe briefly, using examples and referring to capacities built/strengthened, the training provider and the participants (incl. age and sex).

The museum field in Finland has taken an active role in the implementation of the Convention. The museums are regularly informed about the Convention and topical issues relating to the Convention. Several presentations and workshops have been held with museum professionals.

The Finnish Heritage Agency has organised training in the field of ICH to heritage professionals as part of the implementation of the Convention. In November 2021, the FHA organised, in co-operation with Finnish Museums Association, a two-day online seminar to museum professionals on ICH and museum work. The first online seminar dealed with intangible cultural heritage as a concept and, through examples, explores how living heritage can be part of a museum’s strategy. The theme of the second online seminar was the recording of living heritage and how museums can collaborate with heritage communities.

Finnish Heritage Agency has organised in cooperation with Visit Finland and the Finnish National Commission for UNESCO a webinar and a workshop on living cultural heritage and tourism in 2020 and 2021. The events have explored issues such as the potential of living heritage in tourism and the sustainability and commercialism of tourism in relation to intangible cultural heritage. The videos of the webinars are available at the Elävä perintö Youtube. In spring 2021 a publication “Yhteinen polku - Opas elävän perinnön vastuulliseen matkailulliseen tuotteistamiseen” (Common path - A guide to responsible tourism and of living heritage) will be published online by Visit Finland in cooperation with the FHA.

Three Finnish universities offer studies in museology (see also indicator 6.1.), which also touches upon issues relating to intangible cultural heritage. The qualifications in museology are required in many positions in professional museums.

Do these programmes ensure inclusivity?

Yes

If yes, describe briefly how these programmes ensure inclusivity.

The training organised by the FHA is aimed at and open to all interested professionals in the field and is free of charge. The webinar-format of the training makes it possible to participate regardless of geographical location. The videos of the webinars are available on Youtube.
Qualifications in Museology can be obtained either as a degree student or via Open University. The Open university studies are open to all interested persons, but they collect fees from students, i.e., are not free of charge.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Largely

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will further support training programmes in ICH addressed to communities, groups and individuals to build capacities. Moreover, it will work to promote the leadership of the communities in the implementation of capacity-building initiatives.


4. Extent to which both formal and non-formal education strengthen the transmission of ICH and promote respect for ICH

Guidance note corresponding to indicator 4 of the Overall Results Framework: English|French|Spanish


In your country, is ICH transmitted through or used as a medium of teaching and learning in the following?

·  formal education

·  non-formal education

Question 4.1

Are practitioners and bearers involved in designing and developing ICH education programmes and/or are actively presenting and transmitting their heritage?

Yes

Explain briefly how practitioners and bearers are involved in these activities.

Practitioners and bearers participate in the design and development of ICH education programmes and transmitting their heritage takes place most of all through different NGOs. They organise training and education in cooperation with heritage communities and function as representatives of communities and transmitters in between different actors.

For example, the Finnish Folk Music Institute participates in the planning and practice of folk music education in all levels from early childhood education to basic education and upper secondary school, post-secondary and academic education as well as adult education and recreational activity. The Institute organises educational events both together with different schools and on their own, publish educational material and participate in joint educational projects. For more information on the educational activities of the Institute, see indicator 4.3. The Institute also participated in planning two study modules in intangible cultural heritage and ICH related entrepreneurship which were piloted as online courses in 2019 and 2020 at the Centria University of Applied Sciences, with the aim of later developing a larger study module on the subject. (see indicator 2.1).

Cultural education plans are drawn in municipalities in wide cooperation with local arts, culture, and heritage actors and practioners (see indicator 5.3. for more information on the plan) and makes it possible for practioners to participate in the development of the plan. The cultural education plan together with local curricula (see indicator 4.2) are the tools with which to raise local culture and heritage as well as the culture and heritage of diverse groups into education and thus makes it possible to involve local practioners and bearers in transmitting their heritage at schools. However, cooperation between schools and heritage communities is not yet generally common in Finland and is very much depending on the motivations and knowledge of individual teachers.

In traditional fishing culture in the Torne River’s rapids the use of handheld dipnets (called lippo in Finnish) is a traditional whitefish and salmon fishing method for fishing in the rapids. Most of the training and transmission of skills and tradition is done by the fishers themselves, who belong to the body of joint owners and have the rights to fish in the rapids. Tradition-related knowledge continues to be transferred intergenerationally and by participating. The transmission takes place naturally under the guidance of more experienced fishers. Culture becomes known through stories and in the context of community work and events. Fishers have organized courses e.g., on making lippos. The first course on lippo-making organized by an adult education centre in Finland began in the spring of 2020 in co-operation with the ProSiika Association. Transmission on tradition is also done with the help of different development projects. The aim of project called Get Acquainted with Cultural Heritage (Kulttuuriperintö tutuksi kläpeille in Finnish) is to introduce one of Tornio Valley’s children and young people to the cultural heritage of their own area and to raise awareness of local cultural sites of Tornio Valley residents and in the cultural education of young people. The project will pilot a three-site cultural visit program for schools, which can be replicated in the future. The project aims to share information on cultural heritage protection and UNESCO lists, and to clarify the difference between a World Heritage site and Intangible Cultural Heritage.

In addition, especially liberal adult education, e.g., adult education centres are important employers for many small entrepreneurs, craftspeople, and artists. Through their education and professional and often as a committed practioner themselves, also teachers in vocational institutions and post-secondary education and subject teachers in basic and secondary education, teachers in liberal adult education etc. are part of the community of actors and heritage bearers and transmitters.
The operating principle of Citizen’s Forum (Opintokeskus Kansalaisfoorumi), a national adult education institution, is to cooperate with different NGO actors and practioners, so that education and training activities that are offered arise directly from the needs of the field. Professionals and practioners are also recruited as trainers and educators. In its own trainings the Citizens' Forum's cooperates in many ways with networks in various fields of art. The starting point for study group activities is peer learning and responding to the community's own learning needs: the community itself implements its own learning process with our support.
In the education of cultural minorities, such as the Sámi and the Roma in Finland, the role of languages, culture and cultural heritage is one the most critical issues for the future. This involves securing enough competent and representative teachers and educators in all levels of education and training. Teachers teaching in the Sámi languages or teachers of Sámi language are educated in the University of Oulu Giellagas Institute (see indicator 4.4.). The Education and Learning Materials Committee of the Sámi Parliament and the Education and Learning Materials Office co-operate with the municipalities of the Sámi Homeland, other education providers, the Nordic sister bodies and the state education administration to produce. The Sámi Parliament represents the voice of the Sámi in education policy. In the Sámi homeland, Sámi early childhood education and care plans are used, and the locally drawn curricula make it possible to incorporate issues relevant to the Sámi languages, culture, and heritage (see indicator 5.3.). The Romani languages and Roma culture can be studied at the University of Helsinki to educate competent teachers and developers of Romani educational materials, but more are needed.

The challenge of the transmission of Sámi intangible cultural heritage in formal education is that its implementation has not been planned taking into account the entire study path of the Finnish education system, which extends from early childhood education to higher education. The planning also does not take into account the differences in education depending on whether the Sámi-language or Finnish-language education is provided to the Sámi and how children living outside the Sámi homeland are taken into account in the teaching of both the Sámi-language and the Sámi cultural heritage.

The transmission of the Sámi ICH through formal education depends on whether the child is in Sámi or Finnish-speaking education. Also in the Sámi homeland, a large proportion of Sámi children are taught in Finnish, which means that they can be left completely without teaching content related to the Sámi cultural heritage. If the child is in Sámi-language education, the Sámi intangible heritage is somewhat reflected in the learning materials, but especially through the teacher's own activities and expertise. Often Sámi-speaking teachers have had to draw up their own teaching materials themselves. Thus, Sámi language learning materials do not exist comprehensively, especially in all three Sámi languages spoken in Finland, and on the other hand, existing learning materials are often outdated. The development of Sámi electronic learning environments has also not met the needs.

In 2020, the Ministry of Education and Culture has appointed a Sámi Language and Sámi Language Teaching Development Group to examine the state of Sámi education and training in Sámi early childhood education and care, Sámi cultural and language nesting, Sámi education and training as a whole, and to assess the amount and quality of Sámi knowledge of basic education learning materials in accordance with the current curriculum.

A Sámi language distance learning project led by the municipality of Utsjoki and coordinated by the Sámi Parliament started its activities in 2018, and has also enabled Sámi languages to be used outside the Sámi homeland and at different levels of education. The Sámi Music Academy, which started its operations in Utsjoki in 2016, trains Sámi music makers and creates new pedagogical ways of teaching Sámi music in schools and kindergartens. In 2021, the Sámi Music Academy has been running a project called Juoiggasts, which is funded by the Northernmost Lapland Leader-project. The project develops children's and young people's hobbies in music. The main focus is on Sámi traditional music.

Question 4.2

Are modes and methods of transmitting ICH that are recognized by communities, groups and individuals, included or strengthened in formal and non-formal educational programmes?

Yes

Explain briefly, using examples, how such modes and methods of transmission are included and/or strengthened.

The Finnish education and training ecosystem from the viewpoint of ICH is diverse and wide and includes a wide range of actors both formal and informal, those that operate locally and others with national networks, with diverse resources. There is a large and established infrastructure for education, research, cultural memory organisations, cultural institutions, and non-governmental organisations, which supports the preservation and transfer of intangible cultural heritage that play an important part in the transmission of ICH through teaching and learning. Historically, art and cultural education and teaching have played a key role in not only schools but also recreational and NGO activities.

Formal education supports living cultural heritage and its transferring in diverse ways. The Finnish formal education system, from early childhood education to higher education, is comprehensive and open to everyone. In pre-primary and primary education and secondary education, the development of cultural heritage skills is part of the curriculum and the basics of vocational undergraduate degrees; however not always explicitly. Finnish basic education and vocational has a significant role as the teacher and conveyor of several art, craft and technical subjects and traditions. Schools offer opportunities for the maintenance of skills related to intangible cultural heritage. Additionally, vocational education is significant in terms of long-term transfer of skill and the maintenance of professional identity. However, there is no clear idea of the extent to which ICH is addressed at various levels of the education system. Local curricula of education providers and schoolwork plans give education providers free hands in steering education, which means the emphasis varies in different schools and municipalities. Ultimately the teacher's own activity, knowledge, skills, and interest affects the content of the lessons.

In Finland, a broad and highly organised field operates outside the formal education system. Liberal arts education (adult education centres, study centres, summer universities), children's cultural centers, summer universities, open universities, open polytechnics, organizations, federations, associations, companies, art institutions, museums, youth work and independent artists organize a wide range of courses and other activities relevant to ICH. Art and cultural heritage education can also be part of workforce training, integration training, social sector activities, youth work and parish activities. Educators, heritage professionals and art teachers working in various levels of education, both formal and informal, are educated in adult education centre study lines, vocational institutes, universities of applied sciences, and universities.

Several central organisations and thousands of culture and leisure associations operating in Finland are important actors in the transferring of living cultural heritage by organizing recreational activities and related course activities on their own or in cooperation with other actors, where traditions are transmitted. In training, education and recreation, the transmission of tradition is directly in the syllabus or content itself (e.g., folk music or dance, circus). In addition, participating in education, training, and recreation the transfer of traditions has a wider impact by strengthen the sense of community. Through learning and recreational activities, it is possible to locate oneself as part of and in relation to tradition.

For example to the Sámi, Sámi associations are key players in the transmission of living cultural heritage. The activities of the associations are close to the people and are related to everyday cultural activities. The associations are meeting places for Sámi people of different ages are possible and they create a culturally sensitive and safe operating environment.

Most often, ICH is transmitted by both formal and non-formal education. The role of formal education is nowadays strong and can be crucial in safeguarding heritage and traditions. Education strengthens the protection and transmission of tradition by increasing knowledge and skills, but rarely in a community-led way.
For example, education and training related to folk music and dance is organized by e.g., adult education centres, youth clubs and fiddlers' associations, to some extent music colleges and conservatories, two universities of applied sciences and at the Sibelius Academy. At SibA, folk music education has its own degree programme. While folk dance does not have its own degree programme, folk dance is included in the folk music curriculum as compulsory and optional courses for all musicians. In early childhood education and in basic education, education and training is limited, and depends on the school and teachers.

Another example is the tikkuröijy tradition from Hailuoto island in Northern Finland. The local heritage society, Hailuoto-seura, has held a tikkuröijy club in the old rectory of Hailuoto since 2014. The club has an average of 20 to 30 participants, some beginner tikkuröijy knitters, some experienced makers. The members of the tikkuröijy club exchange knitting tips as well as experiences and stories regarding the sweaters. The information about the history of the tikkuröijy sweater is passed on from generation to generation through the club and in homes as oral history. The club instructors gather, and record information related to the sweater tradition. Tikkuröijy tradition has also been present in basic arts education in crafts. However, during the pandemic knitting has become highly popular and also new methods of transmitting the heritage has been established. Online courses are being organised and in the Tikkuröijypiiri Facebook there are over 2400 members.

Most of the education and training in circus happens in a non-formal context in and by circus schools, groups, associations etc. The extended syllabus for basic arts education is available in six circus schools across Finland. Formal vocational circus education in available in one vocational school and one University of Applied Sciences (see indicator 6.1.). The Finnish Youth Circus Association (Suomen Nuorisosirkusliitto) organises training to educators in circus pedagogy and circus as art.
The runosong tradition has been passed, and continues to be passed, to future generations as a living song tradition through homes, but also increasingly through education and publicly performed music. Nowadays, cultural institutions, universities, associations, and organisations in the field of language and culture also take part in maintaining the runosong tradition. The Runosong Academy (Runolaulu-Akatemia) organises courses and training in cooperation with different actors e.g., basic education and uppers secondary schools and music schools, but the training is temporary.

The field of puppet theatre has limited possibilities for formal education in the field. Professionals in the field teach, train, and pass on their knowledge and skills as mentors. In the SAMIedu vocational institute (Ammattiopisto Samiedu) it is possible to obtain a vocational degree in puppet theatre. Puppet theatre teaching and courses are organized, for example, in the Turku University of Applied Sciences Arts Academy of Arts, and courses led by professionals for example in adult education centres and the University of the Arts Helsinki's Theatre Academy. In Finland, puppet theatre teaching and courses are organized, for example, in addition to the Turku University of Applied Sciences Academy of Arts, for courses led by professionals at, for example, adult education centres and the University of the Arts Helsinki's Theatre Academy. Vocational college at SAMIedu can complete a vocational degree in puppet theatre. Numerous seminars, lectures, workshops, and other events are held in Finland every year to discuss. Festivals are part of conveying puppetry to the public.

Many courses central to Roma living heritage have been offered, mostly in language, crafts and music of the Roma. These courses, and especially the courses in crafts, have been very popular. The majority of the courses have been offered as part of projects and are thus often not part of a formal education or permanent activities of institutions, which is a challenge for continuity of the training.

Formal education

One of the basic principles of Finnish education is that all people must have equal access to high-quality education and training. The same educational opportunities should be available to all citizens irrespective of their ethnic origin, age, wealth or where they live
The Finnish education system consists of:
• early childhood education and care
• pre-primary education
• basic education
• general upper secondary education
• vocational education and training/vocational upper secondary level
• higher education
• adult education

Compulsory education applies to all 6–18-year-olds. It includes pre-primary, basic and upper secondary education. After 9 years of basic education there is the general upper secondary or vocational upper secondary education and training level. General upper secondary education leads to matriculation examination and vocational education and training to vocational qualification. The Finnish higher education system comprises universities and universities of applied sciences. Universities engage both in education and research and have the right to award doctorates. Universities of applied sciences are multi-field institutions of professional higher education. Universities of applied sciences engage in applied research and development.

The purpose of basic education is to support pupils' growth into humanity and into ethically responsible membership of society and to provide them with knowledge and skills needed in life. Furthermore, the aim of pre-primary education, as part of early childhood education, is to improve children's capacity for learning. Education shall promote civilisation and equality in society and pupils' prerequisites for participating in education and otherwise developing themselves during their lives. The aim of education shall further be to secure adequate equity in education throughout the country.

The purpose of general upper secondary education is to help students grow into decent, well-rounded, and educated human beings and active members of society and to provide them with the knowledge, skills and capabilities required for engaging in working life and recreational activities as well as to further their versatile personal development. The purpose of the education is also to provide students with the capabilities for lifelong learning and continuous personal development.
Finnish national core curriculum provides a common direction and basis for school education and instruction in primary and secondary education. Education providers, municipalities, and private education providers, draw up a local curricula and annual plans based on the national core curriculum.

The national core curriculum for basic education was extensively reformed in 2014 and the introduction took place in stages from 2016 until 2019 for different grades (see also indicator 12.2). The new core curriculum places an emphasis on transversal competences in instruction. A changing society demands increasingly transversal skills and competences. Therefore, it is important that each subject promotes transversal competences. These include cultural competence, interaction, and self-expression.
Cultural heritage, cultural competence, cultural sustainability, cultural diversity, and support for cultural identity are included in a wide range of common principles in the national core curriculum for basic education, such as the value base of basic education, the function, general objectives, and objectives of broad-based competence. Wide-ranging competence is developed as part of teaching according to the annual grade-specific objectives of each subject.
One of the wide-ranging objectives of the core curriculum covering all subject areas is called Cultural competence, interaction and expression which emphasizes that in basic education, students are directed towards identifying and appreciating the cultural significance of the environment and building their own cultural identity and positive environmental relationship. Students learn to know and appreciate their living environment and its cultural heritage, as well as their own social, cultural, religious, viewing, and linguistic roots. Students are directed to see cultural diversity as a positive resource.

The national core curriculum chapter on specific questions relating to language and culture mentions that teaching draws on the knowledge of pupils, their guardians and their community about nature, lifestyles, history, languages, and cultures in their own linguistic and cultural area
Each school year every school must have at least one clearly defined theme, project or course that combines the content of different subjects and deals with the selected theme from the perspective of several subjects. These are called multidisciplinary learning modules. Schools plan and implement the multidisciplinary learning modules and the topics and duration may vary based on local needs and interests. Pupils participate in planning the modules.
The guidelines for developing school culture are specified in the national core curriculum. The goal is to build a school culture that promotes learning, interaction, participation, well-being, and a sustainable way of living. The principles that guide the development of the school culture emphasise the school as a learning community. In addition, an aim to ensure the well-being and safety of every pupil.

Schools must provide opportunities for experimentation, exploration, active learning, physical activity, and play. Cultural diversity and language awareness are also key principles that guide the development of the school culture. The use of various languages in the school's daily life is seen as natural, and languages are appreciated. According to the curriculum, the school’s community values and explores Finland’s cultural heritage and national languages, as well as its own cultural, linguistic, religious diversity. It highlights the importance of Sámi culture and different minorities in Finland. It develops understanding and respect between individuals and groups. The school community recognizes the right to one's own language and culture as a fundamental right.

The core curriculum describes seven transversal competence areas. These epitomise the aims of education and reflect the competences needed in all spheres of life. The transversal competences relevant from the point of view of intangible heritage include cultural competence, interaction and expression and participation, involvement and building a sustainable future. One of the aims of the core curriculum is a school that functions as a learning community and is aware of different languages and sees culture as a richness. One of the practical main changes in the renewal of the core curriculum for basic education was that the number of lessons in arts and crafts were increased during the nine-year basic education.

New curricula will be introduced at Finnish general upper secondary schools in August 2021. They will be based on the National core curriculum for general upper secondary schools published by the Finnish National Agency for Education in November 2019. Key changes include that all study units at general upper secondary school aim for developing transversal competences.

Vocational education and training (VET) in Finland are part of the upper secondary education even though it is also directed to adults and for example further and specialist vocational qualifications enable people to develop their skills at various stages of their career. The purpose of vocational education and training is to increase and maintain the vocational skills of the population, develop commerce and industry, and respond to its competence needs. Vocational qualifications include upper secondary qualifications (basic level), further qualifications and specialist qualifications. The role of vocational education is thus significant in terms of long-term transfer of practical skills and the maintenance of professional identity, also in the field relevant to ICH such as arts and humanities and more indirectly in several technical fields. The fields humanities and the arts, which is visual expression, library, theatre, dance, circus, and music as well as in the crafts and design sector.

Vocational training is also possible to obtain by studying at the workplace, either based on apprenticeship or on training agreement. Learning at work can be used to acquire competence in all vocational qualifications as well as other training advancing or supplementing vocational skills. Studying at the workplace can cover an entire degree, a module, or a smaller part of the studies. In apprenticeship, most of the competence will be acquired at the workplace through practical work tasks and will be reinforced in other learning environments if needed.

The Sámi Education Institute (Saamelaisalueen koulutuskeskus) is a vocational college with a vital role in developing the needs of its people and the Arctic region. It is the only indigenous people's institute of post-secondary trade school education in Finland, with three campuses in the homeland of the Sámi. It is also the only vocational school in Finland where Sámi is one of the teaching languages. The institution organizes education classes, workshops, and degree programs for young adults and mature students. The core curriculum supports the livelihoods of the Sámi with emphasis on the development of the Sámi languages and Sámi cultures, to promote nature-based occupations and employment. For more information on the Institute and its tuition, see indicator 5.1. and 6.1.

Non-formal education

Liberal adult education

Liberal adult education is the main organiser of voluntary studies open to the public at large. Liberal adult education institutions offer studies that improve civic skills, social studies, general education studies and studies for hobby-based or interest-based information and skills acquisition. The goal of liberal adult education is to promote people's versatile development and wellbeing as well as the realisation of democracy, pluralism, sustainable development, multiculturalism, and internationalism.

The purpose of liberal adult education is to promote people's versatile development and provide education and training that supports the cohesion of society, equality and active citizenship based on the principle of lifelong learning. An essential aspect of liberal adult education is that everyone has the right to apply to take part in it. The education does not provide a degree or qualification, and its content is not governed by legislation.
Studies have found that participants benefit from liberal adult education in many ways. It imparts skills needed in work and studies, improves well-being, promotes agency, and supports an active role as a municipal resident. Liberal adult education creates common good, for example by imparting general knowledge and ability, maintaining heritage activities, offering cultural experiences, providing education in internationality and multiculturalism, promoting integration, and providing another opportunity to complement education.

Educational institutions that provide liberal adult education include adult education centres, folk high schools, learning centres, sports training centres (sports institutes) and summer universities. Education providers make all decisions on the objectives and content of the studies. Liberal adult education providers comprise local authorities, joint municipal authorities, associations, foundations, and limited liability companies. Liberal adult education includes both activities based on various sets of values and those that are neutral. The affiliated organisations can represent various world views or religious beliefs, or act based on local or regional civic needs.

Adult education centres are educational institutions chiefly maintained by local authorities. Some are privately owned. Tuition is available in all municipalities and activities are usually decentralised to various parts of the municipalities. Adult education centres are tasked with responding to local and regional civic needs and enabling self-motivated learning and the development of civic skills. They provide a large part of basic education in the arts. Tuition is offered in a wide variety of subjects, including languages, IT, arts and crafts, music, sports, cooking and wellbeing. The centres also often organise talks and lectures on a range of cultural topics as well as current social and political issues. Many adult education centres also provide Finnish as a foreign language tuition for immigrants. The choice of courses on offer varies between centres and each centre is responsible for designing their own curriculum to ensure that it best reflects the demand of people in their own local area.

Adult education centres are available to everyone, regardless of their age or educational background. Adult education centres have become an integral part of Finnish culture. Every year, more than one in ten Finns, a total of over 600,000 people, attend an adult education centre. Course fees remain highly reasonable as they are subsidised by central government and local authorities. There are a total of 177 adult education centres in Finland, operating across the country. Courses are often provided at a number of venues across the local authority area, including schools during after-school hours. It is common for larger towns and cities to have two or more centres. Centrally to ICH, most teaching in centres is offered in crafts (20 % of all tuition) and music 20%.

Learning centres are maintained by private civic organisations. Half of the organisations that back learning centres are affiliated with political parties or labour unions, and the rest are independent non-governmental organisations. Learning centres provide education independently or in cooperation with their member organisations. The range of studies offered is determined based on the ideologies of the centre's collaborating affiliations. Their objective is lifelong vocational further education, language studies and short-term, non-formal education, for example. They also provide university-level courses in arts and culture, seminars, and events as well as university activities for mature students. Their activities are focused on open higher education as well as on responding to the region's other learning and civic needs, also considering people who already have a degree in higher education.
Finland has national and regional sports training centres (sports institutes) that provide vocational upper secondary and vocational further education and training as well as non-formal education for youths and adults. They function as training centres for athletes and some institutes also provide vocational education in the field of sports and physical exercise.

Basic education in the arts

Basic education in the arts is provided primarily for children and young people on an extracurricular basis. Basic arts education is provided at music institutes and schools, art schools, dance institutes and schools, handicrafts schools and other educational institutions. Basic education in the different fields of art progresses in a purposeful manner from one level to the next and provides students with the skills to express themselves as well as the ability to apply for vocational training and education or higher education in this field.

The task of basic art education is to build a sustainable future through art. The teaching is based on a pluralistic and renewing view cultural heritage. Teaching strengthens the student's skills in self-expression, and interpretation. The studies support the development of students' creative thinking and inclusion. Basic art education strengthens the building of students' identities and the development of cultural literacy. Recognised traditions can also be part of basic arts education tuition, for example the Tikkuröijy tradition in the field of crafts.

The tuition complies with the curricula approved by the education provider, which must be based on the national core curriculum determined by the Finnish National Agency for Education. The curricula outline the objectives and key content of education, and they can include syllabuses of various scopes. The syllabuses for basic education in the arts consist of a general syllabus and an extended syllabus. The core curriculum for the extended and general syllabus has been confirmed for architecture, visual arts, crafts, media arts, music, literary art, circus art, dance, and theatre. Basic arts education if offered in 250 municipalities (approx. 80% of municipalities). Approximately 120 000 pupils participate in basic arts education yearly.

Local authorities make decisions on the provision of basic education in the arts. The state participates in the funding of it by granting municipalities central
government transfers for basic education in the arts based on the municipality's population and an imputed unit price per resident. The Ministry of Education and Culture can grant a municipality the right to central government transfers also based on the number of hours of instruction and an imputed unit price per hour of instruction. Additionally, the Ministry of Education and Culture as well as the Finnish National Agency for Education award grants each year to cover operating costs related to the provision of basic arts education and for the development of activities.

Other examples include a master and apprentice-model, which has been used in transmission of the winter seine fishing and education young fishers in lake Puruvesi. The model has been supported by Eastern Finland kalatalousyhtymä (fishing cooperative). In the model, pairs of masters and apprentices were selected for a year-long project. During the year, the apprentice participated in the practical work with the master fisherman for a total of six months. The periods of practical work were divided in such a way that the apprentice can participate in all fishing methods according to the annual cycle. The aim of the model was to provide interested young people with the opportunity to receive practical training and to try out professional fishing in a way that adapts fishing to current requirements and methods.

Question 4.3

Do communities, groups, NGOs or heritage institutions offer educational programmes and/or extra-curricular activities concerning ICH and strengthening its transmission, and do they receive any support?

Yes

Explain briefly, with examples, how these programmes strengthen ICH transmission and who provides them.

In educational programmes and extra-curricular and recreational activities, heritage and traditions are transmitted practical in learning practical, artistic or craft skills, doing and experiencing, and in the environments of learning and doing.

As was mentioned before in indicator 4.1. and 4.2., especially the field of non-formal education is wide and diverse. This is the case also in relation to the support they receive or have in their activities. Some work locally with volunteers, others have well-established resources and nationwide networks. The organization of activities is often supported by municipal and state grants, e.g., funding for youth work, culture and sport, and funding for basic arts education. Volunteering can play a particularly significant role locally. Revenue from running the activities is also obtained from the organization of performances, product sales etc. In addition, training, education, and transmission is supported by and in different development projects, for example in the Tornio Valley region, where projects have bene supported by LEADER.

In Eastern Finland, Kesälahti fishing port and Lumimuutos cooperative have actively promoted the preservation and awareness of professional fishing and culture locally, nationally, and internationally. In 2015, a LEADER project was launched locally, which aims to promote winter fishing and professional fishing in Puruvesi. As part of this project, we have taken children to winter seine fishing.

The Citizens’ Forum (see also indicator 4.1.) offers associations help in planning their training activities and provides also financial support to cover expenses. The educational coordinators at Citizens’ Forum also provide pedagogical support and tips for planning training.

In Finland there are thirty-three children’s cultural centres. Children’s cultural centres provide cultural services for children, young people, families with children, schools, and kindergartens. In their regions, the centres work in close cooperation with various municipal sectors, e.g., early education, schools, and NGOs. Accessibility is the central principle and goal guiding the centres. The centres bring accessible art education into the daily lives of as many children and adolescents as possible and increase their well-being by means of art and culture. Several cultural centres for children have had a decisive influence in the creation and implementation of the cultural education plans (see indicator 5.3.) in their respective regions. The cultural education plan is put into action in collaboration between schools and actors in the culture and art sectors. The education and culture sectors pledge to comply with the common plan together with art institutions, such as libraries, museums, and theatres. This cooperation guarantees the children and youth in the municipality or region equal access to local culture in a multifaceted way.

Mánnu is the Sámi Children’s cultural centre. The content areas of Mánnu's activities include Sámi stories, songs, yoik, games, excursions, traditional food, and visual arts. At the beginning of the year, the detailed plans for the centre are created and all three Sámi language groups are considered in the planning. Wishes or suggestions on content can be submitted directly to the centre. Mánnu's activities are funded by the Ministry of Education and Culture, the Sámi Parliament, and the municipalities of the Sámi region.

The Ministry of Education and Culture grants subsidies to children's cultural centres and national children's arts and cultural events. The purpose of the grant for children's cultural centres is to promote the equal participation of children in art and culture throughout the country, to support the activities of children's cultural centres and their networking. The grant is awarded to children's cultural centres, where arts and cultural professionals provide children's cultural services primarily to children, and to the coordination of the children's cultural network.

The Folk Music Institute organises educational events both together with different schools and on their own. Every other year the Institute arranges a learning period in Kaustinen for the students of all Finnish learning institutions focusing on folk music and dance. The Institute also participates in organizing and developing the folk music based Näppäri courses for children and youth with Kaustisen Näppärit ry and other operators. The Institute oversees coordinating the Näppäri short courses. The Institute also develops tradition based cultural activities for children and youth locally with e.g., our Näppäri school and with the Children's Cultural Centre Lykky.
Finnish Crafts Organization Taito (see indicator 1.2.) offers an extensive service network of craft centres for crafts skills in Finland. Annually, its courses in the craft centres are attended by 27.000 people. At Crafts Centres, people have also an opportunity to meet other people who share their interests. In addition to courses the organisation organises training In Taito Crafts Schools across Finland that provide education in crafts in line with the Basic Education in the Arts curriculum for 4–16-year-old children and teenagers, as well as adults.

The Martha Organization (Marttaliitto) offers training and courses in subjects related to food and nutrition, home gardening and environmental protection and household economics and consumer issues. Before Covid-19 pandemic in 2019 the Martha Organization organized 31 000 events and the events were participated 1 079 000 times. Even during the pandemic in 2020, the Organization had 17 000 events and they were participated 293 800 times.

In the Åland Islands, the Government of Åland is financially supporting NGOs offering educational programs in ICH. Examples of actors, elements and sums financed in year 2021 are: (1) Föräldraföreningen Bild- och Formskolan r.f; visual arts; 60.000 €, (2) Alandia Strings r.f; folk music; 32.000 €, (3) Teater Alandica r.f; performing arts; 30.000 €, and (4) Kodarklubben r.f; computer programming; 11.000.

The organising of the leisure activities following the Finnish model of hobbies (see indicator 5.1. and 11.2.) will be arranged in cooperation with associations and other operators in the municipalities. During the pilot season, the operating model will be planned, built, and evaluated in cooperation with the operators providing the activities. The goal is to create new cooperation models between schools and activity providers. Partners are being sought from among clubs, associations, companies, and other actors that organise cultural or other leisure activities for children and young people. The school premises are given to clubs for children and adolescents free of charge, which opens new opportunities for clubs, art and cultural activities and increases cooperation which supports education. The Ministry of Education and Culture grants subsidies to municipalities through Regional State Administrative Agencies.

Provide additional details here of the nature of any support (financial, technical, in-kind or other) they receive.

Question 4.4

Do teacher training programmes and programmes for training providers of non-formal education include methods for integrating ICH and its safeguarding into education?

Yes

Provide additional details here of these training programmes, in particular the methods taught and the target audience.

There are several organisations and initiatives in Finland to support teacher and trainers in integrating ICH themes into education in basic education and non-formal training.

The National Board of Education produces support material that provides information on materials for teaching in Sámi, Roma, sign language and other languages.
The Association of Cultural Heritage Education (Kulttuuriperintökasvatuksen seura) in Finland is a national non-governmental expert organization. The mission of the association is to serve as an expert, influencer, promoter, developer, and communicator of cultural heritage education and education of culturally sustainable development. The target of the Association is to strengthen the cultural competence of especially children and youth – information, skills, and experiences regarding diverse cultural heritage – and to support identity building, involvement in culture and society, and the fulfilment of cultural rights.

The Association provides educators and other professionals with information, material, expertise, ideas for activities, operating models, and new networks. The association co-operates with actors of education, culture, environment, and youth sectors. The partners of the association include the Ministry of Education and Culture, the Ministry of the Environment, the Finnish National Agency for Education, and the Finnish Heritage Agency as well as different organizations and associations, schools and educational establishments, museums, archives, World Heritage Sites, and many professionals and experts in different fields.
Learn about Intangible Heritage –(opi.aineetonkulttuuriperinto.fi) is a website developed in co-operation with The Finnish Heritage Agency and the Finnish Society for Cultural Heritage Education as part of the implementation of the ICH convention. The website has educational materials for schools to use, which offers a wide range of opportunities to address the theme among people of different ages. The idea is to activate children and young people to reflect on their own living heritage and to share it in the form of videos and pictures. The website is bilingual (Finnish-Swedish). https://opi.aineetonkulttuuriperinto.fi/fi/

Learn about World Heritage! -website (Opi maailmanperinnöstä! in Finnish) offers materials to support world heritage education and basic education. The site is intended as a material bank for teachers or for learning about world heritage, sustainable development, and intangible cultural heritage. The material has been produced in co-operation with the Finnish Association of World Heritage Sites and the Finnish Society for Cultural Heritage Education as part of the Material in Support of World Heritage Education project funded by the Finnish Heritage Agency in 2020-2021. https://www.maailmanperinto.fi/materiaali/

The Finnish Association of Nature and Environment Schools (Suomen luonto- ja ympäristökoulujen liitto) organizes and develops a network (LYKE) that offers environmental education services for schools and kindergartens on local level. It also promotes nature and environmental education in Finland. LYKE-network consists of centres governed by municipalities, governmental organizations, enterprises, and associations. As part of the activities of the Association, trainings are also organized for teachers and educators on, for example, outdoor learning, environmental education and sustainable development themes, and schools and kindergartens are supported in their work on sustainable development. The association gives support to the network members, deliver good practices, and help in co-operation with municipalities and schools. Webpage Mappa.fi includes teaching materials to be used in environmental education in basic education and in relation to the national core curriculum.

The National Board of Education has published on their website support material for teachers called Cultural heritage education in Ethics and Religion, which discusses how the teaching of ethics and religion strengthens cultural competence and the appreciation of cultural heritage and helps children and young people to build their cultural identity. The themes of the material are: What is cultural heritage?, Intangible cultural heritage, Difficult cultural heritage, World Heritage, What is cultural identity?, What is culturally sustainable education? The material also contains links to teaching materials and international agreements produced by third-sector operators. The support material also encourages schools and educational institutions to participate in the cultural heritage process, including proposing intangible cultural heritage themes to the ICH wiki-inventory. The Lists of Intangible Cultural Heritage provide a wealth of information and material on religious traditions, cultures, and lifestyles in Finland and around the world, and can be used in a wide range of subjects.

In the education of subject teachers, e.g., crafts teachers, the transmission and safeguarding of related ICH is implicitly built in the studies, teaching, and learning methods and environments. ICH themes are also present in general teacher education curricula in Finnish universities, usually as part of courses on cultural heritage in general, or world heritage, for example. An example is the University of Jyväskylä Department of Teacher Education that offered in spring 2021 a course to future teachers on world heritage, including intangible cultural heritage, as an integrative cross-curricular theme. In the course, the Finnish ICH Wiki-inventory was utilized.
In Finland, in cities with universities that offer teacher education there are so called Normal schools (Normaalikoulu) where future teachers practise. These schools are part of the UNESCO Associated Projects Network. UNESCO school activities are visible in schools at curriculum level, everyday activities, and practical schoolwork, as well as in practical teacher training.

In teacher education, the University of Oulu offers a degree programme in Intercultural Teacher Education focusing on social justice, ethics, educational diversity and in supporting equality. In the University of Helsinki, it is possible to study Romani and Roma culture at university level enables the future supply of qualified Romani language teachers. The subject is available to degree students as well as at the Open university. The Giellagas Institute and the Faculty of Education of the University of Oulu organise separate studies (Ketterä korkeakoulu) for those aiming to work as teacher using the Sámi languages as the teaching language or to teach the Sámi languages. Studies are offered in languages, Sámi literature and pedagogy. In the degree, the student can choose either Inari Sámi, Skolt Sámi, or Northern Sámi studies.

An example from continuing education, Metropolia University of Applied Sciences has offered a course called ”Cultural heritage to teachers,” which is aimed at teachers in basic education, uppers secondary education or liberal adult education. The course has focussed on knowledge and skills on various traditional materials and the history of their use from the point of view of conservation of furniture, textiles, objects and interiors of cultural historical value, paper materials and painting.

Sykli Environmental School of Finland (Suomen ympäristöopisto Sykli) offers adults preparatory training, short training courses, consultation, and other expert services. Sykli offers courses and qualification in environmental education for all level teachers and others working in organizations that educate children and youth, for example a course Out of the box – environmental education and outdoor learning in Finland. Course themes include environmental education and outdoor education, creativity in teaching and interdisciplinary and phenomena-based environmental outdoor education methods of teaching.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will target to work towards supporting more diverse educational programs for the transmission of ICH. Furthermore, it will look to strengthen to include methods of integrating ICH in education teacher training programs and programs for training providers of non-formal education.


5. Extent to which ICH and its safeguarding are integrated into primary and secondary education, included in the content of relevant disciplines, and used to strengthen teaching and learning about and with ICH and respect for one’s own and others’ ICH

Guidance note corresponding to indicator 5 of the Overall Results Framework: English|French|Spanish

Question 5.1

How is ICH included in the content of relevant disciplines? (you may check several)

  • As a stand-alone subject

    Intangible cultural heritage as such is not a stand-alone subject in primary or general upper secondary education but is implicit overall in the national core curriculum for basic education and more explicit in some subjects such as languages and different fields of culture, such as music and crafts, and in the teaching of the subjects of Ethics and Religion. For information on studies in religion and ethics, see indicator 5.2.

    In the general upper secondary school, students can complete a specific diploma (Lukiodiplomi in Finnish) in the subjects of home economics, visual arts, crafts, physical education, media, music, dance, and theatre. The upper secondary school diplomas offer students the opportunity to demonstrate his/her unique skills and hobbies in different subject and subject groups. The diplomas offer the students the opportunity to assess their competence and strengths during upper secondary school studies from the perspective of postgraduate studies. The diplomas complement the competence demonstrated by the high school graduation certificate and the matriculation examination certificate. In Tampere Normaalikoulu (a teacher training school of the University of Tampere) general upper secondary education, it is possible to study in a circus study line, where teaching is conducted in cooperation with Sorin Circus.

    Upper secondary schools can also be given the task of a special development school, in which case they can offer students the opportunity to emphasize for example art and physical education in their studies. In these upper secondary schools, the students can choose twenty-four credits for studies in a specific area, which will replace sixteen credits of the upper secondary curriculum. There are a total of five upper secondary schools with special assignments where you can study the handicrafts, and in addition to these five there are a few upper secondary schools that also offer craft studies. In addition to crafts, there are schools that specialise for example in music and dance, visual arts, and design, performing arts and natural sciences.

    In Finnish schools that are part of the UNESCO Associated Projects Network (see indicator 4.4.) UNESCO school activities are visible in schools at curriculum level, everyday activities, and practical schoolwork.

    In vocational studies in the humanities, arts and craft and design sector it is possible to obtain qualifications crafts (in all its forms), visual arts, library studies, theatre, dance, circus and music, environmental studies, carpentry. Vocational education is central in the transmission of practical artistic and technical skills and related knowledge and capacities from the viewpoint of ICH. It also offers eligibility to further training and education.

    For example, in the field of crafts, undergraduate degrees are offered in forty-three institutions in the crafts and design sector (artisan), textiles and fashion, wood industry, boat building and in the technical field. Vocational College Livia (Ammattiopisto Livia) under the Turku Vocational College Foundation is the only institute in Finland to offer state-funded training leading to a vocational degree in wooden boat building in Parainen. In Eurajoki and Loviisa, liberal adult education in wooden boat construction is offered in adult education centres. Adult education centres across Finland offer various related courses.

    The Sámi Education Institute (SAKK) (see also indicators 4.2. and 6.1.) offers several vocational qualification study programs, for example in Sámi handcrafts (in soft handicrafts: fabric, leather and fur or hard handicrafts: precious metals, gemstones, reindeer antler and bone, wood, jewellery production), reindeer husbandry and tourism and nature guide and chef studies. In all study programs local needs and livelihoods are at the core and for example chef students prepare foods using locally sourced natural ingredients such as reindeer, fish, berries, and mushrooms. In the Sámi handicraft program, in addition to learning practical skills to manufacture traditional Sámi handicrafts, the importance of cultural and traditional knowledge for the students themselves and their environment is emphasized. In the reindeer husbandry program emphasis is placed on hands-on learning combining traditional knowledge, Sámi culture, and principles of applied science. In Sámi handicrafts and reindeer husbandry, it is possible to obtain also further vocational qualifications and specialist vocational qualifications (see indicator 6.1).

    In addition to vocational qualifications, the Institute offers one-year education programs in Inari Sámi language and culture, Northern Sámi language and culture and Skolt Sámi language and culture. These study programs are intended for anyone interested in Sámi languages and cultures. The education curriculum is designed to be suitable for those who need Inari, Northern or Skolt Sámi language and culture skills and for those planning to apply to a postgraduate course that requires knowledge of Sámi languages and culture.

 

  • As a means of explaining or demonstrating other subjects

    Examples from different artistic and practical subjects in the national core curriculum for basic education:
    The aim of tuition in home economics is to develop the knowledge, skills, attitudes, and functional capacities necessary for managing home life and a sustainable lifestyle that promotes well-being. The tuition promotes manual skills and creativity, knowledge of home traditions as well as the ability to make choices and act sustainably in everyday life in your home. The curriculum includes for example a course in Food expertise and food culture. The tuition content supports the development of food preparation and baking skills and includes also planning and implementing meals at different dining situations. The perspectives of nutrition recommendations, food safety, food chain, food knowledge, economy, ethics, and reliable information related to food are central. Educational content includes food and customs as part of identity and home festivities.

    According to the curricula in visual arts in basic education, strengthening pupils’ knowledge of cultural heritage supports the transmission and renewal of traditions. In visual arts education, cultural heritage can be approached globally, nationally, locally or from the perspective of the pupil's cultural background. Tuition considers the traditions of diverse groups that have lived and live in Finland. The aim of cultural heritage education is to learn to understand and produce tangible and intangible cultural heritage. Cultural heritage is nurtured and shaped by interpreting cultural values and practices. Visual art explores cultural significances by studying products of visual culture and related practices. Cultural heritage education provides the pupil with tools to build a cultural identity.
    The objectives of visual arts education are approached by studying one's own image cultures, environmental image cultures and worlds of art. The content areas are complementary, and tuition also examines the links between them. The starting points for the selection of content are works, products and phenomena of art and other visual culture that are relevant to the pupils. Students are encouraged to participate in the selection of tuition content, working methods and tools. Local opportunities are used to select content.

    An example of central content in visual arts education: Own image cultures. In grades 1-2 the contents of tuition are images and image cultures made by pupils. Students are encouraged to familiarise themselves with each other's image cultures. Pupils’ own image cultures are used as a starting point for visual work. The tuition discusses the importance of one's own image cultures in pupils' everyday lives and in the surrounding environment. In grades 3-6 the tuition discusses the importance of pupil’s own image cultures in participation in different communities, environments, and contexts. In grades 7-9 the tuition discusses the importance of pupils’ own image cultures for influencing one's own living environment and society.

    In Finland, crafts has been a subject of compulsory education throughout its history, since the mid-19th century. Currently, the aim of crafts tuition in basic education is to guide pupils towards the full handicraft process. Handicraft is a multi-material subject that implements activities based on craft expression, design, and technology. This includes independent or communal craft design and making and the evaluation of the handicraft process. Knowledge of the surrounding material world creates a basis for sustainable lifestyle and development. This also includes the pupils' own circle of life, local cultural heritage, and the cultural diversity of the community. Key tuition content includes for example:
    Content area 2: Design. Getting acquainted with the social, cultural, and technological development of living, moving, and dressing, and utilizing locality and traditions of diverse cultures in planning, design, and implementation.
    Content area 3: Experimentation. Practicing diverse ways to modify, combine and process materials and to use a variety of traditional and new materials and manufacturing techniques creatively and boldly. Applying programming to plans and in manufacturing products.
    Content area 8: Awareness and participation. The different meanings of crafts and products from the perspective of the individual, society and the environment are studied. Crafts are considered as a promoter of well-being and sustainable development in everyday life. Practicing participation, influencing, and communicating with crafts.

    The ten different craft traditions listed in the Finnish national inventory of living heritage are also part of crafts tuition. Pupils both familiarize themselves with the traditions and to some extent also work on with the traditions and techniques themselves.

    The aim of physical education is to support the pupils’ physical, social, and mental functioning and a positive attitude towards their own body. In physical education, positive experiences related to individual exercise classes and supporting an active lifestyle are important. Lessons emphasize physicality, physical activity, and doing things together. Physical activity promotes equality, equality, and community, and supports cultural diversity.

    The task of teaching music is to create the conditions for diverse musical activities and active cultural inclusion. Tuition guides pupils to interpret the many meanings of music in diverse cultures and in the activities of individuals and communities.

    In the core curriculum of basic education and general upper secondary school education the aim of Finnish language and literature tuition is to develop the pupils' language, interaction and text skills and direct pupils to take an interest in language, literature, and other forms of culture. In the upper secondary school
    curriculum familiarisation with cultural heritage and its different forms is also mentioned. The curriculum lists various cultural contents, such as literary art, drama, theatre and media and communication culture, where the role of cultural heritage is also central. Different learning environments and cooperation with diverse cultural institutions can also be linked to cultural heritage teaching, as tuition uses libraries, theatres, museums, and archives, for example. The native language and literature of different languages and cultures emphasise different genres of tradition.

    The aim of the Finnish/Swedish language and literature syllabus of grades 1-2 is to guide the pupil to appreciate their own language and culture, as well as cultural diversity, to familiarise the pupils with different forms of children's culture and to inspire pupils to use them, and to encourage the production of their own culture together with others. The tuition discusses, for example, expressions, and plays with language through rhymes, poems, and puns. In addition, festive traditions and folklore are explored, as are children's culture and customs in the immediate surroundings.

    The aim of the Finnish/Swedish language and literature syllabus of grades 3-6 is to support the pupil in building a linguistic and cultural identity and to guide them to value diverse cultures and languages, to create opportunities for pupils to familiarise themselves with media and cultural offerings and to produce their own culture. The tuition deals with folklore and heritage familiar to the pupils and their successors in modern culture. At the same time, media and cultural offering aimed at children and young people, such as libraries, films, theatres and museums, are utilised.

    The objectives of the Finnish/Swedish language and literature syllabus in tuition in grades 7–9 of the mention (Objective 16) the reflection on the importance of culture in one's own life and the acquisition of cultural experiences. The syllabus deals with the concepts and manifestations of culture, such as folklore.

    In the Sámi language and literature syllabus in basic education, the tradition of narrative, Sámi lyrics (liv?e, leu'dd, luohti), community customs, traditions, art, the Sámi way of life and history are central. The Romani language and literature syllabus in basic education emphasizes that the strong narrative traditions, music traditions and craft traditions of Roma culture are used in teaching. In the sing language and literature syllabus in basic education, language, literature and narrative traditions, traditions, customs, art, and history are central. The tuition deepens and diversifies the relationship between pupils and the sign language narrative and cultural traditions and the language community.

    The National Board of Education produces support material that provides information on materials for teaching in Sámi, Roma, sign language and other languages.

    The task of teaching history of in basic education is to develop pupils' historical awareness and knowledge of cultures, with an emphasis on the value of intellectual, intangible, and material heritage. The aim is to support the building of pupils' identity and to promote their growth into active members of society who understand diversity. The aim is to awaken pupils' interest in the past and in understanding human activity. The study of history in the lower grades begins by studying the past of pupil's family or local community, using local and local history and cultural heritage. The teaching focusses on the impact of cultures on individuals and societies, from prehistory to the present day, both through Finland and through general history. In grades 7–9 the importance of culture in building identity in the age of autonomy and in the early days of independent Finland is learned, starting with the legacy of Swedish rule.

    History is a subject that strengthens knowledge of cultures and cultural heritage, and deepens individual, national, European, and global identity. The teaching of the history of upper secondary school examines development that has led to the present, the relationship between man and the environment, and the interaction between culture, power, and the economy. The students practice historical empathy, i.e., putting oneself in the shoes of a person of the past. Education emphasises the importance of human rights, equality, and equity, as well as democracy and international cooperation. Studies in history support the student's growth into a responsible member of society who understands diversity and is oriented towards internationality. The history subject emphasises everyone's right to their own cultural roots.

    The goal of teaching history in the general upper secondary school is that the student knows the wide scope of history and understands the different manifestations of cultures and their diversity. In addition, the aim is for the student to understand the interdependence of economic, social, cultural, ideological and phenomena before and today. The students must be able to assess the links between Finnish civilisation and Western culture and to be able to separate the characteristics, images and ideals associated with Finnish identity and culture at various times, and their impact on modern-day Finland. The aim is also that the student can combine historical development lines with the history of their own region and to know Finnish, Sámi and the cultural heritage and everyday history of other minority groups. The teaching of history is based on the interaction between communities and individuals, everyday history and people's way of life, culture, and livelihoods at various stages of history.

 

  • Others

    In connection with basic education, library activities, club activities and other activities closely related to teaching can be arranged to pupils. The organiser of the teaching decides on the organisation and scope of the activities. Where possible, school meals, recess activities, parties, excursions, study visits and school camps, as well as school trips are also organised in such a way as to support the objectives set for pupils' learning, development, and well-being.

    The task of school meals is to support students' healthy growth and development, ability to study and food expertise. The pupils get a full free meal every school day. The organisation of school meals considers the health aspects and the social and cultural importance of food. Dining moments have an important recreational function and promote a sustainable lifestyle, cultural competence, and the teaching of manners.

    In addition to the curriculum, art and culture clubs at schools give children and adolescents an opportunity to familiarise themselves with art and culture. Supervised art and culture activities are arranged at schools as part of the Finnish model (see indicator 11.2) to children and adolescents in basic education grades 1-9. This is a model designed to improve the overall wellbeing of children and young people by encouraging them to engage in creative pastimes after school, on or near the school premises. The idea is to boost the children and adolescents’ creative skills, cultural competence and learning conditions.

Question 5.2

Do school students learn to respect and reflect on the ICH of their own community or group through educational programmes and curricula?

Yes

Explain briefly, with examples, how school students learn this.

Local curricula complement and emphasise the objectives defined in the curriculum criteria, the policies guiding the activities, key content, and other aspects of the organisation of teaching from a local perspective. The cultural education plan is written and implemented locally in cooperation with education and culture sector operators, and it is based on the cultural supply and local heritage of the municipality in question. For more information, see indicator 5.3.

The national core curriculum presents guidelines according to which local curricula are planned. Section 9.1 of the core curriculum states that the possibility for the Sámi to adopt the Sámi cultural heritage is taken into account. The curriculum states: “In Sámi education, a special goal is to support students' growth in their language, culture and community and to enable them to adopt the Sámi cultural heritage. The aim is to increase students' ability to work in a Sámi-speaking environment, to learn the Sámi language and the Sámi language. ” See also indicator 4.1. and 5.3.

There has been some recent use of support measures in schools, especially for Roma children. These have included the teaching of one's own language and culture, the use of school attendance assistants from the Roma population, and the strengthening of co-operation between home and school. The purpose of these specific support measures is to strengthen the identity of Roma children, to bring knowledge about Roma culture to the school and to bring home school practices. Studying Romani at school is possible in principle, but in practice teaching has been so far available in only a few schools. There is also a clear shortage of language teachers and the lack of teaching materials in Romani language and on Roma culture, which is especially needed for children.

In the Åland Islands, in accordance with the curriculum for compulsory education on Åland, the school must give the pupil insights into what it means to be part of an island autonomy as an individual. The education on Åland should give the student an insight into the cultural traditions on Åland and the living heritage that an autonomous landscape constitutes. The student must gain knowledge and understanding of what Åland's self-government and demilitarization means. The proposal for a curriculum for childcare, contains similar contents. In the subject of social studies, the pupil must, in accordance with the compulsory school curriculum, gain basic knowledge of Åland's sutonomy and demilitarization from grade 5.Within the framework of social studies, in upper secondary school a module is included that deals with Åland's autonomy, history, culture, linguistic status, and demilitarization. The teaching must also focus on the governance of today, future strategies and needs for further development.

Do school students learn to respect and reflect on the ICH of others through educational programmes and curricula?

Yes

Explain briefly, with examples, how school students learn this.

In the teaching of ethics in basic education and general upper secondary education, pupils and students are encouraged to familiarise them with different customs, cultural heritage, and cultural phenomena. Teaching also explores the core features of culture, such as lifestyle, language, technology, and beliefs. The teaching of religion in basic education and general upper secondary school explores, for example, the yearly cycle of religion and related customs and festive traditions.
The subject of ethics in basic education emphasizes the process and change of cultural heritage: people constantly remake their culture actively and creatively. Pupils are encouraged to explore different lifestyles, especially in relation to their own cultural background. Teaching provides gradually the capacity to develop a broader understanding that is based on the student's own cultural heritage and its critical examination.

In grades 1 to 2 of basic education, the goal of the curriculum subject of ethics is that the student learns to appreciate their own immediate surroundings. In grades 3–6, the focus is on understanding the cultural heritage of Finland, Europe and the world, the diverse phenomena of culture and different identities. In the classes the pupils learn about the world's cultural heritage and its significance and relating one's own view of life to diverse cultures and views is practised. Grades 7–9 of basic education the UNESCO heritage programmes (world cultural and natural heritage), understanding the manifestation of culture in the media and art, and the themes of a sustainable future are emphasized. (NCC for basic education 2014.)

In upper secondary school, cultural heritage education plays a key role in the subject of ethics. The contents of the subject emphasise encounters and dialogue between diverse cultures and beliefs. The aim of the studies is for students to familiarise themselves with historical and contemporary worldviews, cultures, and cultural heritage sites. The aim is for the student to open his or her worldview, to learn to understand the value of cultural diversity and to learn to act ethically and respectfully within his or her own cultures and within other cultures and communities. The teaching of upper secondary school Ethics focuses on reflecting on the future of humanity and developments of the world, such as the media environment, technological development, and climate change. The teaching of ethics strengthens the student's global and cultural expertise. (NCC for general upper secondary education 2019.)

In the subject of Religion, the themes of cultural heritage education are strongly present in the objectives of the subject, according to which the student understands the relationship between religion and culture and develops his/her multiliteracy skills related to religions and beliefs. Students are encouraged to think ethically and to understand their responsibilities not only for themselves, but also for their community, environment, and nature. In teaching of Religion, religions and beliefs are considered as part of culture, cultural heritage, and society, as well as part of the lives of individuals and communities. In grades 1-6 the students become acquainted with the sacred places and buildings of religions, which are accessible cultural heritage in the vicinity of all Finns. In grades 7-9, teaching is particularly focused on interaction between religion and culture (NCC for basic education 2014).

In the upper secondary school, the themes of cultural heritage education are linked to deepening the student's global and cultural expertise in the subject of religion. The aim is to examine the interaction between religions, cultures, and societies and to strengthen understanding of Finnish, European and global cultural heritage, and their diversity. According to the curriculum, religious education provides a safe space where students can process relationships between the individual, the community and Finnish society. In the subject of Religion, students learn to see religion as part of culture, cultural heritage, and society, as well as part of the life of the individual and the community. The perspectives offered by cultural heritage education contribute to building social peace and a sustainable future. At the same time, the student become prepared to operate in culturally and religiously diverse work communities. (NCC for general upper secondar school 2019)

Other examples: The current basics of the basic education curriculum (renewed in 2014) outline more strongly than before the importance of Sámi culture in Finland. To support the knowledge of Sámi culture, a mobile game called ”Diving into Sámi culture” was published by the Youth Council of the Sámi Parliament together with the Youth Academy in 2020. The game helps pupils to learn about Sámi culture and it deals with e.g., the history of the Sámi people, modern Sámi life and persons, the Sámi costume, cultural ownership, and traditional livelihoods. The game is aimed at pupils in grades 7-9 and secondary school students. The game encourages young people to act on their own, to create their own opinions on the topic and to discuss them together with other young people. Webpage Oktavuohta.com developed by the Sámi Parliament offers wide range of information about the modern Sámi arts and culture, the three Sámi languages, Sámi history and traditions that can be used freely for educational purposes.

Question 5.3

The diversity of learners’ ICH is reflected through educational curriculum via:

  • Mother tongue education

    For the policy and legal framework in multilingual education in Finland, see indicator 12.2. In Finland efforts are made for supporting language minorities and migrants. Finland has two official languages, Finnish and Swedish. Five per cent of students in basic and upper secondary education attend a school where Swedish is the language of instruction. In addition to Finnish and Swedish, local authorities are required to organise education in the Sámi language in Sámi-speaking areas of Lapland. Care is also taken to ensure educational opportunities for the Roma and other minorities as well as for people who use sign language. Education providers can, for example, apply for additional funding for organising instruction in Roma and Sámi languages as well as for instruction in the migrant pupil’s native language other than the Finnish official or national minority languages. In addition, there are educational institutions where all or at least some instruction is provided in a foreign language, most commonly in English.

    All comprehensive and upper secondary schools within the Sámi Homeland provide education in the Sámi language. Most of the teaching in Sámi takes place in basic education grades 1-6. Sámi can be the language of instruction at school, the subject of native language and literature, and the subject of optional foreign language. In all three Sámi languages, it is possible to take the native language and foreign language exams in the matriculation examination. The Basic Education Act obliges that the education of pupils living in the Sámi homeland and who know Sámi is taught in the Sámi language. The Sámi homeland includes the municipalities of Utsjoki, Inari and Enontekiö, and from the northern part of the municipality of Sodankylä the area of the Lapland faculty. There are three Sámi languages spoken in Finland: Northern Sámi, Inari Sámi, and Skolt Sámi.

    According to the national core curriculum, the special objective of teaching pupils in Inari, Sámi and Northern Sámi is to support pupils to grow into their language, culture, and community and to enable them to adopt Sámi cultural heritage. The aim is to increase pupils' capacity to act in the Sámi language environment, and to learn Sámi languages. Teaching supports pupils in their own cultural identity.

    Today, most Sámi children and young people live elsewhere in Finland than in the Sámi homeland. Outside the Sámi region, there is little teaching of the Sámi language, but the number of pupils is increasing. Some teaching happens virtually, by using the Internet. In the autumn of 2018, the first class outside the home region using Northern Sámi as its language of instruction was launched at Pasila Primary School in Helsinki. Bilingual Sámi-Finnish instruction is given in the pre- and primary education group. At the same time, a three-year distance education project for the Sámi languages (Inari, Skolt, and Northern Sámi) was launched, funded by the Ministry of Education and Culture, and implemented by the municipality of Utsjoki and the Sámi Parliament. In addition to basic Sámi-language education, the municipalities of the Sámi homeland organize Sámi-language language bathing instruction and Sámi foreign language instruction. The Sámi Parliament advances teaching of the Sámi language, culture, and teaching in Sámi. The Ministry of Education and Culture and the National Board of Education support and finance Sámi-language study material work, Sámi cultural and organizational activities, early childhood education, youth work and Sámi language and Sámi-language teaching in many ways.

    The national core curriculum states that the special aim of Roma education is to strengthen the development of pupils' identities and awareness of their own history and culture. The teaching considers the status of Finnish Roma as an ethnic and cultural minority. The teaching strengthens the preservation of the Roma's linguistic and cultural heritage in cooperation with homes. The aim is to provide students with Roma language teaching. Where possible, they will also be offered teaching in Roma language. The teaching considers the age of the pupils and the proficiency of the Roma language and uses the Roma community and the media.

 

  • Multilingual education

    Teaching of one's own native language is organized in about fifty different languages in Finland (in 2019), and arrangements vary in different municipalities. In large cities, where there are more students, there are usually more established arrangements, especially for the larger language groups. For example, in Helsinki and Espoo, teaching is organized currently in over forty different languages. The smaller the municipality and the rarer the language, the more varied the instruction available.

    Together with teaching Finnish/Swedish as a second language, the aim in teaching the pupil's own native language is also to strengthens the pupil's identity and to build a foundation for multiculturalism and functional bilingualism. Cultural knowledge and language identity are a central part of native language tuition. The aim is that the pupil knows the customs and traditions of one's own cultural community and can compare them with the customs of other cultures. The Finnish National Core Curriculum defines the objectives, contents, and assessment of student learning for teaching a student’s own native language. According to the criteria, the specific goal of teaching is to support students' multilingualism and the development of their identity and self-esteem. Multilingual students are encouraged to use their language skills in a variety of lessons and other school activities.

 

  • Inclusion of 'local content'

    Education providers, municipalities and private education providers draw up local curricula and annual plans based on the national core curriculum. The local curricula complement the objectives, core contents and other aspects related to instruction with local emphases. The needs of the pupils and local specificities as well as results from self-evaluation and development work are considered when drawing the local curricula. This makes it possible to include content and activities related to for example Sámi culture and traditions.

    The cultural education plan (kulttuurikasvatussuunnitelma) supports educators in including local content in education. The plan is always based on the municipality or region’s own culture and heritage. It takes into account the region’s libraries, galleries, theatres, orchestras, art centers, museums and archives and other cultural destinations: architecturally significant buildings, essential sculptures and statues, traditional estates, cultural paths, religious buildings, castles, and world heritage sites. In addition, the plan is tied to the region’s cultural events and invites artists, culture and art associations, homestead associations, traditional craftsmen, artist cooperatives, art educators, basic art education, performers, and other travelling groups to take a part in it. The art and cultural supply can be complemented with virtual materials and in cooperation with regional and national operators.

    A cultural education plan is a plan detailing the systematic implementation of culture, art, and cultural heritage education as part of the municipality’s teaching. The plan represents the agreement of one or more municipalities regarding the cultural education of pupils from one grade to another. The plan renders the schools’ cultural education work target oriented. The plan concerns the grades 1–9 and, in some municipalities, also secondary education and early childhood education. The plan guarantees all children and youth the equal possibility to experience and participate in local culture in a diverse manner. The plan is written and implemented locally in cooperation with education and culture sector operators, and it is based on the municipality’s own cultural supply and heritage as well as the spontaneous activities of children and youth.

    Examples of the content of cultural education plans in the craft sector: The city of Jyväskylä's cultural education plan Kompassi includes a guided visit to the Craft Museum of Finland with workshops for all third graders. The contents of the City of Hämeenlinna's plan Cultural Trails include several workshops and assignments that guide the expression of handicrafts in early childhood education.

    Examples of local content: In the Swedish-language Kyrkbacken school in Nauvo, in the Turku archipelago in Western Finland, nature and the outdoors are an essential part of education all year round. The school has access to three small boats that are used extensively during the boating season. In years 8-9, the school also offers the optional subject of archipelago knowledge, which highlights old archipelago traditions and new thinking about industries and tourism for the students.
    Nuorgam school, located in the municipality of Utsjoki in Lapland and in the Sámi homeland is the northernmost school in Finland. Utsjoki is the only municipality in Finland where the Sámi make up the majority of residents. In the school the local culture and way of life are considered in the daily life and teaching of the school. Nature and the year cycle play a key role in the planning of school activities. During the autumns round-ups of reindeer in Nuorgam school children can attend a so-called round-up school in Skalluvaara and thus be able to stay with their families during the reindeer round-up season.

Question 5.4

Do educational programmes teach about the protection of natural and cultural spaces and places of memory whose existence is necessary for expressing ICH?

Yes

Briefly explain, giving examples, how educational programmes teach this

The locally drawn curricula and cultural education plans support schools and educators in including local natural and cultural spaces and places of memory, including architecturally significant buildings, essential sculptures and statues, traditional estates, cultural paths, religious buildings, castles, and world heritage sites. Depending on the school and area, these can be and are of great importance in the curricula for example in the Sámi homeland, as was shown in examples in the previous indicator 5.3.

The national core curriculum for basic education in physical education states that physical education is based on the opportunities offered by different seasons and local conditions. In physical education, the school's facilities, local sports facilities, and nature are utilized in a variety of ways. According to the National curriculum, teaching biology develops students ’environmental awareness and desire to nurture biodiversity. Students will be empowered to influence and participate in the development of their own environment and to keep it healthy and vital. Students are guided to a sustainable lifestyle and an understanding of global responsibility.
In the teaching of ethics in grades 3-6 Content area 4 Nature and a sustainable future includes getting acquainted with different conceptions of time and ways of explaining the world and consider their impact on people's lives. Various conceptions of nature, the future of nature and man, and sustainable development are also studied. In grades 7-9 the content area S3 Human rights and a sustainable future includes getting to know different notions about the relationship between man and nature, e.g., the possibilities of a sustainable future for nature and society, as well as issues related to environmental ethics, such as animal rights, and acting responsibly for a sustainable future. (NCC for basic education 2014)

In the Åland islands the Åland's Nature School (Ålands naturskola) was founded in April 2013 and is a resource for all Åland's primary schools and daycare centers on Åland. The nature school is not a place, but a way of working and learning outside. The outdoor pedagogy is based on active learning, where the students' own experiences, discoveries and sensory impressions are in focus. The school offer nature school days (long and short) with different themes for kindergartens, preschools and schools in all seasons. It also offers academic year activities where the participating groups have 4 nature school days during the academic year. The educational programs are related to the Åland curriculum.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will work to strengthen teaching ICH in school curricula in relevant contexts.


6. Extent to which post-secondary education supports the practice and transmission of ICH as well as study of its social, cultural and other dimensions

Guidance note corresponding to indicator 6 of the Overall Results Framework: English|French|Spanish

Question 6.1

Do post-secondary education institutions offer curricula and degrees that strengthen the practice and transmission of ICH in the following fields?

  • Music

    The Sibelius Academy of the University of the Arts Helsinki provides the highest education in the field of music in Finland. The school has trained thousands of artists, educators, and music experts since 1882. In its current form, the Sibelius Academy has 1,400 students and more than 1,000 teachers and other employees. It is one of the largest music academies in Europe. The basic task of the Sibelius Academy is to reform and nurture music culture. The task is conducted through teaching, research, and artistic activities. Study options in the Sibelius Academy include for example degree programmes in Folk Music, Global Music, Classical Music Performance, Church Music, Composition and Music Theory and Jazz. Furthermore, there are courses in musical instruments design and construction. In addition to the SibA, it is possible to study musicology at university level in Åbo Akademi, University of Helsinki, University of Turku, University of Jyväskylä, University of Eastern Finland, University of Oulu and University of Tampere. A degree programme in music education is offered in the Sibelius-Academy, University of Jyväskylä and University of Oulu. In eight universities of applied sciences is is possible to become the Bachelor of Culture and Arts/ Music Pedagogue.

    In three universities of applied sciences, it is possible to complete a professional specialist education as a community musician. Themes in the programme include cultural well-being, community arts and methods of music therapy. In one of the institutes, Centria University of Applied Sciences, studies are profiled by folk music and participatory methods from community art.

    Sibelius Academy also offers an international and English -language master’s programme in Arts Management, Society and Creative Entrepreneurship. The courses in the program cover for example cultural policy, the relationship between art and society, strategic management, and entrepreneurship in the cultural sector. Through optional curses it is possible to specialise in also cultural heritage issues.

 

  • Arts

    In the field of performing arts, the main educator is the Theatre Academy of the University of the Arts Helsinki. Theatre Academy offers programmes for example in theatre, dance, theatre and dance pedagogy, performance studies and research and comparative dramaturgy. Dance pedagogy is offered also in three Universities of Applied Sciences.

    Professional education in circus arts is provided in two institutions, the Arts Academy at Turku University of Applied Sciences and Salpaus Further Education in Lahti. Annually approximately 15–20 students in total graduate from these two institutions. Salpaus Further Education offers secondary-level circus artist training. In the post-secondary level, the Arts Academy at Turku University of Applied Sciences circus training began in 1994. The university educates both performers and pedagogues. The current four-year programme is an independent part of the performing arts degree programme. The aim of the artistic pedagogical training is to enable graduates to work as circus performers or teachers. The University of the Arts Helsinki does not offer education in circus arts, but some individual circus teachers have completed their pedagogical studies at the Theatre Academy of the University of the Arts Helsinki. Cirko – Centre for New Circus has organized courses in co-operation with the Theatre Academy as a project-funded activity.

    Visual arts
    The Academy of Fine Arts offers degree programmes within four subject areas: sculpture, painting, printmaking as well as time and space arts, which allows the student to specialise in moving image, site and situation-specific art or photography. It is also possible to study arts education and applied visual arts in the University of Lapland. Visual arts are also offered in five universities of applied sciences in bachelor level and in three institutes at master’s level education.

 

  • Crafts

    In the Aalto University Schools of Art and Design it possible to study for example design, arts education, fashion, clothing, and textile design in field of art and design. Courses in fine arts education, fashion, design, and costume design include courses in which the working methods include handicrafts. Also, there are several study courses in visual arts education and design in which the study methods are guided to work methods typical of crafts.

    The University of Lapland Faculty of Art and Design offers degree programmes for example in clothing design; graphic design; interior and textile design; and fashion, textile art and material research. In the University, there is also a master’s programme in The Arctic Art and Design. The programme is funded by the European Social Fund (ESF) and the Centre of Economic Development, Transport, and the Environment. The content is designed to use the potential of service design and applied visual arts in social, community or business contexts. In the University, it is possible to study a minor subject called Community, Art, and Environment. The aim of the studies is to promote expertise in community and environmental arts, with the focus on northern living environments. The studies will also deepen the students’ knowledge of the Arctic conditions and provide with skills to respond to the Arctic change.

    At the university level, teaching in crats is based on scientific or artistic research. The University of Helsinki, Turku, and Eastern Finland, Åbo Akademi and the University of Lapland offer science-based craft studies. At Aalto University and the University of the Arts Helsinki, teaching and research are art-based. It is possible to study to become a crafts teacher in four universities: the University of Helsinki, the University of Eastern Finland and the University of Turku, and Swedish-language education at Åbo Akademi University. In teacher education, the study of crafts and pedagogy go hand in hand, and students receive the qualification of a subject teacher in crafts and the eligibility for postgraduate studies according to their major.

    Currently there are six universities of applied sciences that where it is possible to study crafts and design.
    In addition to secondary level vocational education, the Sámi Education Institute (SAKK) (see also indicator 4.2.) but also further and specialized vocational qualifications and classes, workshops, and degree programs for mature students. After a 3-year vocational qualification it is possible to apply to upper-level speciality programs, including Sámi handicraft Journeyman training. The highest vocational training in Sámi handicrafts is the Sámi Handicraft Master Vocational training program, which ensures that at the end of the program students possess an expert level of proficiency in all facets with Sámi handicrafts (duodji), traditions, materials, and development. The significance of Sámi handicrafts in culture and the value of the natural environment in product manufacture is enforced.

 

  • Technical education/training

    For information on vocational education and training at the secondary level, see indicator 4.2.

 

  • Vocational education/training

    More vocationally and technically oriented education in the post-secondary level relevant to ICH includes the education of architects and landscape architects at university level (e.g., at the Aalto University) and construction architects and civil engineering at universities and universities of applied sciences. These degree programmes offer knowledge and skills for example in architectural history and building traditions, the valuation and care of the built heritage, questions of landscape, town planning etc.

    In the Sámi Education Institute (SAKK) (see also indicator 4.2. and 5.1.) it possible to obtain specialized upper-level vocational qualification in reindeer husbandry. The aims of the program include increasing knowledge and skills to manage standards and regulations issued by authorities and increasing mutual knowledge between reindeer herders and appreciation of the reindeer herding profession.

    Åland University of Applied Sciences offers degree programmes in Swedish in business administration, navigation, hospitality management, engineering (marine, electrical and IT) and health and caring sciences for a total of 600 students. Maritime education on the Åland Islands has a proud tradition and includes extensive courses for active sailors and young people who want to enter a maritime profession. Alandica Shipping Academy coordinates maritime education on Åland Islands. The Academy offers programmes and courses that lead to the awarding of different certificates of competency required to work on board a ship, as well as refresher courses for working seafarers that are required under international regulations.

 

  • Others

    The Finnish higher education system comprises universities and universities of applied sciences. Universities engage both in education and research and have the right to award doctorates. Universities of applied sciences are multi-field institutions of professional higher education. Universities of applied sciences engage in applied research and development. There are thirteen universities in Finland (plus National Defence University) and twenty-two universities of applied sciences, plus Högskolan på Åland in the Åland islands and the Police University College. Both are located geographically across Finland.

    Post-secondary education in fields relevant to ICH are available in both universities and universities of applied sciences in fields, of visual arts, music, different fields of art and design, theatre, dance, and media. These programmes teach future artists, practioners, teachers/educators, researchers, and other experts in the fields.

    In addition to education in different fields of arts and design, from the viewpoint of the practise and transmission of ICH, teacher education and especially the education of subject teachers in all levels of education, from ECEC to higher education in fields of crafts, home economics, music, visual arts, and drama pedagogy, are central. Education in the arts and especially in subject teacher education, is available in several universities in Finland. The main Academies for the Arts are in the capital city of Helsinki under the University of Arts Helsinki (Uniarts Helsinki). The University of the Arts Helsinki provides the highest level of education in music, fine arts, theatre, and dance in Finland. Established in 2013, Uniarts Helsinki consists of the Academy of Fine Arts, Sibelius Academy and Theatre Academy.

    In teacher education, it is possible to study as a sign language class teacher (basic education) at the University of Jyväskylä. In addition, the universities of Jyväskylä and Oulu offer international or mainly or partially English-language teacher education. Åbo Akademi provides teacher education in Swedish. Sami language teachers and teachers of Sámi languages and culture are educated in the Giellagas Institute in and by the University of Oulu (see also indicators 4.4. and 6.2). As was discussed in indicator 4.4., in the Roma community, the most significant step forward in recent years has been the commencement of university-level teaching in Romani and Roma culture which enables the future supply of qualified Romani language teachers. It is possible to complete advanced studies in Romani at the University of Helsinki either as a degree student or via Open University.

Question 6.2

Do post-secondary education institutions offer curricula and degrees for the study of ICH and its social, cultural and other dimensions?

Yes

Describe briefly, giving examples, how these programmes and degrees relate to the study of ICH.

For comprehensive information on research in the fields of ICH, see indicators 9 and 10.
From the viewpoint of the study of ICH and its social, cultural, and other dimensions, education in the fields of arts and humanities are central. The topics are also present in the study of social sciences (e.g., sociology, political science, and history) and pedagogy. Graduates from these studies work not only as artists, practioners, educators and researchers but also other experts, including professionals for example in the heritage sector, libraries, archives, in NGOs, the media and administration relevant to the safeguarding and transmission of ICH.

In the University of Arts Helsinki research is based on the interaction between research, education and art. In the university, it is possible to complete a doctoral degree in fine arts, theatre and dance, or music. In the Doctoral programme for music, students can choose between three specialisation areas: Arts Study Programme, Research Study Programme and Applied Study Programme. In the University of Arts Helsinki’s artisticly oriented doctoral Doctoral programmes artist-researchers produce practice-based knowledge, expertise and understanding that can be used and applied both in the arts and in other fields of society. At the Sibelius Academy, conventional research-oriented doctoral degrees can be studied also in the fields of for example musicology, history of music, music psychology and music education.

In the faculties for arts and humanities these fields include archaeology, folkloristics, ethnology, anthropology, art history, religious studies, literature studies, art education, history, cultural history, cultural studies, musicology, landscape studies, studies related to geographical areas (e.g., Asian studies, Latin American studies) theatre research, aesthetics and film and television studies. Not all subjects are available in all universities and at all levels (bachelor, master, doctoral), and for example theatre research, aesthetics and film and television studies are currently only offered in the University of Helsinki. Seven Finnish universities have humanities faculties and studies are offered around Finland. In the degree level, humanities can be studied in universities of Helsinki, Jyväskylä, Turku, Tampere, and Oulu and at the University of Eastern Finland and the Swedish language University Åbo Akademi. Degree programmes offer the possibility to continue postgraduate studies.

Currently there are several master’s degree programmes, where it is possible to specialise in cultural heritage issues, including those relevant to ICH in Finland. These include for example the University of Eastern Finland degree programme of cultural studies, where it is possible to specialise in heritage studies. University of Helsinki offers a master’s degree programme Cultural Heritage. In the program students can study archaeology, folklore, ethnology, art history or religious studies as their main subject. In addition, the master’s programme offers study modules in museology and cultural heritage research. The University of Turku Degree Programme in Cultural Production and Landscape offers Bachelor of Arts and Master of Arts studies at University’s Pori campus. In the programme research and education is conducted in three disciplines, cultural heritage studies, landscape studies and digital culture. Education is also offered in three minor subjects: Cultural and Experience tourism, Cultural management Studies and Museology. The University of Jyväskylä offers a master’s degree in Cultural Environment research, a multidisciplinary bachelor’s and master’s degrees called Cultures and Communities in a changing world, which is the degree programme for ethnology, anthropology and cultural policy and a multidisciplinary master’s degree in archives management, where the student can major in history, ethnology, museology, art history or literature. Currently in the University of Jyväskylä Department of History and Ethnology there is a research project called People as bearers of intangible industrial heritage (2019–2023). The project is conducted in collaboration with the Museum of Varkaus. A fieldwork course will be organized as a part of the data collection process in spring semester 2021. The course is targeted for the students of the Department of History and Ethnology and the students of Degree Programme in Cultural Production and Landscape Studies in the University of Turku.

It is possible to study museology in the University of Helsinki, the University of Jyväskylä and the University of Turku Pori campus. In University of Helsinki and University of Turku museology is a minor subject. In the University of Jyväskylä Museology is offered both as bachelor’s and master’s degree level studies, which qualifies for postgraduate studies in museology. According to the Museum Act, one of the criteria for approval as a professional museum eligible for central government transfers is that the museum has at least two museum sector experts working in full-time employment, one of whom may be the museum director, and who have both obtained a relevant degree and completed core studies in museology. Studies in museology give students of museum subjects the necessary skills to work in several types of museums, as well as perspectives on the development of museum work. In all three universities mentioned, it is possible to study museology also via the Open University, which makes it possible for operators already in the field of cultural heritage to later obtain qualifications to museum work (see also indicator 3.2).

Some examples of doctoral programmes: In the University of Helsinki there is a doctoral programme in history and cultural heritage coordinated by the Faculty of Arts. The thematic and interdisciplinary analysis of the themes ranges from historical change, memory, and politics of history to the material, intangible, textual, oral, auditive and visual culture as well as to the built environment. History and culture are approached in the programme locally, regionally, and globally. Interdisciplinary humanistic perspectives are combined with the approaches of education, law, and theology. The University of Helsinki Doctoral Programme in Philosophy, Arts and Society gathers doctoral research projects related to philosophy, aesthetics, art history, literature studies, theatre research, musicology, and film and television studies. In the University of Jyväskylä for example there are doctoral programmes of the Department of History and Ethnology and the Department of Music, Arts and Cultural Studies, with research relevant to ICH. In the Aalto University, the Department of Art, Department of Design, Department of Film, Television and Scenography and Department of Media offer doctoral studies for Doctor of Arts degree.

It must be noted however, that many of these programs have been under cuts in the last years due to diminished funding. The number of teaching staff and the number of hours taught have decreased. Some disciplines are in threat to be downsized to study units. In some disciplines, the content has been changed so that intangible skills and craftmanship are less and the theoretical parts emphasized to be more design oriented. Developments in recent years have weakened these sectors.

The Sámi language and culture can be studied in three Finnish universities: Oulu, Helsinki, and Lapland. The Giellagas Institute of the University of Oulu has a particular national task in teaching and researching the Sámi language and culture in higher education. Giellagas has a nation-wide responsibility to organize, introduce and provide Saami language and cultural studies and research at the academic level. The Giellagas Institute houses two major academic subjects, Saami Linguistics and Saami Culture. In Saami linguistics the major teaching language is Saami while the studies of Saami Culture require skills in Finnish, in addition to Saami and English. The Giellagas Institute has a significant role in producing researchers, teachers, and other experts not only for the Sámi society in Finland but also for other Sámi institutions in other Nordic countries. With the close relationships to Saami society, the Giellagas Institute has created active research networks both nationally and on a Nordic level. Sámi is the daily language of internal communication in the Giellagas Institute. The researchers are using and developing Sámi language both as a vehicle of scientific discussion and instruction as well as a methodological tool for research into traditional knowledge.

Finnish students can also apply to the Sámi allaskuvla, the Sámi university, located in Koutokeino (Guovdageaidnu) in Norway, the only university in the Nordic countries where the Sámi language is the main language of teaching, research, and administration.

According to the National Roma Policy, the safeguarding of the continuity and status of teaching in Romani language and Roma culture, which enables the future supply of qualified Romani language teachers, will require measures that increase the number of students, secure research activities and expand studies available under the subject. One of the main actions should be to expand the university study programme in Romani to cover not only basic and intermediate studies but also advanced studies in the subject and paying special attention to language revitalisation issues in contents of the study modules. University-level teaching and research increase interest and appreciation for the Romani language.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The Sate Party will continue to advance in the integration of ICH safeguarding in education programs across the country.


7. Extent to which inventories reflect the diversity of ICH and contribute to safeguarding

Guidance note corresponding to indicator 7 of the Overall Results Framework: English|French|Spanish

Question 7.1.a

To what extent are the inventories identified in section A.6

oriented towards safeguarding of ICH?

Largely

Explain briefly, giving examples, how these inventories are oriented towards safeguarding of ICH. If you have answered ‘Not at all’ or ‘Minimally’, explain what obstacles you face in having them do so.

The Wiki-Inventory for Living Heritage was launched in February 2016. At the time of its opening, it included 20 examples of intangible cultural heritage in Finland. By December 2021, there are 180 submissions from over 250 communities in the platform ranging from small local or area-specific hobby groups or NGO’s to national institutions with tens of thousands of members.

One of the questions on the wiki is about transmission of the element. Here communities describe their efforts in safeguarding ranging from transmission in communities to formal education, from documentation in archives and libraries to community building activities taking place online. The inventory is an effective tool in raising awareness. It attracts thousands of visitors very month from Finland and abroad. only this year from over 100 countries. The texts, photos, videos and links to other information serve their purpose both for awareness-raising, but also on education. The wiki is used as a resource for education materials both by the Agency in its dedicated website for study materials, but also by various communities, training organisations and even the media. In Finland there has not been resources for example to formulate specific safeguarding plans for the elements that would be followed and updated. In this sense there is room for improvement.

The ultimate benefit of the wiki-approach is the enhanced protection and safeguarding of cultural heritage. However, multiple other benefits are evident. The inventory not only raises awareness on cultural heritage, but it also supports local cultural heritage communities in networking and self-expression. By raising awareness of the heritage, the Wiki provides an excellent platform for both cultural heritage communities and academic field for further projects on the subject. Discussions about the Wiki raises wider thoughts on cultural heritage as an asset and its meaning to the society in general.

Question 7.1.b

To what extent do these inventories reflect the diversity of ICH present in your territory?

Largely

Explain briefly, giving examples, how these inventories reflect the diversity of ICH. If you have answered ‘Not at all’ or ‘Minimally’, explain what obstacles you face in so doing.

The submissions from various domains have been received from all over the country. The traditions included can relate to celebrations, food, crafts, music and dance, performing arts, games, nature, or oral traditions. Good practices, projects or methods for the safeguarding of ICH can also be presented. The Wiki-inventory works in three languages (Finnish, Swedish and English) and in additional languages. The platform has become a place of interest and an avenue of expression for many heritage communities and groups.

Finland is a country of 5 million people, two official languages, old and new minorities and diverse subcultures. The aim of the Wiki-inventory for Intangible Cultural Heritage was to create a participatory, low-threshold tool for inventorying and presenting intangible heritage in Finland. The tool makes this entry-level inventory as simple and as participatory as possible, in order to provide the possibility for various groups, associations, and other communities to display, present and make known such intangible heritage that is living, important and meaningful for them.

The Wiki is an inclusive way of presenting diverse intangible cultural heritage and making it visible. Geographically the whole of country is quite well presented. The wiki includes a map with all regions and all municipalities in Finland, which also encourage communities to present their local heritage. In terms of the age of the participants, there is ICH related to both young and senior citizens. For example, hobby horses are a wonderful example of a flourishing form of ICH among Finnish children and summer theatre of a thriving youth movement.

Special attention has been paid to emphasize the diversity of intangible cultural heritage in Finland. Though being a relatively heterogeneous society, Finland has a Swedish-speaking minority (290 000 people), indigenous people Sami (10 000) and the Roma people (10 000). People with foreign nationalities form around 4% of the population (over 200 000 people). Among the first entries on the Wiki were the Romani song tradition, Sami handicrafts, the minuet tradition in Finland’s Swedish-speaking community, and African dance and music in Finland. Later on for example the National Culture Days of the Deaf has been added to the inventory.
More could be done though to make the new minorities visible in the inventory. Efforts have been made along the years, seminar and workshops on ICH have been organized together with NGOs working with immigrant communities for example. It needs time and resources to engage communities more into inventorying work. The inventory is still relatively recent and continue to be a work in progress.

Question 7.2

Do specialized inventories and/or inventories of various scopes also contribute to the safeguarding of ICH and reflect its diversity?

Yes

Based on your response in section A.6 Inventories

, explain how such specialized inventories and/or inventories of various scopes contribute to the safeguarding of ICH and reflect its diversity

In Finland some of the fields of ICH have created inventories. These specialized inventories add to the diversity of the inventories under the Convention by examining closely associated elements of broader ICH. These inventories have also allowed for a more inclusive inventorying process by examining the various aspects of the element and the persons involved with its continued practice. In the present day these especially methods of crowd-sourcing are becoming more usual.

Craft Museum of Finland maintains the largest collections dealing with ICH on crafts field. The collections of the Craft Museum of Finland are documented as a subinventory in the national Finna database. The inventory includes materials related to the phenomena of crafts, photographs, audiovisual material and archival material. The collections contain material from crafts companies and associations, as well as private artisans and enthusiasts. The inventory includes also photographs of the museum’s own exhibitions and events. At the moment, The Finnish Handicraft Museum is building a CraftStories website, which provides information on handicrafts, products and exhibitions. The site is intended to become a gathering place for craft events, authors, publications and current affairs. The first versions of the site will be in test use at the end of 2021.

The National Costume Association Raita ry has an ongoing National Costume Information Coffin (Kansallispukujen Tietokirstu) project, the aim of which is a comprehensive and up-to-date national costume database. The project has progressed to the preliminary study phase, and during 2021 the first parts of the databases are expected to be released for trial use. The design of the database has been carried out using participatory methods so that the database connects those working with national costumes. The project has been supported by the FHA grants for ICH.

Punomo is a website where ideas, instructions, information and learning materials about handicrafts are added. The website was set up 25 years ago for the needs of craft education, but it is open to anyone interested in crafts. Craft teachers have access to more extensive teacher material from the site under license.
At the field of folk music and dance, the website Kamukanta.fi contains current information such as news and an event calendar. Different organisations and persons involved with the field can present themselves with profile pages providing more information about them and contact information. The website also administrates a list of publications in the fields as well as video content, including separate videos to streamed events. The main part of the content is available in Finnish only, but the users have the opportunity to upload information in both Finnish, Swedish and English.

Tanssinriemu.fi (Joy of Dance) is a platform offered by the Finnish Youth Clubs, where the dance programs produced by the Association are distributed to folk dance groups. The menu contains various direct searches for materials to make it easier to find. For each dance and content, a possible dance instruction, sheet music and music, if only available, have also been compiled. The project has been supported by the FHA grants for ICH.
Tanhuvakka.fi is recently opened website for traditional Finnish dances online. For the website, videos from practitioners all over the country are collected in order to compile a video playlist that brings together more than 200 recorded Finnish folk dances. Existing public folk dance videos have been compiled into the database, and new videos of previously unrecorded folk dances are filmed for this purpose.

Sirkka Database collects information online on Finnish circus companies, artists and shows as well as magicians and circus teachers. In addition to an artist or a circus teacher profile, users can also fill in data on shows and companies. The database is linked with the performance calendar and shows and artists section on our site. The service is open for anyone interested in circus, eg. circus professionals, cultural journalists and researchers.

MAPPA.fi is a material bank for outdoor learning, environmental education and sustainable living maintained by the Finnish Association of Nature and Environmental Schools. The materials are mainly intended for teaching, upbringing and youth work. The materials and tools on the site can be compiled into packages suitable for your own use.

Question 7.3

To what extent are existing inventories regularly updated, taking into account the current viability of the elements included therein?

Largely

Based on your response in section (f) and (l) of A.6 Inventories

, explain the method(s) of updating the inventories, giving examples of how those take into account and reflect the current viability of the inventoried elements.

The inventories under the Convention are updated every three years based on the date when they are originally submitted to the Wiki. The updating is done by the communities behind the entries. The Agency follows up the updating, reminds the communities if needed, asks for further questions and provides technical assistance when necessary. The updates are usually about recent development, project, campaigns or courses related to the element so contributing namely to the viability. The texts can be updated, new photos, videos or other links can be updated.

Because of the big number of the elements in the inventory and the scarce human resources, it is not possible to interview communities on the update or make visits to sites in a structured manner.

Question 7.4.a

To what extent is access to ICH inventories facilitated, while respecting customary practices governing access to specific elements of ICH?

Largely

Based on your response in section (o) of A.6 Inventories

, explain briefly, giving examples, how this is accomplished.

The Wiki-inventory for Living Heritage has proved to be an efficient tool in awareness-raising and gaining new audiences for ICH elements. The Wiki-Inventory has attracted wide interest in the public. In 2021 alone there has been around 100 000 individual visitors. 90% of them are new visitors and 20 % of these visits come from outside Finland. Follow-up of visitors of the Wiki is done with Google Analytics. The web use metrics alone show that the Wiki-Inventory of Living Heritage has managed to find a vast interested and international audience, and contributed in a significant way to the visibility of intangible heritage in Finland.
The Wiki has gained a lot of attention in both regional and national media with tens of articles and radio programs all over the country.

Social media is important in widening the accessibility. Dedicated Facebook-page (Elävä Perintö) of the implementation of the Convention in Finland has 1500 followers to date. The pages publish approximately three times per week and reach from 100 up to 1000 viewers per publication. Posts about elements from the Wiki are regularly made. Also the Elävä perintö Youtube Channel brings people to the Wiki. The over 100 videos in the channel has been showed over 80 000 times since the opening of the channel in 2016. Communities taking part of the presenting their traditions are also sharing news on the Wiki. In this way, we have reached new audiences and further raised awareness of safeguarding intangible cultural heritage.

In addition the two websites managed by the Agency under the Convention (aineetonkulttuuriperinto.fi and the educational website opi.aineetonkulttuuriperinto.fi) bring furthermore new audiences to the Wiki. The website dedicated for study material on ICH has brought school kids all over the country to the Wiki.
The information on the Wiki is shared only with the permission of the communities behind. Only information provided with consent for public dissemination is made available on the website. It is also possible to give feedback on the elements via the Wiki or contacting directly the Agency and/or the communities behind.

Question 7.4.b

To what extent are ICH inventories utilized to strengthen safeguarding?

Partially

Explain briefly, giving examples, how the ICH inventories are utilized to strengthen ICH safeguarding. If you have answered 'Not at all' or 'Minimally', please explain what obstacles you face in having them do so.

Inventories are mainly seen as a tool for awareness raising by the communities themselves. In some of the elements however, inventorying has proven to be a start for bigger understanding and launching a process to make more efforts on safeguarding.

Clinic of Living Heritage is a concept developed by FHA in cooperation with the Circle of Folk Dance and Folk Music. Clinics have been organized in various events in the field, e.g. at the Kaustinen Folk Music Festival, Pispala Sottiis in Tampere and Samuel's Polonese in Oulu. In a 1-2 hour clinic the participants learn more about ICH safeguarding and the Convention. Based on the wished of the participants, elements of ICH are selected as basis for discussion that follows the questions in the wiki, with a special emphasis on safeguarding. The idea is to combine the festival setting with the clinics in order to attract new people to learn more about ICH and at the same time understand more about their own heritage. In the future it would be interesting to use the Clinic-model also in virtual settings.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Largely

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The State Party will work to improve the mechanisms for updating of the information of its Wiki-inventory, while also expanding and creating new mechanisms for inventory that may allow to generate more processes of inventorying of ICH in Finland. Special attention is given to underrepresented groups of communities and regions in the Wiki.


8. Extent to which the inventorying process is inclusive, respects the diversity of ICH and its practitioners, and supports safeguarding by communities, groups and individuals concerned

Guidance note corresponding to indicator 8 of the Overall Results Framework: English|French|Spanish

Question 8.1

To what extent do communities, groups and relevant NGOs participate inclusively in inventorying, thus informing and strengthening their safeguarding efforts?

Large

Based on your response in section (p) of A.6 Inventories

, explain briefly, giving examples, how this is accomplished.

NGOs, various communities (e.g. practitioners, hobby groups, actors within a certain geographical or thematic area, organisations in the field), institutions or even groups of individuals can make proposals. However, entries from commercial or political organisations cannot be accepted.

The Wiki-Inventory of Living Heritage stands out as an example of open, participatory and community-led way of inventorying. Wiki-format is known by most of the citizens as an open-access way to create knowledge together. This can truly be seen in the figures of the inventory regarding the number of entries (213) and number of communities behind (250).

The process of adding new content is planned in a way that makes the communities themselves responsible for their own texts. The publishing process of a wiki is instantaneous. The Wiki-inventory works in three languages (Finnish, Swedish and English), but additional languages can be used as well – so far North-Sámi and Roma language has been used.

The Finnish Heritage Agency moderates the wiki and reserves the right to request adjustments to submissions, as well as to, if necessary, remove inadequate or inappropriate submissions. Since 2016 FHA has removed three inscriptions because they were outside the scope of ICH.

Question 8.2

To what extent does the inventorying process in your country respect the diversity of ICH and its practitioners, including the practices and expressions of all sectors of society, all genders and all regions?

Largely

Based on your response in section (q) and (r) of A.6 Inventories

, explain briefly what measures are taken to ensure respect for diversity of ICH and its practitioners as well as gender inclusiveness in the inventorying process.

The Wiki-platform has already attracted a big variety of communities all around the country and has enriched the picture of intangible cultural heritage as such. The Wiki contains a map of Finland with all regions and all municipalities. This map is a good tool to follow that all parts of the country participate in the inventorying process. Furthermore, the map is a good way to encourage municipalities and especially the local heritage associations to make their ICH visible in the inventory.
The Wiki contains traditions related to people of all ages. Some relate more to senior citizens (taking candles to the graveyard on Christmas eve), some to youth or young adults (tech student traditions, conferment of master’s degrees) and also to children (bedtime stories, hobby horses). In addition, the Wiki-inventory for Living heritage contains articles made by children and youth. These articles have been given the label “Meidän perintö" (Our Heritage).

Furthermore, ICH related to different genders are visible in the Wiki, eg. Finnish spitz and safeguarding the hunting tradition or Making of Tommi knives, which both have more male practitioners. Some ICH such as Whitsunday festivities in Ritvala village or Rotina tradition related to newborn babies are more in the sphere of women. Also sexual minorities are presented in the Wiki with one element related to the festivities of this minority, leimarit.

In addition to the “usual suspects”, the traditionally heritage-driven communities, links have been created and interest raised also with non-traditional groups or unusual audiences, such as the Finnish Baseball players or Finnish Spitz (dog breed) owners. The platform has managed to become a place of interest and an avenue of expression for many heritage communities and groups.

A primary objective of the inventorying process is to promote respect and appreciation for the diversity of ICH and cultural practitioners in Finland. It is important that the diversity of heritages is visible in the inventory. Among the first entries on the Wiki were the Romani song tradition, Sami handicrafts, the minuet tradition in Finland’s Swedish-speaking community, and African dance and music in Finnish African communities. However, there is much more to be done to make the Wiki even more inclusive in the coming years.

The implementation of a national inventory in such a participatory manner creates multiple benefits both for cultural heritage and for communities. Long term impacts of the Wiki can be significant. In addition to safeguarding heritage and preserving its diversity, the work with safeguarding and promoting intangible cultural heritage creates respect for cultural diversity, increases mutual respect among communities, groups and individuals, and advances sustainable development. The Wiki can also be used as a tool to enhance intercultural dialogue and understanding, and to well-being.

Baseline and target

The first scale below automatically indicates the extent to which this indicator is met based on the information provided above. It constitutes a baseline for future reporting.
The second scale allows you, on a voluntary basis, to define a target for the next reporting exercise, in six-year time, and a text box allows you to explain how you intend to achieve this target.

Extent to which the current indicator is met:

Satisfied

Target for the next report:

Satisfied

Briefly explain why the State decided to establish this target for the next reporting cycle and how it will try to achieve it. In doing so, you can refer to the specific aspects and assessment factor(s) for this indicator that the State may wish to address:

The inventorying of ICH in Finland has been a successful in many ways. All domains, regions and sectors of the society are already presented among the listed elements. In the futu